This neatly printed text has single columns with unaccomplished guide letters and shouldernotes using roman font; the iconic Aldine device appears on the title-page and an errata list appears in double-column format at the end.

Provenance:  The printer's mark of Jan Baptiste Verdussen II depicting a stork feeding a snake to another stork with the Latin motto “Virtus pietas homini tutissima,” which can be dated between 1659 and 1759, has been excised from another source and affixed to the front pastedown (possibly as a bookplate, as speculated by the Provenance Online Project); this title is later listed in the auction catalogue of Jean-Baptiste Verdussen III's book collection, suggesting this copy may have belonged to the Verdussen family. Two early inked signatures of G.J. Enoch and I.F. Vanderelie also appear on the front endpapers. Most recently in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

Searches of WorldCat and NUC located only four U.S. libraries reporting ownership (CLU, LNT, MnCS, UPB).

•  Adams A950; EDIT16 CNCE 16242; Index Aurel. 104.682; Renouard, Alde, p. 186, no. 7; UCLA, Aldine Press: Catalogue of the Ahmanson-Murphy Collection (2001), 678. Not in Kallendorf & Wells, Aldine Press Books. On the Aldine press at Rome, see: Curt Buhler, “Manutius and His First Roman Printings,” Papers of the Bibliographical Society of America, 46, pp. 209–14.   19th-century polished calf, spine stamped in gilt with two gilt-stamped leather title-labels, covers framed with a dog-tooth roll, two gilt fillets, and small fleurons at corners; gilt floral rolls to board edges and turn-ins, all edges stained red, with marbled endpapers. Binding rubbed and refurbished, one leather spine label chipped and the other removed; spotting on endpapers, evidence of a removed bookplate at back. Mostly light offsetting of text throughout, intermittent mild to moderate unobtrusive waterstaining (including to title-page) and other spotting; title-page and eight more leaves of text with marginal repairs, one gutter showing narrow band of discoloration (possibly glue action). Provenance indicia as above, two pencilled endpaper notes. An important collection from an interesting era of the Aldine Press; and a strong, in fact quite handsome copy.  (37366)

Provenance:  Early 19th-century ownership signature on front fly-leaf of Robert Harry Hughes, Jesus College, Oxford; most recently in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Dibdin, I, 266–67; NSTC A1179; Schweiger, I, 25–26.   Bound as above; darkening to spine and small adjoining area on boards and along top area of boards; joints and edges rubbed. Pages age-toned with instances of mild to moderate foxing. A handsomely printed and pleasingly bound volume.  (39276)

Provenance: Front fly-leaf with inked inscription of J.[F.?] Mackarness, dated 1839.

•  Dibdin, I, 266–67 (for first ed.); NSTC A1179; Schweiger, I, 26.   Binding as above, joints and extremities with variable rubbing. Pages gently age-toned with occasional offsetting from engravings or faint spotting, otherwise clean. A desirable copy of this extremely attractive production.  (40741)

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Kelly, Checklist of Books Published by William Pickering, 1851.10; Keynes, William Pickering (rev. ed.), p. 75; NSTC 2A11311.   Binding as above, recased, spine slightly darkened with mild cracking to leather, light wear to extremities, small scuffs to back cover, hinges expertly refurbished. Previous cataloguing slip laid in. Pages clean and crisp. A lovely copy of the infrequently seen first edition. (40597)

•  Keynes p. 49. Not in Kelly, Checklist of Books Published by William Pickering.   Publisher's green cloth, spine sunned to olive and pulled with a little loss at head. Text block split at center, though firm in binding; text clean. Withall a good copy.  (40242)

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Moreau, Éditions parisiennes du XVI siècle, II, 1972; Brunet, I, 271–2; Graesse, Trésor de livres rares, I, 121; not in Adams. On Andrelini, see: Contemporaries of Erasmus, I; Pettegree & Walsby, French Vernacular Books: Books Published in France before 1601, 53120.   Modern red foliate patterned paper–covered boards with gilt orange leather spine label, final blank lacking. Short interior tear without loss to title-page (perhaps a paper flaw?); light waterstaining and/or offsetting from old binding to upper outer corners and a little dust-soiling or creasing (the latter perhaps in the press). Light pencilling on one endpaper and one pencilled word on final page. In fact withal a very pleasing little book.  (38015)

•  ESTC T176096; Sweet & Maxwell 292.   Recent quarter tan calf and black cloth–covered sides, preserved original gilt-stamped leather title-label on spine. Fly-leaves with offsetting; title-page with small area of very faint spotting, pages otherwise notably clean.  (34792)

Binding:  Circa-1865 half-black calf with green marbled paper sides, spine with gilt-stamped red leather label, gilt rules to form compartments, and blind-stamped center device in five compartments.

Provenance:  Contemporary signature on title-page of James Kendrick; embossed ownership stamp of J.H. Williams, rector of Llangadwaladr; bookseller's label of Wildy & Sons, London; late 19th- or early 20th-century armorial leather bookplate of Alexander MacGregor; most recently in the collection of Robert Sadoff, M.D.

•  Binding as above, edges rubbed, small scuffs. The endpapers, curiously, appear to have been marbled over typeprint. Very good.  (39633)

•  ESTC N5294.   20th-century black textured cloth, signed Rochester Bindery; ex–seminary library as above with its bookplate on front pastedown, old-fashioned rubber-stamp to title, and library pencilling including provenance note above. Early inked note to top of title-page, undeciphered and a little trimmed at top by a binder (probably not the most recent one); otherwise, an occasional very old underlining in ink or a more recent reader's pencilled “X” marking a passage. Paper very good. A clean, strong copy. (27020)

Provenance:  The front free endpaper is stamped “Charles Helyar, East Coker 1772.”

•  ESTC T82490.   Contemporary marbled paper–covered boards with brown calf shelfback, spine with gilt-stamped leather title-label and gilt-stamped compartment decorations; binding much rubbed overall, front joint cracked (but holding) and back joint starting, spine head chipped. Back pastedown with small ticket of a Connecticut bookseller. Offsetting to title-page from frontispiece; upper half of back fly-leaf excised. Pages gently age-toned with occasional light foxing. A respectable, readable copy of this nice early printing. (39848)

Provenance:  Inked inscription “H.H.L.C.—“ on title-page; later in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

The anonymously published work is signed “An Antiepiscopalian”; the title-page here bears a hand-inked attribution to Matthew Wilson.

An important entry in the literature of the “American Bishops” controversy in the lead-up to the American Revolution.

Evidence of Readership: Title-page with early inked ownership inscription and annotations, later lined through, with authorial attribution in the later hand; one leaf with early inked annotation along outer margin. Verso of last leaf presents calculations andsomeone's reading list; later X'ed out; among the titles read, intended for reading, or just imaginably noted as not for reading are The Rival Mothers, Pamela or Virtue Rewarded, and Love in a Village.

•  ESTC W13420; Evans 10947; Felcone 126; Hildeburn 2370; Sabin 11876.   Recent binding: boards appealingly covered in paper printed with 18th-century music, front cover with printed paper label. Two pages (not including title) institutionally rubber-stamped. Lacking pp. 17/18, with final leaf tattered and text on p. 19 lined-through-by-show-through of X'es “deleting” manuscript notes on the verso (still, readable); annotations as above. Pages age-toned and lightly spotted, with edges untrimmed.  (28100)

The Summa, completed shortly before his death, is divided into four parts: the first is concerned with the soul and its faculties, passions, sin, and law; the second addresses different types of sin and redress; the third considers various states and professions in life, with treatises on ecclesiastical offices and censures; and the fourth contemplates the cardinal virtues, religious morals, and gifts of the Holy Spirit. Although the text draws heavily on earlier theological works by St. Thomas Aquinas, among others, it is regarded as“a new and very considerable development in moral theology” (NCE online), and it containsa wealth of matter for the student of 15th-century history.

Printed in Gothic type, double-column format, with most capitals supplied in red or blue manuscript in plain style, the text here has red markings to aid in reading and navigation. Topics addressed in these volumes include sin, penance, canon law, will, original sin, privilege, lying, pride, avarice, anger, and infidelity, among several others.

Goff and ISTC find only one complete set of all volumes in American libraries — at the Countway in Boston. All other U.S. libraries, save the Newberry, report owning one or two of the volumes. The Newberry has volumes I–IV.

Provenance:  Old illegible European library stamp in lower margin of first leaf of vol. I; in 20th and early 21st century in the library of the Pacific School of Religion (properly deaccessioned).

•  ISTC ia00878000; Goff A878; BMC, I, 109; GKW 2192.   Contemporary calf over bevelled wood boards, recently rebacked and new endpapers supplied; lacks a blank and a title leaf. Leather of boards elaborately and richly tooled in blind using rolls, rules, and individual stamps of a rose, a fleur de lis, and a saint; small area of leather on front board missing and substitute leather inserted. Evidence of bass and leather clasps, remnants of vellum guide tabs. Text and boards of binding wormed, mostly with many pinhole wormholes, and text with some meandering; no great losses. Some small tears in a few margins and one lower margin with an old repair; stamp as above; browning to many margins. A good, solid volume, one with some condition issues but at the same time a good example of these productions and the era's printing.  (33734)

Uncommon: WorldCat and NUC Pre-1956 locate only six U.S. institutional holdings.

•  Martin & Walter 396.   Never bound, sewn as issued, with edges untrimmed. Title-page with affixed paper shelving label in lower inner corner and pencilled monogram in upper outer portion. One leaf with closed split running through several lines, without loss of text.  (30813)

Searches of WorldCat, NUC, and COPAC revealno copies of this edition in a U.S. institution, and only one internationally in Rome.

Evidence of Readership: An early reader has added eight notes, one of which has been slightly trimmed through rebinding, that reference the Bible or other rule-sources.

Provenance:  Early inked note on title-page reads “Ex. Bibl. S. Bern, Fulient. Paris”; institutional rubber-stamps (including a release stamp) of the Bibliothèque Impériale of Paris on title-page and three leaves of text. Most recently in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  On Wechelus, see: Renouard, Imprimeurs parisiens, p. 435.   Modern paste paper–covered boards, spine with gilt-lettered brown leather spine label. Moderate age-toning with spotting on first and last few leaves; faint waterstaining darkening to more noticeable towards the end, covering perhaps a third of the page; provenance and readership markings as above, with one rubber-stamp lightly offsetting onto facing leaf.  (37909)

Provenance:  From the library of American collector Albert A. Howard, small booklabels (“AHA”) at rear.

•  NSTC 2L3671 (for first ed.).   Publisher's red cloth, spines with gilt-stamped title and vignette, covers with blind-stamped vignette; cocked yet solid, with hinges/extremities rubbed and cloth (especially of spines) having uneven discolorations from sunning or other exposures. Endpapers and next adjacent leaves with variably light discoloration to gutter areas from binding process; text blocks otherwise gently age-toned but with very little foxing, this mostly confined to first and last few leaves of vol. I. Two facing pages in vol. III with traces of small spot of adhesion from organic matter; occasionally, elsewhere, another sort of spot. A well-used set of this landmark work described and priced accordingly, yet a respectable set; here in an early (partial-first!) appearance in the original bindings. (41416)

Boyer de Prébandier's translation is of An Essay Concerning the Effects of Air on Human Bodies, first published in London in 1733.

Provenance:  From the residue of the stock of the F. Thomas Heller bookselling firm (est. ca. 1928).

Of special note, at least as far as this cataloguer (DMS) is concerned, are the references on pp. 108–12 tochocolate, coffee, and tea.

•  Wellcome Catalogue, II, 52.   Contemporary polished tan calf, round spine, raised bands, gilt spine extra; plain sides, marbled endpapers, all edges red, blue silk ribbon placemarker. Both joints (outside) open along top compartment; binding solid, however, with volume internally clean. A nice copy.  (39841)

On the verso of the last leaf are the signatures of “custodians” of the archconfraternity in Rome below which are two paper and wax seals (one lacking the paper) with the seals' owners' names below, attesting to the completion of the application process and the grant ing of the petition.

Binding:  Contemporary crimson morocco, covers lavishly gilt-tooled. The center panel is richly filled with floral motifs and small stars surrounding a center emblem of the hands of St. Francis within a circular border of flames. Surrounding the center panel are four outer frames created by variety of large and small rolls. Marbled paper pastedowns in an unusual “patchwork” style.

•  Binding as above, manuscript recased, without the original ties. Some text rubbed and illegible, clean cracks in fourth leaf, crudely repaired hole in last leaf causing text loss. Curious green tarnishing of the gold. A most attractive binding, a beautifully painted manuscript, an interesting artifact of Catholic social history, anda great tool for teaching about conservation concerns.  (39295)

The text is divided into sections by author, each of whom the editor introduces with a brief biography. A short abstract printed in roman precedes each poem, printed in italic. Fine woodcut head- and tailpieces, and a variety of initials in historiated, patterned, and factotum designs, decorate the text; and the title-page features the woodcut printers' device of Truth personified, flanked by an eagle, a lion, a bull, and an angel, representing the Four Evangelists.

Provenance:  Ownership inscription on front fly-leaf of Luigi Pagani Cesa, possibly the Italian jurist born at Belluno in 1855, who served as a member of Parliament for 1904–13; and the words “penso che” (“I think that . . .”) written above, in an earlier hand?

•  Adams A1691; CNCE 2806.   Later glazed cream-colored boards, title and date inked on upper spine, small paper label on lower spine, marbled red edges; boards soiled and front joint opening. One spot of worming on front pastedown and on colophon leaf; traces of former mounting on colophon leaf verso. Title-page with one letter added in manuscript (o, in Bentivoglio). Trimmed close at margins almost grazing headline on a few leaves. Very minor stains on a few leaves, generally bright and crisp.  (30836)

Printed at the Plantin Press entirely in Greek (except for the imprint information), using Greek type commissioned from Robert Granjon, this bears one of the variant Plantin printer's devices on the title-page. It was printed with guide letters, although none have been supplied in manuscript by a scribe.

Evidence of readership: Scattered marginalia in Greek and Latin, sometimes correcting a word in text or expanding on same; other times citing a page in a different book.

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Voet 593; Graesse, Trésor de Livres Rares, I, 204; Brunet, I, 448; Schweiger, I, 44; Index Aurel. 107.600; Adams A1692. Surprisingly not in Legrand, Bibliographie Hellenique.   Disbound; now in modern wrappers. A very nice, clean copy with occasional light age-toning.  (37768)

Principal divisions of this parzatowmar are marked by red lettering, and the first letter of each month begins with a red incipit; written generally in red, incipits are occasionally in blue ink. The text is written in a single column measuring 8 cm x 5 ¾ cm in 17 lines each, in uniform bolorgir.

Binding:  Contemporary calf over pasteboards; front and back covers decorated all over with a border of stamped floriate and geometric motifs within a blind-ruled border and a blind-ruled diamond-shaped central area. Spine plain, textblock untrimmed.

Provenance:  “Rec'd from my friend J.H. Mikassian, 1926" on fol. 84v. Later owned by John Howell, Bookseller, San Francisco, as per his bookseller's label on the rear pastedown. In the Howell Bible Collection of the Pacific School of Religion. Collection sold in 2013.

•  We gladly acknowledge the help in cataloguing this manuscript that Erin Piñon, a doctoral candidate at Princeton University, gave us.   Bound as above, recased and resewn with new endbands; leaf [68] lacking. Rubbing, sometimes severe, occasional yellowing of parchment, etc., as described above. Overall, good.  (41407)

Provenance:  Front pastedown with bookplate of Virginia doctor and book collector Joseph Lyon Miller (1875–1957); front fly-leaf with inked inscription of John Hampton Miller, M.D.; title-page with early inked initials “C.F.” in upper margin. Later in the residue of the stock of the F. Thomas Heller bookselling firm (est. ca. 1928).

•  ESTC T187239; Foxon A296; NCBEL, II, 535; Wellcome, II, 57.   Contemporary red calf with covers framed in two decorative gilt rolls, spine with gilt-stamped publication information; rebacked and hinges (inside) reinforced, slightly sprung with edges, extremities, and joints rubbed. Bookplate and inscriptions as above. Pages mildly age-toned; title-page with areas of staining. A good solid copy of this medico-literary classic, and one that has graced at least two generations of doctors' libraries.  (40419)

Binding:  Contemporary mottled sheep, spine gilt extra with a well-handled dianthus motif and gilt-stamped red leather title-label; covers plain and board edges with a gilt roll, all edges red.  Remnant of green paper placemarking tab to fore-edge at division between sections.

Despite pagination indicating a skipped or missing pp. 33/34, the content here is uninterrupted and the volume is complete.

•  Not in Brunet.   Bound as above, pp. 33/34 lacking; small portion of one cover slightly sunned and both a little rubbed scuffed, spine bright and nice. Offsetting to margins of title-page and final text page; pages overall clean. An early reader has affixed a small green paper tab to the fore-edge marking the start of the Odes. An appealing copy in an elegant contemporary binding.  (41378)

This isnumbered copy 733 of 2000 printed, signed at the colophon by the illustrator. Both the appropriate Club newsletter (in its original envelope) and the prospectus are laid in.

•  Bibliography of the Fine Books Published by the Limited Editions Club, 497.   Publisher's fabric-covered binding as above, spine with gilt-stamped leather title-label, in original brown paper–covered slipcase with printed paper label; spine cloth very slightly (and unobtrusively) sunned, slipcase showing only minimal traces of shelfwear.A nice copy of this handsome piece of LEC exotica.  (36838)

A gift inscription tipped to the front fly-leaf reads, “From the Wardroom Officers of the Joint A/S [i.e., Anti-Submarine] School & Barracks, Londonderry — with their congratulations and best wishes for a long & happy married life,” signed E. Hart Dyke, Commander, and dated 31 August 1946.

Binding:  Full olive green textured calf, spine gilt extra, boards with simple gilt double-rule borders and zig-zag gilt decoration along their edges; gilt floral roll to generous turn-ins and marbled paper pastedowns. All edges gilt. A tiny stamp on a front endpaper indicates this copy was bound by Bayntun-Riviere of Bath, England.

•  Bound as above, mild rubbing to rear board only and light soiling along edge of tipped-in inscription (perhaps from the glue). Binding and interior very clean. A lovely copy with a pleasing provenance.  (37324)

The volume was published at the request of Cardinal Ascanius Columnas in an edition ofonly 750 copies, and was printed at Antwerp at the press of Moretus’ widow and sons with the famous Plantin device appearing in two versions (engraved, to the title, and woodcut, to the final recto).

A full-page engraved funeral portrait of Rubens engraved by Cornelius Galleafter Peter Paul Rubens signals the beginning of the third section, in which Jan Brant records the life of his son-in-law’s brother and transcribes his epitaph. Even Balthasar Moretus contributes an epigram in honor of the deceased.

In the fourth section, Rubens’ own orations and selected letters appear, i.a. his funeral oration to Philip II of Spain. Josse DeRycke contributed the final funerary tribute.

Done up in fully elegant Plantin–Moretus style, the volume has in addition to its careful typography and full-page plate and devices been lavished throughout with two-line block initials and four-line historiated woodcut initials; also, it offers several intricate woodcut tailpieces.

Searches of NUC Pre-1956 and WorldCat locate only eight copies in U.S. institutions, one of which has been deaccessioned; most arenot in obvious places.

•  Graesse, I, 241; Corpus Rubenianum, XXI (1977), 152.   Period-style full brown calf, covers framed in blind double fillets, spine with gilt-stamped red leather title-label, raised bands with blind tooling extending onto covers. With a few odd spots to the text only, this is aremarkably fine, crisp copy. All edges green.  (28878)

• Publisher's green cloth stamped and lettered in gilt, spine lightly sunned with slim discolorations to cloth around board edges. Smallest touches of a dark discoloration to base of half-title and front blank. With the limitation card. (40830)  

The classic Aldine printer's device appears on the final page of this text.

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Adams A2152; Goldsmid, Aldine Press at Venice, 73; Renouard, Alde, 49.2; Index Aurel. *110.036; EDIT16 CNCE 3381; UCLA, Aldine Press: Catalogue of the Ahmanson-Murphy Collection (2001), 89.   Period style medium brown calf, spine lettered in gilt, raised bands accented with blind fillets extending onto covers to terminate in trefoils; covers framed in blind with trefoils at forecorners, green silk ribbon bookmark present and all edges gilt. Light pencilling on endpapers; offsetting from previous binding to first and last few leaves. A clean, lovely copy.  (37603)

•  Goff A1246; Hain-Copinger 2068*; GKW 2890; BMC, III, p. 695 (IB. 14206); ISTC ia01246000; Printing & the Mind of Man 3 (for the first edition, 1467).   Late 19th- or early 20th-century half brown leather with tan paper paper sides and endpapers; binding lightly worn and covers with a bit of loss to paper. Fore- and part of upper margins of the first eight leaves damaged with loss and repaired many years ago. Some soiling to the text, chiefly in the margins; old waterstaining; pin-hole worming. Not a rare edition of this text but a nice copy of it withconsiderable added scholarly importance .  (40533)

•  Publisher's brown cloth, spines with brown paper label; several labels with ssmall brown spots, cracks, and edge chips, not too conspicuous and not affecting printing. Two leaves (pp. 343–346 of vol. X) detached from binding; long tear down center of pp. 283/284 (vol. IV), without loss of text; except for two leaves with some offsetting from laid-in scrap of paper, interiors clean. Outer and lower edges deckle, with a few signatures opened unevenly and some unopened. A very good set.  (24537)