Felcone adds that soon after he met Miss Louisa Dorland, “Louisa's mother was determined that her daughter would marry Harden, and, after encouraging them to spend nights together, she forced the marriage. After several months of unhappiness, Harden poisoned his wife. He fled, was captured, tried, and hanged . . . before an immense crowd.”

•  McDade, Annals of Murder, 438; Felcone, New Jersey Books 1698-1800. 838.   Stitched, lacks the wrappers; the frontispiece portrait of Harden detached but present. Short tears in margins, dog-earring, tattering, waterstain, etc. Only a good+ copy; this was a very cheaply printed production, hence the condition problems.  (39252)

women

Vol. I opens with a steel-engraved portrait of the author, done by Henry Cook after Hervé; vol. III is illustrated with an oversized, folding plate of a water-engine intended for millwork, devised by the author, and a plate of another of his inventions: the automated “chamber fire escape”, which enables anyone to lower him- or herself from a high window. This is the third edition, following the first of 1807.

•  NSTC H625; Sabin 30461.   Contemporary speckled sheep, spines with gilt-stamped leather title-labels; vol. I with joints and extremities refurbished, vols. II and III with spines and edges rubbed, old strips of library tape reinforcing spine heads. Ex–social club library: 19th-century bookplates, call number on endpapers, pressure-stamp on title-pages, vols. II and III with paper shelving labels at top of spines (vol. I showing signs of now-absent label). Vol. I title-page with offsetting from frontispiece; vol. III with pp. 69–72 excised (two leaves of a rather long religious-themed letter from Harriott to his son) and with upper portion of one leaf crumpled, reinforced some time ago. Some light age-toning, intermittent small spots of foxing and ink-staining, pages generally clean. Utterly absorbing.  (30651)

•  NSTC 2B38504.   Removed from a nonce volume. A few traces of very faint spots of foxing, else clean and fresh. (16824)

•  ESTC T1746; NCBEL, II, 658. Marbled paper–covered boards, old-style, front cover and spine with printed paper labels. Lacking half-title. Title-page and a few others faintly stamped by a now-defunct institution. First few leaves lightly foxed, scattered small spots elsewhere, a very nice copy.  (6934)

Many of the recipes in the first portion of this book are attributed to such well-known names as Glasse, Raffald, and Mason. Oxford points out that both the extended subtitle and the overall contents of the work as a whole are strikingly similar to Mary Cole's Lady's Complete Guide of 1791, commenting “One wonders who was the real author.” Whatever its origins, the present volume as attributed to Hazlemore is now uncommon: WorldCat, ESTC, and Cagle cite only seven U.S. institutional holdings.

Provenance:  Front free endpaper with ownership inscription and title-page with pressure-stamp of prominent cookbook collector Eloise Schofield; title-page also with early inked inscription of Charlotte Booty; front pastedown with early ticket of J. Rackham, a late 18th-/early 19th-century printer and bookseller in Bury St. Edmunds, Suffolk.

•  ESTC T93869; Cagle, Matter of Taste, 734; Oxford, English Cookery, 122. Not in Bitting.   Incomplete copy. Contemporary treed sheep, spine with gilt-stamped leather title-label, scuffed; spine label and extremities chipped, joints open and volume tender, front cover with spots of insect damage extending through to upper inner margins of first few leaves, touching two letters of title but no other text. Pp. 331/32, 341–44, 357–62, and 365–84 excised with great neatness (and no, we cannot work out any theory of “why”). Scattered instances of early pencilled or inked marginal annotations, including alternate instructions in two cases anda full recipe for dressed spinach inked at the end of the vegetables section, intended to replace the crossed-out printed recipe provided. Pages age-toned, otherwise clean. An incomplete copy, priced accordingly, of a still interesting work.  (29554)

Present here is an early U.S. edition of the first series; two series were published, the first in 1847–49 and the second in 1859. Much of the second volume of this series is dedicated to the question of slavery.

•  Allibone 818. On Helps, see: Dictionary of National Biography online.   Publisher's blind-stamped brown cloth, spines with gilt-stamped title; moderate rubbing most noticeable at vol. I spine head, and vol. II with strip of dark cloth tape at head of spine extending onto sides. Ex–social club library: front pastedowns with 19th-century bookplate and call-number sticker, front free endpapers lacking, title-pages pressure-stamped, no other markings. Pages age-toned, with intermittent spots of staining and light pencilled bracketing.  (26412)

Binding:  Intricately embossed burgundy calf with gilt lettering to spine; the spine design is derived from a Remnant & Edmonds spine plaque, according to Wolf. Each board has a medallion in the center featuring a woman in a chariot pulled by two galloping horses with several delicate stars in the sky; the medallion is framed by elaborate acanthus and foliate motifs. Blue marbled endpapers; all edges gilt. Signed byBenjamin Gaskill (“Gaskill, Phila”) on spine.

WorldCat locates only eight copies of this 1838 edition.

•  Wolf, From Gothic Windows to Peacocks, 190.   Bound as above, mildest rubbing; marbled endpapers rubbed and slightly discolored just along edges from action by turn-ins. First set of contents with pages bound out of order. Interior age-toned as expectable, with instances of foxing especially along top edges throughout and with light evidence of old waterstaining along bottom ones; title-page with short inked line from outer edge, added engraving with small closed tear A nice example of Gaskill's embossing work and a delightful volume overall, “personalized.” (38710)

This is a fine, extremely early example of Father Hidalgo's signature.

The woman who provided the money for the above mentioned masses was the wife of Antonio de Vivano (also spelled Bibano) Gutiérrez and mother of Antonio Guadalupe de Vivano, the first two Condes de Vivanco. Cambridge scholar David Brading credits Antonio de Vivanco with restoring the mining region of Bolaños to prosperity in the early 1770s, following the region's sharp decline in silver ore production during the first two-thirds of the 18th century — whereby he became very wealthy.

In addition to payment for masses for her soul, Doña Augustina's will provides for large sums of money to be spent on construction work on the chapel of Our Lady of Guadalupe in the bishopric of Guadalajara. The paperwork, including receipts, associated with the distribution of her largesse is weighty and detailed.

Among the collateral documents in this offering are copies of the last wills and testaments of Antonio de Vivanco Gutiérrez (1796), Augustina Velázquez (1780), and Antonio Guadalupe de Vivanco (1800); the inventory of the younger Vivanco's massive estate (1801); and a marvelouscalligraphic manuscript in which the bishop of Guadalajara grants a special privilege to Vivanco the elder. All are notarially certified copies of the originals.

•  All documents in very good condition, sewn, in contemporary vellum bindings.  (3731)

Provenance: Front pastedown with bookplate of Burton W.F. Trafton, Jr.’s library at Old Fields in South Berwick, ME; pastedown also with binder’s ticket from Crawford & Stockbridge of Concord, NH. Front fly-leaf with inked gift inscription dated Christmas, 1887.

•  Publisher’s brown cloth, front cover with gilt-stamped title and dark brown–stamped decorative bands, bottom band labelled “Christmas 1887"; corners and spine extremities rubbed, binding showing very little wear otherwise. First two signatures with sewing loosening; pages very slightly age-toned but otherwise clean.  (13883)

This English chapbook version is scarce: WorldCat reports only one U.S. institutional location (University of Delaware) and just two additional U.K. holdings, with the title not recorded at all by NSTC. The hand-colored engraved frontispiece here depicts our rosy-cheeked, Rubenesque heroine telling her story to her mustachioed rescuer over breakfast.

•  Recent marbled paper wrappers in attractive red, brown, tan, and cream fantail pattern. Frontispiece recto with small inked ownership inscription in upper inner corner. Pages clean and crisp. An uncommon incarnation of an internationally popular trashy romance, here in an attractive copy.  (40974)

•  Sometime bound in a nonce volume (removed). Very nice condition.  (7882)

•  Both long folded, the bill apparently into an "envelope" (with direction to Mrs. Hofmaster); receipt with some tears and tatters not affecting text.

Below her essay on the origins of the “Battle Hymn” is a facsimile of her signature. All of this is printed in blue and orange with decorations of green and orange laurel wreaths, and green and orange lilies, on a single heavyweight sheet folded to make four pages. WorldCat locatesonly three institutional copies (University of Massachusetts, University of Virginia, Rollins College), but we know of another at Harvard.

•  BAL 9478.   Folded sheet as above with very minor wrinkling to outside corners, one tiny dark spot to front, and the faintest bit of age-toning along edges. Clean, strong, and handsome, and a fitting tribute.  (38801)

•  NSTC 2H34825.   Removed from a nonce volume. Slightly age-toned, otherwise clean.  (16963)

Certain remarks convey a sort of backstage meta-commentary on the fiction, as if it had an existence outside this manuscript (“Indeed Tigreen functioned largely on my own experiences and childhood's impressions, many of which remain with me”; “She [Poy] was inspired by the fact that when I was a child myself I could never understand why people would exclaim Oh! & Ah! each time they saw such children as Poy making an entry anywhere”; “The pictures you see of Tigeenish personalities, places, & objects placed within the pages are the exact replicas of what they represent . . . in my young days I was not always able to get them to look just as I saw them, even though I tried very hard . . . now I draw them as I meant them to look then & as I visualized them in my childish mind”).

There is no evidence that this feminist-informed fantasy creation was ever published in any form.

•  Contemporary pebbled green paper–covered sides with red oilcloth shelfback; moderately rubbed overall, front board slightly sprung. Occasional underlining and marks of emphasis in red; some corrections in the same hand but different ink color. A treasure, and intriguing.  (41069)

On the bottom half is a signed receipt, in Spanish, dated Granada 8 May 1501, wherein Germán de Paris and Jacques acknowledge receiving the above mentioned payment.

•  The usual slash of cancellation (faintly visible above), indicating that this has been entered into the account books. Remnant of stiff paper at top of verso indicating it was once mounted in an album.  (19360)

Also includes accounts of Ebenezer Pearson's action against Goodridge for damages for malicious prosecution.

•  Shaw & Shoemaker 48361; Cohen, Bibliography of Early American Law, 14017.   Stitched as issued, in plain pale green wrappers. Light soiling, stray areas of light foxing or staining. Very good.  (39251)

The LEC illustrations consist of 8 full-page and 41 in-text color drawings by Everett Gee Jackson (no relation to the author), who also signed the colophon. Saul Marks designed the book, selecting a monotype Bembo font with the chapter titles printed in red ink, and the printing was done by Saul and Lillian Marks at The Plantin Press, Los Angeles.

Binding:  In an attractive full woven fabric derived from a striated Native American design, with a colorful paper spine label.

This is numbered copy 972 of 1500 printed; the appropriate LEC newsletter is laid in.

•  Bibliography of the Fine Books Published by The Limited Editions Club, 298.   Binding as above in original slipcase, volume spine label slightly darkened, slipcase showing only minimal wear and with a spot or two of darkening to front panel. A very nice copy.  (30117)

WorldCat records suggest this could have beena tract printed for Anthony Benezet (1713–84), a French-born educator and abolitionist who immigrated to Philadelphia.

•  Evans 10659; Hildeburn, Pennsylvania, 2289; Parsons 21.   In modern tan wrappers; faint stain to front one. Leaves age-toned with some foxing, tip of one leaf corner torn away, tiny stain to bottom edge of leaves. A small, neat product of earnest Philadelphia.  (39894)

•  Fine, Janus Press 1975–80, 47.   Publisher's white linen–covered boards, spine with printed paper label. A clean, crisp copy of acoolly elegant evocation of the titular theme.  (34148)

The text is neatly printed in roman in single-column format with capital spaces with guide letters (unaccomplished) and marginal notes; the title-page contains the iconic Aldine device.

Provenance:  Early ink signature “Alexii Feni” on title-page; most recently in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear of both the text and its clamshell housing.

•  Adams C1559; UCLA, Aldine Press: Catalogue of the Ahmanson-Murphy Collection (2001), 674; EDIT 16 CNCE 27775; Renouard, Alde, p. 186, 5; Goldsmid, Aldine Press at Venice, *546. On John Chrysostom, see: New Catholic Encyclopedia, VII, 1041–44.   16th-century limp vellum with title label on spine and evidence of ties; vellum wrinkled and stained, significant portions lacking on spine, edges of endpapers tattered with some paper loss and text block recently reattached. Housed in a maroon cloth clamshell with black leather labels. Light to moderate age-toning and staining with the occasional spot, several leaves with waterstaining to bottom corner or small marginal worm tracking; a handful of creased corners, a few examples of hurried paper manufacture, chipping to edges of first and last few leaves of text including title-page. Provenance marks as above, one early inked correction to a marginal note.  (38092)

“Jealous and intoxicated, Hughes, on the streets of Bedford, Ohio, shot and killed the seventeen-year-old girl he had seduced. At his execution, he spoke for fifteen minutes until the sheriff reminded him 'Time is going.' Then he dropped” (McDade).

There were multiple issues of this work: one with the title-page in red and black and a title-page vignette of the murderer, another printed only in black and without the title-page vignette, and one in black with the vignette portrait. Offered here is a copy of the latter.

•  McDade, Annals of Murder, 493.   Removed from a nonce volume; light age-soiling and -toning. Else very good.  (39263)

•  New. Fine in original dust jacket.  (24310)

•  New. Grey publisher's cloth, fine in original dust jacket.  (36764)

•  Osborne Collection, p. 50; Opie PP 190.   Publisher's brightly color-printed paper–covered sides with green cloth shelfback; spine and edges rubbed, hinges (inside) tender, paper split along gutters and sewing starting to loosen, ready for ongoing comfortable handling if care is used. Pages very slightly age-toned with a handful of spots of foxing, overall clean. An outstanding Victorian children's production.  (40823)

•  Osborne Collection, p. 49; Opie PP 330.   Publisher's color-printed paper–covered sides with teal cloth shelfback; extremities rubbed with a little loss to paper of covers at corners and front cover with an instance of abrasion affecting the “O” of “Abroad”; general light soiling and limited areas of old blue (ink?) staining. Bookplate as above; half-title with inked Christmas gift inscription dated 1882. Pages gently age-toned with a very few small spots, overall clean; sewing loosening but not broken; a children's book “read,” for sure. One ready for more reading, and looking! (40829)

This is the first edition. While some sources offer 1910 or 1911 as the publication date, our suggested date is based on announcements in contemporary publications including The Dialand The Independent; another such notification, in The Bookseller, Newsdealer & Stationer (vol. XXXVII, 1912), lauds the “pictures of graceful imagery, of subtle, tender sentiment, charming alike in color and presentment from the brush of Averil Burleigh.”

Binding:  Signed binding by Sangorski & Sutcliffe (rubber-stamped on front free endpaper): green calf, covers framed in gilt double fillets with small gilt-tooled corner fleurons, spine gilt extra, edges with gilt fillets, turn-ins with gilt roll. All edges gilt; iridescent green marbled endpapers.

Provenance:  From the library of Robert L. Sadoff, M.D., sans indicia.

•  Binding as above, somewhat rubbed; front pastedown with two small traces of paper adhesion. Occasional mild to moderate foxing, largely confined to margins, with pages mostly clean overall. Gorgeous plates.  (41210)

Includes two poems by Whittier: “My soul and I” and “The wife of Manoah to her husband.”

Binding:  Publisher’s textured brown calf, covers with blind-stamped frame of foliate design; front cover suitably gilt-stamped with central vignette ofJesus and the woman at the well, back cover centrally gilt-stamped with a weary-looking woman harvesting grain (Ruth?). Spine gilt-stamped with foliate (ivy?) design and ornate title; all edges gilt.

Provenance:  19th-century stencilled ownership name of H. Amelia St John (Purdy) (1838–1925) of Yates County, NY.

•  Faxon 622; Thompson 145; Tepper, American Gift Books & Literary Annuals. (Second edition), 167.   Binding as above, gilt designs moderately rubbed, edges and corners worn, spine faded and head of spine pulled. Front free endpaper clipped to remove inscription; ownership stencil to front fly-leaf. Some pages with soiling, light foxing, or brown stains. Mezzotints well accomplished and several quite lovely.  (37280)

•  Not in Garrison & Morton.   Publisher's pebbled brown cloth, front cover with gilt-stamped decorative title and blind-stamped floral decorations, spine likewise; binding cocked, spine and extremities rubbed, front cover with small scuff. All edges marbled. Pages slightly age-toned with occasional small smudges; a few corners dog-eared. Upper edge of back pocket with short tear. An attractive production of an interesting work, with “extra bits.” (40940)

The text was designed by Claire Van Vliet, set by hand in Trump Mediaeval, and printed by Van Vliet and Christy Bertelson on Barcham Green Tovil paper at the Janus Press in West Burke, VT.

This isnumbered copy 102 of a total of 170 printed, signed at the colophon by both Kinnell and Jacobi.

•  Fine, The Janus Press 1981–1990, 40/41.   Publisher's natural buckram, spine with printed paper label. A crisp, clean copy.  (35933)