The sheets are printed on Plover Fineweave paper with the text set in Sabon Antiqua. At the head of each is a print of a nicely rendered pen-and-ink drawing of the Hamady farm (where “Mother Father & Daughter are well and thriving”), done by Jack Beal (“Laura's Uncle Jack”).

•  Not in Two Decades of Hamady & the Perishable Press.   Sheets laid into a manila envelope labelled in Hamady's handwriting. Clean and crisp; some pages with markings as above.  (31364)

•  Two Decades of Hamady & the Perishable Press, 11.   Publisher's brown cloth, front cover with title stamped in blind; spine and board edges faded. Very clean and nice.  (31575)

This is numbered copy 87 of 125 printed.

•  Two Decades of Hamady & the Perishable Press, 52.   Publisher's quarter brown cloth and autumnal marbled paper–covered sides, spine with gilt-stamped title, in a brown cloth–covered slipcase; clean and fresh.  (31266)

The broadside showcases Walter Hamady's inimitable style, both textually and typographically: The header is a jumble of decorative letters from the words “John's Apples,” and faint shadow text runs behind the main body of text, which in addition to the statements of purpose includes a pithy comment from the painter's ten-year-old granddaughter. The printing was done in gray-green, red, and black on cream-colored handmade paper with one deckle edge.

The typed sheet, which starts out with “Some critical acclaim and just plain comments about John's Apples aka the apple book,” offers blurbs and quirky reader responses to John's Apples. While this is a fairly simple and straightforward production by the Perishable Press's standards, Hamady clearly could not resist at least a touch of his usual flair, typing a number of lines in diagonal directions with reckless disregard for the straight and level.

•  Broadside with two nearly invisible mailing folds; one corner very slightly creased, otherwise unworn and clean. Sheet likewise with mailing folds, otherwise crisp and fresh. Appealing and uncommon Perishable Press ephemera.  (31234)

This isone of 183 copies total, signed on the half-title by the author.

•  Two Decades of Hamady & the Perishable Press, 32.   Publisher's navy and white patterned paper–covered boards, front cover with blind-stamped and printed paper title-label. A crisp, clean copy.  (31277)

•  Two Decades of Hamady & the Perishable Press, 49.   Publisher's paper wrappers as above, with over-wrapper a little sun-darkened along spine. A fresh, unworn copy.  (30932)

The present example isnumbered copy 49 of 107 printed, signed by the author at the end of the text.

•  Publisher's paper wrappers, front wrapper with applied collage elements, in glassine dust wrapper. A nice copy.  (30920)

Provenance:  This copy inscribed, in an angular, decorative hand (presumably Hamady's), to a contemporary bookseller and archivist, with the inscription dated 1976.

•  Two Decades of Hamady & the Perishable Press, 76.   Wrappers as above, with very faint traces of wear to extremities, otherwise clean and fresh. It should be noted that the hand-tinting is to small portions of the illustrations only, and very subtle in tone; inscription, as above, large and bold. A nice copy of this “first,” with an interesting inscription.  (37227)

The text was set by hand in Palatino and Michaelangelo, and printed in black and grey on Shadwell paper; this is one of 250 copies printed.

•  Two Decades of Hamady & the Perishable Press, 21.   Publisher's tan paper wrappers, front wrapper with blind-stamped title. Minimal wear to extremities, otherwise a clean and fresh copy.  (30930)

This isone of 228 copies “manually printed in this farmhouse parlour on various shadwell papers hand-formed in the barn,” according to the colophon, which also mentions that “sultry august is when we finish” [sic].

•  Two Decades of Hamady and the Perishable Press Limited, 103.   Publisher's sparkly “flesh-glitter & sequin” paper wrappers, spine with “Joel” pressure-stamped in reverse. A beautiful copy.  (33821)

This is numbered copy 39 of 125 printed and it ishand-dedicated at the colophon to Andrew Hedden, a notable collector of press books and livres d'artiste.

•  Publisher's cream-colored paper wrappers stitched with white leather lacings. Clean and fresh, with signatures unopened.  (30921)

•  Publisher's paper wrappers as above, front wrapper with tiny lion device stamped in red. A fresh, unworn copy.  (30919)

This is one of 130 copies printed and wassigned by the author. The colophon features Hamady's distinctive pressmark, calligraphed by Sheikh Nasib Makarem.

•  Two Decades of Hamady & the Perishable Press, 10.   Publisher's mushroom-colored paper wrappers; outer edge of front wrapper creased, otherwise unworn and clean.  (30787)

•  Fine copy.  (30791)

•  Two Decades of Hamady & the Perishable Press, 90.   Publisher's paper wrappers, front wrapper with title printed in off-white. Crisp and clean.  (30903)

This is one of 207 copies printed; Hamady's distinctive pressmark, calligraphed by Sheikh Nasib Makarem, appears here in blind at the colophon.

•  Two Decades of Hamady & the Perishable Press, 25.   Publisher's navy paper wrappers, front wrapper with blind-stamped title and vignette. A crisp, clean copy.  (30788)

one of 220 copies printed, of which only 130 copies were for sale

•  Two Decades of Hamady & the Perishable Press, 23.   Publisher's gray Fabriano paper wrappers, front wrapper with title stamped in blind. A clean, fresh copy.  (30800)