A contemporaneous certified copy of the original document.

•  Written in a clear notarial hand. Very good condition.  (14466)

So Much of the Diary, here in its 1845 second edition, was originally printed in 1844, while Some Further Portions is here in its first printing.

Binding:  Contemporarymatched bindings done by Zaehnsdorf, signed on each front turn-in: brown morocco, framed and panelled in gilt and black fillets with gilt-stamped fleur-de-lis corner fleurons, turn-ins similarly designed, and board edges with gilt roll; spines with gilt-stamped titles and volume labels, blind-stamped compartment decorations, and gilt-stamped fleurs-de-lis in compartments. Top edges gilt. Back pastedown of each volume with gilt-stamped example of Zaehnsdorf's oval medieval bookbinding apprentice device, from a design by Jost Amman.

Provenance:  Front fly-leaf of second volume with a woman's tantalizingly not-quite-decipherable ownership inscription: “E[something] Anne Fan[something!]s [/] Farnley 1848.”  Most recently in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  NSTC 2R2740 & 2R2743; Ing, Charles Whittingham: Printer, 1795-1876, 32.   Bindings as above, variously rubbed to extremities; offsetting to endpapers from turn-ins. Vol. II with ownership inscription as above. Pages lightly age-toned with occasional minor smudges or spots; front fly-leaf of vol. II (only) more notably spotted. A handsome set of an intriguing Victorian — and feminine — perspective on the domestic side of this dramatic period in the 17th century.  (37855)

Mrs. Rawlinson recorded these recipes in standard format with ingredients listed first, and although her page-filling, uninterrupted, and only lightly punctuated paragraphs sometimes obscure that convention, her strong, slanting handwriting is very decipherable. The dishes she chose to preserve here (unseparated by any categorization) include British classics as well as dishes showing overseas influences; among them are Genoise pudding, maccaroni cheese [sic], curry, baked haddock, marmalade pudding, ragout of rabbit, milk rolls, lobster cutlets, beef olives, amber pudding (using apples, dried cherries, and lemon rind), Charlotte Russe, stewed steak, potato croquettes, Mulligatawny soup, lentil purée, beef hash pie, orange fritters, stewed kidney, kedgeree, German pudding, oyster patties, and many others. In the middle of one volume are a few pages bearing dessert recipes given in several different hands, one recipe being attributed to Mrs. Carr and one dated 1884.

This gathering of recipes providesa great deal of information regarding the dietary habits and preferences of the prosperous couple, as well as the culinary techniques available to Mrs. Rawlinson — everything here was prepared “on the fire,” as Burnley did not have electricity until 1893.

•  Contemporary oilcloth limp wrappers, now housed in a plain box with printed paper label on lid; box extremities lightly rubbed, wrappers rubbed and worn, text block all but detached from spine in smaller volume; Mrs. Rawlinson's name inscribed in each volume. Larger volume with offsetting to first and last pages; a very few instances of spotting, pages overall very clean. Interesting provenance/context, and interesting content. (41147)

The contents of these two volumes appear to be based almost entirely on John Roach's Beauties of the Poets of Great Britain, although Roach is not cited as the editor, the pieces are in a different order than originally presented, and there are a few minor changes: “The Negro Boy” is not included here, while several “runic odes” by Mathias and Penrose have been added. The expected highlights of Pope, Gray, Cowper, Burns, Chatterton, Goldsmith, etc. are present, as well as lesser-known pieces by women such as Mrs. Carter's “Address to Meditation,” Mary Darby Robinson's “Trumpeter,” and Helen Maria Williams's “Sonnet to Twilight” and “Sonnet to Hope” (the latter memorized by Wordsworth, whose first published poem was “Sonnet, on seeing Miss Helen Maria Williams Weep at a Tale of Distress”).

The volumes are illustrated with 18 wood-engraved plates signed by Sears, Willis, and others — not the 1793 originals.

Provenance:  Ownership note of “Adams Jewett, M.D.” to top of title-page.

•  This ed. not in NSTC, Lowndes, or Allibone. Not in British Library OPAC, not in NUC Pre-1956, not in OCLC, not in COPAC.   Recent marbled paper–covered boards, spines with printed paper labels. Each title-page with early inked ownership inscription in upper margin as above. Some pages with offsetting; spots of light to moderate staining; one page with pencilled annotation.  (25339)

•  Publisher's blue cloth, front cover with gilt-stamped title and fish vignette with blind-stamped decorative borders; spine slightly darkened, small spots of light discoloration, extremities rubbed. Sewing just barely starting to loosen but holding; pages clean. A more than decent copy of this interesting and, shall we say, “highly personal” work.  (35139)

Binding:  Contemporary black morocco, covers framed in gilt rolls and fillets with inner blind roll and blind-tooled corner fleurons surrounding gilt-stamped title (“Essays of the Rocket Club. 1885); spine with gilt-stamped raised bands and gilt-tooled compartment decorations. Board edges with gilt roll, turn-ins with blind roll; marbled endpapers and top edges gilt.

•  Bound as above, spine head repaired and refurbished; somewhat rubbed and a little scuffed — a volume that was both used/referred to and treasured. Many leaves with short tears from outer margins, often with old, possibly contemporary repairs; some leaves showing faint, pressed-out creases most likely from mailing. Unique, enjoyable, and eminently worthy of study.  (36353)

Binding:  Publisher's dark green cloth, front cover and spine with flowering branches stamped in black, spine with gilt-stamped title.

•  BAL 16902 (not matching either described binding); Wright, III, 4619.   Bound as above, extremities rubbed not too roughly; front cover with small areas of faint discoloration. Front free endpaper with inked ownership inscription (S.M. Woodburn) dated [18]81 and tear with a bit of loss from upper margin. Generally clean and nice with occasional light spots; ads at the back giving extra pleasure and interest.  (28406)

This appears to be not only the first but the only 20th-century edition of the only work published by Roe, whose name is also given as Mrs. Alfred S. Roe on the title-page; the eight plates were done bypopular children's illustrator Bertha G. Davidson. A search of WorldCat finds this two-woman collaboration physically in only two U.S. institutions (Harvard and the University of Chicago).

Binding:  Publisher's sage green cloth (unsigned) stamped in black, white, and gilt, with the two children dancing and playing their tambourines on the front cover, and good dog Napoleon on the spine.

•  Not in Wright.   Publisher's cloth as above, spine very slightly darkened, minimal wear to extremities. Front fly-leaf with early pencilled ownership inscription. Pages faintly age-toned, otherwise clean. A solid, pleasing copy of this scarce New England–flavored item; a tale offering much sentimentality, but also plenty of realism. (41370)

Binding:  19th-century black pebbled calf, spine with gilt title surrounded by various double gilt rules and arabesque stamps, covers framed with double fillets in blind around two drawer pulls connected by a rule of dots surrounding a mostly oval gilt foliate design. All edges gilt; original brown silk ribbon placeholder present. Front pastedown with binder's ticket of T. Edmondson, 38 Marketplace, Lancaster.

Provenance:  With gift inscription “Elisabeth Sophia Jameson to her much Loved Daughter Maryanne Jameson Lancaster July the 7 1848" on front fly-leaf in ink and a pencilled note “C.S.F. July 10 1915" immediately below. A small rubber-stamp green monogram, possibly C.S.F.'s, appears at the bottom of the title-page. Most recently in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Binding as above, very gently rubbed at corners and joints, top back joint (outside) just starting, front cover very slightly splayed. Light age-toning throughout, a handful of specks, one small marginal spot. Provenance markings as above, binder's ticket offsetting to front endpaper. Despite the sound of the necessarily recited faults, this isa strong, lovely copy of this handsome production.  (38254)

“This edition follows exactly the text of the original Belfast issue of 1897 except that certain misprints have been corrected,” according to the edition statement; the text is ornamented with reproductions of the originalthree wood engravings by W.M.R. Quick. The present example is numbered copy 719 of 1250 printed.

Provenance:  Calligraphic bookplate of Norman J. Sondheim, American collector of fine press books.

•  McKitterick/Rendall/Dreyfus 33.   Publisher's half sheep and pink, red, and brown mottled paper–covered sides, spine with gilt-stamped title; spine gently sunned, extremities a bit rubbed. Front pastedown with bookplate as above; light foxing to endpapers, with a very few faint spots elsewhere. Lovely Nonesuch production of a “must read it to believe it” novel!  (32039)

•  Original self wrappers (unbound; removed). The bottom half inch of the leaves and the top inch of the rear leaf are separated; very good.  (38504)

“To prevent fraud, the written signature of the proprietor, S.A. Osburn, will be written upon the wrapper[of the bottle], without which none is genuine. Sold, wholesale and retail, by N. Osburn, corner of Main and St. Paul Streets, Rochester, N.Y., general agent for the United States” (p. [4]) — this copy without that signature.

Printed testimonials on p. 4 are dated 1847 and 1855, and a charming wood engraving on p. 1 shows a woman administering medicine to a sick woman in her bed.

Searches of WorldCat locate only four U.S. libraries reporting ownership (PPL, NRU-Med, MWA, NRMW).

•  Folded, as issued. A clean, attractive piece of medical-commercial ephemera.  (38410)

The Osborne Collection suggests Sarah Scudgell Wilkinson as author, while Moon gives strong evidence for Elizabeth Kilner.

WorldCat locates nine North American libraries reporting ownership.

Provenance:  Late 19th-century signature of Rebecca B. Miller; a later bookplate removed; 1954 gift inscription to Hope Cooper W. Patterson from her grandfather. Most recently in the children's book collection of Albert A. Howard, small booklabel (“AHA”) at rear.

•  Shaw & Shoemaker 42802; Welch, American Children’s Books, 1393; Moon, Benjamin Tabart's Juvenile Library, 94.   Publisher's dark green quarter roan with tan paper sides; leather worn and starting to crack along the front joint. Inscriptions and booklabel as above. The expectable age-toning and light foxing to text and plates. A good++ copy.  (38918)

This is an untrimmed copy in original boards, with 24 pages of advertising for Carey publications bound in at the front of the volume. The preliminary map, engraved by John Bower, has hand-colored border lines; this American edition does not call for the plates found in the English first, but does include in-text depictions of several “Ethiopic inscriptions.”

•  Shaw & Shoemaker 33864; NSTC 2S3118. Publisher’s quarter tan paper over light blue paper–covered sides; front cover detached and back joint cracked, binding spotted, paper cracked and split along spine, spine label now absent and replaced with hand-inked title, spine with later paper shelving label. Front pastedown with institutional bookplate, front free endpaper with inked ownership inscription dated 1829. Half-title with portion of outer margin torn away (not touching text) and laid in. Map lightly foxed, with two short tears along folds. Pages age-toned, with occasional spots of foxing.  (19413)

Neither Medina, nor Palau, nor Garritz, nor the cataloguer for the NUC Pre-1956 entry notes a plate as present. The engraved plate in our copy, which is signed “Araoz M.o,” shows St. Teresa kneeling in prayer in her garden. In the background are a lake or a river and a mountain. Christ is seen off to the right, emerging from a stand of trees near the water. In front of the saint are some flowers and other cultivated plants which are being watered by an irrigation system fed by a well; two symbolic doves and a yearning (or dedicated) heart also appear. Below the engraving is a quotation from Ecclesiastes that the saint used in her writings.

The engraver was Manuel de Aráoz, one of the first students of the Mexican Academy of Painting, a noted engraver, and later subdirector of the Academy's department of engraving.

•  Medina, Mexico, 10812; Palau 293431; Garritz 1569. On the engraver, see: Diccionario Porrúa de historia, biografía y geografía de México (5a ed.), I, 165.   Without the plain wrappers one expects. Three pin-type wormholes affecting some pages, including the plate, not offensively. Discoloration along inner margin of title-page; soiling affecting edges/margins variably; upper outer portions of title-leaf, last two text leaves, and final blank most affected. Ample-margined copy.  (27616)

•  Medina, Mexico, 10812; Palau 293431; Garritz 1569.   Removed from a nonce volume. Without the sometimes-seen plate, which is not mentioned by Medina or Garritz or Palau; it may be not all copies were issued with it or that it could be added at an additional cost. Fore-edges closely trimmed, touching or costing up to a few letters of some sidenotes. Very good copy.  (34495)

•  ESTC T95509; NCBEL, II, 682. Old-style marbled paper–covered boards, spine with gilt-stamped leather title and date labels. Light waterstaining to upper and lower margins of first and last few leaves; title-page and a few others stamped by a now-defunct institution. Author’s name inscribed in an early hand at the end of the poem.  (8562)

The title-page calls this the “twenty-second edition” (the date of publication given here is suggested by the Bodleian), and it is uncommon: a search of WorldCat findsjust four copies.

Provenance:  From the children's library of American collector Albert A. Howard, sans indicia.

•  Opie A 211/3; Osborne Collection, p. 935 (for 1837 ed.).   Original green printed paper wrappers, spine extremities slightly rubbed. A notably clean, bright, unworn copy, with excellent hand-coloring.  (41484)

Owner's modification: The word “Pax” is neatly printed in black ink on the book's back cover, gently arced above the engraving; and “Roosevelt” has been similarly added to the back of the slipcase, with “Post Lux Tenebras” being artfully placed below the engraving.

•  Faxon 1303.   Binding as above, back inside cover with brown silk pull-tab intact, joints very skillfully refurbished with long fiber and then toned; extremities gently rubbed. Front free endpaper pencilled with old bookseller annotations. Pages and plates generally clean with very occasional light foxing; guard leaves with predictable offsetting. Case somewhat rubbed with extremities chipped at corners but completely sound and with the described embellishments. A lovely little gift book, with the original (and early for its kind) slipcase.  (36042)