•  Brooks 692; Brunet, V, 638. This ed. not in De Lama, not in Schweiger.   Modern quarter green morocco and green pebbled cloth–covered boards, spines with gilt-stamped title and gilt rule–framed compartments; spines sunned (not unattractively), volumes lightly rubbed overall. Some pages creased in the press, with variable spotting/soiling/foxing, the last generally speckle-type; still asolid, dignified set. (40179)

•  Brooks 594; De Lama, II, 106; Giani 71 (p. 54); Schweiger, II, 1006.   Bound as above, rebacked with the original spines laid down; sides and edges with moderate scuffing. Faint spotting, occasionally more pronounced, to many page edges; pages overall clean. Bodoni's unadorned typesetting embodies classical elegance.  (40168)

•  Brooks 1100; De Lama, II, 196. Not in Brunet, not in Graesse.   Original Bodoni orange paper–covered boards, front cover with gilt-stamped title and author and paper now more brown than orange — rubbed at extremities and spine with loss of paper in top 7". Bookplates, ownership markings, and inscription as above. Pages clean. An uncommon item, with extended, interesting provenance.  (40199)

Provenance:  Gilt supra-libros of Pope Gregory XVI. Circa 1930 acquired by John Howell, bookseller in San Francisco, and added to his personal library (bookplate on front pastedown). He later sold it to the Pacific School of Religion (bookplate on front pastedown; stamps).

Binding:  Full vellum over boards, round spine, no raised bands; spine richly gilt using a variety of tools. Papal coat of arms in the center of each board. All edges gilt.

•  Binding as above, spine darkened as are the boards, front joint repaired; gilt faded but still attractive and “legible.” Small stamp on a blank page and another in upper margin of the first page of the dedication; charge pocket on rear pastedown. An impressively bound copy of an interesting and very nicely produced manuscript.  (35975)

At hand is the stated seventh edition with additions, with a separate title-page for the second work (the Williams American Harmony). The first portion opens with a glossary of musical terms and “a new introduction to the grounds of music” by Tans'ur, followed bymusic leaves engraved by John Ward Gilman. There were numerous small variations among the early American appearances — Lowen and Brittons note that the printing history is “a tangled skein of editions which has ever since eluded orderly bibliographical classification”! — and the collation here seems to line up partially with that given by the aforementioned authors for their “Edition H” of 1771 and partially with their “Edition I” (more details below).

Provenance:  Covers with armorial supra-libros of Henry Welbore Agar-Ellis, 2nd Viscount Clifden (1761–1836), with his motto: “Non haec sine numine.” Front pastedown of deep blue with armorial bookplate and “C” shelf-list tag at one corner, front free endpaper with bookplates of Robert Wayne Stilwell and Brian Douglas Stilwell.

•  Brooks 514; Brunet, V, 673; Giani 46 (p. 48).   Binding as above, rebacked with original spine laid down and recent gilt-stamped red leather labels; corners and lower edges rubbed. Bookplates as above. Free endpapers with offsetting from turn-ins. Pages notably clean clean and crisp. A striking copy of this dramatic presentation. (40163)

•  Brooks 650; Giani 92 (pp. 57/58).   Contemporary green calf, covers framed in gilt double fillets with gilt-tooled corner fleurons, spine with gilt-stamped leather title-label and gilt-tooled compartment decorations between gilt-ruled raised bands, board edges and turn-ins with gilt rolls, all edges gilt; spine and board edges browned, spine label chipped, joints and extremities rubbed. Pages faintly age-toned, otherwise clean.  (40176)

Provenance:  Front pastedown with bookplate of private collector Brian Douglas Stilwell.

•  Brooks 379; Brunet, V, 673; Giani 11 (p. 39); Renouard, IV, 305.   Binding as above, unobtrusively rebacked preserving original spine; light wear to joints and extremities, sides with small scuffs refurbished with a restrained hand. Bookplate as above; front free endpaper with pencilled reference annotations. The wide-margined, crisply printed and engraved pages are notably clean. Distinctive for its occasion and and desirable for its lovely production.  (40138)

•  This ed. not in Brunet.   Contemporary vellum-covered boards, spine with delightful hand-inked title andship and whale silhouettes; extremities rubbed, one corner bumped, spine with small chip affecting one word of title. All edges sprinkled red. Front pastedown with the Haverford College institutional bookplate (properly deaccessioned in 2017 with rubber-stamp marking) and adhered traces of now-absent bookplate, title-page and one other pressure-stamped. A very few instances of light spotting and one pencilled annotation in Italian, pages otherwise clean. An engaging copy.  (38979)

•  Brooks 1017; Brunet, V, 667; De Lama, II, 175; Giani 179 (page 72).   Bound as above, rebacked with original spine sunned to brown reapplied; sides with scuffs (some showing signs of refurbishing) and with edges and extremities moderately rubbed.A monument of both literature and typography in a very clean and handsome copy. (40192)

•  Publisher's grey marbled paper–covered sides, front cover with gilt-stamped coat of arms, spine with black-stamped title; spine a touch sunned with unobtrusive small scuff towards foot, sides very slightly sprung, slipcase lacking. Front pastedown with bookplate as above. Volume clean and unworn, beautiful and uncommon.  (30597)

Provenance:  Front free endpaper (now separated) with bookplate of Dr. Martin J. Loeb, a prominent New York physician and philanthropist, with an explanatory “Legend of the Bookplate” label affixed to opposing fly-leaf.

•  BAL 19807.   Publisher's brown morocco, bevelled boards, covers framed in decorative blind rolls, spine with raised band and gilt-stamped title, turn-ins with gilt roll; light wear overall with extremities rubbed and spine title dimmed. All edges gilt. BAL binding C, the others being cloth. Front free endpaper (with bookplate) separated; back pastedown with small (upside-down!) numerical paper label. Foxing, as the paper is inclined to it, and a little soiling; a “decent” copy.  (40360)

Letters II–IV and V–VII have separate title-pages, dated 1773 and 1774 respectively.

•  ESTC T101252; Allibone 2344; Lowndes 2581–82. On Taylor, see: Oxford Dictionary of National Biography online.   Recent quarter calf with marbled paper–covered sides, leather edges tooled in blind, spine with gilt-stamped leather title-label and gilt-stamped decorations in compartments. Outer (closed) edges institutionally rubber-stamped; title-page and one other pressure-stamped in an old style. Very clean and with wide margins.  (25083)

The portrait of the author was engraved by Pierre Lombard, while the added engraved title-page is unsigned. Each of the four books here (in two volumes) has a separate title-page; the main title-pages are printed in black and ruled in red. The text is in English, Greek, and Latin. A printed addenda slip is affixed to the final text page of vol. II, above the catalogue of books sold by Richard Royston. Leaf L6 in vol. II is a cancel (and separated).

Provenance:  Vol. I added title-page recto with inked ownership inscription dated 1781 (“T. Moore”); vol. II front fly-leaf with inked ownership inscription dated 1696 (“Guilel. Rayner”) and another (of “T. Moore's”) dated 1781.

•  ESTC R20123; Wing (rev.) T324; Allibone 2348. On Taylor, see: Oxford Dictionary of National Biography online.   Recent quarter calf and marbled paper–covered sides, leather edges tooled in blind, spine with gilt-stamped title and volume labels and gilt-stamped decorations between raised bands. Ownership inscriptions as above. First few leaves of vol. I (including regular and added title-pages) with tiny spots of worming; slightly larger sections of same to inner margins of some subsequent leaves; a number of pages in both volumes with scattered spots of worming, touching letters but not affecting sense. Light waterstaining to outer margins of some leaves. One leaf in vol. II separated. Significant and attractive.  (24889)

The engraved frontispiece by P. Lombart depicts Jesus in shepherd guise, and is followed by a title-page printed in red and black. An oversized, folding plate shows a contrite heart accompanied by scriptural figures and allegorical images; this is also signed, Lombart. Both works came off the press with incorrect pagination, the latter with apparent page count being thrown significantly off.

Provenance: Front pastedown with armorial bookplate of Charles Grave Hudson.

•  ESTC R203751; Wing (rev.) T415. Contemporary speckled calf, framed in blind, spine with gilt-stamped leather title-label; leather cracked over joints and spine. Occasional pencilled bracketing.  (12659)

Provenance:  19th-century signature of Richard H. Downing on verso of frontispice; most recently in the children's book collection of Albert A. Howard, small booklabel (“AHA”) at rear.

WorldCat locates only three U.S. libraries reporting ownership (Yale, Free Library of Philadelphia, AAS).

•  Shoemaker 2310; not in Welch; not in Rosenbach, Children's.   Buff printed paper covers; text block recased. Wrappers and text age-soiled and with stains; still, a (now) solid and appealing period piece.  (38923)

Binding: Contemporary olive calf, covers with gilt-stamped corner fleurons, spine with gilt-stamped title, turn-ins with gilt roll; marbled endpapers and all edges gilt.

Provenance:  Bookplate of artist, collector, and art dealer Samuel Putnam Avery laid in. Most recently in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Cohn, George Cruikshank: a catalogue raisonné, 783.   Bound as above, spine and board edges sunned and rubbed with small scuffs to sides. Bookplate laid in as above, final leaf of publisher's advertising lacking; endpapers and fly-leaves lightly foxed, with a few faint spots to pages and plates. A lovely little book and one with nice provenance.  (41590)

•  Osborne Collection, p. 838 (for first ed.).  Contemporary ribbon-embossed cloth, front cover with printed red paper label; binding rubbed overall and spotted with light discolorations, label dimmed, cloth split at front joint with front hinge (inside) tender and back hinge cracked. Front fly-leaf with early pencilled inscription, now much faded. First plate separated and torn across lower portion, without loss and with pencilled scribble on verso, repaired from rear; foxing throughout. A worn and somewhat fragile copy, still ready for faithful service.  (41587)

Binding:  Publisher's green cloth, covers framed in blind, front cover with gilt-stamped decorative title and basket vignette, spine with gilt-stamped author and title.

•  Light wear only to joints and extremities, cloth showing small spots of faint discoloration. Front free endpaper with pencilled ownership inscription dated 1910, front fly-leaf with same owner's inked inscription. Pages gently age-toned, otherwise clean.  (30499)

Provenance:  Front free endpaper with garter-encircled pressure-stamp of Manchester bookseller Edwin Slater; front fly-leaf with early inked gift inscription to Ellen I. Moscrop [?] “from her sincere friend, Arabella Ble[???].” Most recently in the collection of Hubert Dingwall.

•  Ray, Illustrator and the Book in England, 191.   Binding as above, spine gently sunned; joints and edges mildly rubbed, corners somewhat more so. Stamp and inscription as above. Foxing/spotting variously, pages ranging from quite clean to bearing a few small spots to being more broadly affected, although the hue of this is generally light and the action is mostly confined to margins. Quintessentially and delightfully Victorian: a lovely collection of some of this beloved artist's best work.  (38851)

Provenance:  Green 1880 copy with pencilled inscription of Mariou Pierce of “B'ville, Mass.” (Baldwinsville), dated 1916. 1885 copy with Carroll Institute of Reading, PA,  PRIZE AWARD BOOKPLATE, noting gift in that year to Frederick Clymer for excellence in arithmetic. Later in the library of Robert L. Sadoff, M.D., sans indicia.

•  NSTC 741843.   Bindings as above; one spine with gilt dimmed, two volumes with extremities rubbed, hinges of green copy tender. Bookplate and inscription as above. Pages clean. An unusual gathering, of interest to scholars and lovers of binding and publishing history as well as to aficionados of late 19th–century illustration.  (40629)

•  Publisher’s cloth, covers blind-stamped, spine with gilt-stamped title; binding lightly scuffed overall, spine with extremities worn and one compartment gently faded, back joint with small ink blotch and corner of front cover with traces of old adhesion, as a sticker. Front pastedown with private collector’s bookplate and institutional bookplate, front free endpaper with inked ownership inscription dated 1859, title-page verso stamped (no other markings). Pages slightly age-toned. (19078)

Binding:  Publisher's quarter parchment over handsome, textured, swirl-printed tan paper; spine with gilt-stamped author and title. Edges uncut.

•  Bound as above; corners bumped, spine darkened and rubbed, joints also rubbed. Title-page with small paper adhesion, one other page with light smudge, a little light dust-soiling along the uncut lower edges, otherwise clean.  (29724)

•  Evans 23823; ESTC W21016; Arndt & Eck 805.   Contemporary mottled sheep, covers framed in blind, with remnants of original clasp, spine with later gilt-stamped leather title and publication labels; leather mildly rubbed, spine leather with small cracks, spine and joints unobtrusively repaired. Front free endpaper with pencilled ownership inscription dated 1835; afterwards, ex–theological library: Old-fashioned bookplate on front pastedown, title-page pressure-stamped, pocket on back pastedown. Pagination erratic; several pages appearing out of order. A few corners bumped or dog-eared; a good many sections moderately browned and stained as is commonly seen with these Germantown imprints.  (27905)

Provenance:  Front free endpaper with early inked inscription in Latin, above caption “ricevuto dall'autore” dated 24 April 1811. Half-title with later pencilled ownership inscription of Howard Bernhardt Adelmann (1898–1988), author of Marcello Malpighi and the Evolution of Embryology and editor of The Correspondence of Marcello Malpighi. Later from the residue of the stock of the F. Thomas Heller bookselling firm (est. ca. 1928).

•  Contemporary speckled light blue paper–covered sides with sheep shelfback, spine with gilt-stamped leather title-label and gilt roll; spine and extremities rubbed, spine head and front joint with insect damage. Front pastedown with modern pencilled annotations, front free endpaper with inscription as above. Moderate foxing throughout. A very nice association copy. (40664)

•  Publisher's printed paper wrappers; wrappers darkened with corners bumped, front wrapper with small ink spots, short edge tears, and faint rings of discoloration. Faint intermittent foxing with one signature (only) more notably age-toned.; final leaf with portion torn out of outer margin, not touching text. A pleasing touchstone for Victorian literature and its “production.”  (33259)

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  NSTC 2T6768.   Binding as above, spine sunned to a rosy tan color, extremities lightly rubbed. Old cataloguing affixed to front free endpaper verso (i.e., to paper, not silk). Small line of staining to upper margins of most leaves, pages and plates otherwise clean save for three instances of offsetting from plates. A pretty little book; a nice thing in 1848 and a nice thing now.  (38635)

Provenance:  On the front pastedown of each volume, a charming bookplate of Alfred and G. Ivy Clark, the former (1873–1950) being the pioneer in music recording and cinema whose work with Thomas Edison produced the first “moving pictures” having continuity and plot; he also helped Emile Berliner with the development of the gramophone, and he assembled one of the most important collections of Chinese ceramics in the West.

•  Bound as above; spines slightly darkened, front joint of vol. II neatly and unobtrusively refurbished. Interiors age-toned, some offsetting to pages opposite illustrations, several leaves in vol. I pulling from the binding but still attached; in vol. II, small closed tear to frontispiece, the corner of one plate torn away not affecting illustration and laid in, small slim marginal waterstain to last few leaves. HANDSOME.  (38687)

The present work is a series of short stories (“The Missionary Sheriff,” “The Cabinet Organ,” “His Duty,” “The Hypnotist,” “The Next Room,” and “The Defeat of Amos Wickliff”) set in Iowa The black and white illustrations are by A.B. Frost and Clifford Carleton.

Binding:  Publisher's blue-gray cloth stamped in white with an overall pattern of an exuberant vine hiding the repeating image of an eagle with a palm branch in one talon and arrows in the other. Title and author in gilt on cover and on spine.

•  Wright, III, 2046.   Binding as above, very bright and nice; without the dust jacket. Very good condition.  (34607)

one of 220 copies printed, of which only 130 copies were for sale

•  Two Decades of Hamady & the Perishable Press, 23.   Publisher's gray Fabriano paper wrappers, front wrapper with title stamped in blind. A clean, fresh copy.  (30800)

Binding:  Green morocco with unusual partly bevelled edges, front cover framed and panelled in blind and gilt with central blind-stamped diamond medallion in enclosing gilt-stamped decorations; spine with gilt-tooled raised bands, turn-ins with gilt roll, green marbled endpapers and all edges deckle. Binding stamped by London Harness Company, marked “made in Italy.”

•  Bound as above, sunned to varying degrees, leather split across front joint but secure to spine, sides scuffed, edges and extremities rubbed. While only a few leaves of this remarkable volume have been used, what is here is a treasure trove of theatrical association. (41670)

•  Fine, Janus Press 1975–80, 41.   Publisher's navy cloth, front cover with illustration on paper as above; spine very slightly sunned, outer front corners showing most minimal wear. Van Vliet's lithograph bright and beautiful.  (32333)

Binding:  16th-century polished calf expertly rebacked in slightly lighter leather; spine plain with raised bands accented by blind rules above and below each band. Covers blind-ruled with large gilt fleurons to corners and gilt floral centerpieces. All edges gilt.

Provenance:  Contemporary inscription “Perrot” to title-page (possibly Charles Perrot, 1541–1608, a Protestant minister in Geneva who preached religious tolerance and so fell out of favor with Calvin); slightly later name “Langloir” also inked to same. Small 19th-century photographic portrait of a military officer pasted to verso of front free endpaper. Most recently in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

Pettegree & Walsby record two copies, one in the U.S. (Harvard); WorldCat and COPAC find no copies with Bogard’s imprint.

•  Renouard, Imprimeurs & libraires Parisiens du XVIe siècle, 281; Pettegree & Walsby, French Books, 8834.   Bound and rebacked as above, with onetime cracking to covers near joints also strengthened/refurbished with darkening to leather; minor repair to corners, and later endpapers. Text double-ruled in red, with occasional slight toning and a little foxing to the title-page and last three leaves; a slender waterstain to the upper blank margin of the last two leaves and a small repair to the outer blank margin of the last.A very nice copy in an interesting binding.  (40794)

•  Adams, American Controversy, 78-102b; Sabin 95788.   Sewn, later wrappers applied; some foxing. Four leaves chipped along the outer margin, not affecting text. Without the final blank (only); with the half-title. A very good, clean copy.  (25497)

•  Publisher's paper wrappers. A fresh, clean copy.  (37134)

Binding:  Contemporary pebbled red roan, covers framed in gilt fillets with corner fleurons and gilt-stamped decorative title, spine gilt extra, board edges and turn-ins with gilt roll. All edges gilt and boards supportingnotably attractive endpapers with gilt- and red-stamped vine and berry design.

Provenance:  Front fly-leaf with pencilled gift inscription, attractively written: “To Samuel Hibben from John Boyd Smith, Peoria Jan.y 1st 1862.”

•  Bound as above, spine and edges darkened and lightly rubbed with joints rubbed moreso. Pages age-toned, with mild foxing to and around plates. Showing signs of having been read and loved, still a striking production.  (41555)

Provenance:  Most recently in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Kelly, Checklist of Books Published by William Pickering, 1851.9; Keynes, William Pickering (rev. ed.), p. 75.   Binding as above, original silk bookmark present. Pages gently and evenly age-toned, otherwise clean and fresh. A desirable copy.  (40820)

This isnumbered copy 173 of 275 printed. The text was set in Garamond type with decorative initials in red and page ruling in blue, and printed by Robert Ashwin Maynard on Japanese vellum.

•  Harrop, Gregynog Press, 6.   Publisher's yellow buckram, spine with gilt-stamped title; sides mildly dust-soiled, spine slightly darkened, back cover with two areas of discoloration near upper edge. Pages gently age-toned and entirely clean.  (35245)

•  Wegelin, American Poetry, 1168; Shaw & Shoemaker 39076. Recent quarter cloth with blue-green paper sides, in the style of early 19th-centry American books. Ex–mercantile library with a few stamps, including on title-page. Two letters of title abraded and mostly invisible, yet, still, a clean copy.  (10217)

The title-page is printed in black with two blue lines; the portrait of Emerson is in blue on a pale ochre field; the colophon incorporates a large blue “H.”

Lawrance Thompson (1903–73) was a member of the English faculty at Princeton University and the official biographer of Robert Frost.

•  New. Publisher's gray cloth shelfback with orange-red marbled paper sides. Deckle edges. In the original gray cloth openback slipcase.  (35754)

This is the first printing of Thoms' edition; the work was issued separately, and later reprinted as part of the three-volume Collection of Early Prose Romances (1828). WorldCat locatesonly four U.S. institutional holdings.

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  NSTC 2H28672. This edition not in Kelly, Checklist of Books Published by William Pickering (see 1828.22 for three-volume collection); likewise Keynes, William Pickering (rev. ed.), (see p. 92 as above).   Modern pebbled black morocco, front cover with gilt-stamped green morocco title-label, in matching morocco and marbled paper–covered slipcase; slipcase rubbed, volume spine sunned and rubbed. Pages faintly age-toned with scattered small spots of light foxing.  (37602)

Patrick Murdoch's short biographical piece on Thomson is included here, as well as a preface by James Nichols and notes from the editor. Stunning engravings signed by English engravers John Gilbert and William Greatbach appear throughout, protected by tissue guards.

Binding:  Dark teal(?) morocco darkened to black with beveled boards and intricate decoration in blind; gilt lettering and additional blind decoration to spine. Marbled endpapers, all edges gilt and gauffered. Binder's ticket of Poulter of Leamington on front pastedown.

Evidence of Readership: Two rather interestingly late-dated notes of reading completion (August and September 1942), in pencil in margins.

Provenance:  Signature and initials of V.C. Turnbull on verso of front free endpaper; another owner's notes on place/price of purchase on the same page.

•  Bound as above, refurbished. Lacks half-title; frontispiece and several plates lightly foxed, offsetting to tissue guards from plates, and small, sparse spots of staining to several leaves. Pencillings as above plus one pencilled marginal rule. A lovely collection, delicately detailed plates, and an excellent binding.  (37350)

Binding:  Early 19th-century quarter sheep with marbled paper–covered sides, spine neatly, handsomely ornamented with gilt-stamped title and date in roman numerals, blind-tooled raised bands, and elegantly gilt-stamped stylized floral motifs in five compartments.

Provenance:  From the residue of the stock of the F. Thomas Heller bookselling firm (est. ca. 1928).

•  Brunet, V, 836; Cohen-de Ricci 991–992. On Le Barbier, see: Ray, I, 76–77.  Bound as above; joints and spine extremities refurbished, sides lightly rubbed and edges more so. Pages faintly age-toned; edges untrimmed. Plates with spots of foxing mostly confined to margins. A beloved 18th-century work in an interesting French form, with striking plates and very attractive on the shelf. (40598)

Binding:  Contemporary green morocco, covers framed in gilt triple fillets with gilt-tooled corner fleurons surrounding a central foliate medallion, spine gilt extra. Turn-ins with gilt roll. All edges gilt. Signed binding: “Bain, Binder” small stamp in lower margin of verso of front free endpaper.

Provenance:  Prize copy: front fly-leaf with inked inscription reading “Jno. Hy. Lloyd [/] Prize for proficiency in English and British History. July, 1872 [/] A.R. Abbott [/] Grove House”; beneath inscription, affixed paper label inscribed “George B. Lloyd.” Most recently in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  McLean, Victorian Book Design, 68 & 146.   Binding as above, showing light wear overall with joints, spine bands, and extremities rubbed, spine slightly darkened. Front fly-leaf with inscription and label as above. Fly-leaves and half-title foxed; a few faint spots of foxing scattered through pages. A distinguished example of this quintessentially Victorian present.  (38060)

•  NSTC T941; Hugo, Bewick Collector, 253; Johnston, Cleveland Herbal, Botanical, and Horticultural Collections, 745; Nissen 1954; Pritzel 9238; Rohde, Old English Herbals, 224 (listing Crosby ed. only).  Contemporary calf, covers framed in blind roll and single gilt fillet, spine with blind-tooled compartment decorations; binding rubbed and scuffed overall, spine label now absent with traces remaining, repair work to splits in spine leather and to short tear from inner margin of front free endpaper, joints and extremities refurbished. Front free endpaper with inked ownership inscription (“C.M.W.”) dated 1912. Dedication tipped in. Pages gently age-toned with scattered foxing; small inkstain to upper fore-edge of first 30 ff., barely extending onto pages. One contents leaf with short tear (just touching text, without loss) and old repair in lower outer corner. A now solid, even rather distinguished-looking copy of a desirable pharmacopeiaexquisitely illustrated.  (36043)

•  New. Bound, as issued, in quarter blue linen with marbled paper boards, title stamped in gold on spine. With the glassine wrapper.  (35759)

Binding:  Original red paper–covered boards with black lettering and double-ruled border to title on front board.

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

WorldCat has located only ten institutional copies.

•  Bound as above; rubbed, soiled, and scraped with wrinkling to rear board. Minor gutter crack at the seventh illustration. Pages untrimmed. Housed in a modern red cloth slipcase, faded, with lettering on spine reading “Illustrations to Puckle's Club — Original Boards — 1820. A copy complete, clean, and in original boards, containing wonderful engravings.  (37777)