Provenance:  Covers with armorial supra-libros of Henry Welbore Agar-Ellis, 2nd Viscount Clifden (1761–1836), with his motto: “Non haec sine numine.” Front pastedown of deep blue with armorial bookplate and “C” shelf-list tag at one corner, front free endpaper with bookplates of Robert Wayne Stilwell and Brian Douglas Stilwell.

•  Brooks 514; Brunet, V, 673; Giani 46 (p. 48).   Binding as above, rebacked with original spine laid down and recent gilt-stamped red leather labels; corners and lower edges rubbed. Bookplates as above. Free endpapers with offsetting from turn-ins. Pages notably clean clean and crisp. A striking copy of this dramatic presentation. (40163)

Provenance:   From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Publisher's blue cloth, spine with gilt-stamped title, in a striking slipcase covered in combed paper in black, grey, and white, matching the endpapers; volume spine sunned, slipcase showing minimal shelfwear. Pages crisp and clean. A beautiful book for collectors of calligraphic and/or bookplate art as well as connoisseurs of wood engraving.  (39551)

This isnumbered copy 459 of a total of 503 printed (394 for sale in Great Britain, 104 for sale in America, and 5 special copies on vellum), signed B.G.G. on the limitation.

•  Publisher's quarter tan cloth and brown paper–covered sides, front cover and spine each with printed paper label; corners bumped, spine darkened, spine label chipped. Pages clean; edges deckle with a very few signatures uncut.  (33816)

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Renouard, Alde, p. 85, no. 9; UCLA, Aldine Press: Catalogue of the Ahmanson-Murphy Collection (2001), 164; Kallendorf & Wells, Aldine Press Books, 157; EDIT16 CNCE 328; Index Aurel. 100.913; Adams A262.   Binding as above. Light waterstaining to foremargins, perhaps more than occasional but not throughout; in fact, a clean and handsome copy.  (40776)

Provenance:  Front pastedown with bookplates of Fratelli Salimbeni (with shelving number) and of “G.P.C.” (with woodcut image of Pegasus and motto “Nec adversa retorquent”); front fly-leaf with early inked annotation “H.III.161" and lined-through (still partially legible) inscription “Bibliotheque Vallicellane”; title-page with early inked inscription “Petri Salvati - V.” surrounding printer’s vignette, and obscured inscription in lower portion. Later in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Adams A409; Brunet, I, 125; Renouard, Estienne, 68:22; Schreiber, Estiennes, 88.   Later vellum, spine with gilt-stamped red leather title-label and gilt-stamped blue leather publication label; vellum with minimal dust-soiling and traces of wear to extremities, two bottom-most spine compartments with later replacement (blank) vellum “labels,” one now starting to peel slightly. All edges stained blue. Bookplates and inscriptions as above; front free endpaper with later pencilled annotations (one giving incorrect Adams reference). One early inked marginal annotation. Pages gently age-toned, with intermittent minor foxing to margins; final leaf with small paper flaws in lower margin. An attractive copy of an interesting and significant volume.  (37916)

Evidence of Readership: A reader has added marginal notes, brackets, or underlinings in an early hand on almost every page of text.

Provenance: From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Adams A633; Brunet, I, 153; EDIT16 CNCE 859; Graesse, I, 64; Kallendorf & Wells, Aldine Press Books, 194; Renouard, Alde, p. 95, no. 6; UCLA, Aldine Press: Catalogue of the Ahmanson-Murphy Collection (2001), 215. On Alcionio, see: Contemporaries of Erasmus, I; Treccani (online).   Modern half vellum and brown paper over boards, all edges speckled red; vellum foxed, paper dust-soiled with spots and stains. Very light waterstaining throughout, light to moderate marginal foxing somewhat less generally. Evidence of readership and booklabel as above; ink quite faded, some marginalia trimmed at edges, with two corners also slightly shaved. A well-read and much-marked copy of a book with a fascinating history of reception.  (39423)

Provenance:  Early 19th-century ownership signature on front fly-leaf of Robert Harry Hughes, Jesus College, Oxford; most recently in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Dibdin, I, 266–67; NSTC A1179; Schweiger, I, 25–26.   Bound as above; darkening to spine and small adjoining area on boards and along top area of boards; joints and edges rubbed. Pages age-toned with instances of mild to moderate foxing. A handsomely printed and pleasingly bound volume.  (39276)

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Kelly, Checklist of Books Published by William Pickering, 1851.10; Keynes, William Pickering (rev. ed.), p. 75; NSTC 2A11311.   Binding as above, recased, spine slightly darkened with mild cracking to leather, light wear to extremities, small scuffs to back cover, hinges expertly refurbished. Previous cataloguing slip laid in. Pages clean and crisp. A lovely copy of the infrequently seen first edition. (40597)

•  Keynes p. 49. Not in Kelly, Checklist of Books Published by William Pickering.   Publisher's green cloth, spine sunned to olive and pulled with a little loss at head. Text block split at center, though firm in binding; text clean. Withall a good copy.  (40242)

Twenty-six special copies lettered from A to Zwere “set aside to be bound in quarter vellum hard covers with a handsome slipcase, by Jace Graf of Cloverleaf Studio in Austin, Texas.”   In these deluxe copies, the full-page illustrations are accomplished in green ink, and in each one anadded colophon leaf bears the signatures of the translator, illustrator, typefounder, printer, and binder, along with the copy's letter designation. These special features are represented in the images below; all copies have been sold.

Honored to serve as the volume's sole U.S. distributor, we are ready to take your orders.

•  New.  (32346)

Printed at the Plantin Press entirely in Greek (except for the imprint information), using Greek type commissioned from Robert Granjon, this bears one of the variant Plantin printer's devices on the title-page. It was printed with guide letters, although none have been supplied in manuscript by a scribe.

Evidence of readership: Scattered marginalia in Greek and Latin, sometimes correcting a word in text or expanding on same; other times citing a page in a different book.

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Voet 593; Graesse, Trésor de Livres Rares, I, 204; Brunet, I, 448; Schweiger, I, 44; Index Aurel. 107.600; Adams A1692. Surprisingly not in Legrand, Bibliographie Hellenique.   Disbound; now in modern wrappers. A very nice, clean copy with occasional light age-toning.  (37768)

The volume was published at the request of Cardinal Ascanius Columnas in an edition ofonly 750 copies, and was printed at Antwerp at the press of Moretus’ widow and sons with the famous Plantin device appearing in two versions (engraved, to the title, and woodcut, to the final recto).

A full-page engraved funeral portrait of Rubens engraved by Cornelius Galleafter Peter Paul Rubens signals the beginning of the third section, in which Jan Brant records the life of his son-in-law’s brother and transcribes his epitaph. Even Balthasar Moretus contributes an epigram in honor of the deceased.

In the fourth section, Rubens’ own orations and selected letters appear, i.a. his funeral oration to Philip II of Spain. Josse DeRycke contributed the final funerary tribute.

Done up in fully elegant Plantin–Moretus style, the volume has in addition to its careful typography and full-page plate and devices been lavished throughout with two-line block initials and four-line historiated woodcut initials; also, it offers several intricate woodcut tailpieces.

Searches of NUC Pre-1956 and WorldCat locate only eight copies in U.S. institutions, one of which has been deaccessioned; most arenot in obvious places.

•  Graesse, I, 241; Corpus Rubenianum, XXI (1977), 152.   Period-style full brown calf, covers framed in blind double fillets, spine with gilt-stamped red leather title-label, raised bands with blind tooling extending onto covers. With a few odd spots to the text only, this is aremarkably fine, crisp copy. All edges green.  (28878)

The classic Aldine printer's device appears on the final page of this text.

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Adams A2152; Goldsmid, Aldine Press at Venice, 73; Renouard, Alde, 49.2; Index Aurel. *110.036; EDIT16 CNCE 3381; UCLA, Aldine Press: Catalogue of the Ahmanson-Murphy Collection (2001), 89.   Period style medium brown calf, spine lettered in gilt, raised bands accented with blind fillets extending onto covers to terminate in trefoils; covers framed in blind with trefoils at forecorners, green silk ribbon bookmark present and all edges gilt. Light pencilling on endpapers; offsetting from previous binding to first and last few leaves. A clean, lovely copy.  (37603)

•  Publisher's brown cloth, spines with brown paper label; several labels with ssmall brown spots, cracks, and edge chips, not too conspicuous and not affecting printing. Two leaves (pp. 343–346 of vol. X) detached from binding; long tear down center of pp. 283/284 (vol. IV), without loss of text; except for two leaves with some offsetting from laid-in scrap of paper, interiors clean. Outer and lower edges deckle, with a few signatures opened unevenly and some unopened. A very good set.  (24537)

•  Cock-a-hoop 196.   Publisher's light taupe paper–covered boards with red cloth shelfback, front cover with rooster vignette stamped in red, spine with gilt-stamped title; minor rubbing to spine foot and lower outer corners. A few page edges slightly darkened and one very limited, very faint stain affecting endpapers' lower outer corner at rear, pages otherwise clean.A nice copy of this interesting production.  (37173)

In this copy opposite the title-page is an added facsimile map of the province taken from an edition of Augustin Lubin's Orbis Augustinianus, sive, Conventuum ordinis eremitarum Augustini chorographica et topographica descriptio; no map was issued with the book originally.

•  Medina, Mexico,1084; Pinelo-Barcia, Epitome, II, Col. 755; Beristain, I, p. 143; Ternaux 902; Andrade 632.   Recased in contemporary limp vellum with slightly yapp edges showing evidence of now-lost ties; rear free endpaper lacking and all edges mottled. Case marks on front pastedown; last leaf torn cleanly and expertly repaired, one leaf with an old limited ink smear that does not impede reading.A clean, very nice copy of a history offering much first-hand reporting, from a significant press and sometime enhanced, by a former owner, by addition of that helpful map! (41363)

•  Publisher's stiff wrappers in the publisher's open-back slipcase. New.  (35392)

•  Contemporary quarter sheep and cream paper–covered sides, spine with gilt-stamped title and date; binding rubbed overall with sides darkened and leather scuffed (particularly at joints). Hinges (inside) starting from top; still holding. Back pastedown with small ticket of F. Westley, binder. Pages faintly age-toned with a few scattered small smudges, otherwise clean; one leaf with short tear from lower margin, just touching last line of text without loss. An enjoyable copy of this attractive Whittingham production, and from a good collection. (41296)

The volume is printed with the original language and spelling preserved, and is illustrated with a woodcut frontispiece of a fisherman taken from de Worde's 1518 edition that is cited as the earliest known depiction of an angler fishing with a rod, as well as with six woodcuts (provided at the back of the volume in the form of four plates) showing types of poles, hooks, etc. The title-page proclaims this as printed with the types of John Baskerville, making it one of the last such printings done in England, and most cataloguing follows suit; but Kelly identifies the font used as the elegant "Fry" Baskerville variant developed by typefounder Isaac More.

Evidence of Readership:  A later hand has helpfully added pencilled marginalia clarifying archaic or obscure terms and suggesting subject headers.

•  NSTC 2B20037; Keynes, Pickering, 42; Kelly, Checklist of Books Published by William Pickering, 1827.1 (p. 21).  Later half calf and marbled paper–covered sides, spine with gilt-stamped leather title-label, gilt-decorated raised bands, and gilt-stamped fishing creel devices in compartments; spine label with small edge chips and mild rubbing to paper. Pencilled annotations as above, pages and plates otherwise pleasingly clean.  (28566)

This copy uncut and in original boards: RARE THUS.

•  NSTC 2B20037; Keynes, Pickering, 42. Beyond the scope of Gaskell, Baskerville.   Publisher's dun-colored light boards. Uncut copy. Light overall rubbing; spine with minor loss of paper. Old bookseller's description affixed to front free endpaper; small oval stain to corner of half-title and frontispiece, a bit of light offsetting from plates. A very nice copy in a later open-back cardboard slipcase.  (30461)

•  Brooks 606; De Lama, II, 108–09; Giani 74 (p. 55).   Contemporary half calf with speckled paper–covered sides, rebacked preserving much of the original spine including gilt-stamped leather title and publisher labels; minor overall wear. Marbled endpapers in two different colorways: front endpapers in blues and pinks, back endpapers in orange, pink, and blue. Page edges untrimmed. A very few small spots of foxing, pages overall clean and crisp.A nice solid copy of this delightful printing. (40171)

•  Brooks 425; De Lama, II, 67.   Original orange paper–covered boards, neatly rebacked; minor shelfwear. Page edges untrimmed. Mild foxing, otherwise clean. A solid copy of this modest, less frequently seen Bodoni item.  (41549)

•  Publisher's case of tan buckram and textured grey paper–covered sides, front cover and spine with red paper labels, in matching slipcase; slipcase rubbed but solid with spine cloth slightly foxed, case otherwise showing virtually no wear. The enclosed portolio, pristine. (41304)

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Bound as above, spines sunned as is often seen with these volumes; slipcase somewhat darkened with spine and edges showing this more notably. Books crisp and clean. A nice set. (41317)

Binding:  Contemporary calf, round spine, gilt spine extra, handsome metal and leather closures with gilt tooling on the leather; very pretty, simple single gilt-roll border on each board. German floral paste-decorated endpapers and all edges red.

Provenance:  Ownership signatures of I. Duvarus (1774); J.G. Drunnburg (1822) Johann O. Nordendam (1830) on front fly-leaf.

•  Darlow & Moule 8966; Graesse 103.   Leather “shellacked” and shiny; volume now solid with front board reattached using the long-fiber method and areas of spine similarly improved. A sophisticated copy: four leaves of the prefactory matter (b1–4) are inserted from a small copy (possibly even a different edition). Some early underscoring; overallvery decent as a text and very attractive on shelf or in hand.  (36974)

Provenance:  The Howell Bible Collection, Pacific School of Religion (properly released).

•  Gaskell (enlarged ed.) Add. 2; Darlow & Moule 4756.   Contemporary acid-stained calf, rebacked some time ago with morocco, spine with gilt-stamped title and publication information; edges and extremities rubbed, sides and spine with small scuffs. New endpapers with pencilled annotations; back pastedown with California bookseller's small ticket. No library markings. Title-page with tiny nick in upper edge. Pages very slightly age-toned with a very few scattered small spots, otherwise crisp and clean.  (34979)

Provenance:  Bookplates of Casimir L. Stralem, Clarence E. Clark, and Brian Douglas Stilwell.

WorldCat locates only six U.S. libraries reporting ownership ofall eight volumes as present here (NYPL, Cornell, Seton Hall, Holy Cross College, New York Historical Society, UC-Berkeley Law) and two libraries reporting ownership of incomplete sets (Harvard Divinity [vols. 1, 2 only], University of Dayton [vol. 3 only]).

•  Darlow & Moule, III, 6263; Jammes, Les Didot, 25.   Bound as above, some joints (outside) showing cracking but all intact. All volumes housed in light marbled-paper open-back cases, some with tape repairs. Very good. (40318)

Provenance:  Presentation copy.  Front fly-leaf with inked inscription reading “Thomas Sharp Esqre. with the Editor's Compts.” Sharp was a member of the Abbotsford Club (in Edinburgh), of which Turnbull was the founder and first secretary. Front pastedown with bookplate of Philip Sperling (1911–97), a bibliophile with a particular interest in books printed by Pickering. Most recently in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Kelly, Checklist of Books Published by William Pickering, 1833.2; Keynes, William Pickering (rev. ed.), p. 53; Pickering & Chatto, William Pickering (catalogue 708), 59; NSTC 2B34959.   Bound as above, spine and extremities worn and sunned. Endpapers with a few later pencilled annotations; bookplate and inscription as above, front fly-leaf with faint impression offset from something no longer present that bore a very elegant design involving a book-stack, a lamp of learning, and a scroll with the motto “studio minuente laborem.” Pages clean.  (39575)

Binding:  Yellow spine paper over grey boards, the covers further supplied with deep rose-pink paper slip-on over-sheaths which, according to the artist, were constructed by “a specific type of folding in case you ever wanted to change the covers. They slip on and off quite easily, nice and versatile and good for non-adhesive books.”

•  Fine andone-of-a-kind. (40353)

Provenance: Small bookplate of T. Davison of Scarborough at front; most recently in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  NSTC 2B38425. Not in Kelly, Checklist of Books Published by William Pickering, nor Keynes, William Pickering (rev. ed.). On binding cloth, see: Krupp, Bookcloth in England and America, 1823–50, p. 72. On Bloxam, see: DNB (online), source of the quotation above.   Binding as above, a little cocked with spine and edges of covers sunned; extremities, rear joint, and corners chipped with spine label quite so. Bookplates as above. Pages very slightly cockled, with light age-toning and the occasional speck; faint foxing around the plates. One pencilled correction in text. Interesting reading!  (39455)

Provenance:  Hevdholm Bibliothek stamp on title-page; acquired by PRB&M at an auction at Freeman's in Philadelphia in 1992; sold to a private collector the same year; reacquired by PRB&M at a Swann auction over 25 years later. (Jokes about “bad pennies returning” occur to one; but this is too nice a “counterfeit” to permit fair indulgence in them!)

•  Pettas, The Giunti of Florence (2013 ed.), 217; Adams B2147; Gamba 172; Zambrini, Bibliotheca Boccaccesca, p. 36; Edit16 CNCE 24078; I Giunti tipografi editori di Firenze, I, p. 133; Renouard, Annali delle editione aldine; pp. 1–11; Brunet, I, p. 999.   18th-century mottled calf with round spine, raised bands, and gilt spine extra, with later endpapers; all edges carmine. Front joint (outside) abraded and opening from top, rear one just starting at bottom; front cover with two wormholes and old worm action contributing to the startings. Text is unwormed, clean, and white save for a display of foxing on the title-page and occasionally a very limited spot of soil, staining, or foxing elsewhere. Sound, handsome, and a most interesting production. (40738)

Provenance:  Bookseller label of Leo S. Olschki.  Most recently in the collection of Albert A. Howard, small booklabel (“AHA”) at rear.

Searches of NUC and WorldCat find fewer than a dozen North American libraries reporting ownership.

•  Willems 1542.   19th-century maroon calf, plain but with raised bands beaded; rose-color endpapers. Fly-leaf with old, largely obliterated inscription; a few preliminary leaves with old faded waterstains along the outer and top margins. An attractive copy of a nice little Elzevir.  (37778)

Binding:  Publisher's mauve paper–covered boards, front cover with decorative rose-printed paper label, spine with printed paper label; edges uncut. Present are both the original dust wrapper, plain save for spine note of author, title, and date, and the publisher's box with the same information on its spine and the title repeated on its cover.

•  Box sunned with edges shelfworn, dust wrapper darkened with closed tear from lower front edge. Spine of volume gently sunned with head smudged; book otherwise clean and beautiful, fresh inside.  (29726)

The prominent Mexican poet David Huerta writes, “The secret of Coral Bracho's poetry, its prodigious originality, can be traced to its tendency to surge like a living voice, a silky impetuous torrent.” Her biography at the Poetry Foundation website observes, “Bracho’s impact on Mexican poetry has been compared to poet John Ashbery’s influence on American verse. Bracho’s layered, long-lined poems attend equally to sound patterns and lush, unspooling imagery.” Fellow poet Forrest Gander has said, “Her diction spills out along ceaselessly shifting beds of sound. . . . Bracho’s early poems make sense first as music, and music propels them.”

Bracho's poetry has appeared in dozens of anthologies of the genre. And further recognizing her achievements as a poet are her Aguacalientes National Poetry Prize and a Guggenheim Fellowship.

From the famous handpress of Juan Pascoe and limited to 120 copies, this featuresa cunning cut of an armadillo on the title-page.

•  New, sewn in textured charcoal wrappers.  (41408)

This is numbered copy 1063 of the 2000 printed, signed by both Levine and Bentley at the colophon. The monthly newsletter is laid in.

Binding:  Full black linen, stamped in gold on the front cover from a design by Levine, with gilt lettering to spine.

Binding, slipcase, and illustrations all properly evoke the grittiness of the London underworld.

•  Bibliography of the Fine Books Published by the Limited Editions Club, 529.   Bound as above, in original black slipcase with gilt lettering to spine; minor rubbing to slipcase. A highly enjoyable copy of a fine production.  (39034)

•  Publisher's tan paper wrappers, spine very slightly sunned, otherwise showing virtually no wear. A fresh, clean copy. (41527)

•  Binding as above. Pristine in a mylar wrapper.  (30559)

The colophon notes that this is one of 750 unnumbered copies “printed on Van Gelder hand-made paper and the type distributed in the month of December MDCCCCXIV.”

•  Bishop, Mosher, 180; Hatch, Mosher, 610.   Green paper shelfback with pictorial blue and white paper–covered boards, white printed paper labels with green and red lettering to spine and front board; minor darkening to board edges; signatures unopened. In original white paper dust jacket; age-toned and edgeworn with chipping to extremities. A truly handsome edition in a nice copy.  (38900)

Uncut and unopened copy of a beautifully accomplished volume.

•  Not in Penzer, Annotated Bibliography of Sir Richard Burton.   Publisher's quarter vellum and marbled paper–covered sides, spine with gilt-stamped title; vellum darkened, corners bumped. Pages clean.  (28273)

Provenance:  Calligraphic bookplate of Norman J. Sondheim, American collector of fine press books.

•  McKitterick/Rendall/Dreyfus 84.   Publisher's quarter natural niger morocco with red and black Cockerell marbled paper–covered sides; glassine wrapper lacking, boards very gently curved, extremities slightly worn. A solid, handsome copy of a handsome book.  (32040)