•  Chanticleer (1921–36) 55.   Publisher' red cloth, spine slightly sunned; slight bubbling of cloth, possibly from glue action. Without the d/j. Fore- and bottom edges untrimmed.A very good copy of a very nice and typical Golden Cockerel.  (36985)

•  Publisher's embossed cloth, spine with gilt-stamped title; corners and spine extremities showing minor wear, with gilt oxidized. Front free endpaper with pencilled inscription; some page edges with small blotches. Binding very handsome in its subtle way. Impossible! to get a good image of!  (12986)

•  Publisher's cloth, front and spine stamped in black and blue; small stain to front cover, some wear to head and foot of spine. Top edges gilt, others untrimmed. Sturdy; pages clean.  (3175)

Binding:  Boards fetchingly covered with red-brown Curwen patterned paper by Enid Marx with a gray paper cover label, all edges untrimmed; housed in red-brown paper–covered chemise with patterned doublures matching the binding and a gray printed spine label — all in a gray paper–covered slipcase.

Provenance:  Front pastedown with calligraphic bookplate of Norman J. Sondheim, American collector of fine press books.

•  Dreyfus, History of the Nonesuch Press, 93.   Bound as above, offsetting to fly-leaves from pastedowns, slipcase lightly dust-soiled and rubbed at corners with title and author pencilled on spine. Volume with a few light marginal spots (possibly from paper manufacture), otherwise clean.  (37125)

•  Publisher's sage cloth–covered boards, front cover stamped in black, slightly cocked and rubbed/soiled; spine darkened, back cover with adhesions and scuffs. Front free endpaper with inked and pencilled ownership inscriptions. Some lower corners bumped. Pages faintly age-toned, otherwise clean. A wealth of play ideas and child lore. (40973)

•  Publisher's quarter sheep with printed sides; neatly respined with cloth tape. Signed by previous owner on front pastedown.  (4182)

•  Publisher's red cloth, spine with black-stamped title. Offsetting to endpapers. Clean.  (35691)

Provenance: From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Original illustrated paper over boards, with the dust jacket (a little worn with interior repair at top of spine). Clean. A very nice copy.  (41368)

•  Cloth with a few light spots, spine extremities faintly worn, dust jacket with slightly ragged edges and some spine fading. (2113)

The “lady” was Eliza L. Cabot Follen (1787–1860), the Boston-born author, translator, and abolitionist.  She used her own translation — “a free one; but sedulous care has been taken never to depart from the spirit of the author” (v) — and one of her concerns in selection is to de-Catholicize the archbishop, allowing his more universal appreciation — for, as she says, his “writings necessarily contain many things that could not be acceptable to Christians of all denominations [and have therefore] been uniformly omitted” (v).

Fénelon's appearance in Follen's selective epitome would surely have amused him, and it pleased the book-buying public: This is the work’s third edition.

Provenance:  A note states that “this book belonged to Grandmother Dyer[:] Ann Eliza Morse”; Charles Dyer Norton has also signed an endpaper in ink.

•  American Imprints 7028. On Fénelon, see: Encyclopaedia Britannica, 11th ed., X, 252–54.   Mid-19th-century plain black calf with gilt spine compartments tooled in an interesting pattern, single gilt rule around covers, a little gilt on board edges, marbled endpapers and edges; some wear and abrasions but spine gilt still bright. Provenance markings as above, some leaves creased across and a little interior staining and spotting especially at rear. A nice old book.  (36673)

•  Publisher's black and red printed paper wrappers, in original similar dust wrapper; dust wrapper with chips and short tears to margins (longer closed tear from upper front edge), spine slightly sunned. Front free endpaper with contemporary inked ownership inscription. Two leaves with short tear from lower margin, touching text without loss. Pages age-toned, embrittled as expectable; in fact, a nice copy, and with a “Three Seal Book Mark” laid in.  (28422)

The work opens with an introduction from the publishers, who dedicated the Life to the members of the First Christian Church and Society of Kittery, ME. The frontispiece portrait of Fernald was engraved by John Sartain, after a daguerrotype.

Binding:  Publisher's textured black cloth, covers framed in blind rules and with foliate designs surrounding central gilt-stamped floral motifs on both boards. Spine gilt extra, all edges gilt.

•  Bound as above; spine extremities and corners rubbed, cloth showing small split starting at foot of front joint (hinge holding). Mild foxing to margins of frontispiece, with offsetting to title-page from guard leaf; two pages with small section of offsetting from now-absent laid-in item; pages otherwise clean. A solid, worthwhile copy with its gilt shining bright and crisp. (38618)

•  Publisher's quarter floral-patterned paper with woodgrain-patterned paper–covered sides, spine with black leather title-label stamped in silver, in original matching slipcase; one corner bumped and spine extremities with small chips, slipcase showing moderate shelfwear and with one upper edge split and repaired with archival tissue. Pages clean. Internally very appealing despite minor external wear.  (39805)

Stepping into the presidency amidst scandal, war, and a poor economy, Gerald Ford was presented with some very difficult leadership challenges. On the one hand, he was the right man at the right time: His honesty and reassurance restored the confidence in the presidency that been lost during the Watergate scandal, and his negotiation of the Helsinki Agreement contributed to the end of the Cold War. However, Ford's pardon of Richard Nixon eroded much of the trust he had built early in his term. This fateful decision, together with the fall of Saigon and his inability to “whip inflation,” were the main factors that cost him reelection. This memoir speaks to his role in navigating the challenges of his time with the same honesty and straightforwardness that characterized his tenure as president.

•  Full red leather, covers lavishly gilt-stamped with a pattern of elephants, spine with raised bands, gilt title, author's name, and gilt elephants within “compartments.” Endpapers bear a version of the image of the obverse side of the Great Seal of the United States. Silk ribbon placemarker. All edges gilt. Fine condition.  (23605)

•  Publisher's green cloth, spine with black-stamped title; minor wear to corners and spine extremities. Pages clean and crisp.  (26152)

Provenance:  On the front pastedown, an inscription reading, “Twenty five cents' worth of Uncle Dan's sympathy for Maggie's misfortune. 1862 May 24.” The name of Robert Hale is inked black on the title-page corner above some red-inked numbers.

WorldCat has located three copies of this 1860 edition, two of which are in the U.S.

•  Sternick, Bibliography of 19th-Century Children's Series Books, 496.   Publisher's navy cloth with gilt lettering and decoration to spine, boards with blind decoration of children dancing hand-in-hand in a circle; overall rubbing especially to spine ends and with some board exposed, spine cocked and mild soiling. Provenance as above; interior with some soiling throughout, mild gutter cracks and rear joint cracked. Sounder than it sounds and still capable of making a child (or adult!) smile.  (38522)

Binding:  Publisher's pebbled brown leather, covers and spine with blind-stamped framework containing foliate motifs, front cover and spine with gilt-stamped title, turn-ins with border composed of several gilt rolls. Marbled endpapers; all edges gilt.

Provenance:  From the library of Robert L. Sadoff, M.D., sans indicia.

•  Binding as above, edges and extremities mildly rubbed and refurbished. Frontispiece recto with early inked gift inscription “from F.B.H.” Internally slightly age-toned; plates clean. A luxurious production in very good condition; an aesthetically pleasing combination of art and literature. (39853)

Binding:  Publisher's green cloth, front cover and spine stamped in black, gilt, and yellow, with a frame of apples and greenery surrounding a decorative title and small gilt motifs.

•  Binding as above, corners and spine extremities very slightly rubbed, dust jacket lacking. Endpapers and a few pages sprinkled with spots of faint staining, pages generally clean A popular and entertaining author, in an attractive and well-preserved binding.  (35257)

The College's founding trustees are a Who's Who of Pennsylvanians, both English and German; future trustees are to be chosen half from Lutherans and the other half from the Reformed or “Calvinist Church”; youth are to be instructed in the “German, English, Latin, Greek, and other learned languages” (note order); one-sixth of the endowment is to be used to support an adjunct children's charity school; etc. An interesting 19th-century ethnic-educational ephemerum, apparently not in NUC Pre-1956.

•  Sewn; in original yellow wrappers. Very good.  (9724)

This is anuncommonly nice copy, still housed in its original publisher's box, which features the front cover image reproduced in color.

•  Not in Brown, Culinary Americana.   Publisher's spiral-bound wrappers, front wrapper color-printed with image of Dutch girls baking, in publisher's box (as above); one edge of box rubbed and corners of box bottom reinforced. Front fly-leaf with inked gift inscription and pencilled date (March 24, 1956). A clean, fresh, virtually unworn copy — and very uncommon as such.  (29584)

•  Publisher's quarter cloth over green paper boards; paper title label on spine. Contemporary gift inscription on front free endpaper. Paper covers with some old minor scrapes and finger marks; VG.  (19462)

•  Publisher's light green cloth with silver-stamped lettering to spine; dust jacket lacking, front board warped ever so slightly and with very faint lines of discoloration, rubbing to joints. Small bookseller's ticket of Mary Glasgow & Baker Ltd. (London) on front pastedown. Light foxing to fore-edge and interior. A solid, sturdy, signed copy.  (37949)

WorldCat locates only nine institutional copies, these in a rather odd array of places with perhaps some being accounted for by H.L. Mencken’s having reviewed the volume not entirely unkindly in Smart Set.

•  For Mencken’s remarks, see: Smart Set, “The Bards in Battle Royal”; vol, 37 (1912).   Publisher’s red cloth with gilt lettering to front board and spine; publisher’s emblem blind-stamped to rear board, light rubbing to extremities. Top edge gilt, other edges deckle; small stains to bottom edge of pages. A pleasing collection of down-home’y poetry.  (37793)

Signed binding: Contemporary half tan morocco with marbled paper–covered sides, spine with raised bands each accented above and below with single gilt rule and single black rule; gilt-stamped title, spine compartments framed in gilt with gilt dots in each corner and each with gilt center device. Front free endpaper stamped “Bound by Sangorski & Sutcliffe.” Top edge gilt; silk ribbon place marker.

•  Binding as above, spine slightly sunned, corners and extremities showing minor rubbing. Front pastedown with private collector’s armorial bookplate. Pages clean. (19752)

Binding:  In the style of a percaline mosaïquée, but the gilt and mosaic are applied to a textured pebbled cloth. Spine gilt extra with added “mosaic” of green, white, red and blue. Front cover with a blind-stamped border incorporating elegant corner-pieces; within this, “Souvenir de Versailles” gilt-stamped in an arc above a large on-laid crowned coat of arms flanked by banners and flags, this embellished in gilt with rich use of blue, white, red, blue, and green. Rear cover with similar blind-stamped border and a different large gilt-stamped center device strikingly incorporating an on-lay of blue stamped in gilt with a military medal. All edges gilt.

•  On this type of binding, see: Morris & Levin, The Art of Publishers' Bookbindings, pp. 94–97.   Binding as above, rubbed to the underlying boards at the corners of the boards and top of spine slightly pulled with one bit of rubbing. Scattered pale brown stains mostly on interleaves and sometimes visible on versos of plates; some discoloration in some margins of plates and occasionally into one; overwhelmingly a clean copy, remarkably bright and unfoxed. A strong and nice example of this category of “souvenir” and of a gilt mosaic binding.  (30464)

•  Publisher's printed paper wrappers, in original printed dust wrapper; dust wrapper partially split along front outer fold and nicked at corners. Pages age-toned.  (28931)

•  Hatch, Mosher, 688; Bishop, Mosher, 313.   Publisher's quarter tan paper and blue paper–covered sides, spine with printed paper label; spine moderately sunned, with extremities rubbed and one tiny fleck to one compartment. Back hinge (inside) cracked, front hinge tender, volume yet holding firmly; as usual, without the dust jacket or the slipcase. Overall, a very good copy ofan interesting book and an attractive Mosher production.  (34463)

Laid in here is a copy of the prospectus.

Provenance:  Mrs. E. P. Kravetzry's copy with her handwritten list of additional California culinary works and three 70s-era postcard sales quotes of the same offered by San Francisco and Berkeley booksellers.

•  Publisher's blue cloth, front cover with gilt-stamped title; spine sunned, extremities rubbed; prospectus a little large for the binding into which it's laid, and so sunned and crumpled at edges. Pencilled check marks and a handful of annotations to bibliography, pages otherwise clean.  (29792)

•  Publisher's teal cloth, front cover and spine with gilt-stamped title and decorative floral motifs; back cover and corners showing very slight scuffing. Back hinge cracked and front hinge starting; front free endpaper excised. Still, an attractive copy.  (18393)

•  Original mottled calf, covers framed on three sides in double gilt fillets, spine with gilt-stamped title, top edge gilt; spine gently sunned, minor wear overall including light rubbing to extremities and small spots of scuffing and discoloration to sides. Light foxing variably to tissue guard leaves (only); pages crisp and fresh.  (41564)

Binding:  Publisher's red cloth, covers and spine gilt-stamped with avian and foliate designs; all edges gilt.

•  Faxon 786.   Spine and edges moderately rubbed with front hinge cracked; spots of staining to bottom part of front cover. Front free endpaper with good portion torn away, back free endpaper lacking; waterstaining in varying degrees to lower outer corners after p. 120 and some soiling. One signature extruded and others heading for that; one plate shaved very very close to image at top but image itself not quite touched! Not a fresh copy, still, an interesting one.  (12944)

The little volume also offers astriking wood-engraved frontispiece in orange and black by Jean Gabriel Daragnès (1886–1950) who additionally provided the wood-engraved headpieces, and the colophon notes the item was printed by Ducros, Lefèvre, & Colas.

•  Red and black printed cream wrappers, gently worn around edges; light age-toning with a few occasional spots, frontispiece offset onto title-page. A very nice copy.  (36392)

Eileen Kerrigan selected and wrote the introduction to this group of Graves's poems, illustrated witheight double-page plates by Paul Hogarth reproduced by Meriden Gravure Company from original watercolors. This is copy number 1063 of 2000 designed by Freeman Keith in monotype Bembo and Arrighi, and printed on Curtis cream-toned paper at The Stinehour Press in Lunenberg, VT. BothKeith and Hogarth signed the colophon.

A. Horowitz & Sons designed the binding in quarter brown buckram over black and red patterned tan boards, with author and title gilt on spine and top edge gilt. The appropriate LEC prospectus and newsletter are laid in.

•  Bibliography of the Fine Books Published by the Limited Editions Club, 517 (200 pp., in error). On Graves, see: ODNB online.   Binding as above, in a matching slipcase with cloth at top and bottom edges and printed spine; case showing minimal shelfwear, volume with spine slightly sunned. Very nice copy.  (41654)

•  Original mottled calf, covers framed on three sides in double gilt fillets, spine with vertical gilt-stamped title, top edge gilt; spine gently sunned, sides and corners showing light shelf-wear. Front pastedown with recent pencilled annotations, no other markings; heavy-paper leaves and engravings very clean and crisp. A handsome production.  (41563)

•  Publisher's color-printed paper–covered boards in original dust jacket; jacket spine sunned with chips at center and extremities, volume with covers very slightly sprung and extremities slightly rubbed. Half-title with small ownership inscription dated 1950. Plates crisp and beautiful.  (40872)

Binding:  Decorated publisher's binding: blue cloth with “silver”-stamped lettering and fleur-de-lis decorations to front board and spine, front cover with large “silver”-stamped vignette of a medieval gentleman holding a cage with two owls. “Silver” work actually aluminum and very bright!

Provenance:  On front free endpaper, two ownership stamps of Sarah E. Lembeck.

•  BAL 6747 (state A imprint, state A binding).   Bound as above; spine cocked and extremities and joints lightly rubbed. Stamps as above. Crease to p. 42; interior otherwise unspoiled. A handsomely medieval-esque production.  (37506)