
FORE-EDGE PAINTINGS
[
]
On
WINGS of Verse
Scott, Walter. Miscellaneous poems. Edinburgh: Archibald Constable & Co., and Hurst, Robinson, & Co. (pr. by James Ballantyne), 1820. 8vo (22.2 cm, 8.75"). viii, 510, [2] pp. (pagination skips 66-85).
$600.00
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Beautiful edition of gathered verses by Sir Walter Scott, containing “The Bridal of Triermain,” “Harold the Dauntless,” “William and Helen,” and what the advertisement calls “all the Smaller Pieces, collected for the first time in the recent edition of the Author's Poems” — decorated with a fore-edge painting.
The Fore-edge: Simple but charming design of six bright butterflies in red, orange, yellow and blue.
Provenance: Front pastedown with armorial bookplate of John Train.
Binding: Contemporary maroon straight-grain morocco framed in wide gilt border and panelled in gilt single fillet, spine with gilt-stamped title and decorations, board edges (at corners) and turn-ins with gilt roll. All edges gilt.
NSTC 2S9246. Binding as above, moderately rubbed; hinges (inside) slightly tender. Front free endpaper verso with inked ownership inscription. Light to moderate foxing throughout, pages otherwise clean. (30141)
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United BCP with a
Westminster Abbey Fore-Edge View
United Church of England and Ireland. Book of Common Prayer. The Book of Common Prayer, and administration of the Sacraments, and other rites and ceremonies of the Church, according to the use of the United Church of England and Ireland: Together with the Psalter, or Psalms of David, pointed as they are to be sung or said in churches. London: Pub. for John Reeves (pr. by W. Bulmer), 1802. 8vo (24 cm, 9.5"). vi, [694] pp.
$750.00
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There were minor differences between the Prayer Books of the Church of England and the Church of Ireland up until 1801, the year that the churches merged; the various 1801 BCPs were the first to use the “United Church” designation. John Reeves had been appointed king's printer in 1800, and edited his own version of the BCP, of which this is the second edition; the separate title-page following the preliminary matter is dated 1801. (That preliminary matter, offering historical and liturgical commentary, is extensive and interesting.)Fore-edge: This beautiful example bears a subtly shaded (and therefore hard to photograph)
fore-edge painting showing Westminster Abbey in the background behind a waterfront view with sailboats.
Binding: Full straight-grain dark olive green morocco, covers framed in elegant feather and pearl twist gilt roll, turn-ins with floral gilt roll. Stone-pattern marbled endpapers. All edges gilt.
Griffiths, Bibliography of the Book of Common Prayer, 1802/1. Binding as above, mild rubbing overall with some abraded areas consolidated, joints and extremities subtly repaired, aesthetically appropriate endbands supplied. Title-page with inked ownership inscription dated 1803, “The gift of my beloved husband.” Intermittent faint spots of foxing, mostly confined to early leaves. One inked marginal annotation in an early hand, three psalms (145–47) with small inked emphasis marks, pages otherwise clean. (28715)
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Fishing
Classic, Important
Lives, &
Two
Fore-Edge
Paintings
Walton,
Izaak. The complete angler [and] The lives of Dr. John
Donne, Sir Henry Wotton, Mr. Richard Hooker, Mr. George Herbert, and Dr. Robert
Sanderson. London: John Major, 1824–25. 8vo (17.1 cm, 6.75"). 2 vols.
I: lviii, 416 pp.; 14 plts. II: xviii, [2], 503, [1] pp.; 11 plts.
$900.00
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First major appearance of Walton's beloved treatise in combination
with his collected lives of authors, the set (here in its stated second edition)
charmingly illustrated with copper-engraved plates and wood-engraved in-text
illustrations. The Angler plates generally represent dashing young men
— and a few young ladies — in the garb of Walton's day, while many
of the in-text illustrations depict hooked fish; the Lives volume opens
with a representation of the subjects' signatures within a decorative frame
and includes, along with a portrait of each, ten renditions of important moments
and locations in the subjects' careers as well as numerous smaller portraits,
coats of arms, etc.
Each
volume is decorated with a vertical fore-edge painting.
Fore-edges:
Angler with two jaunty 17th-century gentlemen and their rods and lines,
Lives with a portrait of Walton, both paintings within arabesque frames.
Bindings: Straight-grained
maroon morocco, covers framed in gilt triple fillets, spines with gilt-stamped
author and title; board edges with gilt roll, turn-ins with gilt double fillets.
All edges gilt.
Provenance:
Front pastedowns each with armorial bookplate of collector John Train; front
fly-leaves with early inked ownership inscriptions of Lucy S. Sanford and
T. (or J.?) Lister.
NSTC 2W4371. Bound as above, rubbed at joints/extremities, hinges
(inside) tender; text block of vol. II starting to separate from spine and
front free endpaper with outer edge chipped. Pages generally clean;
moderate foxing to some plates, with offsetting to surrounding pages.
Unusual
and very attractive. (30156)
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