This was essentially a working book, but it was produced with care. Several large, elegant, differing headpieces appear, one signed Mayer; there are some ambitious initials and a scattering of tailpieces. Three plates, one oversized and folding and one signed, reproduce various inscriptions.

•  19th-century half black roan in imitation of morocco over marbled paper–covered sides, spine with gilt-stamped title; front joint expertly repaired, extremities with mild rubbing, paper with minor bleed-through at leather edges. Inked ownership inscription dated 1836 to one preliminary blank and inked annotations from approximately the same date to the next; front free endpaper and title-page later institutionally rubber-stamped and old institutional bookplate to front pastedown; a few instances of library pencilling. Pages age-toned, with varying foxing; contents leaf of the second work with early inked annotation in lower margin.  (19485)

Binding:  Publisher's brick red cloth, elaborately stamped in black and bold on front cover (“Catholic Presentation Library”) and spine; stamped in blind on rear cover.

Prize book / Provenance: In manuscript on a slip of paper attached to the front free endpaper, “Premium / awarded to / Master Frank Von Au / for / Regular Attendance. / June 30, 1898.”

•  Bound as above, cloth of front joint starting to open; bright and fresh. Presentation slip as above, and presentee's name also rubber-stamped on front fly-leaf. Light foxing to guard tissue between frontispiece and title-page; offsetting to these, therefrom. A clean, nice copy.  (25786)

The work was first printed in English in 1657, as Les provinciales: Or the Mysterie of Jesvitisme. The present edition is illustrated with an oversized, folding plate depicting prominent Jesuits.  The second section (the “Additionals”) has a separate title-page.

Our caption is the first title's epigraph.

•  ESTC R5437; Wing (rev. ed.) P641 & 642; Lowndes 1208; PMM 140 (on the first edition).   Period-style mottled calf, covers framed and panelled in gilt rules with gilt-stamped corner fleurons, spine gilt extra with gilt-stamped leather title-label. Frontispiece (Moses delivering the law), a few preliminary leaves, and final advertising leaves lacking; text complete despite skip in pagination and fold-out plate present. Title-page with early inked numerals and institutional rubber-stamp. Light waterstaining to outer and lower page portions; otherwise, the odd spot only.  (24874)

The main text is composed of “In Pindaricam exegesin prolegomena” (pt. 1: fol. 1–5 recto); “Prolegomina de Olympiis” (pt. 1: fol. 5 verso – 12, p. 13–45); “De eidei, strophe, antisrophei [sic], epodoi, kolois, pedibus, & carminibus lyricis” (pt. 1: p. 46–51); “Pindarou Olympionikai” (pt. 1: p. 53–331; caption title p. 53); “Pindari Pythionicae” (pt. 2: p. [1–8], 1–395; half title p. [1]); “Pindari Nemeonicae” (pt. 3: p. [1-8], 1–267; half title p. [1]); “Pindari Isthmionicae” (pt. 4: p. [1–8], 1-–53; half title p. [1]); “ Catalogus victorum, qvibus eide haec scripta sunt” (pt. 4: p. 155–56); “Leipsana seu residua fragmenta scriptorum Pindari, incuria superiorum seculorum amissorum, ex diversis autoribus collecta ab E[rasmo S[chmidtio]” (pt. 4: p. 157–68); “De dithyrambis. Qvaestio in promotione XXXII. Philosophiae candidatorum d. 23. Martii Anno 1607. à M. Joachimo Jaschio proposita” (pt. 4: p. 247–55); and two indices.

•  Alden & Landis 616/94; Sabin 62917; Jantz, German Baroque, 193; Schweiger, I, 235; Dibdin, Greek & Latin Classics, II, 288.   Contemporary vellum. Browned copy; ex-library with bookplate and attractive rubber -stamp in margin of one preliminary leaf; old notes in an elegant hand on front and rear free endpapers. In fact a very good copy. (21201)

•  Wellcome Catalogue, IV, 412; Graesse, Trésor de Livres rares, V, 398; Alden & Landis 725/158; not in Sabin; ESTC T111989; Pritzel 7258n; Hunersdorff & Hasenkamp, Coffee, 1177– 1179.   Recent full calf antique-style with gilt concentric panels on covers and gilt corner devices on same; round spine with raised bands, each accented by gilt rules. Some plates closely trimmed at foremargin. A very pleasing copy.  (21774)

"Porta's system . . . leads him constantly to conclusions of analogies between plants, animals and men. Similar humours are found in various apparently unrelated organisms. Plants and animals that correspond in shape are interrelated. A leaf formed like a stag horn shares the character of the deer. The horse is a noble animal, therefore it is a sign of nobility to walk erect with the head held high. Men who resemble a donkey are like that animal: timid, stupid, nervous. He who looks like an ostrich is akin to it in character: he is timid, elegant, vicious, stolid. A man who reminds us of a swine is a swine, eating greedily and having all the other characteristics, such as rudeness, irascibility, lack of discipline, sordidness, lack of intelligence [and] modesty. In a similar way, men who look like ravens are impudent; those who resemble oxen are stubborn, lazy, irascible; men who have lips shaped like those of a lion are hearty, magnanimous, courageous; others who make us think of a ram are timid, malicious and humble. When practising medicine, Porta had many occasions to observe his patients, and to study their character and complexion; the results of this studious inquiry are laid down in his book." (Seligmann)

This work was written in Latin and first published in 1586 under the title De humana physiognomia. It saw 19 editions before 1701, and has been translated into Italian (1598; translation by Salvatore Scarano), German (1651), French (1655), and English (1817). This tenth Italian edition is replete with a large number of intriguing (and humorous) woodcuts. The first is a portrait of Porta, and, while some of the rest show anatomical figures, the vast majority contrast the shapes of faces and bodies of animals and men. The title-page vignette is of Aesculapius, the Greco-Roman god of healing.

Appended to Della fisionomia humana are the Fisionomia naturale of Giovanni Ingegneri († 1600), the Physionomia of Polemon (ca. a.d. 88 – a.d. 145) in an Italian translation, Porta’s Della celeste fisionomia (a repudiation ofastrology), and two short related treatises by Livius Agrippa and Luigi Settala (1552–1633). Della celeste fisionomia has a number of interesting woodcuts showing pagan gods and constellations.

•  Seligmann, The History of Magic, 319. On physiognomy, see: Thorndike, History of Magic and Experimental Science, VII, 448 & following. On Porta, see: Webster’s New Biographical Dictionary 811. Vellum over paste boards, soiled and cockled with a little chipping and front joint opening. Ex-library: paper labels on spine and rubber-stamps, including one on title-page. Pages cockled with traces of soiling on top edges; a few edges bumped. Plates in very clear, strong impressions.

Edmund Dulac created the book's enchanting illustrations, consisting of 10 full-page and six in-text watercolors, a two-color decorative title-page, and decorative head- and tailpieces, and initials, also in two colors. Ernest Ingham designed the book using a monotype Poliphilus font.

The binding is full Russian-red cloth with apolished brass design of a cockerel set in the front cover and a gilt-lettered title on the spine. This edition is limited to 1500 copies and this offering includes the monthly mailing notice.

•  Limited Editions Club, Bibliography of the Fine Books Published by The Limited Editions Club, 1929–1985, 205.   Binding as above. In a glassine wrapper with shallow edge tears and chips, contained within a chemise covered with Russian-red paper with gilt cockerel design with gilt-lettered spine; spine sunned and paper chipped. The whole in an unevenly sunned slipcase, with slight loss of paper to top edge at mouth and spine. A fine book, in a good+ slipcase.  (22314)

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This item is very seldom seen on the market.

•  On Rees, see: Oxford Dictionary of National Biography online.   Period-style quarter tan cloth and blue paper–covered sides, spine with printed paper label. Title-page and two others institutionally pressure-stamped, preface with inked and rubber-stamped numerals in lower margin; first half of volume with outer portions of leaves waterstained. Occasional spots of mild foxing; a few instances of pencilled underlining.  (27254)

A very handsomely printed book in Arabic and Latin.

•  Lambrecht 1129. 19th-century German boards covered with black mottled paper, boards and spine abraded; paper spine-label with hand-lettering. Institutional bookplate on front pastedown. Four-digit number in ink at base of first p. V. Housed in a modern quarter brown morocco tray case with raised bands on spine, each accented above and below with gilt beading (our last image shows the volume lying in its box). One spine compartment with title, another with publication place and dates, all others with gilt center device. A very acceptable copy of a scarce and important work for Arabic studies.

•  Shaw & Shoemaker 16129. Contemporary mottled sheep, rubbed, joints on vols. I and II open; spines with heads and gilt-stamped leather title labels chipped, and remnants of paper shelving labels. Front pastedowns with bookplates of a now-defunct institution; front pastedowns and free endpapers with pencilled gift inscriptions. Pages foxed throughout, with some leaves notably browned.

This is the separate issue of vol. I, which was issued without the map and has “The End” at the bottom of p. 331—the two-volume issue has “End of first volume” instead.

This copy includes a pencilled marginal comment, commanding, “Read this if thou canst be an atheist — or a fool.”

•  ESTC W36508; Bristol B10094; not in Evans. Contemporary treed sheep, spine with gilt-stamped leather title-label and double gilt rules; binding with small scrapes and rubbed patches, upper board edge darkened, and leather starting to crack over the spine and joints. Without the folding map. First and last few leaves foxed.

•  VD16 S1581. Removed from a nonce volume, in later wrappers. Dust-soiled. Library pressure-stamp and private owner's (old) inked signature on title-page. A very good copy. (21113)

Savonarola wrote this in prison shortly before his execution (23 May 1498), completing it on 8 May, shortly after having signed his “confession.” In it he wrestles with his conscience and addresses God regarding his physical weakness in confessing to crimes he believes he did not commit and seeking forgiveness. A painful document and, significantly, one of the most widely read of Savonarola's works.

ISTC notes: “Printed in a later state of the type associated with the Printer of the Caccia di Belfiore, who is identified as Lorenzo Morgiani and Johannes Petri by A. Tura, in La Bibliofilia 101 (1999) pp.1–16.” A neat, handsome incunable production.

ISTC locates 8 copies in libraries in the U.S., 5 in Britain, 15 on the Continent, and 1 in Australia.

•  Goff S216; HR 14428; HC 14429?; Audin 145; CIBN S-104; IGI 8737; Pr 6305; BMC, VI 695; GKW M40538; ISTC is00216000.   20th-century grey boards, lightly discolored, with caramel-color leather label on front one. Text very clean.  (27045)

This did not start out to be a “historical” survey but a quarter century–plus on, it is one!

•  Publisher's tan cloth, spine with title stamped in brown, in cream dust jacket printed in green and brown. A beautiful, fresh, clean copy.  (27582)

Click the interior images for enlargements.

It is a study of the Society of Jesus and its expulsion from Spain and France and the consequences thereof, and it was presented to Joseph of Portugal so that he might anticipate similar consequences following his order of expulsion.

•  DeBacker-Sommervogel, XI, 1205.   Contemporary vellum over paste boards. Blackened area on spine; bookplate. A clean copy. (20462)