Provenance:  Gilt supra-libros of Pope Gregory XVI. Circa 1930 acquired by John Howell, bookseller in San Francisco, and added to his personal library (bookplate on front pastedown). He later sold it to the Pacific School of Religion (bookplate on front pastedown; stamps).

Binding:  Full vellum over boards, round spine, no raised bands; spine richly gilt using a variety of tools. Papal coat of arms in the center of each board. All edges gilt.

•  Binding as above, spine darkened as are the boards, front joint repaired; gilt faded but still attractive and “legible.” Small stamp on a blank page and another in upper margin of the first page of the dedication; charge pocket on rear pastedown. An impressively bound copy of an interesting and very nicely produced manuscript.  (35975)

Letters II–IV and V–VII have separate title-pages, dated 1773 and 1774 respectively.

•  ESTC T101252; Allibone 2344; Lowndes 2581–82. On Taylor, see: Oxford Dictionary of National Biography online.   Recent quarter calf with marbled paper–covered sides, leather edges tooled in blind, spine with gilt-stamped leather title-label and gilt-stamped decorations in compartments. Outer (closed) edges institutionally rubber-stamped; title-page and one other pressure-stamped in an old style. Very clean and with wide margins.  (25083)

The portrait of the author was engraved by Pierre Lombard, while the added engraved title-page is unsigned. Each of the four books here (in two volumes) has a separate title-page; the main title-pages are printed in black and ruled in red. The text is in English, Greek, and Latin. A printed addenda slip is affixed to the final text page of vol. II, above the catalogue of books sold by Richard Royston. Leaf L6 in vol. II is a cancel (and separated).

Provenance:  Vol. I added title-page recto with inked ownership inscription dated 1781 (“T. Moore”); vol. II front fly-leaf with inked ownership inscription dated 1696 (“Guilel. Rayner”) and another (of “T. Moore's”) dated 1781.

•  ESTC R20123; Wing (rev.) T324; Allibone 2348. On Taylor, see: Oxford Dictionary of National Biography online.   Recent quarter calf and marbled paper–covered sides, leather edges tooled in blind, spine with gilt-stamped title and volume labels and gilt-stamped decorations between raised bands. Ownership inscriptions as above. First few leaves of vol. I (including regular and added title-pages) with tiny spots of worming; slightly larger sections of same to inner margins of some subsequent leaves; a number of pages in both volumes with scattered spots of worming, touching letters but not affecting sense. Light waterstaining to outer margins of some leaves. One leaf in vol. II separated. Significant and attractive.  (24889)

The engraved frontispiece by P. Lombart depicts Jesus in shepherd guise, and is followed by a title-page printed in red and black. An oversized, folding plate shows a contrite heart accompanied by scriptural figures and allegorical images; this is also signed, Lombart. Both works came off the press with incorrect pagination, the latter with apparent page count being thrown significantly off.

Provenance: Front pastedown with armorial bookplate of Charles Grave Hudson.

•  ESTC R203751; Wing (rev.) T415. Contemporary speckled calf, framed in blind, spine with gilt-stamped leather title-label; leather cracked over joints and spine. Occasional pencilled bracketing.  (12659)

•  Not in Sabin. Quarter buckram over paper-covered sides. Without the original mourning wrappers. "Mercantile Library Co." blind-stamped on both sides. Paper call number label on spine. Edges and corners worn, tips of spine pulled, with loss. Ownership signature on front fly leaf, and charge pocket and card on rear free endpaper. Dog-eared.  (3722)

•  Evans 23823; ESTC W21016; Arndt & Eck 805.   Contemporary mottled sheep, covers framed in blind, with remnants of original clasp, spine with later gilt-stamped leather title and publication labels; leather mildly rubbed, spine leather with small cracks, spine and joints unobtrusively repaired. Front free endpaper with pencilled ownership inscription dated 1835; afterwards, ex–theological library: Old-fashioned bookplate on front pastedown, title-page pressure-stamped, pocket on back pastedown. Pagination erratic; several pages appearing out of order. A few corners bumped or dog-eared; a good many sections moderately browned and stained as is commonly seen with these Germantown imprints.  (27905)

Binding:  16th-century polished calf expertly rebacked in slightly lighter leather; spine plain with raised bands accented by blind rules above and below each band. Covers blind-ruled with large gilt fleurons to corners and gilt floral centerpieces. All edges gilt.

Provenance:  Contemporary inscription “Perrot” to title-page (possibly Charles Perrot, 1541–1608, a Protestant minister in Geneva who preached religious tolerance and so fell out of favor with Calvin); slightly later name “Langloir” also inked to same. Small 19th-century photographic portrait of a military officer pasted to verso of front free endpaper. Most recently in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

Pettegree & Walsby record two copies, one in the U.S. (Harvard); WorldCat and COPAC find no copies with Bogard’s imprint.

•  Renouard, Imprimeurs & libraires Parisiens du XVIe siècle, 281; Pettegree & Walsby, French Books, 8834.   Bound and rebacked as above, with onetime cracking to covers near joints also strengthened/refurbished with darkening to leather; minor repair to corners, and later endpapers. Text double-ruled in red, with occasional slight toning and a little foxing to the title-page and last three leaves; a slender waterstain to the upper blank margin of the last two leaves and a small repair to the outer blank margin of the last.A very nice copy in an interesting binding.  (40794)

Provenance:  Most recently in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Kelly, Checklist of Books Published by William Pickering, 1851.9; Keynes, William Pickering (rev. ed.), p. 75.   Binding as above, original silk bookmark present. Pages gently and evenly age-toned, otherwise clean and fresh. A desirable copy.  (40820)

Provenance:  Front free endpaper and front fly-leaf each with contemporary pencilled inscription: “Miss L. Hart, Poughkeepsie, New York.”

•  Publisher's textured olive cloth, covers with embossed strapwork medallion surrounded by blind-stamped ivy border, spine with gilt-stamped title and ivy decoration; cloth attractively faded, extremities slightly rubbed, binding cocked with sewing loosening slightly. Pages with scattered instances of spotting, generally clean.  (34793)

Binding:  Mid- to late-19th-century binding, with binder’s ticket of the True American Bindery of Trenton, NJ.

•  Half morocco with marbled paper–covered sides, spines with gilt-stamped titles and blind-stamped decorative devices; edges and sides moderately rubbed with a bit of paper skinned from cover of vol. II. Most pages with some degree of foxing.  Handsome on shelf, solid in hand.  (12431)

This little pamphlet was extracted from a longer (and also more specifically Christian) collection of ghost stories originally published ca. 1806 by Tregortha, an itinerant Methodist preacher who later became a printer and bookseller. The present York printing is extremely scarce, with WorldCat and NSTC both findingonly one reported location (the British Library). Our suggested publication date is based on that listing.

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  NSTC N860.   Later red leather–covered boards, front cover with gilt-stamped title; lightly worn, with a few small scuffs. Pages age-toned with scattered light spots, some upper outer corners bumped. One lower outer corner torn away, not touching text; final leaf with upper two-thirds torn away and repaired with blank paper with significant loss of text, though the verso does show the printer's “finis” vignette as almost entirely preserved. Unusual, intriguing, and priced with an eye more on its faults than on its fascinations. (40705)

The volume is extensively illustrated in color and black-and-white; this is a work of art reference as well as historical reference.

•  Publisher's terra-cotta cloth, front cover and spine with gilt-stamped title, corners bumped yet cloth pristine, in dust-jacket; wrapper with wear at corners and spine extremities, one short edge tear to upper front edge. Pages age-toned; clean and unmarked.  (26183)

This is the first edition, first issue, with the copyright page marked May, 1919, “D-T,” and the endpapers printed in green.

•  BAL 3683; McBride 247.   Publisher's cloth, front cover with affixed color-printed illustration framed in wide gilt border, in original sage-colored dust jacket with affixed color-printed rondel vignette; volume showing (only) minimal shelf wear, jacket with upper edges chipped, one small hole in back wrapper, and extremities reinforced with cellophane tape some time ago. Top edge gilt. Some signatures unopened. Pages gently age-toned, otherwise clean. Classic Twain, classic Pyle.  (38399)

Fore-edge: This beautiful example bears a subtly shaded (and therefore hard to photograph)fore-edge painting showing Westminster Abbey in the background behind a waterfront view with sailboats.

Binding:  Full straight-grain dark olive green morocco, covers framed in elegant feather and pearl twist gilt roll, turn-ins with floral gilt roll. Stone-pattern marbled endpapers. All edges gilt.

•  Griffiths, Bibliography of the Book of Common Prayer, 1802/1.   Binding as above, mild rubbing overall with some abraded areas consolidated, joints and extremities subtly repaired, aesthetically appropriate endbands supplied. Title-page with inked ownership inscription dated 1803, “The gift of my beloved husband.” Intermittent faint spots of foxing, mostly confined to early leaves. One inked marginal annotation in an early hand, three psalms (145–47) with small inked emphasis marks, pages otherwise clean.  (28715)

The title-page offers a handsome vignette of the Theatre, not one of the commonest ones.

•  ESTC T118673; Madan, Oxford Books, 17.   Period-style calf, framed and panelled in blind with blind-tooled corner fleurons and rather elaborate additional decorations in blind; spine with gilt-stamped title and publication information and different blind-tooled decorations. Endpapers a little smudged and title-page mounted, with edges darkened. Early inked ownership inscription in upper margin of first text page mostly torn away, with loss of a few words. Pp. 227–30 lacking, being the last bit of the printing of the Church of England's 39 Articles and the first part of the section, “De Eligendis Publicis Lectoribus.” Pages faintly age-toned, with occasional light spotting; mostly clean.  (25553)

•  ESTC R9506; Wing (rev. ed.) U160.   Late 20th- or early 21st–century quarter dark brown calf, round spine, gilt-beaded raised bands, red leather title-label and blind-stamped center device in each other spine compartment, date in gilt at base of spine; sides with wide comb pattern marbled paper. Waterstaining to early and late leaves, generally confined to margins, with cockling throughout; overall a rather good copy, nicely and very strongly bound.  (38981)

This is copy no. 7.

Provenance:  Presentation copy to Arthur H. Scribner, a president of Charles Scribner's Sons and a Princeton alumnus, signed by Van Dyke, “March 17, 1898, Dies Sancti Patricii.”

•  Quarter “vellum” paper over gray paper–covered boards, dark teal lettering to front board; corners a bit bumped, very faint dirtying of boards. Interior bright, with fore- and bottom edges untrimmed. An unassumingly simple production from a good press, now uncommon and here inscribed by the author.  (38239)

Provenance:  Front free endpaper with inked inscription reading “A Thanksgiving Appreciation to Miss Alta Anderson from the Parents and Pupils of the Emerson St. Presbyterian S.S. Nov. 28, 1917.”

Signed binding: Publisher's deep violet-blue cloth, front cover with wide gilt border of floral and vine design, spine with gilt-stamped title and fleurons. Signed “EE,” with the second E reversed: Edward B. Edwards, who also designed the interior frames.

•  Binding as above, spine slightly dimmed. Pages and plates clean. A lovely copy.  (28954)

The title-page, wanting in this copy, has been transcribed by the same(?) early hand in ink on the front fly-leaf recto and verso, and the imprint information is confirmed by the colophon on the last page, which features the woodcut printer's device and the date in roman numerals.

Provenance:  An inscription on the front fly-leaf verso gives three dates, 1682–1739, and the names Fido Springhere and Philippus Coisne(?); there is a second ex-libris inscription with the name Baptista Baelde(?) at top of dedication leaf; and a final inscription, “Fido Springhere 1686" on verso of last leaf, above colophon.

Scarce: This editionnot in NUC Pre-1956, and WorldCat finds just three U.S. copies.

•  McCrank, 871. On Estius, see: NCE, V, 558.   Contemporary calf with an elaborate cartouche gilt at the center of each cover, rebacked to style with gilt-ruled raised bands and green gilt-lettered spine label; extremities repaired and new endpapers. Ex-library: old oval stamp on first page of dedication and accession number on p. 1 of text. Lacks title-leaf; various markings on verso of front endpaper; final two quires lightly creased; small marginal hole from natural paper flaw on three leaves; a few spots and smudges and one small tear, also from natural flaw. With occasionalunderlining and marginalia in Latin, seemingly by the same hand that transcribed the title and inscribed the fly-leaf.  (31112)

WorldCat and NUC Pre-1956 locate only eight U.S. institutional holdings.

•  Martin & Walter 33276. “Spine” with overcast, later stitching. Title-page with paper shelving label in lower inner corner, pencilled initials in upper outer corner. One leaf with tear from upper inner margin, touching a few letters without loss; last leaf with tear from foot along inner margin. Light to moderate foxing scattered throughout.  (30943)

“The affectionate interest which I have always entertained for the welfare & happiness, of the eldest daughter, & proper representative, of one of the most estimable, and accomplished ladies who ever adorned the society of Philadelphia, induces me to comply with a request of the possessor of this volume, to inscribe some lines upon one of its pages.

It were impossible to contribute wiser counsel, or more excellent lessons, than those already recorded in this Album, by her honoured Father, & several of his, & her Mothers [sic] friends.

I will only commend her to the most faithful observation of that advice, and to the strictest imitation of the pure & bright example, furnished in the character of her departed & lamented Mother, whose unostentation piety, gave especial grace & dignity to her life, and has no doubt yielded for her immortal spirit, a precious & enduring rest, in Heaven.”

Provenance:  The Walsh album sold at Anderson Galleries 28 November 1921 (sale 1609) as lot 60. Later in the Allyn K. Ford Collection, Minnesota Historical Society, recently deaccessioned.

•  Very good condition.  (34490)

Uncommon: OCLC and ESTC locate only four U.S. institutional holdings of this edition, one of which has since been deaccessioned.

Provenance: Old inked signatures of “John R. Brown,” “Tho. Smith,” and “Rev. Thos. Smith.”

•  ESTC N028205; Overton, Evangelical Revival in the Eighteenth Century, 103–04.   Contemporary treed sheep, rebacked with complementary speckled calf, spine with gilt-stamped leather title-label and raised bands ruled in gilt; corners and edges rubbed, sides scuffed, lower outer portion of back cover discolored. First preface page with rubber-stamped numeral, first and last text pages with institutional rubber-stamp in lower margins. Front fly-leaf, upper outer corner of title-page, and verso of title-page with inked ownership inscriptions as above. Four pages of contents bound in at back of volume. Pages age-toned, a few with light to moderate foxing; outer edge of title-page browned. A solid, in fact pleasant book.  (25929)

This is a copy of the first edition. The cataloguers at the John Carter Brown Library note: “Two concurrent editions of this work exist: in the first the title page reads “S. Antonio de Padua”; in the other it reads “San Antonio de Padua.” Significant typographical, diacritical, and resetting differences, as well as a lack of printed errata on leaf [3] verso, 1st count, exist in the second edition.

(In 1995 Bill Reese & PRB&M partnered in acquiring a number of important colonial-era Mexican books and manuscrpts. Among them was a copy of this 1673 Vetancurt Nahuatl grammar, and PRB&M wrote the explanation of the work's importance that is used above. Because it is the joint property of the William Reese Company & PRB&M, you may see it used in either firm's catalogues and on-line listings, neither of us pilfering from the other.)

Provenance: Very earlymanuscript ownership inscription of Manuel Bardon in Nahuatl on title-page; slightly later ownership signture of Fray Alonso de Escamilla on the recto of the first leaf of the approval (i.e., aprobacion); later marcas de fuego of the Convento de San Francisco de Mexico on top and bottom edges.

•  Viñaza 204 (failing to note error in foliation, as do all bibliographies except Graff); Medina, Mexico, 1103; Newberry Library, Indian Linguistics in the Edward E. Ayer Collection, Nahuatl 237; García Icazbalceta, Lenguas, 80; H. de León-Portilla, Tepuztlahcuilolli, 2816; Sabin 99385; Pilling 4002. Graff 4475 (this copy; giving correct collation); Ugarte, Obras escritas en lenguas indigenas de Mexico, 422. On the marcas de fuego, see: Sala, Marcas de fuego, p. 7; and Catálogo Colectivo de Marcas de Fuego (BF 12053). On Vetancurt, see: Archivo biográfico de España, Portugal, e Iberoamérica, fiche 118, frames 17–36 and 73–74.   Contemporary limp vellum with remnants of leather ties, minor wear; black- and red-printed waste-paper endpapers from a roman breviary; minor dampstaining. Wear and some staining to the last four leaves. Overall a very good copy.  (39462)

One of the few books printed by Bodoni that is highly illustrated and is about art.  The edition was limited to 150 copies.

Provenance:  On front pastedown, the bookplate of Robert Wayne Stilwell.

•  Brooks 1060; Giani 187 (page 74).   Quarter black morocco with threaded textured black cloth sides, raised bands and gilt lettering to spine; minor rubbing to spine, a few threads loose on rear board, and sky-blue, white polka-dotted endpapers reinforced in gutter. Provenance marks as above; small inked numbers in the bottom corner of some leaves with plates; instances of foxing not entirely absent but in factthe leaves of this copy are notably bright, its engravings are notably crisp, and its pages are very clean!  (40195)

•  Removed from a nonce volume, sewing loosening and signatures separating. Title-page with affixed paper shelving label in lower inner corner and pencilled monogram in upper outer corner. First few pages (including title) with spots of staining, not obscuring text.  (30809)

WorldCat locates only one library reporting ownership (NYPL).

•  Not in Brown, Culinary Americana.   Publisher's printed yellow paper wrappers, stapled as issued; spine and edges rubbed, moderately worn overall, front wrapper with scuff and old crease, back wrapper with small spots of staining. Inside a few scattered spots only, pages mostly clean. Seldom-seen ephemeral Maine church cookery, this example with extra interest for its lay-ins.  (38089)

The first volume contains exegesis of the Gospels Matthew, Mark, Luke, and John, and the second, commentary on the Acts and the epistles of Paul, Jacob, and Jude, with contributions from Wissowatius, Crellius, and Schlichtingius. The text, in Latin, printed in roman and italic, is punctuated with handsome woodcut initials, tailpieces, and woodcut devices on the sectional titles, as above.

•  Knijff & Visser, Bibliographia sociniana, 2009-2010 (for Bib. fratrum polonorum, see 2001–11); STCN/ Bock I 1017-18; NCE 13: 397–8 (Socinianism). For biographical notes on von Wolzogen and other protagonists of the movement, see Wallace: Antitrinitarian Biography.   19th-century mottled calf single-ruled in blind with gilt board edges; rebacked with gilt author, title, and tome to new red leather spine labels and blind stamps in other compartments. Edges/extremities rubbed with loss to leather and corners bumped; vol. II with cluster of wormholes to cover not reaching endpaper. One sectional title lacking in vol. I; title-page, portrait of Wolzogen, and six sectional title-pages lacking in vol. II, as above. Vol. I with one closed tear into text, two lower corners torn away, light crescent of marginal waterstaining to 50 or so late leaves; very minor worming in gutters of four leaves and marginal tear to final leaf in vol. II; each volume with moderate stain/soil marginally to leaves in some sections intermittently, and otherwise minor marginal foxing and a few other small stains only. Solid and imposing and important.  (30615)