The frontispiece portrait of Nelson was engraved by George Vertue after a painting by Sir Godfrey Kneller. The volume also includes all publisher's advertisements as well as the rather uncommon Poem in Memory of Robert Nelson Esquire.

This was produced to be a handsome work, printed in large type on good paper with wide margins — the better to appeal to a “quality” audience?

•  ESTC T85360; Goldsmiths’-Kress 5249. Poem: ESTC T25431; Foxon P538.   Contemporary speckled calf, framed and panelled in blind with blind-tooled corner fleurons; rebacked with speckled calf, spine with gilt-stamped leather title-label, raised bands, and blind-tooled foliate compartment decorations. Original leather abraded, front cover with small chip to outer edge and area of faint discoloration from a now-absent label; title-page institutionally rubber-stamped (no other markings). Some signatures browned and foxed, most pages clean.  (25999)

•  Brunet, IV, 136-137; Graesse, IV, 701; VD17 23:629766P.   Contemporary vellum with yapp edges, spine with hand-inked title and date; light dust-soiling overall, with spine and edges darkened, vellum just starting to chip at back joint. Front pastedown and fly-leaf with later pencilled annotations. Studentes bound out of order with title-page and prologue towards the end; a helpful hand has tried to make sense of the situation by adding page numerals. One leaf with short tear from outer margin, touching a few words without loss; one short wormtrack touches two lines on each side of one leaf. Pages age-toned, otherwise clean. A solid, interesting example of this popular work in an early stage of its evolution.  (41618)

Binding: Publisher's red cloth with black lettering to spine and front board. In original cream paper dust jacket featuring a photograph of a young girl preparing to jump rope.

•  Bound as above, dust jacket age-toned and foxed with waterstaining to edges, chipping at extremities, tears at spine-head and top rear edge; spine of volume sunned at chip. Foxing to endpapers, minor gutter cracks, one photo leaf with an old stain below the image. Pretty fascinating.  (40381)

This copy saw clear and evident use primarily as a resource for cakes and other desserts: while most of the pages are (if at all) only lightly worn or spotted, the “Cake” section displays venerable battle scars from numerous baking endeavors. Two recipes clipped from a newspaper (for “Hermits” and Snow Pudding) are laid in towards the back, among the advertisements for St. Johnsbury businesses.

WorldCat locates only five libraries reporting ownership.

•  Not in Brown, Culinary Americana. Cook, America's Charitable Cooks, p. 251.   Publisher's red cloth–covered board, front cover and spine ruled in black, front cover with gilt-stamped title and blind-stamped decorations, spine with black-stamped title; binding cocked, rubbed, and soiled with front hinge (inside) cracked and a bit weak. Front pastedown with small ticket of C.C. Bingham, a St. Johnsbury druggist and pharmacist. Pages mildly age-toned with scattered small spots, two pages with offsetting from now-absent laid-in paper, dessert section showing extensive wear as noted above. Scarce, and remarkably evocative.  (38086)

The Oneida newspaper meant so much to Noyes that even after he gave up control of the Oneida Community, he was to retain control of the newspaper and continue itsits advocacy for social change along with argument for communitarian economic aims, and these embraced a wide range: women’s rights, abolition, “complex marriage” (a form of polyamory), birth control via male continence, and (eventually) proto-eugenics, to name but five. As a University of Syracuse digital guide to the Oneida Community Collection notes, “The papers contained a very frank record of the daily life at Oneida as well as religious tracts, discourses on current subjects of social, political, and economic interest, letters to the editors, and advertisements for the Community's varied manufactured goods. They made no secret of their manner of life. . . . “

Present here is The Circular's volume I  (numbers 1–52, November 1851 through October 1852),  all issues printed in four-column format and very legible type. Following the attention-grabbing article already cited, the gathering's first issue presents a neat statement of “The Basis and Prospects of the Circular” before moving directly on to recount at length the foundering on a Hudson River excursion of a Community-owned sloop, with the loss of two woman members' lives. This is an engaging, very readable social history compendium apart from its usefulness for the study of a particular, mid–19th century American, radical social and religious movement.

•  Mott, History of American Magazines, II, p. 207; Lomazow, American Periodicals, 568; Oneida Community collection in the Syracuse University Library, pp. 24–25; https://library.syr.edu/digital/guides/o/OneidaCommunityCollection/hsr1.htm; and Sabin, 89516.   Stitched, in plain wrappers. Front wrapper with a patch of waterstaining along upper spine area, carrying through variously but usually faintly through March issue; some later issues on paper inclined to browning. Untrimmed, and with very little staining or tattering. A physically stable collection, safely and immediately usable.  (41155)

Provenance:  Inscription of M.A. O'Neil to fly-leaf, Portland, ME (1905); signature of Francis Massey O'Brien, Irish-American bibliophile and bookseller also of Portland, in his “Proinnsías Ó Bríain” form (1940).

•  Publisher's quarter brick red cloth with muted-apricot paper-covered sides; elegant gilt cartouche on front cover with author and title in black. Board edges lightly rubbed. A pleasing, attractive copy with pleasing provenance.  (29955)

This is numbered copy 39 of 125 printed and it ishand-dedicated at the colophon to Andrew Hedden, a notable collector of press books and livres d'artiste.

•  Publisher's cream-colored paper wrappers stitched with white leather lacings. Clean and fresh, with signatures unopened.  (30921)

•  Bound as above; spines sunned, joints and extremities rubbed, handsome nonetheless. Ownership indicia as above. All guard leaves present; one page in vol. II with small marking in upper margin, pages otherwise clean. A very nice set.  (41652)

This copy withCruikshank's four wood-engraved plates hand-colored, which Cohn notes was not always the case.

Provenance: Front pastedown with small book label featuring an illustration of a bird with the head of a fish wearing a jester’s hat brandishing a sword and with large feathered tail, the initials “N.H.L.T.” at the corners. Most recently in the children's book collection of Albert A. Howard, small booklabel (“AHA”) at rear.

•  Cohn, George Cruikshank: A Catalogue Raisonné, 625; Osborne Collection, p. 1019.   Contemporary textured red cloth, covers stamped in blind with foliate corner decorations, front cover with central gilt-stamped title (main title within decorative garter motif), spine with gilt-stamped title; corners rubbed, spine dimmed and a very little chipped. Small, illegible pencilled inscription on front pastedown; back pastedown with binder's ticket of Westley's & Co. Pages with a handful of small spots, overall clean.  (40808)

It is notable that the Pegasus included Jews and women at a time when Philadelphia was highly segregated by race, ethnicity, and gender.

•  BAL 18675. Not in Singerman, Judaica Americana.   Later brown linen over boards with title in gilt on spine; interior occasionally with a trace of light soil and, throughout, a very light, narrow, and almost decorative(!) sliver of old water intrusion across bottom and lowest fore-edges. In fact, a nice copy.  (41472)

This is an uncommon edition: WorldCat does not find any institutional locations. There is apparently one copy of the same printing at the University of Essex, and the date given here is based on their assessment.

•  This edition not in NSTC.   Removed from a nonce volume; sewing loosening, with signatures starting to separate. Pages age-toned, with small area of waterstaining to upper outer margins; title-page with small spot of staining; plate mounted (some time ago), with three small spots of staining and some darkening around caption. A very readable copy of a striking and strikingly vivid morality tale.  (37200)

J.F. McLaughlin, a Baltimore lawyer, supplied the 16-page biography of “Peppergrass” that precedes the novel.

Provenance: Ownership signature of James Flaherty of New London, CT, on front free endpaper and fly-leaf.

•  Wright. II, 330 (earlier Baltimore edition in two volumes).   Publisher's green cloth, boards blind-stamped with a center medallion of the publisher's monogram; spine stamped in gilt with an image of the spaewife. Age-toned with foxing/spotting and few quires starting to loosen; a copread with enthusiasm..  (41721)

•  Palau 220783.   Contemporary quarter maroon sheep and red pebbled paper–covered sides, spine with gilt-stamped title and compartment decorations; spine attractively darkened, edges and extremities rubbed, sides with spots of discoloration. Front free endpaper with private shelf-code sticker; title-page with private collector's rubber-stamp. Pages age-toned, with some scattered small smudges or spots of light staining.  (29936)

The53 in-text engravings offer iconographic evidence for the Amazons. The majority are numismatic, showing portrayals of Amazons on classical coins. Some others show works of art, especially sculpture, and representations of what Amazonian weapons might have looked like.

The work begins with a dedication to Baudelot de Dairval and a full table of contents. The body of the text is organized into chapters concerning various aspects of the lives and types of evidence relating to the Amazons. There is an “Addenda” on pp. 381–98 that includesdiscussions of Christopher Columbus, cannibalism, and Amazons in the New World. The book ends with another index.

•  European Americana 587/106; Sabin 61256; Hayn, Amazonen-Litteratur, 53.   Recent marbled paper over boards, leather spine label. Added engraved title-page cut down with loss of imprint data and mounted; without the map, often missing. Light staining to the preliminary and first few text pages. Otherwise, a rather nice copy.  (40385)

Provenance:   With a partially removed armorial bookplate of the Bibliotheque de Rosny (the library ofDuchess Marie-Caroline de Bourbon-Sicile — King Henry the Fifth's mother) on front pastedown and two bookseller descriptions of the item in hand on binder's blanks; most recently in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

Procter was a philanthropist as well as a poet, involved in several charitable and feminist causes, and contributed to Dickens' Household Words under the pen name “Mary Berwick” in hopes that her work would not be judged based on her father's friendship with Dickens. She died shortly before the publication of this new edition of her poems.

Binding:  Red morocco over bevelled-edged wooden boards, spine with gilt lettering, rules, and stamped compartment decorations of acorns and oak leaves; covers with a wide composite gilt border incorporating laurel crowns and more oak'y ornaments surrounding a large gilt spray of holly and ivy. Marbled endpapers, all edges gilt.

•  Eckel, First Editions of the Writing of Charles Dickens . . . A bibliography, pp. 163–64; Podeschi, Dickens & Dickensiana, B293.   Bound as above, heavy boards sometime separated and reattached; extremities rubbed with spine pulled. Dedication page mentioned by Eckel lacking; foxing and minor staining to edges of frontispiece portrait with one other illustration and adjacent page foxed also. Previous owner's notes in pencil on front endpapers. A Good+ copy (priced accordingly) of this attractive production.  (37385)