The colophon notes that this text was printed from Bembo, Cleland Initial, and Sistina types on Niddegen paper.

•  Rose wrappers with black lettering on front; spine gently faded. Light pencilling on front endpaper. A simple yet elegant production.  (36075)

•  Shaw & Shoemaker 30511; Richmond 1416.   Full original calf, plain style, rubbed overall with small chips on front cover; chip at head of spine, front joint starting. Paper browned, and some stains; a bit of blue crayon doodling in blank area of top left corner of p. 50. Early leaves with stitch holes in inner margin, not touching text; three leaves with tears, not affecting text. Ex–theological library with area of spine blacked out where call number once was; library name and five-digit number rubber-stamped on front pastedown, accession number inked and rubber-stamped at base of p. [iii]. (21139)

The advertisement leaves are devoted specifically to books of phallic subject matter.

•  NSTC 0803266; Allibone, Critical Dictionary, 1505. Publisher’s green cloth, front cover with gilt-stamped medallion, spine with gilt-stamped title; cloth rubbed at corners and pulled at spine extremities, board edges lightly discolored. Pencilled owner’s name in upper margin of title-page. Title-page and two others pressure-stamped; preface with inked annotation and stamped numeral. Pages slightly age-toned, else clean.  (20486)

NUC Pre-1956 locates only one U.S. library reporting ownership (Newberry); WorldCat adds no others.

•  Quarter recent leather over marbled boards; spine with gilt-stamped title label and five raised bands, two inscribed lines above and below each gilt band. Edges stained green. A handsome copy. (24884)

•  Garrison A.19.1.f. Publisher’s cloth, front cover and spine stamped in gold; lacking the very scarce dustjacket, with spine sunned, and cloth wrinkled over lower portion of back cover. Pages clean.  (15731)

The title-page proclaims “This book is not to be sold, but given away.”

•  ESTC N9602. Recent marbled paper–covered boards, spine with printed paper label. Title-page with repairs to margins and one page crease; title-page verso rubber-stamped by a now-defunct institution. First few leaves with inner margins repaired. Pages untrimmed, and gently age-toned.  (20365)

While Ford used the Stokes name on this Antwerp printing (and again later in the same year on a Parisian printing to which he resorted after Whistler's representatives successfully halted the Belgian production and confiscated most of the existing copies), Stokes denied having been involved in any way.

Provenance:  Inked inscription of noted educator and book collector Jahu Dewitt Miller on final blank page.

•  For the story of Ford's pirated edition, see: E.R. & J. Pennell's Life of Whistler, 1908, V. II chap. 34, pp. 100–13.   Publisher's heavy gray paper wrappers, front wrapper with title stamped in red; spine creased and sunned, corners rubbed, rear wrapper very unobtrusively reinforced. Now housed in a violet cloth–covered chemise and a quarter deep purple morocco and violet cloth–covered slip case, with outer box edge and case spine and front cover sunned, case showing light shelfwear overall. Front two fly-leaves with short tear from upper margin; a very few instances of light spotting, generally not occurring within text. With laid-in auction catalogue information regarding publication and textual details; final blank page with inked inscription as above. Now very uncommon.  (36545)

Oxford

•  Shaw & Shoemaker 39807; Smith, Americans Abroad, W66. Contemporary paper-covered boards, spines with printed paper labels; darkened and worn, vol. I with covers detached and paper cracked over spine, vol. II with front joint open though presently holding Front pastedowns with bookplates of the Salem Library Company; vol. I with early inked inscriptions to endpapers and half-title. Light to moderate foxing, no other stains.  (18430)

Fifth edition of the Voyage from London and second edition of the Continuation.

•  Voyage from London: Sabin 103534; Alden & Landis 739/343; ESTC T29204. Continuation: Sabin 103535 & 103538; Alden & Landis 739/340; ESTC T34033 & T34025.   Recent full calf antique-style with gilt concentric panels on covers and gilt corner-devices on same; round spine with raised bands, each accented by gilt rules. 19th-century wood-engraved portrait of Whitefield added as a frontispiece. A very pleasing volume.  (21775)

Here he not only rebuts Gibson's charges, but also accuses the Church of England of preaching false doctrine.

•  ESTC T44854; Sabin 103577.   Recent quarter calf and marbled paper–covered sides, spine with gilt-stamped leather title-label and gilt-ruled raised bands. Lacking half-title and final advertisement leaf; p. 3 incorrectly numbered 1, matching ESTC's description. Pages lightly age-toned, a few with small areas of staining in outer margins.  (25955)

This brief history was printed in an edition of 250 copies at the Bird & Bull Press. The Press's bibliography says: “Title line and colophon [are printed] in Arrighi; the text [is] printed in Garamond type on Hodgkinson's Bird & Bull paper” and the wrappers are “Burnt Sienna roller-printed paste paper . . . [with the] title on [a] paper label on [the] upper cover.”

• Taylor & Morris, Twenty-one Years of Bird & Bull, B3.   New. Publisher's “burnt sienna” patterned wrappers as above.  (35763)

Whitworth was perhaps the most effective English ambassador to Russia in the first half of the 18th century. His Account was originally written for the foreign office and remained in manuscript till Walpole printed it. The DNB (on-line) writes of it, “Succinct and perceptive, it was a survey of Petrine Russia which held its readership through to the century's end and beyond.”

Horace Walpole (1717–97), the 4th earl of Orford, is best remembered as the author of the Gothic novel The Castle of Otranto. Among bibliophiles he is also remembered for his private press, variously known as the Officina Arbutana or the Strawberry Hill Press. Walpole's almost fantastic wealth allowed him the connoisseur's luxury of maintaining this noble enterprise, which he operated in the arena of the rebirth of fine printing in Great Britain that was being carried on by the Foulis brothers, Baskerville, and others.

Provenance:  20th-century bookplate of William & Helena Hand.

•  Hazen (1973 ed.), Bibliography of the Strawberry Hill Press, 5; ESTC T138827; Rothschild 2560; Cox, I, 195.   Contemporary sprinkled calf, gilt spine extra, gilt dull; joints and hinges with good repairs. Two old booksellers' descriptions taped to front pastedown. Off-setting from the turn-ins on the front and rear free endpapers and fly-leaves, title-page, and errata leaf; else, quite clean. A handsome book.  (26862)

The journal's editor, Wieland (1733–1813), was a complex figure of the German Enlightenment: a poet, novelist, political theorist, and pedagogue. His critical review/journal was of considerable influence.

Provenance:  Duplicates (with no markings) of the Harold Jantz Collection (i.e., ex–Duke University).

•  Volume 2 for 1774: Modern marbled boards; considerable foxing and some waterstaining. Volume 3 for 1774: Contemporary wrappers of brown paper sprinkled with black; uncut; considerable foxing and some waterstain lines. Volumes for 1775: the two are bound in one volume of brown leather, spine darkened to black and flaking; plain endpapers. Binding shows wear, but text clean. Volumes for 1776: Contemporary calf, gilt spines; covers with some stains and abraded at edges, some distressing of the spines. Interesting “wallpaper” endpapers in blue-green and white of a floral and wave pattern. Good++ condition. Very definitely a mixed, partial set and definitely an interesting array of presentations.  (35274)

Wieland's poetry of the late 1760s and early 1770s, offering light and graceful romances, had great appeal among the public. In Musarion, here in the anonymously published first edition, he explores the nature of love and advocates a rational unity of the sensual and spiritual.

An interesting work by this German Enlightenment writer.

•  Recent boards covered with German-style brown paper speckled with black. Title-page with itsmemorable engraved vignette cut down and mounted, and browned from this with next three leaves browned also at edges; last leaf torn into text and repaired ham-handedly on verso, covering small portions of six letters and the tailpiece. Otherwise light age-toning and a small amount of foxing. A work not widely held.  (34221)

This is a later edition, the first having appeared in 1888. It includes a black and white frontispiece of Wilcox and the poems are divided into three sections: Passional, philosophical, and miscellaneous.

Binding:  Maroon cloth stamped with intertwined gilt thorny vines bearing gilt edged green leaves, stems terminating in black-stamped roses. Binding unsigned; same design with different-colored leaves used on the author's Maurine.

•  Bound as above, edges rubbed; interior clean. A very pleasant collection in a very pretty, “emblematic” binding.  (37491)

•  Bound as above, spines slightly sunned and spotted; each volume with small faint trace of now-absent shelf label. Pages clean and fresh. A very nice trio. (41344)

Provenance:  19th-century stamp of the Medic. Chirug. Bibliothek Altenburg (on front wrapper and title-page, but NOT on plates). Most recently in the residue of the stock of the F. Thomas Heller bookselling firm (est. ca. 1928).

•  Original blue-green wrappers. Waterstaining to wrappers at spine and onto covers and at rear on portions of the folding plates. Else very nice.  (39793)

In addition to three plates and a title-page vignette, this early printing features afrontispiece by Bewick. Hugo notes that “the frontispiece of Crazy Jane wandering in the wood is remarkably fine.”

Provenance:  From the chapbook collection of Albert A. Howard, small booklabel (“AHA”) at rear.

•  Gumuchian 5841; Hugo 276 (for 1813 ed.); Opie A 1242.   Publisher's printed tan paper wrappers; spine and extremities rubbed. Traces of old adhesive residue to reverse of frontispiece and to last text page; pages and plates age-toned with occasional minor spotting only. A nice copy.  (41668)

Evans notes that this is “the first folio volume, other than Laws, andthe largest work up to this time printed in the United States.” This was a subscription printing, and includes Benjamin Franklin's father and brother, among other dignitaries, in its list of names; the sheets came from several different presses, and thus “it has fallen out . . . that the Pages for a considerable way, are numbered over again” (p. 666). The title-page is printed in red and black. The binding featuresa very unusual 18th-century repair job: to reinforce the joints, an early hand stitched along either side of the front joint and part way down the back.

Provenance:  Title-page with inked ownership inscription of T. White, dated 1726, and with inked presentation inscription to Susanna White, dated 1782. Front pastedown with inked inscription of Timothy Badger, 1782; also with 19th-century institutional bookplate and presentation inscription.

•  Evans 2828; ESTC W30456; Sabin 104075; Streeter Sale 675.   Contemporary mottled sheep framed and panelled in blind fillets with corner fleurons, a blind roll around the central panel; small scuffs, extremities rubbed, joints cracked and fragile, with early sewn repairs as above. Front free endpaper partially separated. Inscriptions as above; preface with additional early inked inscription in upper margin and inked numeral in lower margin, a very slim “mag strip” in one gutter margin and no other institutional markings. Pages age-toned and offset with varying degrees of spotting and staining; some corners dog-eared. Three leaves each with short tear from upper margin, just touching text without loss; a few leaves crumpled without tearing. First portion of volume with intermittent early inked marginalia, one note partially shaved. A milestone of early American printing and an interesting copy.  (31011)

•  Publisher's printed paper wrappers; tiny amount of rubbing to extremities. A nice copy of this uncommon debut from a major contemporary American poet.  (32661)

This work is rarely found in the deluxe binding: The handsomely gilt-stamped publisher's cloth is the norm.

•  NSTC 2W24418; Allibone 2762.   For binding, see: Morris & Levin, Art of Publisher's Bookbindings, 44. Binding as above, showing minor wear to extremities and front cover vignette, original silk bookmark detached and laid in. Volume slightly shaken with text block starting to pull away from spine; this is the kind of volume that wants to do that, and the reader will want to “cradle” it in hand — that done, no worries. Front fly-leaf with early pencilled gift inscription and with a Maine druggist's small ticket. Mild to moderate foxing. Both funny and decorative, in a publisher's binding that may fairly be called “DAZZLING.”  (26748)

•  NSTC 2W24750.   Removed from a nonce volume. Pages age-toned. An unusual ephemeral literary item from the man known as the “Father of American ornithology.”  (37236)

•  Publisher's plain yellow cloth–covered boards, showing virtually no wear. A very nice copy of a scarce and charming item, interestingly designed and printed.  (33365)

The lives are illustrated with a total of30 engraved plates, done by Robert Page and Robert Cooper, including an image of Peter Williamson in the Native American garb he adopted after his self-proclaimed Indian captivity.

•  Allibone, III, 2771; NSTC 2W25254.   Contemporary half dark blue calf and marbled paper–covered sides, spines with gilt-stamped red leather title-labels, raised bands with gilt roll, and blind-tooled decorations in compartments; all edges marbled to match sides. Two volumes only, of three; printed title-pages lacking in both volumes. Early pencilled ownership inscription to front fly-leaf of vol. I; one page with pencilled inscription in upper margin. Vol. I with upper outer corners of two leaves torn away (not touching text); one plate with old repair at upper inner corner (just touching corner of frame). Two pages in vol. I with what might be splashes of tea; light waterstaining to inner margin of first text page and to outer portions of a number of plates in vol. II; mild to moderate age-toning and scattered light foxing throughout. Incomplete and priced accordingly; stillfascinating for both the anecdotes and the illustrations.  (40364)

The two folding tables are printed on very thin tissue or “tracing”-like paper. In addition to the grammar and the vocabularies there is alsoa printing of the parable of the prodigal son in Mpongwe with a literal translation into English done interlinearly.

Provenance:  Deaccessioned from the Bowdoin College library.

•  Publisher's marbled paper covered boards, brown leather shelfback, original title label on front board; light abrasions only, and some soiling to label. Browning to endpapers, some chipping and crinkling to edges and corners, intermittent spotting and soiling; ex-library with partially removed bookplate on front pastedown, embossed stamps on title-leaf and two others, no other markings.  (41081)

Mpongwe is a dialect of the Myene language spoken by a small group of Bantus living in Gabon. In addition to the grammar here, a second pagination is dedicated to “A vocabulary of the Mpongwe language, [compiled] by American missionaries at Gaboon [as it was spelled then], West Africa.” It has its own title-page and is sometimes found separately, although it was clearly issued with the grammar and is mentioned in gilt along with the Heads on the front cover of the binding here.

•  “List of Grammars, etc., of the Languages of Africa,” p, 540, in the Bulletin of the New York Public Library, vol. 13.   Publisher's reddish brown cloth with titles in gilt on front board; boards with dampstaining and board edges with silverfish or other similar insect damage. Internally very clean and very good.  (41077)

Provenance:  From the chapbook collection of Albert A. Howard, small booklabel (“AHA”) at rear.

•  ESTC T68701.   19th-century paper-covered boards, spine with gilt-stamped title; moderate wear overall with board edges and spine sunned, spine title all but lost. Front endpapers with pencilled annotations and small 19th-century shelving label. Title-page with spots of staining; title-page and first text leaf with lower inner corner torn away, not approaching text. Pages age-toned and dust-soiled with scattered foxing. Actual hard-copy holdings of this item areuncommon, as is the case for all of the 1722 printings.  (41669)

Provenance:  Front pastedowns each with scallop-shell “pilgrim badge” bookplate of eminent psychiatrist Charles W. Pilgrim (1855–1934). Later in the collection of Robert Sadoff, M.D., forensic psychiatrist and director of Penn's Center for Studies in Social-Legal Psychiatry, sans indicia.

•  Bindings as above, spines sunned to brown and sage green; a very little rubbed and scuffed and both quite strong. Frontispieces separated, with chips and tears but no lost paper within images and each leaf with one repair from rear; vol. II title-page separated and each title-page with author's name added neatly (ink in vol. I, pencil in vol. II). Occasional spots of foxing. A beautifully bound, safely enjoyable set with pleasingly apropos provenance.  (41681)

This text with a sizable subject index records de Witt's public resolutions from 2 August 1653 to 19 December 1668 on a variety of topics, including the price of gold, the East India Company, and England. In the dedication, vande Water, the printer of this work, notes that he is producing it so that the documents will not be lost to the future.

Evidence of Readership: Notes referring to specific pages written on front free endpaper and a newspaper clipping dated 25 April 1926 laid in text.

•  STCN 216098602.   Speckled calf, gilt spine with stamped and lettered compartments, all edges speckled red; top of spine artfully repaired, joints strengthened, gently rubbed. A few gatherings age-toned and one section at rear with band of very light waterstaining to foremargin; small holes in foremargin of two leaves, possibly created during manufacture, small tear to bottom margin of another. A well-organized look at what was considered important during the middle of the Dutch Golden Age.  (35705)

•  Shaw & Shoemaker 30564; NSTC W2651.   Contemporary speckled sheep, spines divided into compartments by double gilt rules, with red leather title labels and small round black volume labels; binding rubbed and bumped with small loss of leather, glue action to pastedowns and first/last few leaves, large bite from one rear free endpaper. Moderate age-toning throughout, with only the rare short tear, chip, or stain. Early provenance evidence as above, with more recent readers adding a pencilled note and a few scribbles on two endpapers, and tucking in both a newspaper recipe for green cloth dye and a small advertisement for “A Good Cold Cream.” In fact quite a satisfactory set.  (11313)

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Binding as above, lightly rubbed at edges and joints, edges darkened, publication date minutely inked at the foot of the title-page; abraded areas to front pastedown where a printed prize award giving the recipient's name was (long ago) removed. Paper age-toned, with scattered minor foxing mostly confined to outer portions. A very good, “prize” copy of this, and one with the many brightly colored plates in gorgeously bright condition. (41594)

•  ESTC R200673; Wing (rev. ed.) W3533.   Quarter red morocco with French-swirl marbled paper sides and gilt spine lettering; binding signed (with small rubber-stamp on verso of front free endpaper) by the Macdonald Company of New York. Leather of joints lightly rubbed in places. Text soiled/stained throughout; fore- and top margins of all leaves with repairs to areas of lost paper, not affecting sidenotes; in all, Good.  (37988)

The title-page notes that this is a stereotype edition; it appears to bethe sole appearance of this work, with no other printing reported by WorldCat — although different publication dates have been assigned, the earliest possible being 1846 based on the presence of the Victoria Fountain (built in that year) and the last date mentioned in the text being 1845.

Binding:  Publisher's red cloth in imitation of morocco (Krupp Lea3, var. 1), both covers elaborately gilt-stamped with floral and foliate designs around a central urn-shaped motif in a bower with angels; spine with gilt-stamped palm tree and Chinese peasant design. All edges gilt.

Provenance:  Front pastedown with 19th-century rubber-stamp of J.A. Newhall.

•  Krupp, Making a Case for Cloth, p. 37.   Bound as above, with light rubbing only and spine gilt only slightly dimmed; endpapers foxed, and minor foxing to some pages and plates. A remarkable collection of steel engravings, in an exuberant contemporary binding that STILL GLOWS! (41566)

Provenance:  Early 20th-century bookplate of James Rolt; most recently in the children's book collection of Albert A. Howard, small booklabel (“AHA”) at rear.

•  ESTC T3347; Roscoe, John Newberry and His Successors, J391 (1); Hugo, Bewick Collector, 72 & 4072; Osborne Collection, p. 88.   Late 19th- or early 20th-century half tan calf with marbled paper sides; binding lightly rubbed. Bookplate and label as above; front fly-leaf with “No. 72 Hugo's Collector” inked in an early hand, accompanied by pencilled annotation re. Bewick. Small inkstain on title-page and one other, light soiling to text and foxing; leaf of advertisements soiled. Overall a good++ copy and well worthwhile.  (38917)

Provenance:  From the children's book collection of Albert A. Howard, small booklabel ("AHA”) at rear.

•  Rosenbach, Children's, 596 ([c. 1820]); Shaw & Shoemaker 46904 ([1818?]); Pomeroy, Alexander Anderson, 203e. This ed. not in Welch.   Publisher's printed paper wrappers with woodcuts, as above; wrappers foxed and leaves age-toned, not distressingly or weakening paper. Very little used, in good shape.  (38483)

•  Shaw & Shoemaker 22127.   Full original sheep, spine showing flex marks with small chips at extremities and a gilt-stamped leather title-label; first and last leaves with offsetting from leather turn-ins. Short tear at top margin of one leaf, without touching any text; some scattered spots of foxing. Ex-library with (attractive) old pressure-stamp to half-title, five-digit accession number rubber-stamped on front pastedown and base of p. [iii], evidence that an inked call-number on spine was sometime obscured. A clean, nice, solid copy. (21126)

•  Sabin 106261; Palau 379641. Contemporary mottled sheep and calf as above, corners and edges worn, all joints cracking, both volumes with minor worming to front covers and pinholes to spines; vol. I with loss of leather over spine head (half of top compartment). Pencilled check marks scattered throughout; front free endpaper and recto of last text page of vol. II with annotations.  (3446)

The frontispiece, in which Zoa wears salwar kameez and a turban-style headwrap, was engraved by “S.D.” after a design by Robert Cruikshank, and gives the address on which we base our suggested publication date (Dean & Munday were located at 35 Threadneedle Street from 1808 until 1816, when they moved to 40 Threadneedle).

A search of WorldCat findsonly two U.S institutional holdings (Harvard, University of Pennsylvania) and one additional Canadian.

•  Removed from a nonce volume. Pages gently age-toned, frontispiece lightly foxed (showing primarily in margins), title-page with offsetting from frontispiece, two pages at back with small spot of staining in lower margins. A nice example of a seldom-seen printing. (41469)

This is copy 22 of 50; the engravings are signed and numbered 22 of 75.

The illustrations are by David Moyer.

Poet and artist look humorously at early 20th-century fathers: baritone, critic, physicist, militarist, machinist, and photographer.

•  Binding as above, with title embossed on cover and red-cord sewing. Fine copy.  (35481)