•  Brunet, V, 115; De Backer-Sommervogel, VII, 532; Englisch, Der erotischen literatur, 145; Palau 294482. Contemporary alum-tawed pigskin, tooled in blind, spine with inked title; binding darkened and scuffed, with clasps now lacking and with leather torn over head and foot of spine (lacking at foot, with underlying vellum showing). Title-page with inked ownership inscriptions dated 1715, later institutional stamp in lower margin, and faint shadows of pencilled notations; front pastedown and one text page also with institutional stamps. Small spots of worming to lower margins of a number of leaves. Pages age-toned, with some instances of marginalia and underlining in early inked hands and occasionally in pencil (a handful of leaves in part III extensively annotated within text); a few spots of foxing, and one leaf with paper flaws partially obscuring a few letters. A big, solid volume.  (14459)

The work is printed on “rice paper” (i.e., Asian paper probably from the mulberry tree) as was common in Manila during the period to ca. 1820. The typography is definitely provincial and plain, using only one decorative woodcut initial and no ornamentation on the title-page. The type is roman in a variety of sizes with a practice of using all capitals for emphasis.

The press on which this work was printed had been that of the Jesuits until Archbishop Sancho de Santa Justa carried out the king's order and expelled them; he then appropriated the press for his private use, as here. What had been only the fourth press to operate in the Islands, now with a new name, became the fifth.

Searches of NUC, WorldCat, and COPAC locate only six libraries worldwide reporting ownership: three in the U.S. {John Carter Brown, Indiana University, Newberry) one in the U.K. (Briish Library), one in Spain (national library), one in the Philippines (national library).

•  Medina, Manila, 317; Retana, Aparato bibliográfico, 379.   Recent marbled paper–covered boards (green and mauve stone pattern); red leather label on front cover. A few minor paper repairs to edges of a few leaves; a very few small pinhole type wormholes, not costing any letters; the brown spotting and staining peculiar to rice paper. Old, brief note lightly red-inked to title-page. Over all a very good copy.  (33130)

Binding/Provenance:  Contemporary full vellum withgilt-stamped supralibros “Fridericus Rex Prussiae. A. 1764.” on front covers of both volumes, suggesting they were presented to the King of Prussia that year, just after the final part was printed.  Bright red edges.

•  Bindings as above, both a little soiled, with noticeable but small spots on back cover of first vol. and front cover of second, spines rubbed erasing old ink titles and library markings. Four volumes only of six, bound in two; old-fashioned institutional rubber-stamps on title-pages and ink markings on front pastedowns. Light foxing, a few small holes from natural paper flaws, and one naturally occurring tear in part two. A single small hole resulting from chemicals in the paper in parts two and four; a few stray ink marks from the press. In good shape, printed on nice, fibrous paper and remarkably clean.  (30343)

Provenance: Charles Spencer, Third Earl of Sunderland, lot 8432 in the Sunderland Library sale (1882).

•  On Saumaise, see: New Catholic Encyclopedia, XII, 988–89. On Petau, see: New Catholic Encyclopedia, XI, 199–200. Vellum over paste boards; all edges speckled red. Ex-library with bookplate, a bit of pencilling, paper labels on spine and pressure-stamps, yet a copy notably clean, bright, and even crisp; perhaps a half-dozen leaves sometime exposed to a small spill(?) lightly marking lower outer corner-tips. One “pencilling” (“Sund. 8432”) notes the Sunderland provenance as does one of the “paper labels on spine.” All edges speckled red. (3863)

This book is “around” in libraries; ISTC locates 12 U.S. copies.But on the market, it is a different story!

•  Goff S222; H 14436; HC(+ Add) 14439; Audin 126; CIBN S-107; IGI 8739; Sallander 2430; Pr 6361; BMC, VI, 684; GKW M40472; ISTC is00222000.   20th-century grey boards, lightly discolored, with caramel-color leather label on front one. Text very clean.  (27042)

Printed in gothic type (title in roman), 35–36 lines in single-column format, with side- and shouldernotes, the volume offers handsome criblé woodcut initials at the beginning of every sermon but two; sermons 9 and 17 instead have guide letters. The title-page bears a very large “phoenix” printer's device; errata are printed on the final two leaves.

•  Adams S506; Brunet V, 168; Graesse, VI, 283; CNCE 33380; Giovannozzi 153; Ridolfi v. 1, no. 3 (and pp. 24–27); Catalogo della collezione Guicciardiniana della Bib. Nazionale Centrale di Firenze 306; on Savonarola's return to Florence and sermons on First John, see: Villari, The History of Girolamo Savonarola (1863), Book I, ch. VIII.   20th-century crushed black morocco: covers plain, spine with author, title, place, and date of publication in gilt. Gilt double rule on board edges, gilt inner dentelles, marbled endpapers, all bright. All edges gilt over red. A few minor stains and very mild foxing to the final two leaves; manuscript underlining on one page. Very good++. In fact an exceptionally lovely volume.  (27056)

Also present is a printing of his Regulae septem ad omnes religiosos, a brief and strict rule for priests, friars, and brothers wishing to live a proper life.

Title-page in roman type and with a large woodcut of Savonarola in his cell writing (Savonarola on the left, window without bars). The text is printed in gothic with three large woodcut initials. The printer's large, handsome device appears below the colophon.

“Novissime cum textuu[m] annotationibus omnia diligenter recognita.”

•  Adams S493; Essling 1464; Giovannozzi 120.   20th-century vellum over light paste boards, old style. Top margin of verso of title-page with small paper repair. Brown stain in in lower part of some leaves but not all; into text on most affected leaves but not all. Lacks final blank (only). Good+.  (27052)

Savonarola wrote this painful document in prison, completing it on or before 8 May 1498. Significantlyone of the most widely read and reprinted of Savonarola's works, it was in its original Latin version immediately distributed in Florence and quickly translated into Italian, this particularly early version at the instance of “certain devoted women” (our translation, f. [1]r). Indeed Giovannozzi lists a total of 32 printings in four languages from 1498 to 1581, ISTC noting of this one that it is “printed in a later state of the type associated with the Printer of the Caccia di Belfiore, who is identified as Lorenzo Morgiani and Johannes Petri by A. Tura, in La Bibliofilia 101 (1999) pp.1–16.” A neat, handsome incunable production.

Provenance:  Probably from Lathrop C. Harper (its binding style, see below).

ISTC locates 8 copies in libraries in the U.S., 5 in Britain, 15 on the Continent, and 1 in Australia.

•  Goff S216; BMC, VI 695; IGI 8737; ISTC is00216000; HR 14428; HC 14429?; Audin 145; CIBN S-104; GKW M40538; Pr 6305; Giovannozzi 104 (“S.n.t [sec. XV]”); Ridolfi, I, 389, & II, 220.   20th-century grey boards, lightly discolored, with caramel-color leather label on front board. Text very clean.  (27045)

Of this work there exist two redactions, both published posthumously: One incomplete in three books (Venice 1537), and this, complete in seven. Savonarola probably composed these consolations ca. 1497 (see Giovannozzi) — the year he was excommunicated, and one year prior to his public burning at the stake in Florence.

Printed in roman type, 23 lines in single-column format, with side- and shouldernotes and with woodcut initials at the beginning of each book, this bears on its title-page a woodcut printer's device of a phoenix in flames facing the sun. Errata are printed on the recto of the final leaf.

•  Not in Adams. Giovannozzi 223; Ridolfi, Vita, I, 313, and II, 193; Catalogo della collezione Guicciardiniana della Bib. Nazionale Centrale di Firenze, Suppl. III, p. 41; CNCE 47754.   20th-century vellum, a bit sprung, with remnant of an old paper shelf label at base; lacks final blank (only). Light brown stain in upper part of last two leaves and even lighter old staining elsewhere; otherwise, the odd spot only. Very good.  (27059)

Marks of readership: Sparse underlining, a couple annotations, and manicules, all in early ink.

•  Adams S469; CNCE 23210; Sander 6767; Essling 1465; Giovannozzi no. 27; D. Weinstein, “Il Manuale per confessori del Savonarola,” in Memorie Domenicane, N. 29 (1998), pp. 21–38.   20th-century patterned paper–covered boards, faded blue edges (with a few marginal stains from the blue paint); trimmed close, especially at foot. Repairs to first and final leaves affecting one word in the title and a few letters in the letter to the editor; small tear to one leaf's upper margin crossing headline without loss; final quire with most leaves repaired at gutter and two at the top inner margin; leaves 92 to end with both a very small semicircular area of insect-gnawing to fore-edges and a modest brown stain in the upper outer corners not affecting text. A good, evocative little book.  (27049)

The Vatican Incunabula catalogue notes that this commentary was, “In fact written after Savonarola's death, probably by the Dominican Simone (or Placido) Cinozzi”; ISTC adds, “The Dominicans ordered an enquiry into its authorship and publication on 24 May 1499.” Placido (Lorenzo) Cinozzi (1464–1503) is famous for his Epistola of 1501–03, considered the earliest extant biography of Savonarola; he first heard Savonarola preach at San Lorenzo in 1484 and later knew him at San Marco, where Cinozzi joined the Dominican order in 1496.

Evidence of readership: Early ink manicule in the margin of f. 3v, pointing to a passage beseeching God to free His people, who are in great danger; and some letters finished with the same ink (ff. 3v–4r).

Provenance:  Probably from Lathrop C. Harper (its binding style, see below).

ISTC locates five copies in libraries in the U.S., two in Britain, and ten on the Continent.

•  Adams S485 (“c. 1501”); Goff S203; HCR 14410; H14409?; CIBN S-151 (“about 1500”); IGI, VI, 131 (“after 1500”); Audin 128; Pr 6453; BMC, VII, 1209; GKW M40467; ISTC is00203000; Proctor 6453; Isaac 13494; Bibliothecae Apostolicae Vaticanae, Incunabula, III, S-120 (see above); C. Olschki, “Un codice savonaroliano sconosciuto,” in La Bibliofilia 23 (1921), pp. 154–65, at p. 163; R. Ridolfi, Vita, II, p. 669, n. 22 (“about 15 May 1499”); Walsh 3035e. On Cinozzi, see: Dizionario Biografico degli Italiani online.  20th-century grey boards, lightly discolored, with caramel-color leather label on front board, and blue edges; rectangle of offsetting to paper of back cover, probably from a similar label on a similar book once this one's neighbor! Text very clean.  (27040)

•  19th-century cream paper–covered boards with handwritten spine labels of paper, all edges speckled red; well rubbed with some loss of paper, dust-soiled especially to spines and top edges. Ex–seminary library with remnants of spine labels, bookplates on front pastedowns and a fly-leaf, small inking on endpapers, and light pencilling to title-page versos and one leaf of text. Light age-toning, with pinprick wormhole affecting margins or parts of letters (but not sense) in several gatherings, wormtracking on inner margins of a few others; a few paper flaws, small spots or stains, two repairs, one marginal tear with paper loss, another small marginal hole, two leaves with inked notes. In fact a nice old trio.  (37076)

The title is printed within an illustrated woodcut border and the text offers illustrated initials plus head- and tailpieces.

Provenance:  Bookplate of Avvocato Bubani Francesco and a catalogue clipping (in Italian) on front pastedown.

Of this edition we locate only five U.S. libraries and one Canadian one reporting ownership. One other U.S. library reports owning a different 1586 edition.

•  EDIT16 CNCE 27780; DeBacker-Sommervogel, VII, 749.   Hunter green textured cloth, lightly rubbed and discolored; a few pinpricks and a very short tear to spine. All outer upper corners with waterstaining from two different incidents, two leaves with short tears, and a pinprick hole to one margin; provenance marking as above, two small inked notations on title-page margins, light pencilling on endpapers.A fascinating subject covered by an interesting author.  (37158)

The text here is divided into sections for each letter of the Hebrew alphabet, followed by a guide to Hebrew abbreviations; an index of classical authors; and a comprehensive Latin index to the defined words, which are described in the text in Hebrew and Latin. The whole is printed in Hebrew, roman, and italic type, double-column, with intricate head- and tailpieces, ornaments, and initials in floriated, historiated, and factotum frames.

Provenance:  Early ownership inscription of Gervüin Pûtre ( or Pêctre?), front pastedown.

•  VD17 1:051625M; Vancil, Cordell Collection, 216; Zaunmüller 345 & Graesse, VI, 305 (Hanover issue). On Semitic-language dictionaries, see S. Segert, “The Use of Comparative Semitic Material in Hebrew Lexicography,” in Semitic Studies in Honor of Wolf Leslau, vol. II, ed. A.S. Kaye.   Contemporary speckled calf, spine gilt extra with raised bands, gilt morocco and manuscript paper labels, red speckled edges; joints cracking, free endpapers gone with early and late leaves creased and attachment of first ones affected, corners bumped and leather scuffed with some loss (sewing exposed at spine top).. Ex-library with old seminary pressure-stamp to title-leaf, this mostly detached and with print along that edge touched on both sides. Variously, waterstaining and browning; very mild worming, eye-catching on perhaps six leaves only; small marginal tears; a few ink and other splotches.  (30286)

Schlichtingius left his opus in the care of his sons and two friends, John Preussis and Stanislaüs Lubieniecius: In the preface to this volume, the latter discusses his life and work including his exile from Warsaw in 1647 and imprisonment in 1660. Three copious indices to scriptural sources and references within the text close the collection. Woodcut devices grace the sectional titles; refined tailpieces and large initials against a floriated background decorate the volume throughout. There is scattered Greek type.

Provenance:  Early inscription “Middeldorpf” on front flyleaf; bookplate and stamp of Rochester Theological Seminary (later the Colgate Rochester Crozer Divinity School). Deaccessioned 2005.

Evidence of readership: Sparse contemporary ink annotations; underlining throughout, heavy in quires A–C, K, M, Eee, et alibi.

First edition: Published as the seventh and eighth volumes in a series of nine, comprising the Bibliotheca fratrum polonorum (1665–68, and a supplement in 1692).

•  Knijff & Visser, Bibliographia sociniana, 2003 (for Bib. fratrum polonorum, see 2001–2011); STCN Bock I: 770, 823; Wallace, Antitrinitarian Biography, 209.   Contemporary northern-European style vellum over boards ruled in blind, panels with blind-stamped central cartouches, blue speckled edges and evidence of ties; old spotting and soiling with joints (outside) partially open but binding sound. Ex-library as above: Bookplate on front pastedown, stamp to title-page (only), old library sticker to spine. Some dust-soiling and foxing, small tears, and small holes, plus a few natural paper flaws; contemporary inkstains on three or four leaves (one causing a hole at R4). A strong, interesting copy.  (29296)

Uncommon.  OCLC locates only five copies in the U.S., of which one has been deaccessioned.

•  Recent boards covered with German-style brown paper specked with black; paper label on front cover. Paper a little cockled on back cover. Old shelving numbers on verso of title-page and a four-digit number inked in lower margin of leaf A1; few dog-ears and one pencilled note.  (24768)

Binding:  Full speckled sheep, four raised bands; tooled in blind using rules and a rope-design roll. Binding attributed to Philadelphia-area binder Christopher Hoffman, who was both a Schwenckfelder minister and a binder!

Provenance:  “To Isaac Jeackle in Herreford 1791" on front fly-leaf. Hereford is in Berks County, Pennsylvania.

•  On Hoffman as a binder with an illustration of a nearly identical binding, see: Maser, Bookbinding in America, 15.   Binding as above, chip to bottom of front joint; old library rubber-stamp on front pastedown and to title-page verso, with a bit of old pencilling. Without the half-title and pp. 465–68; title-page with short closed tear along gutter. Paper with the usual age-toning/foxing, but untattered. All edges heavily sprinkled red.  (28536)

•  Wright, II, 2174; Sabin 78641.   Publisher's brown cloth, covers blind-stamped with star-shaped design, spine with gilt-stamped title and blind-stamped decoration; binding cocked and rubbed, spine extremities chipped. Ex–social club library: 19th-century bookplate and call number on pastedown and fly-leaf, front free endpaper lacking, title-page pressure-stamped. No other markings. Pages faintly age-toned, otherwise clean.  (26565)

This is the sole edition of this important Recusant work.

This is a volume that shows such controvery was definitely not “dry”; we have photographed the start of Sergeant's explanation/defense of his personal animus against his antagonist, and also the “Stationer's” description of the polemical feast to come, this worked out as a menu or “Bill of Fare ”!

Provenance:  On the recto of the second front fly-leaf is a presentation inscription: “For my honnord & best frind, Master John Bulteel.” The most likely John Bulteel is the one who was created M.A. at Oxford in 1661, and later served as secretary to Edward, Earl of Clarendon.

•  Wing S2589; ESTC R6168; Clancy, English Catholic Books, 1641–1700, 897. On Sergeant, see: The Dictionary of National Biography, LI, 251–53. On Bramhall, see: DNB, VI, 203–206. On Hammond, see: DNB, XXIV, 242–46. Contemporary mottled calf, with remnants of modest double gilt rules on covers; rubbed and joints open, front cover detached. Browning from turn-ins on fly-leaves, last leaves, and fore-edge of title-page, as well as moderately to a few signatures, with a little occasional light waterstaining; otherwise, the expectable degrees of age-toning and spotting only. (7067)

First edition, with two others appearing shortly thereafter.

•  Adams, American Controversy, 74-73a. Sabin 80040. Recent boards with marbled paper covering. Paper spine label. Title-page with small 19th-century library stamp and call number in neat ink; page backed. A very nice copy.  (10184)

Attributed to Luke Shepherd by Halkett and Laing, this is a satirical poem, a dialogue in verse, on the Eucharist, and could even be seen as a short play. It is printed in gothic (black letter) type witha large woodcut of a procession of the Eucharist on the title-page.

None of the copies reported to WorldCat, COPAC, or NUC are described as printed on vellum. The copy that Alston found at the British Library is not findable via the BL OPAC.

Provenance:  Early 19th-century manuscript ownership on front fly-leaf: “Thomas Briggs Esq., Edgeware Road.” Most recently in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Alston, Books Printed on Vellum in the Collections of the British Library, p. 35; Halkett & Laing (2nd ed.), III, p. 192; Halkett & Laing (3rd ed.), J21 (var.) l NSTC, I, S1667.   Original dun colored boards with beige linen shelfback; rebacked, and binding discolored. “25 copies Printed on chosen Parchment” written in ink in an early 19th-century hand in lower margin of the title-page. Foxing, heaviest on last three leaves; last page (a publisher's note and colophon) lightly inked and so a little faint. A nice find for the collector of printing on vellum, letterpress facsimiles, or reprints of rare 16th-century English tracts.  (34699)

Provenance:   From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Halkett & Laing (2nd ed.), III, p. 192; Halkett & Laing (3rd ed.), J21 (var.) l; NSTC, I, S1667.   Original dun-colored boards; discolored with abrading along board edges and joints (outside). Foxing to blank pages and lesserly to text; stock of the text pages tan. A classic 19th-century production.  (39519)

This offers just a little very nice use of type ornament.

•  ESTC T49264. On Sherlock, see: The Dictionary of National Biography, LII, 93–95.   Removed from nonce volume. First and last pages lightly dust-soiled, some lower outer corners bumped, one leaf with upper margin nicked.  (27655)

•  ESTC T53315; Goldsmiths' Kress 7503. On Sherlock, see: The Dictionary of National Biography, LII, 93–95. Recent wrappers. Light to moderate soiling and staining, mostly on front and last leaves. Small chip from lower outer corner of title-leaf. Inked price (6^d) on title-page.  (9088)

•  ESTC R8272; Wing (rev. ed.) S3325.   Contemporary speckled calf, panelled with corner fleurons in blind, rebacked in similar calf, spine with gilt-stamped leather title-label and blind-tooled compartment decorations; sides acid-pitted, edges rubbed. All edges speckled red. Lower margin of title-page and lower (closed) edges institutionally rubber-stamped, no other markings. First few leaves foxed with scattered light spots elsewhere, last few signatures browned; one leaf with two small portions lost from outer margin; one outer corner torn away; one leaf torn across between header and text without any of this affecting text. A solid, tight, and dignified-looking copy.  (35824)

In this densely composed gathering of “the Evidences of Christs [sic] Kingdom and Reign on Earth to come under or after the seventh Trumpet” (p. 24), Sherwin, who was ejected from the Church of England following the Act of Uniformity, offers an examination ofApocalyptic prophecy.

WorldCat locatesonly four U.S. institutional holdings under this title.

•  Halkett & Lang, III, 172. No record of this separate title in ESTC or Wing; 1674 Prodromos, Wing (rev. ed.) S3410.  Removed from a nonce volume; sewing strong. Pages evenly age-toned with scattered small spots of foxing. Scarce.  (37222)

Mrs. Sherwood (Mary Martha Sherwood, 1775–1851) was a beloved, prolific children's book author.

Searches of NUC Pre-1956, WorldCat, and Shoemaker locatejust four copies.

Provenance:  Marcus Fay, 19th-century ownership inscription in ink on front wrapper. Later in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Shoemaker 10261. For Mrs. Sherwood's works, see: F.J.H. Darton, Life and times of Mrs. Sherwood; and M.N. Cutt, Mrs. Sherwood and her books for children.   Original green printed wrappers respined with cloth tape obscuring part of the text of the back wrapper; ex-library with rubber-stamps to inside of front wrapper and lower margins of first and final pages (not title). Light to moderate foxing.  (38485)

Binding:  Publisher's light brown near-herringbone cloth, covers elegantly stamped in border-and-medallion style in blind, with spine quite interestingly embossed in blind in “compartments” and lettered in gilt.

•  Bound as above, spines sunned and upper corners bumped; tops of spines slightly discolored and each with slight tearing in same area. A few gatherings carelessly opened, in one case with upper outer corners torn across yet no actual loss. Ex–social club library, and each volume has: 19th-century bookplate, call number on endpaper, no other markings. A nice set.  (28758)

As is increasingly the case with Mexican imprints of the 17th century, it islittle found in the marketplace.

Provenance:  18th-century ownership signature on title-page and first leaf of preliminaries of the Conde del Fresno de la Fuente.

•  Medina, Mexico, 1328; Palau 312973; Asuncion Lavrin, “Cotidianidad y espiritualidad en la vida conventual novohispana: Siglo XVII,” in Memoria del Coloquio Internacional Sor Juana Ines de la Cruz y pensamiento novohispano (1995).   Late 19th-century Mexican quarter dark green morocco with mottled green paper sides; binding rubbed and abraded, front endpapers with an old paper label and remnants of one removed. Pencilling on front fly-leaf and title-page verso; top margins closely cropped occasionally costing top of letters of running heads and foliation. Worming, chiefly in margins but occasionally into the text, not costing words, sometimes repaired; first and last few leaves with old repairs to corners and margins and a bit of text restored in pen and ink. Withal, a good++ copy of important work that is not often on the market.  (34203)

Provenance:  Signature on title-page of Howard Osgood, a prominent late 19th- and early 20th-century Hebrew scholar and noted collector.

•  Goldsmiths'-Kress 2558; Wing (2nd ed.) S3801B.   Contemporary speckled calf, spine gilt extra with gilt-stamped leather title-label, board edges stamped with gilt roll; corners and spine extremities worn, front joint cracked and back joint starting, sewing holding. Front pastedown with small French bookseller's ticket and early inked numeral. Title-page with small early inked owner's name and with institutional pressure stamp, reverse with pencilled numerals. Pages clean. (19511)

•  Rosenbach, Jewish, 131; Shaw & Shoemaker 5067. Not in Singerman Judaica Americana. Contemporary quarter sheep with paper-covered paste boards; heavily worn; joints open and covers almost detached. Early ownership signatures on front and rear pastedowns. Signature torn from upper outer corner of title-page, taking upper parts of three letters. Small Library of Congress duplicate release stamp on verso of title-page.  (2603)

Provenance:  Round armorial bookplate of Baronet Heathcote of Hursley on front pastedown; bookplate of Thomas Vernon of Hanbury (1654–1721) dated 1703 attached to title-page verso. Later in the Howell Bible Collection, Pacific School of Religion (properly released), with library bookplate tucked in front cover.

Copies of any early edition of this text are scarce, andsearches of NUC, COPAC, and OCLC reveal only three known copies, this copy one of only two in North America, and now deacessioned. Two other reported copies in COPAC are false. The other North American copy is described in the library's catalogue record as “Imperfect: leaves B4-B5, C3 and V7 lacking; faded and stained in places, spine broken; covers detached.”

•  ESTC S4905; STC (rev. ed.) 22849.7. On Smith, see: DNB (online).   Contemporary calf, Cambridge–style binding with raised bands ruled in blind and gilt-lettered red leather spine label, covers double framed and panelled in blind, board edges rolled in gilt; rebacked, new endpapers, added engraved title-page and one leaf of text.lacking, covers rubbed with some loss of leather. Moderate age-toning with the very occasional spot;; two leaves with corners torn and loss of a letter or two but not sense, one with a small hole, another two repaired. Bookplates as described above, call numbers on title-page verso, rubber-stamp on title-page and one leaf of text. Imperfect, but worthwhile.  (36326)

The minister-turned-printer Kuyper (1629–91) produced only Socinian works in the decade 1663–73, many edited by Andreas Wissowatius, Socinus's grandson who had an influential hand in the present opera. The printer Samuel Przypkowski, whose shop produced earlier volumes in the series of which these are a part, contributed the brief biography of Socinus here; and he has graced the text with refined tailpieces, large initials against a floriated background, and woodcut devices to the section titles (some initialed “HB” for printer Hendrick Boom). There are occasional Hebrew references in vol. II.

Provenance:  Early inscription “Middeldorpf” on front flyleaf; bookplate and stamp of Rochester Theological Seminary (later the Colgate Rochester Crozer Divinity School). Deaccessioned 2005.

Evidence of readership: Sparse ink annotations in a contemporary hand; underlining throughout, heavy in quires R–S and Nnn–Ppp in vol. I.

•  Knijff & Visser, Bibliographia sociniana, 2004–5 (for Bib. fratrum polonorum, see 2001–11); Estreicher Bibliografia polska, XIII: 45–48; Knuttel, Verboden boeken 60; STCN/ Bock I: 46–54; Wallace, Antitrinitarian Biography (for notes on protagonists of the movement); NCE 13: 397–8 (Socinianism).   Contemporary northern-European style vellum over boards ruled in blind, panels with blind-stamped central cartouches, blue speckled edges and evidence of ties; old spotting and soiling with front joint (outside) of vol. II partially open at top and bottom but binding sound. Institutional stamps to each title-page and another few places as above, and additionally an old library sticker to spine of vol. II; old underlining and other inkings as above. Paper somewhat age-toned, with foxing and the occasional stain or short tear; indices (only) with light waterstains in some lower margins (only). A good, solid, clean set.  (29264)

Uncommon: WorldCat and NUC Pre-1956 locate only seven U.S. institutional holdings.

•  Early blue patterned paste-paper wrappers, front wrapper lacking. Title-page with paper shelving label in lower inner corner, pencilled initials in upper outer corner. Page edges untrimmed. Light staining along spine.  (31191)

•  19th-century half tan calf with marbled paper sides, spine with gilt-ruled raised bands, gilt-stamped floral decorations in compartments, and gilt-stamped leather title label; leather rubbed and chipping over joints and extremities, paper chipping over board edges, spine somewhat dulled. Hinges slightly tender, binding overall still sturdy. A few stray pencil marks. All page edges marbled—rather handsome!  (5667)

The present martyrology, first printed in 1846, reached seven editions during the 19th century, four of them printed by Leary & Getz, the printing arm of the famous Philadelphia bookstore generally and simply known as “Leary's.” Not unexpectedly, the volume is wildly anti-Cathoic but is also an excellent example of mid-century American bookmaking in its publisher's binding, illustration, and method of printing.

The binding is the publisher's red roan in imitation of morocco. Both covers are gilt-stamped with a triple rule border at the board edges and gilt corner devices; in the center of each board is a gilt vignette of a martyrdom based on one of the plates in the text. All edges are gilt.

The illustrations are wood engravings, mostly unsigned, but a few signed “Lossing.” There are several in-text wood-engraved portraits and there are additionally24 wood-engraved plates (including the frontispiece) that have been hand colored, probably by a stencil method.

The text is printed in double-column format from stereoplates, in roman type, with an interesting six-line capital at the beginning of each chapter.

Provenance:  “Mamie C. Swinton, from 'Aunt Jennie,' August 1870.”

•  Binding as above, rubbed at board edges and joints (outside); top and bottom of spine pulled with loss of leather. Short tears in foremargins of final blank leaves; scattered foxing and some brown spotting. Over all, a good++ copy; a very good representative ofthe genre, “ugly ideas got-up beautifully.”  (37226)

From then until his death he served or worked variously as a church prefect, catechist, missionary, professor of moral theology, controversialist, and military chaplain. He lived in England and on the continent. In defending Catholicism he addresses many of the doctrinal issues and religious practices that were contentious: e.g., the worship of saints, angels, and holy images (and the making of the latter); justification by faith alone; purgatory; and the merit of good works.

The work is printed single-column, in roman with some italic, and with woodcut initials and tailpieces. It ends with an index.

•  Wing (rev. ed.) S4958; Clancy, English Catholic Books (rev. ed.), 922; ESTC R30149; DeBacker-Sommervogel, VII, 1434; Gillow, English Catholics, V, p. 521, no. 1.   Contemporary vellum over pasteboards, binding soiled and a little sprung; front hinge (inside) partially open. Dust-soiling to some pages and some dog-earing. A good, decent copy.  (36601)

ESTC and OCLC locate only six U.S. institutional holdings of this item.

•  ESTC R203631; Wing (rev. ed.) S5005. On Spittlehouse, see: Oxford Dictionary of National Biography online.   Later plain paper wrappers, spine reinforced with cloth tape. Title-page, first text page, and two other pages institutionally pressure-stamped; first text page with inked annotation in inner margin and numeral in lower margin. Light offsetting and spotting; first and last pages dust-soiled.  (25970)

Additional volumes continued to be published for many years, under the stewardship of other editors; Stenzel was responsible for I through V.

•  Recent black-flecked paper–covered boards, spines with printed paper title and volume labels. Some upper edges in vol. I and lower corners in vol. II bumped; all edges stained red except for vol. III, which has speckled edges. Vol. III (only) with light offsetting/show-through from print; in fact a clean, nice set. (25346)

This isone of 500 copies printed by Saul and Lillian Marks at the Plantin Press in Los Angeles; Mary Kuper did the wood engraving of a Samoan scene.

Provenance:  Miniature bookplate of Raymond A. Smith to front pastedown.

•  Publisher's orange paper–covered boards with tan paper shelfback, front cover with red-stamped cruciform motif, spine with title in red. A clean and fresh copy.  (35704)

The second part (pp. 267–403), which contains its own title-page, is a collection of testimonies by “inspired writers,” or Shakers professing their faith in the book's divine source.

“Read and understand all ye in mortal clay,” exhorts the title-page — “Received by the church of this communion, and published in union with the same.”

Provenance:  In the library of Colgate Rochester Divinity School; inscription on front free endpaper “To be returned to Amelia G. Mace, Office.”

•  Sabin 32664, 79708; and 90701.5 for revised collation.   Contemporary sheep, recently rebacked in plain calf with gilt-ruled bands and gilt-stamped green leather title-label. Ex-library copy, with rubber-stamp on all paper edges and p. [1]; rubber-stamped five-digit number at base of p. [iii]; inscription on front free endpaper in blue ink (see above); and faint traces of a librarian's penciling at inner margin of p. [iii] and verso of title-page. Small bookseller's ticket at lower outer corner of rear pastedown. Some foxing, especially to endpapers; offsetting from leather affecting title-page and following page, at edges; very good condition.  (24495)

Evidence of Readership: Some twenty pages with pencilled marks in margins noting interesting passages.

Provenance:  “Ex Libris Joannis Grave Rolii Nemau[lisi?]” minutely in ink, with rubber-stamps of Ambrose Swasey Library (properly released) on title-page.

•  ESTC R10821; Wing (rev. ed.) S5625.   Modern marbled paper–covered boards with gilt red leather spine labels and new endpapers, all edges marbled. Provenance and ex-library marks as above, light to moderate age-toning, occasional spotting, and variable waterstaining along edges and sometimes into gutters throughout (not reaching text); license leaf lacking, one repaired or shortly trimmed leaf, a smattering of missing corners, small holes, chipped leaves, and short marginal tears. A book that has had several adventures and is ready for more.  (37215)

•  Contemporary calf, spine gilt and with red leather label. Leather dry and flaking, with loss over corners, joints open but sewing holding, chipping at head and foot of spine, and crack down center of spine: This volume could split. Ownership inscriptions in ink on front pastedown and reverse of frontispiece. Browning from turn-ins onto endpapers and fly-leaves; light to moderate foxing throughout. All edges speckled red.  (7275)

Provenance:  Now missing bookplate (see below) read “Aus der Büchersamlung von Georg Stophel”; acquired by August Neander; later in the Colgate University Library (the Rochester Theological Seminary, later the Colgate Rochester Crozer Divinity School, deaccessioned 2005).

•  Modern black moiré cloth, gilt leather spine label; damaged in a fire and its aftermath, losing its previous binding, this also lost its previously recorded bookplate and other provenance indicia with only one line of a shelfmark remaining. Translucently waterstained throughout in a W pattern across each opening, handwriting and reading almost miraculously unaffected; now restored to strength and safety for use.  (30159)

Evidence of Readership: A reader has helpfully added inked marginal reference numbers approximately every eight lines, for ease of navigation, and entered one small correction in an early hand.

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Schreiber, Colines, 68; Renouard, Simon de Colines, pp. 166–7; Moreau, Éditions parisiennes du XVI siècle, III, 2292; Adams S1957.   Bound as above, gently rubbed with some loss of leather at corners; joints (outside) refurbished and front one beginning to crack but covers solidly attached. A few pencilled notes on endpapers; faint touches of hand-coloring on title-page and (perhaps) one leaf of text. Light age-toning with a handful of spots, three small marginal paper flaws including one to title-page; two other small holes and one repair. Provenance and readership markings as above, perhaps a third of the marginal numbers partially trimmed. A pleasurable book to hold oruse.  (38144)

The text here is in Latin with extensive quotations and citations in Greek, printed shouldernotes, and a 32-page “Supplementum linguae Graecae.” The “Specimen Lexici Hesychiani” is also appended, followed by separate indices for Greek and Latin.

•  VD17 12:121802D.   Contemporary half red sheep in imitation of morocco with marbled paper–covered sides, rubbed; spine with gilt-stamped author/title and gilt-dotted raised bands, faintly sunned with square of ink now obscuring a shelving number. Front pastedown with institutional bookplates, title-page and first text page pressure-stamped, all edges (closed) rubber-stamped, back pastedown rubber-stamped. A few instances of spotting, pages otherwise almost entirely clean. A good sound copy of this book.  (25837)

Binding:  Recent black morocco signed G[race] B[ingings] with round spine and raised bands, the bands defined by gilt rules and beading; gilt center device in each spine compartment. Author, title, and date tooled directly on spine in gilt. Covers with gilt rope roll around perimeter; two concentric center panels on each cover with gilt corner devices, gilt roll on turn-ins. Marbled endpapers and all edges carmine.

•  Bound as above. A very nice copy, with only the faintest hint of waterstaining in a few places, the odd smudge to an endpaper or margin, and the occasional old spot.  (24897)