The Corollarium is only found bound with the Adlocutiones, as here; however the latter was also published separately the same year. Both were printed by Pietro Nesti at Florence using roman and italic type with woodcut initials, ornaments, head- and tailpieces. This volume concludes with the original final blank, lacking in many copies, although the Corollarium seems to lack a preliminary signature of two leaves (probably a blank and a sectional title leaf).

Provenance:  Front fly-leaf and title-page with early owner's inscription of Oliver Pagn[...]; fly-leaf verso with owner's inscription dated 1650 of Jo[h]annes Baptista Adimari (related, perhaps, to Alessandro Adimari, a member of Gaddi's Accademia who died in 1649?); and front fly-leaf with later owner's inscription of Philadelphian Henry John Gibbons (“Rittenhouse Square West”).

•  Contemporary flexible vellum with title inked to spine, pierced at the edges for four ties, now wanting; repairs with tissue to headcap, spine, and front cover edge. Title-page and following leaf repaired in two places, and following 30 pp. repaired in outer margin; first two leaves of second book wanting, as above. Foxing and occasional other staining throughout, the occasional tear, one leaf holed touching text but not spoiling reading, rear free endpaper torn away. Doodlings on front pastedown and fly-leaf; brief index to the first part written by an early hand on final recto and rear pastedown; later pencil markings. A proud witness to the interests of (Italian) academia.  (30505)

Evidence of readership: Scattered early marginalia, chiefly of a word or three or four, some marks of emphasis (underscoring, manicules).

Provenance:  19th-century ownership signature of “Wm. H. Burroughs, Savannah, Georgia” on folio aa8v and 312v. Most recently in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Adams A17; Moreau, Éditions parisiennes du XVI siècle, II, 78, 91; Renouard, Badius Ascensius, II, 451, 7. On Gaguin, see: Contemporaries of Erasmus, II, 69–70.   Full 20th-century alum-tawed brown goat, mottled, with spine and top area of front board sunned to a pale tan (part of front board protected by a smaller volume?); raised bands, blind tooling on boards. Some dates written in pencil in margins, other marginalia as above; last quarter with variable old waterstaining.A nice copy. (40646)

Provenance:  Released as a duplicate from the greatest collection of American Catholica in the world, the Georgetown University Library, with a few faint rubber-stamps.

•  Parsons 468; Shaw & Shoemaker 31551. On Dunboyne, see: Dictionary of National Biography, VIII, 66–67.   Original sheetssewn but never bound. Edges chipped and dog-eared; age-toned and waterstained. Now housed in a simple acid-free phase box.  (39461)

Signed binding: Contemporary half tan morocco with marbled paper–covered sides, spine with raised bands each accented above and below with single gilt rule and single black rule; gilt-stamped title, spine compartments framed in gilt with gilt dots in each corner and each with gilt center device. Front free endpaper stamped “Bound by Sangorski & Sutcliffe.” Top edge gilt; silk ribbon place marker.

•  Binding as above, spine slightly sunned, corners and extremities showing minor rubbing. Front pastedown with private collector’s armorial bookplate. Pages clean. (19752)

Binding:  In the style of a percaline mosaïquée, but the gilt and mosaic are applied to a textured pebbled cloth. Spine gilt extra with added “mosaic” of green, white, red and blue. Front cover with a blind-stamped border incorporating elegant corner-pieces; within this, “Souvenir de Versailles” gilt-stamped in an arc above a large on-laid crowned coat of arms flanked by banners and flags, this embellished in gilt with rich use of blue, white, red, blue, and green. Rear cover with similar blind-stamped border and a different large gilt-stamped center device strikingly incorporating an on-lay of blue stamped in gilt with a military medal. All edges gilt.

•  On this type of binding, see: Morris & Levin, The Art of Publishers' Bookbindings, pp. 94–97.   Binding as above, rubbed to the underlying boards at the corners of the boards and top of spine slightly pulled with one bit of rubbing. Scattered pale brown stains mostly on interleaves and sometimes visible on versos of plates; some discoloration in some margins of plates and occasionally into one; overwhelmingly a clean copy, remarkably bright and unfoxed. A strong and nice example of this category of “souvenir” and of a gilt mosaic binding.  (30464)

•  Renouard, Alde, 73.9; Brunet, II, 1523; Adams G344; Graesse, Trésor de Livres Rares, III, p. 45; Schweiger, Handbuch der classischen Bibliographie, II, p. 376; on Egnazio, see: Contemporaries of Erasmus, pp. 424–25.   18th-century vellum over boards with red and green gilt leather spine labels, one edge with one very small chip to vellum; fore-edge of title-page repaired, light age-toning, a few words in old ink to front endpapers, some unevenly trimmed pages with the occasional (chiefly light) marginal stain or spot. “A. Gellius” in old ink to fore-edge of volume. A worthy Aldine.  (37243)

The additional engraved title-page, done by P. Sluyter after a design by J. Groere, depicts the author at work on a moonlit night, and is decorated with medallions of Athena and her owl; the title-page is printed in red and black, with an engraved vignette of an Attic city.

Binding: Prize binding (without certificate) of contemporary vellum, covers framed and panelled in double blind fillets with gilt-stamped corner fleurons, gilt-stamped medallion on each cover showing a scimitar-wielding knight bearing two crossed keys on his shield, supported by monkeys and surmounted by lounging figures grasping snakes. Spine with gilt-ruled raised bands, gilt-stamped compartment decorations, and early inked title.

•  Brunet, II, 1524; Graesse, II, 46; Schweiger, II, 379.   Binding as above, small areas of discoloration, ties now lacking; front hinge (inside) very unobtrusively reinforced. Front pastedown with affixed slip of old cataloguing, partially obscuring an early inked annotation. Title-page with shadows of pencilled numeral and publication annotation. Some margins darkened or with mild spotting, pages otherwise clean, and all edges red.  (25963)

The plates are signed “F. Kearny,” an artist born in Perth Amboy, NJ, who studied drawing with Archibald and Alexander Robertson and engraving with Peter Maverick. From 1810 to his death in 1833 he practiced engraving in Philadelphia.

There are two states of gathering “U”: this copy has the typographical error “tibbon” with the stop-press correction to “ribbon” on p. 235.

The volume ends with advertisements for several sporting and fishing goods suppliers.

•  Shoemaker 27838; Howes K108; Henderson, American Sporting Books, 6; Phillips, Sporting Books, 21; Streeter Sale 4084; Bennett, Practical Guide, 60–61. On Stauffer, American Engravers, I, 148–49.   Publisher's sprinkled sheep with simple rope roll in blind on board edges, some abrasion to leather; round spine with gilt double rules forming “spine compartments,” black leather title label. The usual light and scattered foxing noted in all copies, nothing more. A very nice copy.  (28553)

•  Publisher's printed paper wrappers; faded, lower outer front corner creased, back wrapper with lines of discoloration. Pages slightly age-toned, otherwise crisp and clean.  (33187)

Gerard's observations cover botany, linguistics, culture, and commerce, as well as geography. The area of his travels is depicted by an oversized, folding map of his own design.

•  NSTC 2G5453; Howgego, II, G7.   Contemporary brown cloth, spine with gilt-stamped title; rebacked and 95% of original spine reapplied, with the publisher's name at the foot of the spine chipped. Front pastedown and back of map each with institutional rubber-stamp (no other markings), front free endpaper with inked ownership inscription dated [18]49. Hinges (inside) reinforced. Last preface page with small inked annotation. Pages slightly age-toned; map with light offsetting and one short tear starting along fold, not touching image.  (24291)

There is, to us, a surprising and very interesting section on grapes and wines. The first part of our caption delights partly in discovery that maize, the “corn” of the U.S., is here called “turkey wheat” — with further note that you can make bread of it, but that the result is pleasing only to “barbarous” tastes! The entry as a whole showsGerard at his characteristic best, at once scientifically systematic and engagingly discursive.

Provenance:  Neatly lettered name of “W. Younge” at top of title-page; it is tempting to attribute this to William Younge, physician of Sheffield and Fellow of the Royal Linnean Society, whose online correspondence shows him to have been an eager collector of botanical books.

•  STC (rev. ed.) 11752; Alden & Landis, European Americana, 636/25; Nissen, Botanischebuchs, 698n; Pritzel 3282n; Johnston, The Cleveland Herbal, Botanical, and Horticultural Collections, 185; Woodward, Gerard's Herball: The essence thereof distilled (London, 1964). On the source of the blocks, see: Hunt Botanical Catalogue and Bowen, K. L., & D. Imhof, The illustration of Books Published by the Moretuses (Antwerpen, 1997). For “Turkey Wheat, “ see: Gerard, p. 81; for polenta, p. 71.   Late 17th-century English calf, plain style; rebacked professionally in the 20th century, later endpapers. As usual, without the first and last blank leaves. Three leaves with natural paper flaws in blank margins. A very good copy.  (34500)

•  ESTC R200633; Wing (rev. ed.) G603.   Recent marbled paper wrappers. Pages very slightly age-toned with one early inked marginal annotation, else clean and crisp.  (25024)

Curio's printer's device (Heitz, Basel, 108) appears on the title-page with another version (Heitz: Basel, 111) on both leaf 2D8v and last leaf verso.

Provenance:  17th-century shelfmark in gilt at base of spine ( “V” over “IX”); 18th-century ownership inscription (name only) of José de Giunta Lobo and late-19th-century inscription of James J. Woolsey on title-page. Woolsey's signature again at head of col. 2 of text. 19th-century stamp of defunct library on title-page.

Via WorldCat we locate only three copies in the U.S.

•  VD16 G1757.   Mid-17th-century plain sheep with early (!!) repairs to head and foot of spine and to fore-edges of covers. Lacking 12 leaves of the preliminaries, we believe by someone's intention. Minor worming (mostly pinhole type) touching some letters; early and late leaves dust-soiled; short tears in some margins of early leaves. An interesting copy of a scarce edition.  (27258)

A volume of modest production values, this begins nicely with a handsome title-page bearing an engraved vignette by Johann Wilhelm Meil (1733–1805) that sets the tone for the contents: lyricism in an idyllic setting.

•  Leemann-van Elck, Salomon Gessner, 584.   Slightly later green paper–covered boards, rubbed and abraded but volume sound. Early leaves lightly soiled and with light foxing, all edges red.  (34204)

Provenance:  Ownership inscription in the top margin of leaf [pi]2r, in Latin, dated 1500 of Matthew Schach, the Carthusian Prior at Prüll, and “tit. Bp. of Salona (Dalmatia), suffragan Bp. of Freising” according to Paul Needham's Index Possessorum Incunabulorum; mid-19th-century ownership signature on title-page of A. De Welles Miller, Charlotte, North Carolina, a Doctor of Divinity, but we do not know of which denomination. He was a devoted collector of early printed books. (Sincere thanks to Eric Johnson [Ohio State University Library] and Eric White [Princeton University Library] for assistance with the Shach provenance note.)

Evidence of readership: Early marginalia next to chapters (or their morals) 15, 16, 28, 33, 36, 43, 47, 55, 72, 80, 91, 92, 106, 111, 125, 128, 135, 144, 164, 173, and 178. A correction to the moral of 115 and an interlinear addition to moral 55.

•  Goff G-296; GKW 10902; BMC I, 146 (IB. 1928); ISTC ig00296000.   Recent ebony-brown calf old style: Round spine with raised bands accented by gilt rules, cream leather title label, fillets extending onto covers from each band to terminate in trefoils; a vertical blind-tooled “rope” to covers beyond the trefoils and covers framed in blind double fillets. Title-leaf stained and with old repairs, pencilling, and ownership indicia as above; very old bookseller's description glued to same not approaching type or inkings. Variable waterstaining throughout; pinhole-type worming, minor and not costing letters; leaf l4 torn in upper margin extending into text with loss a very few words in the top two lines of one column on each page of the leaf. Lacks the final blank (only). A significant book, and a handsome incunable in a very interesting copy.  (39525)

•  Publisher's textured navy paper wrappers, in original brown paper envelope printed in red; envelope corners slightly worn. Wrappers and pages clean and crisp.  (31228)

•  NSTC 0458171.   Later full navy morocco, spine with gilt-stamped title; spine gently sunned. Top edges gilt. Two pages with small spots of faint staining, overall gentle age-toning. A nice example of the Roxburghe Club'simpeccable publication standards.  (33492)

Provenance: Christmas gift inscription reading, “For my friend Cecile from Barbara Young, Christmas, 1926.” Barbara Young was the pen name of Henrietta Breckenridge Boughton, an American art and literary critic in the 1920s and a poet; she served as Gibran's secretary from 1925 until his death, revised and published his book The Garden of the Prophet, and published a study of his life (This Man from Lebanon).

•  Publisher's black cloth; gilt faded, top of spine pulled with small loss. Corner of one leaf torn away. Else a very nice copy ofa book not often found inscribed, and with a provenance that goes straight back to the inscriber.  (40911)

•  ESTC R24103; Lowndes 888; Wing (rev. ed.) S6383 (noting the true publication date). On Gibson, see: Oxford Dictionary of National Biography online.   Recent quarter calf and marbled paper–covered sides, spine with gilt-stamped leather title and publication labels and gilt-stamped compartment decorations, leather edges tooled in blind. Lower (closed) edges and title-page recto and verso institutionally rubber-stamped; last page with affixed printed errata slip. Back fly-leaf with early inked annotation; text with a very few instances of inked bracketing in an early hand, pages otherwise clean. All edges speckled in red and brown.  (25422)

•  Publisher's printed paper wrappers, in original printed dust wrapper; dust wrapper partially split along front outer fold and nicked at corners. Pages age-toned.  (28931)

This particular treatise waspraised by the U.S. Supreme Court in 1815, and by John Adams; it appears here in its first Irish and third overall edition, following the first of 1730.

•  ESTC T207893; Sweet & Maxwell (2nd ed.), I, 453:20.   Contemporary speckled calf, joints reinforced some time ago, spine with gilt-stamped leather title-label and blind-tooled bands. Pages age-toned and lightly cockled, with mild to moderate offsetting and spotting; last few leaves of index waterstained. One leaf with printing flaw: final words of 10 lines at bottom of page printed out of true. Not pristine, but sturdy and still respectable.  (34394)

•  Gill (second ed.) 37.   Publisher's pink paper wrappers printed on front in blue, housed in matching pink and blue paper envelope. Pamphlet in fine condition; envelope with bumped edges and corners and a few spots of smudging.  (35362)

Provenance:  Front pastedowns each with bookplate of Robert Wayne Stilwell.

•  Brooks 1063; De Lama, II, 187; Giani 189 (p. 74).   Modern full crimson morocco, covers framed in single gilt fillet, spines with gilt-stamped title and volume numbers, gilt-dotted raised bands, and gilt-stamped floral decorations in compartments, in a matching cloth slipcase; original paper spine labels for the four volumes affixed to front pastedowns. Page edges untrimmed; one leaf in vol. I with chip out of lower margin and with signature 2 (pp. 9–16) bound in twice. A very few scattered small spots to first three volumes, fourth volume slightly more noticeably so affected, pages overall clean and crisp. A handsome set. (40196)

Added to this edition is Francsco Negri's Latin translation of Giovio's Commentario de le cose de' Turchi (“De rebuvs et vitis imperatorum Turcarum usque ad Solymanum”; vol. 2, pp. 390–[472]).

Provenance:  17th-century ownership signature of “Ant. de Sedorne” on title-page; two 19th-century stamps on same, one unidentified and the other of the “Seminarium Sancti Nicolai de Cardueto”; and stamp on verso of same, of the Redemptorist Fathers of the Mount St. Alphonsus Seminary (deaccessioned).

•  VD16 G2077; Adams G666.   Early vellum with precursor yapp edges, author/title inked old-style on top page edges as well as on spine; text block recased and new ties attached. Text browned in places, light waterstaining in some lower portions, stamps as noted above, else a good++ copy andan impressively thick fistful of book.  (34405)

•  Hatch, Mosher, 688; Bishop, Mosher, 313.   Publisher's quarter tan paper and blue paper–covered sides, spine with printed paper label; spine moderately sunned, with extremities rubbed and one tiny fleck to one compartment. Back hinge (inside) cracked, front hinge tender, volume yet holding firmly; as usual, without the dust jacket or the slipcase. Overall, a very good copy ofan interesting book and an attractive Mosher production.  (34463)

•  Brooks 818; De Lama, II, 145; Giani 141 (p. 66).   Contemporary marbled paper–covered boards, spine with hand-inked paper label, rubbed and fadedl; front joint cracked with spine wanting to pull away from text block although still attached. Back pastedown with small inked annotation and pencilled collation note. Scattered minor foxing, two pages with light offsetting from now-absent laid-in item, pages overall clean with untrimmed edges. An uncommon Bodoni production.  (40185)

•  Publisher's cloth, dust jacket, and contents as new.  (6107)

Provenance:  From the children's book collection of Albert A. Howard, sans indicia.

•  Publisher's printed paper wrappers, slightly faded, spine rubbed; front wrapper and first few leaves with horizontal crease. Pages with light offsetting, otherwise clean.  (41178)