Vol. I “continens dictionarium latinum cum hispanicis interpretationibus Cui ad jecti sunt, praeter ca quae olim fuerunt addita á Xantho Nebrissensi Antonii filio, insignes loquendi modi, phrases, adagía quae ibi deside rabantur; ac pené innumerae dictiones cum carum explanation ibus, originibus, etymologia latinis, quam graecis; expurgatis al quamplurinis, quaepro veris in prioribus editionibus intrusas fuerant: quae omnia latius in praefatione ad lectoruem exponuntur” and vol. II “complectens dictionarium hispanum ejusdem auctoris latine interpretatumin hac nova editione emendatum, quamplirimis vocabulis, pharasibus, adagiis, ac variis locundi formulis adornatum, auctum, locupletatum: deinde alterum propriorum nominum oppidorum, civitatum, montium, fontium, flviorum, lacuum, promontoriorum, portunm, sinum, insularum, & locorum memorabilium, ab eodem autore compositum: nunc denuó quibuasdam interpretationibus vernaculis, quae ibi deerant, adjectis.”

Provenance:  18th- or early 19th-century bookseller's label of the Libreria de Lozano of Cadiz.

•  Palau 189216 (erroneously giving date as 1761, having read the final roman numeral as I instead of L) & 189222 (without giving publisher).   Contemporary acid-stained Spanish sheep, round spine, raised bands, modest gilt tooling on spine, one red and one green spine label on each volume. Labels abraded with some loss; binding with abrasions and rubbed in places to the underlying boards, but binding mostly very nice. Marbled endpapers. Occasional light age-toning and three or four gatherings browned from impurities in water during paper manufacture. A sound, decent set.  (28907)

•  Brunet, VI, 1720 (no. 30066); Graesse, IV, 679.   Later plain cream linen, spines with titles stamped in brown; minor sunning to spines and to top front edge of vol. II. Edges untrimmed, most signatures unopened; dust-soiling to edges and into many margins; foxing, creasing and cockling variously; some leaves in vol. I with short tears from outer margins (often where an illustration needed to be placed inside an unopened signature). Of interest for scholars of public morals and popular culture, the book trade, and illustration in France from the 15th century through the middle of the 19th, among other topics. (40866)

The first three volumes were printed in Amsterdam in 1734, and each opens with an engraved frontispiece; the fourth volume was printed in Cologne in 1739. All four volumes have title-pages printed in red and black, with the fourth specifying that Nicole's notes were translated by Mademoiselle de Joncourt.

Provenance:  All four title-pages with small early inked ownership inscription in upper outer corner of “A. Thorpe, York.”

•  Period-style quarter mottled calf and marbled paper–covered sides, spines with gilt-stamped leather title and volume labels and gilt-stamped compartment decorations. Vols. I and II with frontispiece rectos institutionally rubber-stamped, with bleed-through into images; ownership inscriptions as above. Pages clean.  (27243)

•  NCBEL, II, 1583 (for the 1854 ed. on which the present ed. was based). Publisher’s textured cloth, worn, covers framed in decorative blind-stamping, spines ruled in blind and simply gilt-stamped with titles and volume numbers; spines faded, slightly discolored, all pulled with cloth lost above page level and one with additional chip out of cloth near head. Front pastedowns with tickets from a Nashville bookseller. Many pages with light offsetting (darker following frontispieces) and foxing such as the paper is prone to; front free endpaper of vol. IV with pencilled ownership inscription and back fly-leaf of vol. II with pencilled annotations. (4737)

This set includes two volumes of supplemental text, adding a number of entries. The first edition was followed by two volumes of supplemental plates, not present here and not called for: Graesse describes this edition as “sans grav.”

The pagination is erratic in a number of places; there is a numbering gap from 2342 to 2351 between vols. IV and V, but the text and signatures are uninterrupted.

Uncommon: OCLC locates only two U.S. institutional holdings of this second edition.

Provenance: Most volumes with small inked ownership inscription in an outer margin: “G.R.W.” the mark of William Rollinson Whittingham (1805–79), fourth Episcopal Bishop of Maryland and an enthusiastic book collector.

•  Brunet, IV, 851; Graesse, V, 429. Not in Sabin.   Contemporary half binding, recently rebacked with tan paper, spines with printed paper labels; boards rubbed and faded with small chips, one vol. with front cover waterstained. Foxing almost throughout, generally no worse than moderate; light waterstaining in upper margins of vol. I; one leaf in vol. VII with lower outer portion torn away, with loss of words from about 18 lines on each side. Vol. II with printer's error replacing pp. 1065–72 with duplicates of pp. 1057–64; pagination erratic in other places. Most vols. with ownership mark as above; vol. VI with one pencilled and one inked marginal annotation.  (25862)

The work was printed in Northumberland, Pennsylvania, where Priestley settled in 1782, when his liberal political opinions and defense of the French Revolution (in addition to his status as a nonconforming minister of questionable orthodoxy) obliged him to emigrate from England to the United States.

Provenance: Both title-pages inscribed by N. Irwin.

•  Shaw & Shoemaker 4912 & 7121. Recent quarter calf over marbled paper–covered sides, spines with gilt-stamped leather title and volume labels. Title-pages with faint impression of a once-pencilled shelf number; some leaves lightly foxed.  (12638)

The "Story of the Country-Mouse and the City-Mouse," Prior's satiric and politically motivated response to Dryden's "Hind and Panther," is not included, but the long pieces "Solomon on the Vanity of the World" and "Alma" are present. The "Life of Mat. Prior" in the first volume commences beneath a small engraved portrait.

Binding:  Later sprinkled calf, covers gilt-ruled with gilt inner dentelles, spines gilt extra with gilt-stamped leather title and volume labels. All edges saffron.

Provenance:  Both volumes with armorial bookplates of Sir Robert D'Arcy Hildyard.

•  On Prior, see: Dictionary of National Biography, 397–401. Leather cracking over joints with hinges tender; spine tips a little dry and pulled; upper and outer edges of all covers somewhat darkened; light wear to extremities. Light foxing to some pages. In fact a very handsome pair. (3402)

•  Brooks, Compendiosa Bibliografia di Edizioni Bodoniane, 361; Brunet, IV, 916; Dibdin, II, 360–61; Graesse 467. On Prudentius, see: Catholic Encyclopedia online.   Recent half vellum and paper–covered sides, vellum edges graced with gilt single fillet, spines with gilt-stamped leather title and volume labels and with gilt-stamped Greek key design; binding discolored and a little bubbled from proximity to fire. Edges untrimmed, signatures unopened; vol. I with surprisingly various old waterstaining, sometimes faint and sometimes not, in upper margins of first half and outer margins of last few leaves. Interior of both volumes otherwise clean, with no markings, save that the endpapers are smudged and those untrimmed edges, plus occasional small areas of margin contiguous, are darkly smokestained from that fire. This is a book that has suffered, yet a production that is still as lovely as Dibdin said it was and a set well worth having.  (25517)

Provenance:  Front fly-leaf of vol. I with affectionate inked gift inscription from David Williams to John Griffiths (both academics of the University of Oxford, as referenced in the inscription), dated 1854. Front pastedowns each with 19th-century bookseller's small leather label (“the most Expert Bookfinder Extant”).

•  Brooks 361; Brunet, V, 916; De Lama, II, 52–53; Dibdin, II, 360–61; Graesse 467.   Bindings as above, edges and extremities rubbed, spine labels with small repairs. One of the most desirable editions of this important poet, here in an attractive copy with delightful provenance.  (40137)

So Much of the Diary, here in its 1845 second edition, was originally printed in 1844, while Some Further Portions is here in its first printing.

Binding:  Contemporarymatched bindings done by Zaehnsdorf, signed on each front turn-in: brown morocco, framed and panelled in gilt and black fillets with gilt-stamped fleur-de-lis corner fleurons, turn-ins similarly designed, and board edges with gilt roll; spines with gilt-stamped titles and volume labels, blind-stamped compartment decorations, and gilt-stamped fleurs-de-lis in compartments. Top edges gilt. Back pastedown of each volume with gilt-stamped example of Zaehnsdorf's oval medieval bookbinding apprentice device, from a design by Jost Amman.

Provenance:  Front fly-leaf of second volume with a woman's tantalizingly not-quite-decipherable ownership inscription: “E[something] Anne Fan[something!]s [/] Farnley 1848.”  Most recently in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  NSTC 2R2740 & 2R2743; Ing, Charles Whittingham: Printer, 1795-1876, 32.   Bindings as above, variously rubbed to extremities; offsetting to endpapers from turn-ins. Vol. II with ownership inscription as above. Pages lightly age-toned with occasional minor smudges or spots; front fly-leaf of vol. II (only) more notably spotted. A handsome set of an intriguing Victorian — and feminine — perspective on the domestic side of this dramatic period in the 17th century.  (37855)

The contents of these two volumes appear to be based almost entirely on John Roach's Beauties of the Poets of Great Britain, although Roach is not cited as the editor, the pieces are in a different order than originally presented, and there are a few minor changes: “The Negro Boy” is not included here, while several “runic odes” by Mathias and Penrose have been added. The expected highlights of Pope, Gray, Cowper, Burns, Chatterton, Goldsmith, etc. are present, as well as lesser-known pieces such as Mrs. Carter's “Address to Meditation,” Mary Darby Robinson's “Trumpeter,” and Helen Maria Williams's “Sonnet to Twilight” and “Sonnet to Hope” (the latter memorized by Wordsworth, whose first published poem was “Sonnet, on seeing Miss Helen Maria Williams Weep at a Tale of Distress”).

The volumes are illustrated with 18 wood-engraved plates signed by Sears, Willis, and others — not the 1793 originals.

Provenance:  Ownership note of “Adams Jewett, M.D.” to top of title-page.

•  This ed. not in NSTC, Lowndes, or Allibone. Not in British Library OPAC, not in NUC Pre-1956, not in OCLC, not in COPAC.   Recent marbled paper–covered boards, spines with printed paper labels. Each title-page with early inked ownership inscription in upper margin as above. Some pages with offsetting; spots of light to moderate staining; one page with pencilled annotation.  (25339)

The book is illustrated with 100 engraved plates and numerous in-text engravings, as well as a frontispiece map of the Holy Land in each volume. The plates are mostly figural illustrations taken from paintings in catacombs and on sarcophagi, illuminated manuscripts, mosaics, ivory figurines, murals, etc. The title-pages are printed in black and red ink, and decorated with an engraved vignette.

•  Publisher's red cloth, stamped in gilt on the spines and front covers. Spines sunned and front cover of vol. II slightly sunned along fore-edge also; cloth of spines frayed at extremities and chipped in other places. Hinges (inside) of vol. I a little weak, stitching exposed; corners bumped with cloth damage; pages very shallowly bumped. Ex-library, with shelf labels on spines, institutional bookplates on front pastedowns, pressure-stamp to title-pages and one other page in each volume. Paper very good; pages clean and bright.  (24688)

•  Publisher's red cloth, spines gilt-stamped, in matching slipcase; volume spines sunned, slipcase showing minimal shelfwear. Overall very clean and crisp.  (33160)

Binding/Provenance:  Contemporary full vellum withgilt-stamped supralibros “Fridericus Rex Prussiae. A. 1764.” on front covers of both volumes, suggesting they were presented to the King of Prussia that year, just after the final part was printed.  Bright red edges.

•  Bindings as above, both a little soiled, with noticeable but small spots on back cover of first vol. and front cover of second, spines rubbed erasing old ink titles and library markings. Four volumes only of six, bound in two; old-fashioned institutional rubber-stamps on title-pages and ink markings on front pastedowns. Light foxing, a few small holes from natural paper flaws, and one naturally occurring tear in part two. A single small hole resulting from chemicals in the paper in parts two and four; a few stray ink marks from the press. In good shape, printed on nice, fibrous paper and remarkably clean.  (30343)

•  19th-century cream paper–covered boards with handwritten spine labels of paper, all edges speckled red; well rubbed with some loss of paper, dust-soiled especially to spines and top edges. Ex–seminary library with remnants of spine labels, bookplates on front pastedowns and a fly-leaf, small inking on endpapers, and light pencilling to title-page versos and one leaf of text. Light age-toning, with pinprick wormhole affecting margins or parts of letters (but not sense) in several gatherings, wormtracking on inner margins of a few others; a few paper flaws, small spots or stains, two repairs, one marginal tear with paper loss, another small marginal hole, two leaves with inked notes. In fact a nice old trio.  (37076)

Provenance:  Vol. I has the handsome, contemporary bookseller's label of Pierre Beaume, of Bordeaux, on the front pastedown.

Searches of WorldCat and ESTC find apparently six German libraries reporting ownership of vol. I only and no German library reporting holding both volumes or even just vol. II. The same searches found only three libraries in the Anglo world reporting ownership, each having both volumes: Indiana University, the British Library, and the University of Wales.

•  ESTC T124033; Alston, Bibliography of the English Language from the Invention of Printing to the Year 1800, 13, 60. For a brief biography, see: https://users.manchester.edu/FacStaff/SSNaragon/Kant/bio/fullbio/schulzjcf.html.   Contemporary full sheep with modest gilt-bead tooling to spines and to red and black leather spine labels; board corners and spine extremities renewed, and joints strengthened with long-fiber and toned. Textblocks age-toned and with some offsetting from leather of turn-ins to some edges of early and late margins; vol. I with old light marginal waterstaining to first few leaves; vol. II with limited Inkstain in a few outer margins not into text and pp. 793/794 crumpled, its top and lower margins torn and repaired with old paper. A very pleasing set and one that is now also SOLID FOR USE. (41252)

Binding:  Brown (vol. I) and red (vol. II) morocco with beveled boards, five raised bands to spines and gilt lettering/devices in compartments; front covers with gilt tripled-rule borders, gilt lettering, blind-stamped corner decorations, and, within central oval frames defined by beaded gilt swags, compound recessed medallions each composed of a (faux?) tortoise shell oval surrounding and securing an inlaid silk panel embroidered with adifferently colored colorful wreath of flowers. Rear boards bear same borders and corner devices in blind, with a blind-stamped central quatrefoil medallion; all edges of both volumes gilt, with bookmarks of purple (vol. I) and green (vol. II) silk ribbon present. While the bindings are clearly intended as a pair, the differing colors of the leather, bookmarks, and flowers in the insets make this an interesting sort of set.

Evidence of Readership: On verso of front fly-leaf of vol. I, a previous owner's neat pencil notes on purchase history. Small, marginal pencil marks throughout the middle section of vol. I.

•  Bound as above, rubbed; vol. II lacking tortoise frame on front board, leaving board underneath exposed and embroidery slightly soiled (although, usefully, this shows some of the area's underlying construction). Minor foxing throughout, with more severe foxing to title-page and frontispiece of vol. I; bookmarks with fading and loss at ends. Charmingly bound set; blemished, still pleasant and sturdy.  (37361)

Binding:  Publisher's light brown near-herringbone cloth, covers elegantly stamped in border-and-medallion style in blind, with spine quite interestingly embossed in blind in “compartments” and lettered in gilt.

•  Bound as above, spines sunned and upper corners bumped; tops of spines slightly discolored and each with slight tearing in same area. A few gatherings carelessly opened, in one case with upper outer corners torn across yet no actual loss. Ex–social club library, and each volume has: 19th-century bookplate, call number on endpaper, no other markings. A nice set.  (28758)

Provenance:  Front pastedowns each with inked inscription: “George Sinclair, April 11th, 1805"; first two books of vol. I with early inked annotations in both Latin and English, no subsequent annotations. Later in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear of each volume.

•  Brunet, V, 383; Dibdin, II, 407–08; ESTC T147242; Schweiger, II, 956.   Bound as above; minimal wear overall, vol. II with small scuff to back cover. Inscriptions and marginalia as above. Back pastedown and final 40 (approximately) leaves of vol. I with small area of pinhole worming to upper outer margins, not approaching text. A handsome set of this uncommon Heberianum.  (40254)

Binding:  Contemporary half green morocco and gold-veined marbled paper–covered sides, spines with gilt-stamped leather title and volume labels; gilt-ruled raised bands, and compartments gilt extra.

Provenance:  From the library of Robert L. Sadoff, M.D., sans indicia.

•  Bound as above, withspines evenly sunned to olive, joints and edges rubbed, some corners bumped, spine extremities chipped; front joint of vol. I cracked and partially separated. Pages lightly age-toned; stain to fore-edge of vol. I, extending slimly into a few margins, and two pages in vol. II with small area of spotting. A dignified set, priced to allow for repair! (41200)

Provenance:  Green 1880 copy with pencilled inscription of Mariou Pierce of “B'ville, Mass.” (Baldwinsville), dated 1916. 1885 copy with Carroll Institute of Reading, PA,  PRIZE AWARD BOOKPLATE, noting gift in that year to Frederick Clymer for excellence in arithmetic. Later in the library of Robert L. Sadoff, M.D., sans indicia.

•  NSTC 741843.   Bindings as above; one spine with gilt dimmed, two volumes with extremities rubbed, hinges of green copy tender. Bookplate and inscription as above. Pages clean. An unusual gathering, of interest to scholars and lovers of binding and publishing history as well as to aficionados of late 19th–century illustration.  (40629)

Additional volumes continued to be published for many years, under the stewardship of other editors; Stenzel was responsible for I through V.

•  Recent black-flecked paper–covered boards, spines with printed paper title and volume labels. Some upper edges in vol. I and lower corners in vol. II bumped; all edges stained red except for vol. III, which has speckled edges. Vol. III (only) with light offsetting/show-through from print; in fact a clean, nice set. (25346)

In some ways even more militantly abolitionist than Uncle Tom, this novel's complicated plotdrew liberally on real-life figures and events that Stowe cited in a long and detailed Appendix, to create and assert a realism as to slavery and its effects that readers would find undismissable..

Provenance:  Front free endpaper of vol. I with inked inscription: “To Miss Matthews As a Phillipoena Pay[men]t From G.S.R. October 7 1856.” (“Phillipoena” was a German-derived game involving love and friendship penalties or “forfeits” between couples; make of that what you will!) Most recently in the library of Robert L. Sadoff, M.D., sans indicia.

Binding:   Publisher's straight-grained very dark brown cloth, covers framed in blind-stamped leaf and vine decorations, spines with gilt-stamped title and “Boston” at feet; plain yellow endpapers.

•  BAL 19389; Wright, II, 2391.   Bound as above, slightly cocked, lightly rubbed overall and moreso at corners; spine extremities chipped. Varying degrees of foxing; some signatures starting to loosen. Inscription as above!  (41279)

•  Brooks 692; Brunet, V, 638. This ed. not in De Lama, not in Schweiger.   Modern quarter green morocco and green pebbled cloth–covered boards, spines with gilt-stamped title and gilt rule–framed compartments; spines sunned (not unattractively), volumes lightly rubbed overall. Some pages creased in the press, with variable spotting/soiling/foxing, the last generally speckle-type; still asolid, dignified set. (40179)

•  Brooks 594; De Lama, II, 106; Giani 71 (p. 54); Schweiger, II, 1006.   Bound as above, rebacked with the original spines laid down; sides and edges with moderate scuffing. Faint spotting, occasionally more pronounced, to many page edges; pages overall clean. Bodoni's unadorned typesetting embodies classical elegance.  (40168)

The portrait of the author was engraved by Pierre Lombard, while the added engraved title-page is unsigned. Each of the four books here (in two volumes) has a separate title-page; the main title-pages are printed in black and ruled in red. The text is in English, Greek, and Latin. A printed addenda slip is affixed to the final text page of vol. II, above the catalogue of books sold by Richard Royston. Leaf L6 in vol. II is a cancel (and separated).

Provenance:  Vol. I added title-page recto with inked ownership inscription dated 1781 (“T. Moore”); vol. II front fly-leaf with inked ownership inscription dated 1696 (“Guilel. Rayner”) and another (of “T. Moore's”) dated 1781.

•  ESTC R20123; Wing (rev.) T324; Allibone 2348. On Taylor, see: Oxford Dictionary of National Biography online.   Recent quarter calf and marbled paper–covered sides, leather edges tooled in blind, spine with gilt-stamped title and volume labels and gilt-stamped decorations between raised bands. Ownership inscriptions as above. First few leaves of vol. I (including regular and added title-pages) with tiny spots of worming; slightly larger sections of same to inner margins of some subsequent leaves; a number of pages in both volumes with scattered spots of worming, touching letters but not affecting sense. Light waterstaining to outer margins of some leaves. One leaf in vol. II separated. Significant and attractive.  (24889)

Provenance:  On the front pastedown of each volume, a charming bookplate of Alfred and G. Ivy Clark, the former (1873–1950) being the pioneer in music recording and cinema whose work with Thomas Edison produced the first “moving pictures” having continuity and plot; he also helped Emile Berliner with the development of the gramophone, and he assembled one of the most important collections of Chinese ceramics in the West.

•  Bound as above; spines slightly darkened, front joint of vol. II neatly and unobtrusively refurbished. Interiors age-toned, some offsetting to pages opposite illustrations, several leaves in vol. I pulling from the binding but still attached; in vol. II, small closed tear to frontispiece, the corner of one plate torn away not affecting illustration and laid in, small slim marginal waterstain to last few leaves. HANDSOME.  (38687)

Binding:  Mid- to late-19th-century binding, with binder’s ticket of the True American Bindery of Trenton, NJ.

•  Half morocco with marbled paper–covered sides, spines with gilt-stamped titles and blind-stamped decorative devices; edges and sides moderately rubbed with a bit of paper skinned from cover of vol. II. Most pages with some degree of foxing.  Handsome on shelf, solid in hand.  (12431)

Many sources, including OCLC, attribute this work to de Jouy himself, but the Monthly Review of May, 1825 admits that the “similarity of title, of decorum, of form, and of manner,” as well as the title-page’s claim that this is a continuation of de Jouy’s work, all misled their reviewer and a number of others into that incorrect and much-perpetuated citation. The travelogue has more recently been attributed to Louet de Chaumont, among others, while Barbier and Quérard suggest that it may have been compiled by de Villemarest from de Chaumont’s notes and manuscripts.

•  NSTC 2H18614. Publisher’s plain paper-covered boards, sometime rebacked with speckled paper and old printed paper labels laid on, the set now in a recent case with sides covered in blue cloth and speckled paper; extremities rubbed, covers with spots of discoloration, retained spine labels chipped and darkened. Front pastedowns each with institutional bookplate (no other markings). Hinges (inside) reinforced some time ago. Vol. II with one signature separated. Pages untrimmed and clean save for scattered small spots of foxing. A strong, agreeable set.  (20256)

Provenance:  From the library of American collector Albert A. Howard, small booklabels (“AHA”) at rear.

•  Bound as above; joints, edges, and spine extremities rubbed and refurbished, spines sunned. Back free endpapers each with bookseller's ticket of Hessey, Fleet Street. Minor offsetting from turn-ins to free endpapers; pages slightly age-toned, otherwise clean. A desirable set, externally a bit worn, now exuding the promise of comfortable enjoyment. (40307)

•  Keynes, William Pickering (rev. ed.), p. 94; Kelly, Checklist of Books Published by William Pickering, 1836.17; Ing, Charles Whittingham, 13; Horne, The Compleat Angler 1653–1967, 43.   Bindings as above, spines gently sunned; front free endpapers stamped “Bartlett & Co, Boston” in upper outer corners. Occasional minor foxing/spotting; vol. II with mild waterstaining to lower outer portions, more pronounced to first few leaves and later ones. An enduring classic, in a beautiful set. (40961)

Oxford

•  Shaw & Shoemaker 39807; Smith, Americans Abroad, W66. Contemporary paper-covered boards, spines with printed paper labels; darkened and worn, vol. I with covers detached and paper cracked over spine, vol. II with front joint open though presently holding Front pastedowns with bookplates of the Salem Library Company; vol. I with early inked inscriptions to endpapers and half-title. Light to moderate foxing, no other stains.  (18430)

•  Bound as above, spines slightly sunned and spotted; each volume with small faint trace of now-absent shelf label. Pages clean and fresh. A very nice trio. (41344)

•  Shaw & Shoemaker 30564; NSTC W2651.   Contemporary speckled sheep, spines divided into compartments by double gilt rules, with red leather title labels and small round black volume labels; binding rubbed and bumped with small loss of leather, glue action to pastedowns and first/last few leaves, large bite from one rear free endpaper. Moderate age-toning throughout, with only the rare short tear, chip, or stain. Early provenance evidence as above, with more recent readers adding a pencilled note and a few scribbles on two endpapers, and tucking in both a newspaper recipe for green cloth dye and a small advertisement for “A Good Cold Cream.” In fact quite a satisfactory set.  (11313)

WorldCat, Copac, STCN, and NUC Pre-1956 do not find any locations of this Jansson-Waesberg edition; Palau does not list it.

Provenance:  Front free endpapers each with early inked inscription mostly inked over, title-page verso with inked inscription “de los libros . . . D. Emanuel Lopez Forrecilla y dela Fuente.”

•  Not in STCN. See Palau 377674–377683 for other eds.   Contemporary vellum over paste boards, spines with early hand-inked title; minor staining and back outer (yapp) edge of vol. I chipped, ties on both volumes still partially present. Pages age-toned with intermittent spotting; vol. I with light waterstaining to margins of some leaves and a few early inked corrections and marks of emphasis. Vol. II: Text block pulling away from spine, first few leaves separating, some leaves with worming in inner margins touching text without obscuring sense, one leaf with tear from outer margin extending into text without loss. All edges stained red, and both volumes with inscriptions as above.  (29082)