This became, apparently, a Broadway play and then a film starring Charlie Chaplin's brother Syd Chaplin!

Binding: Signed binding by Margaret Armstrong: Publisher's blue-green cloth, front cover and spine pictorially stamped in light green, cream, and black, with “MA” on front cover.

•  Gullans & Espey, Checklist of Trade Bindings Designed by Margaret Armstrong,158.   Binding as above, cocked; extremities and front panel mildly rubbed. Pages and plates clean. An entertaining novel in an attractive presentation.  (35662)

Binding:  Publisher's tan cloth, front cover with double iris design stamped in green, white, and violet.

•  Binding as above, minimal rubbing only. Pages and plates clean. A beautiful copy.  (28613)

•  Shaw & Shoemaker 39552. Good; removed from a nonce volume. Large but faint old library stamps to title-page; age-toning, and occasionally a spot.  (33153)

Binding:  Publisher's brown cloth, covers decoratively blind-stamped, spine with gilt-stamped title. In its modest, subtle (and difficult to photograph!) way, this is avery handsome binding.

•  Bound as above; binding very slightly cocked, corners and spine extremities with minor rubbing. Ex–social club library: call numbers on fly-leaves, rubber-stamp on title-page and two others, no other markings. Pages clean save for slight offsetting from stamps. A nice copy.  (28238)

•  Publisher's green printed paper–covered boards, rebacked with brown library cloth, spine with inked title and shelving label; paper rubbed and stained, front cover with early inked “1830" in upper outer portion. Back hinge (inside) reinforced. Pastedowns and preface institutionally rubber-stamped, second text page with rubber-stamped numeral in lower margin. Title-page lacking; pp. 9/10 (practice technique exercises) excised. Scattered pencilled marks of emphasis. Some corners bumped; one leaf with tear from outer margin, extending into music without loss. Battered but musically complete, and the instructional parts as interesting as the musical ones.  (29618)

Binding:  Publisher's brown cloth, front cover and spine pictorially stamped in orange, black, and tan with an image of Uncle Walt holding forth; the orange title lettering is LARGE and the image fills the entire cover.

•  Bound as above; minor wear to black portions of front cover, extremities slightly rubbed. Dust jacket lacking, as is typical; page edges untrimmed. Text age-toned, otherwise clean and crisp.  (41338)

•  Publisher's tan linen shelf-back with rust-colored boards. Boards lightly chipped. A very good copy.  (36591)

•  Publisher’s cloth, spine with printed paper label; spine and back cover scuffed, spine label darkened and chipped. Front pastedown with institutional stamp. Many signatures unopened. Pages slightly age-toned, else clean; paper embrittled, with a few short edge tears.  (19655)

Provenance:  Front free endpaper with ownership inscription of Theodore H. Swan.

•  Publisher's green cloth, front cover and spine stamped in dark brown and gilt; very slight rubbing to extremities, otherwise clean and fresh. Pages faintly age-toned. One leaf with chip in upper margin; one leaf with tear from upper margin, extending into a few lines of text without loss. A solid, pleasing copy.  (41297)

•  Contemporary vellum, spines with gilt-stamped leather title and volume labels and gilt-stamped decorative bands; bindings lightly soiled, with spine labels chipped and rubbed, spines with shelving numbers in white. All page edges stained gold. Front pastedowns with institutional bookplates, title-pages with shadows of pencilled numerals. Vol. III lacking half-title. Intermittent light foxing, most pages clean.  (14112)

Binding:  Contemporary black or very dark navy morocco, covers framed and panelled in gilt triple fillets with floral and fan-shaped corner decorations, surrounding a (blank) cartouche; spine with gilt-stamped title and arabesque decorations, board edges with gilt roll, gilt inner dentelles. All edges gilt.

•  Binding as above with a few small scuffs, back cover with areas of faint discoloration and light scrapes. Pages clean. Very giftable.  (29151)

Colophon reads: “Design [by] Miho. Printing [by] Hennegan Co. Cincinatti [sic]. Paper: Cover, Kromekot 15 cover/.010 Text, Kromekote enamel / 90 lb. Box, Kromekote Lith / 60 lb. Colorcast boxwrap, red on red.”

The near-miniature travelogue book is contained in a larger box measuring 19 x 19 x 2 cm (7.375" x 7,375" x .75").

WorldCat locates fewer than ten reported copies worldwide.

•  Book in fine condition, box very good. A fascinating, evocative little production.  (36984)

•  Publisher's cloth, front cover black- and gilt-stamped, spine simply gilt-stamped, binding gently worn with minor spotting to spine and lower edge of front cover. Ownership inscription to front free endpaper. A nice copy.  (2901)

Provenance:  Ex-German Society of Pennsylvania Library, a German-American social organization.

•  Publisher's green cloth stamped in blind on covers and in gilt on spine (with a knight, bishop, and castle in addition to author and title); a little cocked and bottom edges worn. Front free endpaper separated and rear one chipped. Ex–social club library: call number on endpaper, rubber-stamp on title- and two other pages, no other markings. Clearly a book that was often read and consulted with some soiling and staining resultant; text not chipped though printed on inexpensive paper.  (26923)

•  Publisher's printed paper wrappers; spine and edges gently sunned, edges with minor shelfwear. Half-title with pencilled (relevant) annotations; pages crisp and clean.  (29718)

•  Full library blue cloth, gilt-stamped on the spine, covers pressure-stamped with the name of a now-defunct library, spine with shelving label. Small tear to head of spine. Binding lightly soiled. Bookplate and library pocket present. Possible authorial inscription on front fly-leaf. Remnants of paper adhered to top edge of title-page. Pages clean. Very good.  (7372)

•  Publisher's quarter cream parchment paper and blue paper sides, front cover and spine with gilt-stamped leather title-labels, in original blue-gray paper dust jacket with black-stamped title and edition information; binding in beautiful condition, jacket with small edge chips and spine head splitting. Pages clean. A nice copy.  (29707)

Binding: Contemporary straight-grain black morocco, covers framed and panelled in gilt and blind, spine with gilt-stamped title and gilt-framed compartments, spine compartments blind-tooled in foliate designs, turn-ins with gilt double fillets. All edges gilt.

•  NCBEL, III, 264.   Bound as above, edges and extremities with minor rubbing, bottom spine compartment with small crack, leather (only) starting at front joint (joint itself strong). Front pastedown with early inked ownership inscription. Moderate foxing, more pronounced to first and last few leaves; two pages with offsetting from dried plant matter laid in. A lovely volume.  (24906)

Binding:  Publisher's vellum ornately framed and panelled in gilt; with green leather in-lays tooled in gilt with a Greek key design; and with gilt-stamped corner fleurons, front cover with hand-painted polychrome vignette, spine with gilt-stamped title and decorative panels. Top edge gilt; endpapers of light blue veined in gold.

•  Binding as above, spine very slightly darkened, spine and top edge gilt a little dimmed, cover vignette blurred. Intermittent mild foxing, largely confined to upper margins. Important Spanish poetry, in a delightful presentation.  (39416)

•  NSTC 2E4287.   Removed from a nonce volume. Title-page with small inked numeral in upper outer corner.  (17041)

Provenance:  Author’s inked inscription “A mon bon ami, Amand Lemire [/] E. Morice” on front free endpaper. From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Printed paper over boards imitating 16th-century strap-work and panelling on covers, with gilt lettering on otherwise plain spine and four gold dots at the corners of the covers’ inner panels; rubbed with some paper chipped, front upper corner and hinge cracked, front free endpaper reattached with paste and chipped at bottom. Light to moderate age-toning and foxing throughout; colors and illumination remarkably bright. A pretty little thing with plenty of charm.  (37895)

•  Publisher's brown sheep, front cover with gilt-stamped printing press vignette, spine with gilt-stamped decorative title; corners bumped, joints and spine extremities rubbed. Pages and plates crisp and clean. A solid copy of the deluxe edition.  (33633)

Provenance:  Inscribed by the author: “To Richard Wood from W.A. Mühlenberg [indecipherable location] — Xmas 1856.” Beneath that is another early inked inscription, “L.A. Nichols, from Misses Wood.” Mühlenberg was atthe University of Pennsylvania at the same time as George Bacon Wood, son of Richard Wood and Elizabeth Bacon; the present inscription appears to be a dedication to the father of his classmate.

•  Publisher's brown straight-grained cloth, covers framed in blind roll, front cover with gilt-stamped title; minor wear to extremities, back cover with small light spots. Pages very faintly age-toned with occasional spots of light foxing. A nice little book with nice provenance.  (35366)

•  Publisher's red cloth, spine with paper label, in excellent condition save for slight discolorations to spine label. With laid-in prospectus. Pages mildly cockled; scattered, pinpoint spots of something(?) that got into the slurry during the paper-making. A handsome, clean copy.  (3799)

The conference occurred without anyone attending knowing that, in the U.S., a major scandal relating to the forgery of Texas printed historical documents was just beginning to blossom!

•  New. Publisher's illustrated boards.  (27539)

Provenance:  Front pastedown with small, handsome gilt-stamped leather bookplate of Alva B. Gimbel, philanthropist and member of the Gimbel family of department-store fame.

•  Publisher's paper–covered limp boards; spine and edges much sunned. Faint offsetting from bookplate (see above) to front free endpaper; pages crisp and clean.  (41521)

•  Paperback, in publisher's printed paper wrappers; very minor shelf wear to edges and spine.  (22237)

Shockingly the editors report “a most infamous conspiracy to injure and break down several periodicals in this city — our own among the number — has lately come to light” (p. 230). The subscribers’ lists of several periodicals were leaked (apparently by clerks) to unscrupulous individuals who then sent “a vile obscene and filth paper [sic]” to those unsuspecting patrons.

Binding:  Publisher's red, richly gold-stamped textured leather, covers with gilt-stamped central bouquet in a basket. All edges gilt.

Provenance: Pencilled name of Peter J. Revill on front free endpaper.

•  Faxon 188c. Not in Tepper or Thomson.   Binding as above anda brilliantly BRIGHT example. Varying degrees of foxing and staining, most notably surrounding plates. A very pleasing volume from many points of view.  (40888)

•  Publisher's blue-grey cloth, front cover with gilt-stamped title and LEC compass device, spine with gilt-stamped title. Slipcase lacking. Clean and fresh.  (30010)

Meredith Nicholson (1866–1947) was an American author and politician from Indianapolis who wrote several bestsellers during the early 20th century, the Golden Age of Indiana Literature.

Binding:  Publisher's teal cloth with gilt lettering and white-stamped vertical fence-like lines to spine; front board is lettered in gilt and stamped in white with vertical and horizontal lines suggesting a gate. A white tram or trolley car is daintily stamped within a wide teardrop-shaped opening in the “gate's” upper portion.

•  Smith, American Fiction, 1901-1925, N-84.   Bound as above; edges rubbed, corners bumped, spine slightly cocked, decoration to spine rubbed, minor staining to top-edge; in fact, binding quite attractive. Interior age-toned, foxing to plates and adjacent leaves (with frontispiece tissue guard separating), upper outer corners bumped or lightly creased across. Readable, and highly enjoyable as an artifact.  (37558)

In addition to an essay on Nicolaius's life and writings, Nott also provided passages from other poets for comparison, samples of other English and French translations of Nicolaius, and annotations on phrases he found particularly attractive or compelling; the Epithalamium and some fragments are appended following the title work. This is self-described as the fourth edition.

The plate depicting Aphrodite admiring the sleeping Ascanius is after a design by Mortimer and was engraved by F. Bartolozzi.

•  19th-century half tan calf, scuffed and abraded but sound; without the added engraved title-leaf and with the odd stain, otherwise complete and pleasing. A nice old book.  (39875)

DePol also provided thenumerous wood engravings that enhance the text. This is copy 303.

Presentation copy from DePol: “For Morris Gelfand, old friend, with warm regards . . . John DePol December 3, 1991.” Gelfand was the proprietor of The Stone House Press.

•  Publisher's red cloth shelfback, boards covered with DePol's gray and white illustrated paper. A very nice copy.  (35832)