[INCLUDING “CHRISTIAN HEBRAICA”]
Highly SignificantAmerican Judaicum
(ASHKENAZIC). Leeser, Isaac, ed. & tr.[title in Hebrew, transliterated as] Sidure divre tsadikim kolel seder ha-tefilot mi-kol ha-shanah ke-minhag ... Ashkenaz u-Polin.... [from the added title-page in English: Philadelphia: Printed by G. Sherman, for the editor, 1848]. 8vo. viii, 242, 2–243,  pp.
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This Siddur in Hebrew and English wasthe first Ashkenazic prayer book edited and printed in America. Its editor, Isaac Leeser (1806–68), was a towering figure in American Jewry in the 19th century: writer, educator, and hazan of the Mikveh Israel congregation in Philadelphia.
The English-language title-page reads, “The book of daily prayers for every day in the year. According to the custom of the German and Polish Jews.” The text is presented with the original Hebrew and English translation on opposite pages.
Provenance: 19th-century ownership stamp of “Mme. Bernheim, 603 Magazine St., New-Orleans.”
Rosenbach, Jewish, 636; Singerman, Judaica Americana, 1024; Goldman 37. Contemporary full, plain, treed calf, with a black leather spine label. Expectable wear to spine from use. Scattered light foxing. A good++ copy with a provenance worthy of research. (32879)
Grammars & Language Studies
Alting, Jacob. Jacobi Altingi ... Fundamenta punctationis linguae sanctae, cum necessariis canonum, locorum S. Scripturae & vocum irregularium indicibus. Francofurti ad Moenum: Sumptibus viduae beati Knochii et J.G. Eslingeri, 1746. 8vo (18 cm; 7.25"). 3 parts in 1 vol. I:  ff., 385,  pp.,  ff., , 7 pp. ,  ff. II:  ff., 122 pp. III:  ff., 31, , 32, 88, 57–176 pp.
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A marvelous volume containing studies or grammars of Hebrew, Arabic, Persian, Ethopic, and Samaritan languages: “Editio nona. Simili Institutionum Samaritanarum, Rabbinicarum, Arabicarum, Aethiopicarum et Persicarum synopsi, a Georgio Othone ... auctior.” The two authors, Atling (1618–1679) and Georg Otho (1634–1713), were respectively a Dutch philologist, theologian, and professor at the University of Groningen; and a German librarian and professor of oriental languages.
The volume has divisional title-pages for “Jacobi Altingi Synopsis institutionum Chaldaearum et Syrarcum” dated 1747; and “Georgii Othonis ... Synopsis institutionum Samaritanarum, Rabbinicarum, Arabicarum, Aethiopicarum et Persicarum,” dated 1735.
This edition not in VD18. Modern light brown paper-covered boards with paper spine label. Ex-library with faint blind-pressure stamp on title- and one other leaf and librarian's pencil notations on verso of title-page. Scattered foxing, occasional stray stain. Overall a good, solid, clean copy. (33597)
Limited to 200 Copies — A Polyglot “Song of Moses”
Bargès, Jean Joseph Léandre. Notice sur deux fragments d'un Pentateuque hébreu-samaritain rapportés de la Palestine par M. le sénateur F. de Saulcy. Paris: Imprimerie Polyglotte Édouard Blot, 1865. 8vo (24.5 cm, 9.6"). , 91,  pp.; 1 fold. plt.
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First edition: Number 60 out of 200 copies printed, with a folded facsimile leaf showing the Song of Moses in Samaritan, followed by the transcription in Hebrew and translation in Latin. L'abbé Bargès was a distinguished bibliophile and Orientalist who published a number of treatises on Middle Eastern antiquities, including Traditions orientales sur les Pyramides, Temple de Baal à Marseille, and Examen d'une nouvelle inscription phénicienne, découverte recemment dans les mines de Carthage.
Uncommon: OCLC and NUC Pre-1956 locate only five U.S. holdings.
Provenance: Ownership “label” of George Williams (1814–78), who served as Vice-Provost of King's College (Cambridge) from 1854 to 1857.
Recent marbled paper–covered boards, front cover with gilt-stamped red leather title-label. Title-page with small affixed slip bearing ownership inscription as above. Occasional edge nicks and short tears, and a number of leaves with old creases or the odd smudge; last leaf with old, small repairs to margins, and one other leaf with very good repair from blank reverse to an interior tear (no text lost or even affected). (25368)
A Protestant Italian Bible — With Woodcuts
Bible. Italian. 1562. Brucioli. La Bibia, che si chiama Il vecchio Testamento, nuouamente tradutto in lingua volgare secondo la verità del testo Hebreo ... Quanto al nuouo Testamento è stato riueduto e ricorretto secondo la verità del testo Greco.... [Geneva]: Stampato Appresso Francesco Durone, 1562. 4to (26.2 cm; 10.375').  ff., 465 (i.e., 467), , 110,  ff.,  folding plt. (facsim),  folding table (facsim); illus.
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A much revised edition of Brucioli's Old Testament married to Massimo Teofilo's New Testament, printed for Genevan Protestant refugees and meant to be spirited into Italy for crypto-Protestants. Darlow and Moule note that “this edition closely resembles certain contemporary French and English Bibles printed at Geneva. The woodcuts are the same as those in the French Bible of 1560 printed by Antoine Rebul . . . , and the type is that of the English Geneva Bible of 1560.” Of the two variations described in Darlow and Moule, this copy is variant A, meaning that the N.T. has marginal notes similar to those of the rest of the text; Darlow and Moule also tell us that “[t]his revision. . . has been ascribed to Filippo Rusticio, or Rustico.”
The work offers a handsome printer's device on its title-page, along with24 in-text
woodcuts of various sizes, all located in the Old Testament, and a folding plate, “La forma de la restauration del Tempio.” A second folding plate contains a table of the passion timeline. At the end of the edition's O.T. is a two-page commentary on “Lo stato dei giudei sotto la monarchia dei Romani,” i.e., the state of the Jews in [ancient] Rome.
Adams B1198; Darlow & Moule 5592. For more on Italian editions of the Bible, see: Pelikan, The Reformation of the Bible; the Bible of the Reformation, p. 60. 18th-century vellum over boards with narrow yapp edges, spine ruled in gilt, covers framed in gilt with gilt arabesque centerpiece, remnants of green silk ties; small sticker on spine, front joint just starting, pastedowns lost with turn-ins starting to warp and fly-leaves (due to this) tattered at edges. Light pencilling/inking on inside front board, and evidence of bookplate no longer present. Age-toning variously with light, often very faint waterstaining to most bottom corners; signature on title-page, a few worn edges or unevenly trimmed leaves, one repaired corner, occasionally a spot, and a number of leaves creased across lower outer corner. Folding plate and folding table both in excellent facsimile, laid in. A sturdy, relatively affordable copy of this beautiful book. (37300)
Marginalia tothe Max, & Other Notes
Bible. O.T. Psalms. Hebrew. 1880. [two lines in Hebrew, then] Liber psalmorum. Textum masoreticum acuratissime expressit ... notis criticis confirmavit S. Baer. Praefatus est edendi operis adjutor Franciscus Delitzsch. Lipsiae: Ex officina Bernhardi Tauchnitz, 1880. 8vo (22.4 cm, 8.8").  f., 82 pp.; manuscript notes bound in.
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This “textum masoreticum” book of psalms, i.e., the traditional Hebrew text, was edited by masoretic scholar Seligman Baer (1825–97) and theologian Franz Delitzsch (1813–90) as part of their Masoretic Bible series, published by Tauchnitz between 1869 and 1895. A trulyunique copy, this particular volume is thickly interleaved with variously sized sheets and tabs containing the fastidious manuscript notes of published author Walter Robert Betteridge, D.D. (1863–1916), a notable faculty member in the Old Testament Department of the Rochester Theological Seminary who swathed page after page in minute inked marginalia, and added yet more bulk with clippings from related texts — annotated, of course.
Among the doctor's publications was an article on “The Accuracy of the Authorized Version of the Old Testament” (1911), including the Hebrew psalms.
Provenance: Donated by Mrs. Betteridge to the seminary library, with institutional bookplate noting this on rear pastedown.
Recent black moiré silk, spine with gilt-stamped leather title-label. Ex-library with bookplate on rear pastedown as above, pressure-stamp on title-page, call number in lower margin of second leaf; paper brittle, dust- or sometimes soot-soiled(?) at edges, and prone to chipping. Replete with scholia, this isa stunning testament to one scholar's study of the O.T. (31077)
“Outcasts of Israel, Wherever They May Be”
Boudinot, Elias. A star in the west; or, a humble attempt to discover the long lost ten tribes of Israel, preparatory to their return to their beloved city, Jerusalem. Trenton: D. Fenton, S. Hutchinson, & J. Dunham (pr. by George Sherman), 1816. 8vo (21.5 cm, 8.5"). iv, 312 pp.
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First edition, propounding the theory that Native Americans were descended from the lost tribes of Israel. The author was a lawyer and statesman who served as president of the Continental Congress in 1783 and later as a U.S. Representative, trustee of Princeton University, and founding member of the American Bible Society; he was also mentor to the Cherokee author
and editor who took his name in tribute.
This, the final book published by Boudinot, strongly supportsfair and compassionate treatment of Native Americans. The work includes comparisons of Hebrew and Native American languages (Charibee, Creek, Mohegan, and “northern languages”), traditions, and lore; the appendix comprises “Historical Sketches of Louisiana” and “Fraser's Key to the Prophecies.”
Binding: The binding of this copy is most curious. There are three distinct areas of the leather that are clearly inlaid repairs, the leather being of a darker color but the same style as the rest; and three of the gilt-tooled chalice or urn devices that appear on the spine are partly on this inserted leather.
Provenance: Contemporary ownership signature of James Linn in upper margin of title-page.
Felcone 433; Howes B643; Pilling, Algonquian, 54; Pilling, Proof-sheets, 421; Rosenbach, Jewish, 180; Sabin 6856; Shaw & Shoemaker 37057; Singerman, Judaica Americana, 252. Not in Field. On Boudinot, see: Dictionary of American Biography, II, 477–78. Contemporary acid-stained sheep, spine with elegant though dimmed gilt-stamped leather title-label and compartment stampings; volume scuffed and abraded. Foxing, with some soiling/staining. Still-sturdy copy of this early and oft-cited Amerindian Lost Tribes treatise. (39632)
Buxtorf, Johann. Florilegium Hebraicum: Continens elegantes sententias, proverbia, apophthegmata, similitudines.... Basileae: Impensis Haered. Ludovici König, 1648. 8vo (16.7 cm, 6.55"). )(8A–Z8Aa–Bb8; , 390, [8 (index)] pp.
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Sole edition of this gathering of brief literary excerpts in Latin and Hebrew, alphabetically arranged by motif; the texts were collected and edited by Buxtorf the younger. The title-page bears a woodcut printer’s device.
VD17 12:128413B. Contemporary vellum with yapp edges, spine with early inked title; some light discoloration, with cut to vellum across spine. Pastedowns loose from inside covers, with bits of old manuscript used in the binding structure, showing; 19th-century bookplate attached to exposed paste board and endpapers creased. Shadow of old shelf number on verso of title-page. One leaf with small stain and hole affecting about four letters. Foxing ranging from mild to moderate. (18943)
IllustratedA–Z of the BIBLE
Calmet, Augustin. Dictionarium historicum, criticum, chronologicum, geographicum, et literale sacrae scripturae .... Augustae Vindelicorum [Augsburg]: Sumptibus Martini Veith bibliopolae, 1738. Folio (33.5 cm, 13.2"). 2 vols. I:  ff., 200 pp.; 762 pp.; 11 plates. II: , 688 pp.; 180 pp.; 19 plates.
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Second German edition of Calmet's great dictionary of the Bible, first published at Paris in 1722 in his native French, followed by a supplement in 1728; Augustin Calmet (1672–1757) was a renowned exegetist and Benedictine priest who completed the present work shortly after the massive Bible commentary that made him famous (Commentaire littéral, 23 vols., Paris, 1707–16).
The text here is from the Latin translation by Giovanni Domenico Mansi (1692–1769), and givesdefinitions for hundreds of words and where to find them in Scripture; it is printed double-column in roman and italic, with a few woodcut initials, head-
and tailpieces, and with the printer's device on both title-pages. Select entries from the dictionary are illustrated by seven fold-out engraved plates including five maps and 23 full-page engraved plates (some folded at the fore-edge to fit), of places, apparatuses for religious rituals, numismata, dress, and musical instruments described in Scripture. Many of these are signed by Augsburg engravers Johann Gottfried Kolb and Andreas Ehman, who himself contributedeight new plates to Kolb's set (used in the 1729 ed.). Two maps are ascribed to A.P. Starckman.
Additionally appearing are various tables and charts, including genealogical tables; a chronological register of Hebrew high priests; a comprehensive chronology of general Bible history; a Jewish calendar; and an extensive index of authors' names included in thebibliography of the best sources on Scripture that precedes the dictionary in vol. I. The second volume closes with a “Dissertatio de tactice hebraeorum” by D. Equite Volard.
Bindings: Contemporary blind-tooled alum-tawed pigskin over beveled wooden boards, tooled using a variety of rules and foliate rolls and stamps in concentric rectangular panels to frame a central lozenge (constructed of multiple stamps) on each cover. Each volume bears remnants of two clasps, and both spines have raised bands with author and title written in early ink in the upper two compartments. Blue edges.
Provenance: Discalced Carmelite Convent at Schongau, Bavaria (early ink inscription, title-pages, both volumes).
Graesse, II, 20n. See Brunet, I, 1495; and Vancil, pp. 44–45. Binding as above, scuffs and dust-soiling; spine of vol. II pulled and lower spines speckled with ink. Ex-library: bookplates of two collections on front pastedowns and fly-leaves, stamp on bottom edges and rear pastedowns, call number on spines (crossed out), and penciling from a third library on front pastedowns. Clippings from old booksellers' descriptions on front pastedown of vol. I. Both title-pages trimmed just grazing print; title-page in vol. I tipped onto following leaf, with tear in outer margin and another starting near printer's device; otherwise the odd small marginal tear or isolated stain only, and occasional light foxing in both volumes including to plates. Very minor worming to one plate in vol II. An indispensable reference and an illuminating “browse.” (30573)
The Broadway (of New Haven) Broadsides — Scarce Small Press Items
Capet, Uther [pseud. of Arthur Head]. [20 pieces from the Profile Press.] An adventure achieved by one, Sigismondo Malatesta, Lord of Rimini, about the year 1430 A.D. being at that time thirteen years old. New Haven: The Profile Press, 1930. 8vo (22 cm, 8.65").  ff. (2 copies of the above). [with (all following the same author's, unless specified; all New Haven: The Profile Press, 1930)] The American scene. 8vo (25 cm, 9.9").  ff. [and] Apologia pro arte poetica sua. 8vo (25 cm, 9.9").  ff. [and] B., R.T. The ballad of Tuttle's. 8vo (24.5 cm, 9.65").  f., fold. [and] The color: A retelling of some well-known tales of the American Negro. 16mo (22.2 cm, 8.75").  ff. [and] Colourations: Four sonnets. 16mo (21.7 cm, 8.5").  ff. [and] Ex: Four characters of mooted fame with prologue & epilogue. 8vo (24.8 cm, 9.75").  ff. [and] Field, Eugene. Little Willie. Folio (32 cm, 12.6").  f. [and] Four English stories drawn from contemporary sources. 8vo (25 cm, 9.9"). , 4,  pp. [and]Four stories from the Jewish-American. 16mo (22 cm, 8.65"). , 4,  pp. [and] Four stories from the modern American. 16mo (22 cm, 8.65"). , 4,  pp. [and] Four stories from the old Spanish. 16mo (22 cm, 8.65"). , 4,  pp. [and] Hot from Hollywood. 8vo (25 cm, 9.9").  ff. [and] Ode in imitation of Horace. 8vo (24.6 cm, 9.7").  f., fold. [and] On the menstrual phase of literature and art. 16mo (20.4 cm, 8").  f., fold. [and] Pullman recreations. 16mo (21.2 cm, 8.4"). , 4,  pp. [and] Stenographic sallies. 16mo (21.5 cm, 8.4"). , 4,  pp. [and] A Western fairy tale. Folio (32 cm, 12.65").  f. (2 copies).
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Collection of largely humorous verse and prose pieces in broadsides and small pamphlets, printed for the author and “issued at odd intervals” from Head's Bookshop on Broadway in New Haven. These items were issued in limited editions that ranged from25 to 110 copies; An Adventure is represented here by numbered copies 15 and 44 of 50 printed and signed by “Capet,” while Apologia is numbered copy 89 of 110 printed and signed. Many of the items reflect particular early 20th-century sensibilities — pretty blonde stenographers are the subject of “new position” jokes, the “American Negro” tales involve foolishness and philandering (and the word “coon”), a blustering Hollywood director thinks “Hunchback of Notre Dame” is a college play about a football hero. On the other hand, An Adventure is a Gothic fantasia about a young Malatesta's brush with the bloody ending of the tale of Paolo and Francesca da Rimini, while Colourations comprises four wholly serious sonnets.
In a more serious vein, Head (1887–1963) was the author of Antiquities of Yale and the New Yale Guide, as well as a poet and a patron and supporter of both the Brick Row Book Shop and the Yale University Library. Several of the items here makeYale references, like the barroom ghosts who “puffed at their pipes and their stogies / And pulled at their Phantoms of Ale, / Recalling the things that were Bogies / When they were assembled at Yale”; Ex is specifically about four different gentlemen expelled from Yale for reasons including bad grades, vandalism, and bawdiness.
Folded as issued. 10 of the pamphlets with small inscription “M. Clark” or “Clark” pencilled on front wrapper. Apologia with two pencilled corrections. Upper edges of Hot from Hollywood chewed. Minor age-toning, occasional small spots and edge nicks. Overall a clean, crisp collection of these uncommon pieces. (36453)
Judith & Holofernes — A “Last-Era” Bodoni
Di Calboli Paulucci, Francesco. La Giuditta: Canti del marchese Francesco di Calboli Paulucci fra gli Arcadi Euricrate Acrisioneo; membro ordinario Dell'Accademia Italiana, ecc. Parma: Co' Tipi Bodoniani, 1813. Large 4to (31.9 cm, 12.56"). , xiii, , 207,  pp.
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First edition: A lengthy verse retelling of Judith's triumph in a large handsome font, two verses to a broad page, dedicated to Maria Beatrice d'Este, Duchess of Massa. Bodoni began the preparation of this edition, and Luigi Orsi finished it after his death; one of his final works, this impressive large quarto embodiesthe later, absolutely unadorned Bodoni aesthetic.
A search of WorldCat finds only seven U.S. institutions reporting ownership.
Brooks 1146; De Lama, II, 218–19. Contemporary speckled paper–covered boards, framed in single blind roll, spine with later gilt-stamped red leather title and publisher labels; spine darkened, edges and extremities chewed, back joint starting from head and foot. Front pastedown showing small line of adhesion from now-absent affixed label. A very few faint spots of foxing only, indeed happily few as Bodoni productions can go; internally, an attractive, wide-margined example, with its page edges untrimmed. (40201)
HOW the Christians“Lost All in Palestine”
Fuller, Thomas. The historie of the holy warre ... the second edition. Cambridge: Pr. by R. Daniel for Thomas Buck, 1640. Folio (27.7 cm, 10.9"). Add. engr. t.-p., , 286,  pp.; 1 fold. map.
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Second edition, following the first of the previous year: A very popular anti-Catholic (and anti-Jewish as well) account of the crusades, citing the cruel and impious behavior of popes and participants alike as reason for the failure of the conquest of the Holy Land. Fuller, chaplain extraordinary to Charles II, was one of the earliest English historians thus to analyze the crusades as a historical event.
The volume opens with an added engraved title-page and also features an oversized,
folding map of the region, both signed by William Marshall. The preliminary
“Declaration of the Frontispice [sic],” an explanation in
verse of the title-page's symbolism, is signed by J.C., i.e., John Cleveland.
ESTC S121254; STC (2nd ed.) 11465; Allibone 643; Wither
to Prior 387 (for the first edition, 1639). Period-style dark calf,
covers framed and panelled in gilt and blind rolls with gilt-stamped corner
fleurons, spine with gilt-stamped leather title-label, gilt-ruled raised bands,
and gilt-stamped compartment decorations. Title inked on outer (closed) edges
in an early hand. “Declaration of the Frontispiece” mounted; added
engraved title-page with upper margin repaired, lower area trimmed into the
imprint line (taking most) and with one pinhole. Otherwise browning, mild
spotting and light waterstaining variously, last leaves dust-soiled; light
cockling and volume a tad sprung; a few leaves with short edge tears, not
extending into text; map with ragged portion of lower inner edge, tear along one fold neatly repaired from rear, and small hole at intersection of two folds. One blank page with
early pencilled doodles. (27562)
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