Luther was unable to attend the 1537 meeting; consequently, the League ended up being largely influenced by Melanchthon and decided not to adopt the Articles chiefly because of their stand on the doctrine of the Lord’s Supper. The Articles did, however, circulate widely and were incorporated in the 1580 Book of Concord.

Searches of NUC and WorldCat locateonly one U.S. library reporting ownership UPenn).

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  VD16 C4347; Index Aurel. 142.161; Claus 187, 28; Spahn 132.   Removed from a sammelband. Very good condition.  (38083)

•  ESTC T115485.   Removed from a nonce volume. Very good.  (39078)

•  Very good image.  (33873)

The present example appears to be the variant printing of the first edition as described by the University of Illinois, with line 32 of p. 179 giving “F acies” (instead of “Fallacies”); ESTC and Thomason suggest that the actual printing date was 1653. Printed legend “Cokes Art of Logick in English.” vertically on a blank between the front free endpaper and the title-page; the relic of a ream wrapper.
Binding:  Notably elegant period-style quarter speckled calf and marbled paper–covered sides, spine with gilt-stamped leather title-label, raised bands, and blind-tooled decorations filling compartments.

Provenance:  Front free endpaper with early inked inscription of M[atthew?] Bakewell; half-title and title-page each with early rubber-stamp of S. Davies. Later in the residue of the stock of the F. Thomas Heller bookselling firm (est. ca. 1928).

•  ESTC R9220 (variant); Wing (rev. ed.) A804B (formerly C4986); Thomason E.1436[2].   Binding as above; endpapers with offsetting from previous leather, front one chipped at edges, age-toning generally with page edges browned/dust-soiled. Small spots of pinhole worming to upper inner margins of roughly first half of volume, just touching some top lines without affecting legibility; old waterstaining across lower outer corners variably reaching text; a few pages showing traces of red around edges, presumably from now-shaved original red edge staining. A solid, pleasing copy of this fairly uncommon treatise.  (40076)

Uncommon: ESTC and WorldCat locate only three U.S. institutional holdings of this edition. A variant, lacking publisher information, was printed in the same year; the present example bears three woodcut headpieces and one foliated capital.

•  ESTC R29637; Wing (rev. ed.) C5039A.   Removed from a nonce volume, with early inked pagination added in upper outer corners. Final leaf with lower outer corner torn away, not nearing text; slim track of worming to lower inner leaf portions, not obscuring text and with unobtrusive translucent repairs to several instances. A very nice copy of this uncommon polemic.  (36844)

Provenance:  From the children's book collection of Albert A. Howard, sans indicia.

This copy lacks the two preliminary leaves. The catchword on p. 7 is “allow'd.” This is the variant issue with a final blank leaf instead of the advertisement leaf.

Provenance:  From the library of the Colgate Rochester Crozer Divinity School; properly deaccessioned.

Evidence of Readership: Occasional pencil markings and a few marginal comments in the first third of text.

•  ESTC T31966; Allibone 411–12.   Recent blue-grey marbled paper–covered boards, spine with printed paper label. Title-page repaired with loss of perhaps ten letters of epigraph, with partially trimmed name inked in an early hand, and with very elegant old institutional pressure-stamp; title-page verso with pencilled call numbers; first text page with institutional stamp in upper margin, inked and pencilled numeral in lower margin. Two preliminary leaves lacking. A few leaves closely trimmed at one or another margin; last 20 with very short marginal tears not approaching text. Light age-toning and occasionally a spot; generally, clean; marked as above. An influential work on rational religion with evidence of use.  (36007)

The frontispiece portrait of Collins is a reproduction of one by John Flaxman.

•  Publisher's quarter brick red morocco with gray paper over boards, front board with a gilt center device; small amounts of discoloration to rear board's paper and black streak to its leather. Deckle edges. Offsetting of frontispiece to title-page, attractively; slim sliver of light waterstaining to some top margins and some upper outer corners creased across in a way that may suggest an incident in the print-shop; in all a clean and very appealing copy from the Press's “special” part of this edition.  (33502)

•  Nearly New. Bound in brown paper boards, printed in black. In a protective box that is lightly chipped and with a spot or two of fading/discoloration; book in fine condition.  (35756)

•  Martin & Walter 5106.   Sewn, never bound; title-page with affixed paper shelving label in lower inner corner, not touching text, and with pencilled monogram in upper outer corner. Page edges untrimmed. Lacking center signature (pp. 17–24: end of article IV, beginning of article V). Pages gently age-toned, otherwise very crisp and clean.  (30698)

The stories areillustrated with a total of ten hand-colored, wood-engraved plates, some of which are signed N. Orr Co., done after designs by Jacob A. Dallas. The added engraved title-page reads “The Fairies in Council,” giving the same date and publication information as the main title-page.

Binding: Publisher's dark green textured cloth, covers blind-stamped with publisher's “GGE” shield, spine with gilt-stamped fairy-surrounded decorative title and a large harp-playing fairy in lower portion.

Provenance:  Front free endpaper with inked inscription of Maggie Tarlsbury, dated 1862.

•  Binding cocked, gently worn overall with small closed tear to back cover cloth, gilt dimmed yet still pleasing. Front pastedown with bookseller's ticket of Hudson Taylor, Washington City; inscription as above. Pages age-toned, with a few very short edge tears not extending into text and occasional small spots. Early printings of this collection, with its graceful bows to American children, are now scarce. (40996)

WorldCat findsno institutional holdings of this charitable publication.

•  Cook, America's Charitable Cooks, 116.   Publisher's tan cloth–covered boards, front cover with decorative title stamped in olive; cloth dust-soiled and showing mild bubbling, with extremities rubbed. A few corners dog-eared. Occasional small pencil marks; scattered spots of staining. An uncommon item, showing only minimal kitchen wear.  (38307)

•  ESTC R29682; Pforzheimer 193; Wing (rev. ed.) C5845.   Later plain paper-covered limp boards; paper darkened and chipped. Front pastedown with bookplate as above, front free endpaper with affixed slip of old cataloguing offset onto pastedown. Pages age-toned and cockled with margins slightly darkened; last two leaves with holes affecting text, final leaf with loss of about 14 words and penultimate with only a handful of letters touched. Lower edge with one chip throughout. A flawed, but moderately uncommon, first edition from one of the most popular playwrights of the Restoration era.  (33587)

•  ESTC T97031; Sweet & Maxwell (2nd ed.) I:322.4.   19th-century half calf and dark red ribbon-embossed cloth, very pleasingly rebacked, spine with gilt-stamped title and raised bands framed by bead-and-line blind tooling; original leather corners worn, cloth scuffed, front cover with faint traces of ring indentation and small area of bubbling by lower outer corner. Pages gently age-toned; one lower outer corner torn away, not touching text; one leaf with paper flaw in lower outer portion. A good solid copy that will present a pleasing appearance on the shelf.  (34120)

Binding:  19th-century crushed midnight blue morocco, round spine with four raised bands forming five spine compartments, four of which are further defined by a single gilt rule on four sides and have each a gilt floral device in the center; each band accented with gilt beading. Author and title gilt in the fifth compartment and at base of bottom compartment, in gilt, place and date of publication. Both boards with a simple gilt triple-fillet border, board edges with a single gilt fillet, turn-ins gilt-tooled with an intricate roll. Endpapers of a French combed-up pattern.

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

Renouard opines: “Mince volume devenu rare.”

•  EDIT 16 CNCE 13162; Index Aurel. 144.003; Renouard, Alde, 152:14; Adams C2431; UCLA, Aldine Press: Catalogue of the Ahmanson-Murphy Collection (2001), 405; Kallendorf & Wells, Aldine Press Books, 348; Ebert, Allgemeines bibliographisches Lexikon, 5036; Schwerdt, I, 118.   Binding as above. A very nice copy in all respects.  (37914)

We note that the section captions of Corbett’s work amount in themselves to a sweeping, heroic catalogue of Black history, experience, self-defense, and accomplishments, and that the poet never forgets (as the ancient epicists never did, either!) the component of violence that characterizes and sometimes advances human society.

The volume's sole illustration is a formal portrait of Corbett, seated and wearing a suit.

The National Baptist Publishing Board was, by 1913, “one of the largest business enterprises owned and operated by blacks in the United States” — having been established in 1897, when its founder Reverend Richard Henry Boyd (1843–1922), had “sought the services of a white man to visit auctions and bid for machinery, since the rules of segregation would not allow blacks to engage in such activity.” Still the print run on Corbett's work would have been small, although 20th-century interest in Black literature and culture led to a widely distributed facsimile printing being issued in 1971.

Presentation copy  from one of Corbett's daughters: “To Dr. & Mrs. H.D. Miller of Muskogee, Okla. Compliments of Lilie [partially obscured] Corbett, Work of My late Father Maurice H. Corbett of Washington, D.C.”

•  Kerlin, Robert T., Negro Poets and Their Poems, 270. For Dr. Herron's essay, see: Columbia History of American Poetry, “Early African American Poetry,” quotations from pp. 18 and 31. On the National Baptist Publishing Board, see: Tennessee State University website, http://ww2.tnstate.edu/.   Publisher's red cloth, spotting to front cover and hinges (inside) cracking; paper very fragile, being the acidic sort so common in the first half of the 20th century, edges browned. Tear at gutter to front free endpaper, not approaching inscription; old repairs to other short tears or chippings have adhered this leaf at top to the one following. A good copy of a rare work, with a great provenance, requiring special handling and deserving it.  (41128)

Miss Corke's identity remains a mystery despite two of her other publications being noted on the title-page; searches for those titles found no copies listed in WorldCat or COPAC.

The present work is also not listed in WorldCat, and via COPAC we find only one copy — at the Bodleian.

Provenance: From the residue of the stock of the F. Thomas Heller bookselling firm (est. ca. 1928).

•  NSTC 0946400.   Publisher's dark green cloth stamped on front cover with ferns in black and author and title in gilt; binding darkened and rubbed, slightly cocked. Occasional light foxing; oil-like stain in lower area of the final 20 leaves. An interesting late-Victorian women's social and medical work.  (39657)

This copy bears the full-page woodcut portrait of Pope Clement VII on the verso of the fourth preliminary leaf, which is not found with all copies. Additionally, the title-page bears an interesting 14-piece composite woodcut border and the verso of that page has a stunning full-page woodcut of the coat of arms of Charles V, the Holy Roman emperor, to whom the letter is addressed. The coat of arms is surrounded by the collar of the Order of the Golden Fleece. The text is printed in roman with side- and shouldernotes; the lay-out is elegant and there is one large, handsome woodcut initial.

As usual, the letter is here bound with Peter Martyr's De Rebus, et insulis noviter repertis, which provides an account of the recently discovered islands of the West Indies and their inhabitants. It is often considered a substitute for the lost Cortés letter.

One of the most important early descriptions of Mexico and of the first encounter of the West with the Aztec civilization, this is a work of bedrock importance to the New World. No complete copy has appeared for sale since 1985.

•  Alden & Landis, European Americana, 524/5; Sabin 16947; Harrisse, BAV, 125. Sanz 933–34; Medina, BHA, 70; Church 53; Burden 5; JCB, German Americana, 524/4; Streeter Sale 190.   18th-century half vellum and sprinkled paper over boards, gilt red leather label. Map supplied in expert facsimile; blank leaf H8 lacking. Bookplate of John Carter Brown (Library) on front pastedown, with deaccession stamp. Occasional very minor soiling in the text, else very good — a copy clean and even crisp.  (26808)

•  Sabin 16953.   Contemporary treed calf, front joint (outside) starting at top to open. A good+ copy — in fact, a rather nice one.  (20510)

The colophon notes that “this book has been produced asa complete exercise in book production at the Department of Printing, Oxford School of Art. Peter Tysoe who planned the typography and executed the twelve woodcuts has thereby been afforded an opportunity to assist in all the various stages of production . . . The typeface used for the text is 12-pt. Bembo set solid and composed on the Monotype with a three-unit minimum space.”

Uncommon: WorldCat locatesonly one institutional copy, not in the U.S.

•  Publisher's boards covered with cream “vellum” paper, front board with black woodcut within gilt frame and black lettering; paper of boards lightly soiled/foxed, spinea little darkened. Endpapers and half-title foxed; text block not so, with all text and illustrations clean and nice. A very satisfactory copy of this scarce, limited edition.  (38192)

Uncommon: WorldCat and NUC Pre-1956 locate only five U.S. institutional holdings.

•  Removed from a nonce volume. Title-page with paper shelving label in lower inner corner, pencilled initials in upper outer corner. A very few light spots, pages otherwise clean.  (31091)

The Dictionary of Seventeenth and Eighteenth-Century Dutch Philosophers labels this work “the first unequivocal expression of republicanism in the Dutch Republic.”

There were at least five editions printed in 1662: three in Amsterdam (one 8vo, two 12mo) and two in Leiden (one 8vo, one 12mo), but with stop-press corrections resulting in STCN listing 12 editions/variants. We believe this to be a true first edition.  The STCN speculates that the printer cited on the title-page here, I.C. vander Gracht, was a pseudonym used by the Hackius firm of Leiden.

Alden and Landis succinctly summarize theAmericana content: “Includes refs [sic] to West Indies commerce, whale & cod fisheries, salt-trade, & Puritans in English colonies.”

Huygens (1596–87) was a Dutch Golden Age poet and composer, secretary to two Princes of Orange, and the father of the scientist Christiaan Huygens. Here he pens a rebuttal of Interest van Holland, defends the House of Orange, and seeks to rebut as many republican assertions as possible. This is thesole edition of Herstelden Prins tot Stadt-houder.

Provenance:  Frank Marshall Vanderhoof (American scholar, university librarian, private collector; 1919–2005).

•  Court: Goldsmiths'-Kress 1659.2; Alden & Landis, European Americana, 662/38; Knuttel 8652; Meulman 3925; STCN 063391201. Huygens: Knuttel 8806a; STCN 61687140.   Contemporary vellum over boards. Waterstaining variously noticeable and never serious. A good solid copy.  (35677)

Cowley’s Pindaric odes are present here, as are the Davideis and Davideidos; also set forth are the “delightful little prose Essays (with verse interwoven)” for which The Concise Cambridge History of English Literature believes Cowley will most ultimately be remembered. Some sections have separate title-pages, bearing the same publisher and date information as the main title-page but lacking the printer attribution.

Provenance: Front pastedown with small armorial bookplate and with bookseller’s ticket from Cambridge, England.

•  ESTC R29730; Wing (2nd ed.) C-6652. On Cowley, see: Concise Cambridge History of English Literature, 351–52. 17th-century mottled calf, rebacked at some point in the 19th century and again more recently with hinges carefully reinforced (inside); spine gilt extra with gilt-stamped leather title label, covers showing the predictable acid-etching. Varying degrees of browning to pages; scattered incidents of worming in lower inner and outer margins, almost never affecting text. A handsome book in a binding both sturdy and attractive. (7716)

Provenance:  Calligraphic bookplate of Norman J. Sondheim, American collector of fine press books.

•  McKitterick/Rendall/Dreyfus 12.   Quarter vellum with gold paper sides; edges rubbed, wrapper lacking. Top edge gilt on the rough. Minor offsetting to endpapers, otherwise clean.  (32037)

Binding: A. Horowitz & Sons bound the work in quarter brown cloth with gray Fabriano Ingres paper, the front cover stamped in brown to reproduce the front cover of a 1920s literary magazine.

•  Bibliography of the Fine Books Published by the Limited Editions Club, 523. Binding as above, in original glassine dust jacket with very minor chipping to corners. Also in original slipcase of brown cloth and gray paper with brown printed lettering to spine. A clean, fresh, indeed wonderful copy.  (39039)

The work, including the illustrations, is printed on the outside of double leaves unopened at fore-edge. The justification (pp. [2–3]), title (pp. [4–5]), and copyright notice (pp. [6–7]) extend across two pages. The text is set in Madura, the title in Jefferson Gothic, and the preliminaries in Gill Sans Medium Condensed.

The “triads” are three-line minimalist poems that now seem very 1950s/60s “coffee house” in style.

•  Chambers, Gogmagog, 18.   Publisher's light boards covered with patterned Japanese Hana-asa paper. A fine copy.  (35836)

•  ESTC T160087; Brunet, II, 399. On Coxe, see: Dictionary of National Biography. Contemporary half morocco with marbled paper–covered sides, spine with gilt-stamped title; leather a bit scuffed over corners and extremities. Front pastedown with institutional rubber-stamp (no other markings). Light to moderate foxing throughout (nothing worse).  (19364)

Bindings: Publisher's plain light blue paper–covered sides with tan shelfbacks, spines with printed paper labels; uncut.

•  NSTC 2C41665; NCBEL, II, 611; Shaw & Shoemaker 47741.   Spine paper darkened and cracked, joints and spines of both volumes restored with long-fiber tissue; inner margins of first and last few leaves unobtrusively repaired; as noted, page edges uncut.. Vol. I with front cover waterstained and back cover inkstained(?); title-page of vol. II with pencilled ownership inscription in upper portion. Foxing variously; one pencilled correction.  (30085)

Provenance:  From the children's book collection of Albert A. Howard, sans indicia.

•  Osborne Collection p. 33; Pearson, Banbury Chap Books, p. 33.   As issued, age-toning at edges; spine splitting at very top but all sewing present and holding. A good+++ copy.  (38797)

•  Forster 32; Toy 156.   Publisher's brown cloth, covers stamped in blind, spine with gilt-stamped title; edges and extremities slightly rubbed, spine with small spots of discoloration. Pages faintly age-toned, otherwise clean; a nice copy.  (33301)

•  ESTC T94112; later edition in Cordier, Bibliotheca japonica, col. 425–26; DeBacker-Sommervogel, II, 1641.   Contemporary Cambridge-style calf, rebacked some time ago with raised bands double-ruled in gilt, two gilt-lettered leather spine labels, and new endpapers; rubbed, especially spine, with a few abrasions. Ex-library as above: evidence of former call number label on spine, bookplate on front pastedown, rubber-stamp on endpaper and title-page, accession pencilling on title-page verso, circulation materials at back. Light pencilling on endpapers, one lower outside corner a tremoin, one leaf repaired, two with small holes and loss of a letter or two, one with a medium tear lightly touching text; light to moderate spotting and age-toning. Not pristine and priced accordingly — yet, a good book.  (36729)

nothing new since my last, exceptCapt. Barney in the ship Hyder Aly taking the King ship Monk of 10 nine pounders, in an action of 30 minutes. The Hyder Aly mounted 6 nines & 10 sixes, there never was more execution done by the same force in the same time. The Monk had every officer except two, killed or wounded, amongst the latter was the Capt. She had in all 21 kill'd & 32 wounded. The Hyder Aly had 4 kill'd & 11 wounded, from such slaughter no doubt you'd conclude one of them boarded, but it was not the case, a fair action within pistol shot.

Although the land battles of the American Revolution had ended with the surrender at Yorktown, sea battles continued until receipt of the signing of the Treaty of Paris. The account above refers to Comm. Joshua Barney's capture on 8 April off Cape May, NJ, of the sloop of war General Monk. In a wonderful twist of fate, the intrepid Barney had only arrived in Philadelphia in March — having been occupied since the previous May with his escape, recapture, and second escape from Portsmouth prison! into which stronghold he had been clapped by the British for his previous maritime (infr)actions.

Having, then, been given command of the Hyder Ally (a.k.a., Hyder Ali) only a few weeks previously, and having been charged with clearing the Delaware River and Bay of privateers, Barney had met the General Monk while pursuing that task — and, in a Revolutionary War naval action eclipsed only by that of the Bon Homme Richard and the Serapis, took on and thoroughly defeated a King's ship of superior firepower in a bloody, 26-minute battle.

Following this capture of the General Monk, Congress voted Barney a sword for his gallantry and offered him command of his prize after renaming her General Washington. In November, 1782, he was ordered to sail to France in the Washington with dispatches for Benjamin Franklin who was negotiating the Treaty of Paris. He returned with news of the signing of the preliminary peace treaty and with money from the French.

Barney was an American Hornblower!

•  On Barney, see: Dictionary of American Biography and Appleton's Cyclopedia.   Very good condition. Small blank portion of the integral address leaf torn with loss where the sealing wax was attached. Old dealer's (Sessler's) coding in pencil at base of letter.  (31069)

•  NSTC 2C42639; Goldsmiths’-Kress 26080; not in Maggs, Bibl. Asiatica. On Crawfurd, see: Dictionary of National Biography. Publisher’s dark green cloth, blind-stamped, spines with gilt-stamped title; spines very slightly sunned and showing faint traces of now-absent paper labels, cloth lightly rubbed at corners and spine extremities. Hinges cracked (inside). Front pastedowns rubber-stamped (no other institutional markings). Title-pages with pencilled owner’s name in upper margins; contents pages with inked owner’s name dated 1865. Frontispiece, plates, and a few pages in proximity to plates lightly to moderately foxed; one plate in vol. II torn from inner margin, tear not touching image. Absorbing reading, evocative images.  (19179)

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Publisher's quarter very light grey linen and printed paper–covered sides; small faint spot of staining at lower edge of front cover, otherwise clean and unworn. Pages age-toned (not unattractively or indeed inappropriately!). A thoroughly delightful production in a very nice copy.  (41201)

Included are “Pure and spiritual worship: a sermon. Preached at Devonshire-House, November 12, 1690,” “The kingdom of God within: a sermon. Preached at Grace-Church-Street, July 26, 1690,” and “The necessity of an holy life and conversation. Preached at St. Martin's-Le-Grand, March the 26th, 1687.”

•  Evans 12740; Hildeburn, Pennsylvania, 2867; ESTC W22226.   Bound in recent marbled paper–covered boards with gilt red leather spine label. Light age-toning, the number 5 written on upper corner of title-page.  (36215)

Provenance:  On the title-page, 16th-century ownership inscription of François Couetoux and 17th-century pen trials (dated 1617) with Latin motto; indistinct 17th-century inscription on verso of last leaf.

WorldCat locatesone U.S. library (Harvard) reporting ownership of this edition.

•  Pettegree & Walsby, French Books, 63672. Not in Index Aurel.; not in DeBacker-Sommervogel.   Disbound, outer edge close trimmed occasionally just touching shouldernotes, short closed tear or cut to lower edge to title-page not approaching print; text with limited light (often faint) waterstains to edges and light general soiling. A good, representative survivor of an important hybrid tradition.  (40845)

Evidence of readership: This copy has extensive pencilled shouldernotes left by an unknown reader who thoroughly (and neatly) recorded numerous questions about and responses to the first 39 pages of the text — after which our reader is heard from no more.

•  ESTC T109696.   Period-style quarter red morocco and marbled paper–covered sides, spine with gilt-stamped publication information and gilt-ruled raised bands, leather edges with gilt roll. One leaf torn across from outer margin, without loss. Marginalia as above, pages otherwise clean. An attractive and interesting copy.  (31050)

Evidence of Readership: On the title-page, “Quaker” has been appended to Crook's name in pencil (done some time ago), with a bibliographic note in the same hand in the upper margin; two textual errors have been corrected, one in an early inked hand and one pencilled.

•  ESTC T73591; Smith I, 491.   Modern green striped pastepaper–covered boards; spine gently sunned with paper spine label now blank, binding otherwise showing virtually no wear. Annotations as above. Pages browned (particularly first and last) and spotted with mild cockling and creasing. One leaf with tear from outer margin touching a few letters without loss. A solid copy of the now-uncommon first edition.  (41355)

Signed Binding: Publisher's teal pebbled cloth, front covers with striking chariot and armorial scene in light blue, tan, and gilt. The “Cibeles” statue found in Madrid's Cibeles Plaza and the coat of arms (and gilt monogram) of the city of Madrid appear with de la Cruz's name stamped in gilt below; spines offer gilt-stamped title and black-stamped griffin decoration. Cover of vol. II is signed “J. Orba.” All page edges are stamped in a Greek key pattern in blue and gilt.

Provenance:  Half-titles each with old-fashioned rubber-stamp of José Carmona y Ramos.

•  Palau 65340.   Bindings as above, edges and extremities showing minor shelfwear, back cover of vol. I with small spots of faint discoloration, front joint of vol. II rubbed. Collector's stamp as above, each front pastedown with small paper label bearing hand-inked numeral. Pages age-toned; edges slightly embrittled, occasionally with small chips or short tears. Scattered light smudges in vol. I; vol. II with mild to moderate foxing. A peacocky set.  (29262)

Provenance:  On the verso of the half-title, an inscription reading, “F.G. Coleridge, from his affect[ionate] cousin Edwin E. Coleridge, Christmas Day, 1849.” Francis George Coleridge (1794–1854) and Edwin Ellis Coleridge (1803–1870) werenephews of poet Samuel Taylor Coleridge. Underneath, there appears to be an inscription written in Greek. A penciled note indicates F.G. Coleridge was the grandfather of “Dorothy H. S[mith?].” However, our research could not find a granddaughter named Dorothy. The initials “G.S.,” also in the same penciled hand, are below that. Most recently from the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  McLean, Victorian Book Design and Colour Printing, pp. 70–71, 143; Not in Ing, Charles Whittingham.   Bound as above with rubs and scrapes refurbished; spine darkened and rubbed with missing or darkened gilt, small hole to spine-head. Interior mildly age-toned and with some minor, occasional, light spotting and dirtied edges; minor gutter crack at the half-title. Provenance as above. A nice, still-sturdy Riviere binding and a beautiful, colorful interior.  (38395)

Binding: Original brown cloth with beveled edges, stamped in gilt and black with gilt lettering to front board and spine; gilt vignette of the Academy to front board.

Provenance: Cunningham, an affectionate and appreciative graduate of the Academy, has inscribed the front free endpaper“With the compliments of the author, 6/22, '83.” Later in the library of American collector Albert A. Howard, booklabel (“AHA”) at rear.

•  Extremities lightly rubbed, minor bumping; gilt bright on spine and brighter on cover. Very nice, clean copy “personalized” by the author.  (37760)

Evidence of Readership: Pencilled marks of emphasis in margins, and occasional early inked marginalia in Latin; final leaf with early inked verses on each side: “Oenigma de Collogino” and “Epigraphium Tilonis Ditmarri [sic] civis Goslariani [sic].”

Provenance:  Front pastedown with armorial bookplate of the Earl of Mexborough, with motto “Be fast.” Later in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Adams P390; Barbier, IV, 1338; Brunet, IV, 410; Index Aurel. 148.564; VD16 C6433.   Binding as above, extremities showing mild shelfwear. Bookplates as above; front free endpaper with old cataloguing for this copy affixed, front fly-leaf with early inked note (“très rare”) and ownership inscription (in a different hand), possibly “Wright.” Intermittent staining, mostly but not entirely confined to early portion of volume. A solid, attractive, and intriguing copy, hand-embellished and in a signed binding.  (37912)

The main title-page is printed in black and red, the text in black letter (i.e., gothic, fraktur) and the footnotes in roman.

•  Contemporary vellum over paste boards; later paper spine label with hand lettering; small area of lower spine with black spots. Vellum loosening at the turn-ins. Board edges soiled. Few stray stains in some margins. Private bookplate.  (18856)

The text is in Latin, printed in roman and italic, enlivened by handsome woodcut initials of various design and size; the printer's large device of a three-headed Hermes holding a caduceus appears on both the title-page and final verso. Printer Hervagius (Johann Herwagen, 1497– ca. 1558) moved to Basel from Strasbourg in 1528 to marry the widow of Johann Froben and take part in Froben's famous printing firm there; in 1531, he established his own press at the Nadelberg, Froben's house and the former residence of Erasmus. Some of the first products of Herwagen's press were works by Erasmus, who also edited the present text for the first edition by Froben in 1520.

Provenance:  Contemporary ink monogram JCP expanded to “Joh: Chr: Pychey”(?) on title-page.

•  VD16 C-6516; Index Aurel. 149.099; Adams C3160; Vander Haeghen, II, 24; BM STC 234; NCE, IV, 564–66 (Cyprian). On Herwagen, see: Contemporaries of Erasmus.   Recent full black morocco ruled in blind, old style; raised bands accented with blind ruling, title gilt on red morocco spine label and date gilt collector-style at spine base. Title-page dust-soiled and expertly repaired in upper outer corner away from print. Glue stains on title-page verso from former bookplate; occasional very minor foxing, and light dampstaining in bottom margin of some leaves. A few small inkstains from same pen as sparse contemporary marginalia and underlining. A handsome, handsome volume.  (31540)