This is numbered copy 31 of only 65 copies printed (50 numbered, 15 lettered),signed by the artist at the colophon.

The publisher's prospectus is laid in.

•  Publisher's cream-grey paper wrappers, front wrapper with title printed in dark brown. Very clean and crisp.  (32691)

•  Binding as above; back cover with one scuff, front cover with small unobtrusive area of darkening towards upper outer corner. Offsetting to edges of free endpapers from turn-ins. Pages and plates clean and fresh. A striking, elegant volume, of surpassing interest for music historians and aficionados.  (39690)

•  Publisher's (wide) quarter green calf and green cloth–covered sides, outer leather edges with blind roll, front cover with Stradivarius coat of arms stamped in gilt and red, spine with gilt-stamped publication information; spine and back joint sunned, corners and joints lightly rubbed. Top edges gilt, other edges untrimmed. Last two leaves of index starting to separate.A nice copy of this critically important work of music history, with outstanding provenance.  (39702)

Provenance:  Signature of John Duncrist in upper margin of front wrapper; most recently in the children's book collection of Albert A. Howard, sans indicia.

•  Cf. Osborne Collection p. 631.   Original printed green wrappers; wrappers in past separated from text block and expertly reattached. Light staining in some inner margins. A very nice copy.  (38799)

NUC and WorldCat locate only two libraries worldwide reporting ownership (National Library of Scotland, Princeton).

Provenance:  From the chapbook collection of Albert A. Howard, sans indicia.

•  Publisher's green wrappers, slight discoloration and a little paper loss at spine. Clean.  (38786)

One signature at the back is unopened.

•  NSTC 2H10236.   Publisher's light yellow printed paper wrappers, removed from a nonce volume. Clean, crisp, unread copy.  (31946)

•  Bound as above and in lovely condition; extremely minor spots of rubbing and scraping to boards, one raised band with a short cut(?) and a sliver of leather lost. An overall wonderful copy of this beautiful reprint.  (37923)

This work includes afrontispiece and five in-text wood engravings signed by Edward Whymper (1840–1911), an Arctic explorer and mountaineer best known for being the first to successfully ascend the Matterhorn.

•  Publisher's green printed wrappers, soiling and splitting along spine; one leaf separated, a light pencil mark or two, a handful of bent corners.  (36537)

Provenance:  Signature of journalist and author William Agnew Paton dated 1896 on upper margin of title-page in ink and on front endpaper dated 1898 in blue crayon; Paton also added a presentation inscription in 1911 to Lewis Buckley Stillwell, a president of the American Institute of Electrical Engineers and long a trustee of Princeton University. Stillwell wrote an inscription to his son Richard in 1831, a year before Richard became the director of the Princeton-associated American School of Classical Studies in Athens. Later in the collection of Classicist Pierre A. MacKay (1933–2015), a Classicist also with Princeton associations.

•  ESTC S119225; STC 13624.5.   19th-century mottled calf with gilt-lettered leather label and gilt-stamped compartments on spine, covers delicately framed in gilt double-rules around simple gilt triple-ruled rectangle with crown stamps at corners, all edges gilt; endpapers chipping, binding worn and abraded, text resewn and reattached to binding, rebacked with 19th-century spine laid on. Marked and lacking engraved title-page and five blanks as above, light pencilling on endpapers, a few very short tears at margins, one leaf with ink spotting; light to moderate age-toning with the occasional spot.  (36544)

This is the fourth of a series of booklets intended for friends of Philip Hofer and George Parker Winship's Cygnet Press, withonly 200 copies printed (“more or less,” according to the colophon). The italic in which the English text is set and the Greek are both attractive fonts, and complement each other in pleasing fashion.

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Chapbook in heavy cream wrappers sewn at spine, within publisher's gold-brushed black paper dust-wrapper; wrapper split along chipped spine, chapbook itself crisp and clean. A handsome item of interest to classicists and aficionados of fine printing alike. (41015)

“These publications were at once popular, educational, quaint, and socially pertinent,” says the DNB. Assorted contributors including Charles Lamb supplied the pieces not written by Hone himself for this entertaining grab-bag, illustrated withover 700 wood engravings, some of which were done by George Cruikshank.

Signed binding: Contemporary brown morocco, front pastdown stamped “J. Wright Binder.” Boards with triple fillet gilt border at edges; center panel on each board composed of a triple fillet outer border with a floral/vine gilt roll within; gilt corner devices with elements extending along the outer edges of the center panel. Board edges with double fillet rules, turn-ins with same gilt roll as in the center panels of the boards, cream calendared endpapers. All edges gilt.

Evidence of readership: 20th-century notes relating to the text on rear free endpaper.

Provenance:  Large engraved armorial “Kimmel Park” bookplate of Hugh Robert Hughes of Kimmel (1827–1911), Co. Denbigh, and his small library shelf label to top of front pastedown. His signature in full, dated “June 11th 1855,” on front fly-leaf. “G.L.D. 1937" on front free endpaper.

•  NSTC 2H30539; McLean, Victorian Book Design, pp. 94, 174.   Binding as above; joints (outside) abraded, so too lower edges of boards and corners. 20th-century notes as mentioned above; shelf label largely obscured by a later blank one; a very few dog-ears or short edge tears; age-toning with some foxing and other spotting, especially towards beginning and end. A remarkable, wonderful book.  (37188)

Provenance:  From the children's book collection of Albert A. Howard, small booklabel (“AHA”) at rear.

•  Opie T 548.   Publisher's color-printed paper–covered boards; spine and board edges darkened, spine paper chipped, front cover detached, back hinge tender. Offsetting to endpapers. A pretty book, internally clean and with plates in crisp, fresh condition.  (41683)

•  Cagle & Stafford 389 (for first ed.). Not in Brown, Culinary Americana.   Publisher's printed blue paper wrappers, spine and edges rubbed, front cover with spots of discoloration; offsetting inside wrappers from staples. Pages very slightly age-toned. Delightful for those who like to bake, those who like to eat, or those who just like to appreciate implausible confectionery accomplishments.  (35008)