visiting “the Savages in North America,”

Vol. I opens with a steel-engraved portrait of the author, done by Henry Cook after Hervé; vol. III is illustrated with an oversized, folding plate of a water-engine intended for millwork, devised by the author, and a plate of another of his inventions: the automated “chamber fire escape”, which enables anyone to lower him- or herself from a high window. This is the third edition, following the first of 1807.

•  NSTC H625; Sabin 30461.   Contemporary speckled sheep, spines with gilt-stamped leather title-labels; vol. I with joints and extremities refurbished, vols. II and III with spines and edges rubbed, old strips of library tape reinforcing spine heads. Ex–social club library: 19th-century bookplates, call number on endpapers, pressure-stamp on title-pages, vols. II and III with paper shelving labels at top of spines (vol. I showing signs of now-absent label). Vol. I title-page with offsetting from frontispiece; vol. III with pp. 69–72 excised (two leaves of a rather long religious-themed letter from Harriott to his son) and with upper portion of one leaf crumpled, reinforced some time ago. Some light age-toning, intermittent small spots of foxing and ink-staining, pages generally clean. Utterly absorbing.  (30651)

Many of the 52 lithographed plates are in duotone; some were done by Ackerman Lithography and some by P.S. Duval & Co., after views of scenery, buildings, and natives drawn by Lieut. Gibbon.

Two volumes of maps, not present here, were issued separately.

•  Sabin 31524; Palau 113897. Publisher’s textured cloth, covers blind-stamped, spine with gilt-stamped title; vol. I with spine sunned and cloth chipped at spine extremities; vol. II with corners bumped, cloth peeling away from spine and chipped at spine extremities, spine with gilt dimmed and small area of unobtrusive discoloration from now-absent label. Front pastedowns each with pencilled owner’s name and institutional rubber stamp (no other markings); front free endpaper of vol. II starting to tear along inner margin. Mild to moderate foxing and spotting; a few text gatherings unopened. One plate in vol. I with short tear from outer margin, turning into a narrow scrape extending about halfway into the upper portion of the image; one leaf in vol. II with tiny portion (less than one word) affixed to opposing plate. Not a perfect set, but a perfectly fascinating one.

The LEC illustrations consist of 8 full-page and 41 in-text color drawings by Everett Gee Jackson (no relation to the author), who also signed the colophon. Saul Marks designed the book, selecting a monotype Bembo font with the chapter titles printed in red ink, and the printing was done by Saul and Lillian Marks at The Plantin Press, Los Angeles.

Binding:  In an attractive full woven fabric derived from a striated Native American design, with a colorful paper spine label.

This is numbered copy 972 of 1500 printed; the appropriate LEC newsletter is laid in.

•  Bibliography of the Fine Books Published by The Limited Editions Club, 298.   Binding as above in original slipcase, volume spine label slightly darkened, slipcase showing only minimal wear and with a spot or two of darkening to front panel. A very nice copy.  (30117)

Needless to say, the emphasis is on his military career with much about native Americans.

The text is unillustrated, but the front cover has acentral medallion bust of Harrison in gold.

Provenance:  Author's presentation copy? “Joseph Barclay Esq., from the author” in ink on the first blank page after the front free endpaper. In an appropriately contemporary style hand.

Binding:  Publisher's brown textured cloth, front and rear boards stamped with blind corner devices and front board with a large bust of Harrison in gold in a circle and with his rank and name in gilt below. Cloth not in Krupp but closely related to her Wav1.

•  Sabin 35422. On binding cloth, see: Krupp, Bookcloth in England and America, 1823–50.   Publisher's textured purplish-brown cloth, covers embossed with border rules and foliate corner pieces to frame the gilt image of “General Harrison” as above. A very good copy, light sun-fading to spine; the usual foxing.  (36557)

The work is handsomely printed (although erratic in its pagination and signature markings), in double-column format, featuring title-pages in black and red with an engaging small engraved vignette of a ship between pillars reading “Plus” and “Ultra.”

Provenance:  Ownership stamp of Carlos Sanz in several places.

•  Sabin 40053; Palau 135738; Alden & Landis 737/135; Medina, BHA, 3071; Borba de Moraes, II, 150; LeClerc 872.   Contemporary vellum over pasteboards, a little soiled especially to spnes, retaining button and loop closures; hinges (inside) open in a few places but bindings strong. Occasional waterstain or other sign of exposure to dampness; a few gutter margins (only) of first volume with a short wormtrack; some cockling of paper.  (34810)

•  Palau 141001; Sabin 14210.   Contemporary limp vellum with remnants of ties, front joint (inside) starting to open. Scattered foxing, including on title-page; short tear, repaired, in title; some staining in early margins and into text; without the preliminaries or the added engraved title. Doodling in many margins; ink stains from a careless quill user on several pages. John Carter Brown's stamped signature on p. 1. A less than perfect copy that yet does not “feel” maimed; a copy with a distinguished provenance to match the distinction of the work.  (27561)

The text here is printed in italic type except the capitals, which are roman. Leaves 292–96 containa brief study of Nahuatl including lists of numbers, months, days, and years in that language.

Binding:  American signed binding by Coombs of Providence, R.I., for John Carter Brown (ca. 1865), with his binder's ticket. Full red morocco, round spine, raised bands; author, title, place and date of publication in gilt on spine; gilt roll on board edges; gilt inner dentelles. All edges gilt. Gilt supra-libros of John Carter Brown on front cover.

Provenance: Ownership stamp of John Carter Brown on first leaf of preliminaries, supra-libros as above. On his death to his son John Nicholas Brown (1861–1900). On his death deeded to the John Carter Brown Library. Deaccessioned 2008.

•  Alden & Landis 560/28; Sabin 27739; Wagner, Spanish Southwest, 2t; Medina, BHA, 159n. This edition not in H. de León-Portilla, Tepuztlahcuilolli, but see 1692.   Binding as above. Lacks the title-leaf; (therefore) first leaf of preliminaries with a John Carter Brown's personal ownership stamp and his bookplate on front pastedown. Waterstaining, barely visible in many margins and lightly across text in last half. Four leaves with very old scribbling (pen trials?) in margins. A treasure with a distinguished provenance, presenting itself in the classic fashion of a 19th-century “collector's copy.”   (28914)

Searches of NUC and WorldCat locate only one copy worldwide — at the John Carter Brown Library.

•  Not in Medina, Puebla; Gavito, Adiciones a la Imprenta en la Puebla; not CCILA.   Folded once longitudinally, otherwise, as printed. Crisp copy.  (40408)

The Taller Martin Pescador edition consists of100 copies, the main text composed by Florencio Ramirez in Enrico Martinez type, the three-page colophon composed by Juan Pascoe in Blado type, and the whole hand printed on DePonte paper.

•  Stitched in light wrappers with a paper label on the front wrapper.  (40718)

Provenance:  Small, round, ownership stamp of Michael Mathes in upper inner corner of the verso of the title-leaf.

•  Medina, Mexico, 5174; García Icazbalceta, Lenguas, 55; Viñaza 356; Maggs, Bibl. Amer., II, 2154; Sabin 52413; Palau 190159; Pilling, Proof-sheets, 2738; Ugarte, Obras escritas en lenguas indigenas de Mexico, 263.   Marbled paper of the 18th century supplied as wrappers in 20th century; front free endpaper supplied from a different book. Old, very light waterstaining in some sections and a bit of foxing; errata leaf closely trimmed affecting border and some line numbers but not, rather remarkably, the engraver's minute signature. Overalla decent copy of an important and scarce book.  (41578)

The Americana content is found in the first section of the volume, dedicated to “deists,” chapter XI (subsections xxvi–xxxii); the natives discussed include those of Canada (Hurons), Virginia, Florida, Mexico, Peru, Paraguay, the Caribbean, and Brazil. Earlier in the “deists” section there is equally interesting discussion of the afterlife in the religions for variousAfrican nations.

The title-page is printed in red and black with an engraved armorial design in the center. Several engraved historiated initials, including a few that show people holding books, and one engraved headpiece of women leading horses on clouds decorate the text.

Binding:  Uncut text in an 18th-century cartonné binding with an attractive hand-lettered vellum spine label.

Provenance:  “Ex Libris P. Josephi Sacella” written in the bottom margin of the title-page; Sacella has also inked a few words (mostly obliterated) to the front pastedown and a manicule within the text.

•  Alden & Landis, European Americana, 748/147.   Uncut and bound as above, corners bumped and binding rubbed with some loss of paper at front bottom corner, binding dust-soiled and spotted. Volume with final blank (only) lacking and with markings as noted above; half-title with loss of some paper at fore-edge. One leaf detached and two with short to medium marginal tears; central gatherings with a very pale, old, circular stain across gutter reaching type on a few leaves only; and a few leaves creased or with small spots. A handsome text interestingly cased.  (36831)

Perez de Ribas' work is exceedingly rare on the market. In forty years of bookselling, this is only the second copy we have handled. Very important and desirable.

•  Wagner, Spanish Southwest, 43; Alden & Landis 645/96; Sabin 60895, 70789; DeBacker-Sommervogel, VI, 525; Servies 176. JCB (3), II, 333. Medina, BHA, 1083; Palau 222254; Streit 1745; Barrett 1984; Bell P169; Howgego R35; Brunet, IV, 21590; Graesse, VI, 106; Leclerc, Bibl. Amer. (1867), 1305; Huth, Catalog, IV, 1243; Heredia 6836; Salva 3376.   Contemporary vellum, manuscript spine title, marca del fuego; hinges (inside)cracking, light soiling. Very small ink stamp on title-page. Light foxing and tanning to text; some very slight worming, confined primarily to margins in rear of text block. A few ink notations and stains. A very good copy in a cloth clamshell case, leather label.  (34581)

This set includes two volumes of supplemental text, adding a number of entries. The first edition was followed by two volumes of supplemental plates, not present here and not called for: Graesse describes this edition as “sans grav.”

The pagination is erratic in a number of places; there is a numbering gap from 2342 to 2351 between vols. IV and V, but the text and signatures are uninterrupted.

Uncommon: OCLC locates only two U.S. institutional holdings of this second edition.

Provenance: Most volumes with small inked ownership inscription in an outer margin: “G.R.W.” the mark of William Rollinson Whittingham (1805–79), fourth Episcopal Bishop of Maryland and an enthusiastic book collector.

•  Brunet, IV, 851; Graesse, V, 429. Not in Sabin.   Contemporary half binding, recently rebacked with tan paper, spines with printed paper labels; boards rubbed and faded with small chips, one vol. with front cover waterstained. Foxing almost throughout, generally no worse than moderate; light waterstaining in upper margins of vol. I; one leaf in vol. VII with lower outer portion torn away, with loss of words from about 18 lines on each side. Vol. II with printer's error replacing pp. 1065–72 with duplicates of pp. 1057–64; pagination erratic in other places. Most vols. with ownership mark as above; vol. VI with one pencilled and one inked marginal annotation.  (25862)