•  Gallup, T. S. Eliot: A bibiography (rev. & ext. ed.), A59a.   Publisher's blue wrappers. Very nice copy.  (27445)

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English Association pamphlet no. 80.

•  Gallup, T. S. Eliot: A bibiography (rev. & ext. ed.), A68.   Publisher's green wrappers, spine darkened, and a little rumpled. A decent copy.  (27448)

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Provenance:  Ownership signature of critic and Eliot enthusiast W.J. Rooney on title-page.

•  Gallup, T. S. Eliot: A bibiography (rev. & ext. ed.), A40 for the first edition.   Stiffened blue-gray wrappers, edges a little chipped and front wrapper faded as are spine area and edges of rear one; rear wrapper dust-soiled. Rooney's ownership signature in pencil on title; his marks of readership in margins and occasionally in text. Good+ copy.  (27433)

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In the “Ariel Poems” series. Illustrated by David Jones.

•  Gallup, T. S. Eliot: A bibiography (rev. & ext. ed.), A66a.   In original mailing envelope, the envelope soiled, with creases, sealed some time in past and opened with some tears; a Fine copy.  (27431)

•  Gallup, T. S. Eliot: A bibiography (rev. & ext. ed.), A68.   Publisher's green wrappers. Without the mailing envelope. Very nice copy.  (27447)

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•  Gallup, T. S. Eliot: A bibiography (rev. & ext. ed.), A63a.   Publisher's cream wrappers printed in green and wire stitched. Lightest soiling to wrappers; a clean copy.  (27432)

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The title vignette is signed “J.H.H.” (John H. Hall); the front wrapper gives a publication date of 1838, while the title-page gives 1839.

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There are two interesting points about the wrapper here. First, the title is printed down the slim little spine in minute letters, with “bands” above and below it; the “binding” part of the operation of putting this together was designed to be more than usually unforgiving. And the back wrapper offers an interesting emblematic engraving with text reading, “ORATORIO . . . to aid in rebuilding Zion Church.” (Is the reference to “metaphorical Zion”; was this perhaps sold as a fund-raiser; or did the Phinneys just have the plate lying around, and figure it would fit?? — which does not seem to fit with the care taken in the spine treatment?)

•  American Imprints 49687.   Very Good copy. Publisher's printed gray-blue paper wrappers, slightly faded, lower back outer corner nicked. Moderate foxing. A seemingly unread copy, with added interest from thevery pretty contemporary but non-childish hand-coloring.  (27348)

This volume’s oversized, folding frontispiece shows the front facade of the “new East India House now building in Leadenhall Street”; there is also one in-text engraving of Lethington House in East Lothian, residence of the Maitland family.

Provenance: Front pastedown with inked ownership inscription of Joshua Gilpin, a Quaker from Philadelphia who established the first paper mill in Delaware, in 1787.

•  Disbound with front cover, front free endpaper, and frontispiece separated; back cover lost, and signature sewing exposed/going, with many leaves loose. Now contained in a simple, acid-free phase box. Edges untrimmed. Minor offsetting and a few stray marks; mostly clean.

•  Venus: ESTC T73277; Ode: ESTC T41985 (first ed.). Recent marbled paper–covered boards, spine with printed paper label. Second work lacking half-title and title-page. Inner margins of two leaves reinforced; last line of advertising page shaved. Title-page and last few leaves with moderate foxing; one page (not the title) stamped by a now-defunct institution, with some offsetting to opposing page.

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•  ESTC T22250; Foxon E519; NCBEL, II, 547. Recent marbled-paper wrappers, front wrapper with paper label. One page stamped by a now-defunct institution. Some early inked marginalia, one page with first few letters of each line hand-supplied where the printer erred. First and last pages with extremely light foxing.

Provenance:  Inscribed by the author: “To B.F. Pyle, Esq. [?] from his friend the author.”

•  Publisher's textured violet cloth, spine with gilt-stamped title; faded, especially over spine, tear to cloth along front joint with corners and extremities a bit rubbed. Front fly-leaf with inked inscription as above. Endpapers, frontispiece (“The Rhine”), and title-page lightly foxed. In fact a clean, nice copy.  (23195)

The volume ends with a “Corona Florida a la Santisima Trinidad,” being a small literary collection of coplas, canciones, and a romance “en Metafora del Sol, que discurre por los doce signos del Zodiaco.”

Binding: Publisher's mottled sheep, gilt spine extra. Marbled endpapers; all edges red.

•  Medina, Mexico, 8016.   Binding lightly worn. A few gatherings starting to extrude. A very good, clean copy.  (26851)

Nicely printed, this is illustrated with an engraved frontispiece portrait of John Fellows, with the titles of some of his other works (see above) appearing beneath it; preliminary pages (8 pp.) consist of a dedication to the Rev. Mr. John Ryland of Northampton, and a preface. Stated at foot of title-page: “Price One Shilling and Six-Pence.”

Rare:  ESTC locates only two copies in the U.S., and this is one of them, now deaccessioned; and OCLC adds only the copy at Yale.

•  ESTC N39616; on Fellows, see: Edwin F. Hatfield's The Poets of the Church (New York, 1884), & Josiah Miller's Singers and Songs of the Church (London, 1869).   Recent quarter calf and marbled paper over boards; gilt-stamped leather spine labels, gilt-ruled raised bands, gilt rule where leather meets paper of covers. Title-page chipped at upper right corner, one leaf a little ragged at outer edge, another leaf repaired at outer margin. Pages overall clean, but with some random spotting and slight age-toning, including to title-page and frontispiece; light offsetting to title-page from facing plate. Ex-library with “no. 5" marked in blue crayon at the top of title-page; faintest traces of library call number on the verso; no other markings. Final three pages (pp. 94–96) mispaginated 118, 119, and 120. Handsome.  (24459)

illustrated with a total of 32 tipped-in, mounted plates

Provenance:  This copy bears the large and utterly charminghand-drawn ex libris of John C. Ryan, depicting a medieval wanderer and a coat of arms with a squirrel rampant; Ryan's signature (dated 1911, San Francisco) is on the title-page.

•  Publisher's terra-cotta cloth, front cover and spine stamped in black and gilt; extremities lightly rubbed, spine and front cover slightly darkened. Ex–social club library: small paper label on front cover, attractive bookplate on pastedown, pressure-stamp on title-page, no other markings. Title-page with inked inscription as above. A few scattered spots of light foxing, otherwise clean.  (27382)

•  Sabin 24947; Wright, I, 965.  Publisher's speckled sheep, spine with gilt-stamped leather title-label; rubbed, spine label with small scuffs, some leaves pulling away from sewing. Ex–social club library: 19th-century bookplate, pressure-stamp on title-page, no other markings. Waterstaining (appropriately?) to inner margins of first few leaves, with lower inner margins of those leaves nicked; spotting and staining variously. (26375)

•  Publisher's green cloth, spine with black-stamped title; minor wear to corners and spine extremities. Pages clean and crisp.  (26152)

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Click the interior image for an enlargement.

The binding is full blue linen stamped in gold on the spine and front cover, with additional ornamentation to both covers in deep pink. Top edges are gilt, others deckle; one leaf is left unopened.

•  Limited Editions Club, Bibliography of the Fine Books Published by The Limited Editions Club, 1929–1985, 49.   Binding as above; spine sunned and with thumbnail sized dark patch at head and foot. Some cracking along the top edges and spine of the slipcase, which is still sturdy; spine of case sunned, paper label a little soiled. Pages clean; no ownership markings or labels. A very good, clean copy.  (22313)

•  VD16 F 2908. See Brunet, II, 1401 for 1585 and 1596 eds. On Fenton, see: Oxford Dictionary of National Biography online.   Contemporary vellum, covers framed in blind, spine with early hand-inked title; vellum moderately dust-soiled, joints repaired, upper corners and edges rubbed. Early pages with inked underlining; a few subsequent instances of pencilled bracketing. Scattered light staining, pages mostly clean.  (27755)

•  Publisher's quarter cloth over green paper boards; paper title label on spine. Contemporary gift inscription on front free endpaper. Paper covers with some old minor scrapes and finger marks; VG.  (19462)

Also contained here is the famous Oracula Magica Zoroastris cum Scolliis Plethonis et Pselli as edited by Johannis Opsopoeus.

•  STCN 168904; Brunet, II, 1465; Caillet 10165; Hoffmann III, 396; Landwehr, Hooghe, 72; Schweiger, I, 287 .   Contemporary half brown calf with mottled paper sides; spine with gilt-accented raised bands, red leather gilt label, and gilt devices in compartments; all edges interestingly marbled. Binding worn and top of spine pulled. Without the added engraved title-page, and a small, early paper repair on title-page; not a perfect copy, but certainly a decent one and priced accordingly.  (26691)

Signed binding: Contemporary half tan morocco with marbled paper–covered sides, spine with raised bands each accented above and below with single gilt rule and single black rule; gilt-stamped title, spine compartments framed in gilt with gilt dots in each corner and each with gilt center device. Front free endpaper stamped “Bound by Sangorski & Sutcliffe.” Top edge gilt; silk ribbon place marker.

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•  Binding as above, spine slightly sunned, corners and extremities showing minor rubbing. Front pastedown with private collector’s armorial bookplate. Pages clean.

This edition is limited to 2,000 copies, was translated from the Spanish by Gregory Rabassa, and carries an introduction by Alastair Reid. The colophon page issigned by both Rabassa and Reid, and also by the illustrator Rafael Ferrer.

Rafael Ferrer, a native Puerto Rican, created eight full-page oil paintings and 25 in-text ink drawings, well reproduced here — plus a full-page original graphic, laid in at the back (i.e., not bound into the book) and most suitable for framing. Ferrer's images, with their bold lines and colors, often pack an emotional punch. His style belongs to the New Image school of painting, which bears the unmistakable influences of neo-expressionism, surrealism, and Dada.

Binding:  Three-quarter leather, stamped in gold on the spine, over straw-colored textured Chinese silk.

This offering includes the monthly newsletter.

•  Limited Editions Club, Bibliography of the Fine Books Published by The Limited Editions Club, 1929–1985, 532.   Binding as above. Book clean and bright, in slipcase with small scrapes at the lower spine and at the mouth. Fine, in a near fine slipcase.  (21791)

The frontispiece portrays a small but elegantly composed octagonal structure, labelled “Theatrum Cutlerianum.”

•  ESTC T34564; Foxon G21; Wing (rev.) G273 (first ed.). Recent marbled paper wrappers, front cover with printed paper label. Two pages (not including title-page) stamped; one page with two pencilled corrections. Margins untrimmed and occasionally showing a few spots or light staining, pages otherwise quite clean.

•  Foxon G73. Recent marbled paper wrappers; paper tape from an old library hinge reinforcement left in place. Frontispiece with small chip from bottom margin; title-page chipped along narrow old ink splotch at top, and slim adherence from old binder’s slip. Pencilled bracketing on several pages.

illustrated with six plates

•  Brunet, II, 1568.   Contemporary treed calf, covers framed in gilt Greek key roll, spine with gilt-stamped leather title-label and gilt-stamped compartment decorations; rubbed with leather lost at corners and spine head, front joint starting from foot. Pages lightly age-toned with scattered faint spotting; plates clean and fresh.  (26987)

The work was additionally printed in Dublin and Basil in the same year. OCLC notes that a third volume was printed almost ten years later, by J. Murray; that supplementary volume is not present here.

Signed binding: Contemporary treed calf, covers framed in gilt rolls, beautifully rebacked with gilt-stamped spines preserving handsome original gilt-stamped, two-color leather title and volume labels, turn-ins with gilt rolls. Front pastedown of vol. I with binder's ticket: “Pigge Binders, Lynn.”

A charming silhouette of Gibbon serves as frontispiece to volume I.

•  ESTC T79696; Allibone 663; Brunet, II, 1586; Norton, Gibbon, 131.   Bindings as above with original leather showing some scuffs and abrasions; gilt on original spine labels a little (but a little only) dimmed. Hinges (inside) reinforced. Final page of each volume, back pastedown of vol. I, and title-page of vol. II institutionally rubber-stamped; no other such marks. Intermittent spots of light foxing. A lovely, wide-margined, archetypically “18th-century” quarto production for this quintessentially 18th-century writer.  (23770)

•  Publisher's black cloth, stamped in blind and gold. Fine.  (5219)

•  ESTC N7592; Allibone 672; Brunet, II, 1599. On Gillies, see: Oxford Dictionary of National Biography online.   Contemporary calf, spines with nice gilt-stamped leather title and volume labels; joints cracked or open, corners/edges rubbed, spine with tips chipped and leather cracked. Ex–social club library: old shelving labels at spine heads extending onto sides, 19th-century bookplates, call numbers on endpapers, title-pages pressure-stamped. Vols. I and III with front free endpaper lacking; vol. I map with short tear along one fold and slightly longer tear from inner margin, extending into image. Intermittent light spotting; a few leaves age-toned. Vol. II with a few small, early ink blotches. All volumes with typical offsetting to early and late leaves from binding's turn-ins. Indeed a set nicer to contemplate, outside and inside, than our description must suggest.  (27644)

Held in most of the expectable libraries but currently uncommon in commerce.

•  Sabin 70769. Recent black moiré cloth, spine with gilt-stamped leather title-label. Title-page and several others rubber-stamped by a now-defunct institution. Pages clean.

•  Publisher's green cloth binding, front cover stamped in black and gilt; bright and clean, with cloth showing only very minor wear to corners and extremities. All edges gilt. (14437)

Click the interior image for an enlargement.

•  Publisher's teal cloth, front cover and spine with gilt-stamped title and decorative floral motifs; back cover and corners showing very slight scuffing. Back hinge cracked and front hinge starting; front free endpaper excised. Still, an attractive copy. (18393)

Scarce

•  Creased with slight soiling along crease, edges slightly ragged, otherwise in good condition; now in a Mylar folder. Tipped onto a blank leaf bearing a watermark of 1826.

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The volume is illustrated with a total of three wood-engraved depictions of New England buildings.

•  Publisher's pebbled terra cotta cloth, front cover and spine with gilt-stamped title; spine darkened and worn with gilt rubbed, sides with small spots of discoloration, cover gilt nice and bright. Some light smudging to margins, pages otherwise clean. All edges gilt.  (27649)

•  Original wrappers, all edges stained red. Spine slightly cocked and lightly rubbed, covers with a little faint creasing. Mildly age-toned. No tears, internally clean. Very good. (7179)

Click the interior image for an enlargement.

•  NSTC 2H412. Contemporary half vellum over marbled paper–covered sides, spines with gilt-stamped leather title-labels; sides and edges scuffed, vol. II with vellum starting to peel or lift up in several places; despite qualifications, neither unsound nor unattractive. Front pastedowns each with private collector’s 19th-century bookplate and with institutional stamp (no other markings); front pastedown of vol. I with bookseller’s ticket from B. Westermann & Co. of New York. Some faint foxing, more pronounced to endpapers; some corners dog-eared.

•  BAL 7841.   Publisher's tan cloth, front cover with affixed color-printed paper illustration; binding somewhat darkened (especially spine), corners and spine extremities rubbed, a few small spots of discoloration to front and back covers. Front pastedown with pencilled gift inscription, front free endpaper with bookseller's small ticket. Pages clean. A very nice book. (20839)

•  ESTC T1746; NCBEL, II, 658. Marbled paper–covered boards, old-style, front cover and spine with printed paper labels. Lacking half-title. Title-page and a few others faintly stamped by a now-defunct institution. First few leaves lightly foxed, scattered small spots elsewhere, a very nice copy.

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Present here is an early U.S. edition of the first series; two series were published, the first in 1847–49 and the second in 1859. Much of the second volume of this series is dedicated to the question of slavery.

•  Allibone 818. On Helps, see: Dictionary of National Biography online.   Publisher's blind-stamped brown cloth, spines with gilt-stamped title; moderate rubbing most noticeable at vol. I spine head, and vol. II with strip of dark cloth tape at head of spine extending onto sides. Ex–social club library: front pastedowns with 19th-century bookplate and call-number sticker, front free endpapers lacking, title-pages pressure-stamped, no other markings. Pages age-toned, with intermittent spots of staining and light pencilled bracketing.  (26412)

•  Original paper-covered boards, spine reinforced with cloth tape, front and back covers faintly pressure-stamped by a now-defunct library, spine with inked title and paper shelving label. Front pastedown with bookplate; title-page and several others perforation-stamped. A rough copy that's definitely been tumbled — very interesting contents, however! (3939)

Provenance:  Imprimatur with inked inscription, dated 1803, of the Rev. Charles Crawley, rector of Stowe, Northamptonshire — a pleasingly appropriate ownership.

•  ESTC R15106; Wing (rev. ed.) H1514; NCBEL, I, 1202. On Herbert, see: Oxford Dictionary of National Biography online.   Period-style calf, framed and panelled in blind and gilt rolls with gilt-stamped corner fleurons, spine with original (contemporary) gilt-stamped leather title-label, gilt-ruled raised bands, and gilt-stamped compartment decorations. Imprimatur page with inscription as above and with simple institutional rubber-stamp; lower (closed) edges unobtrusively rubber-stamped. 8 final pp. (bookseller's catalogue) incorrectly bound in midst of preface. Pages gently age-toned; some margins darkened.  (27565)

Provenance: Front pastedown with bookplate of Burton W.F. Trafton, Jr.’s library at Old Fields in South Berwick, ME; pastedown also with binder’s ticket from Crawford & Stockbridge of Concord, NH. Front fly-leaf with inked gift inscription dated Christmas, 1887.

•  Publisher’s brown cloth, front cover with gilt-stamped title and dark brown–stamped decorative bands, bottom band labelled “Christmas 1887"; corners and spine extremities rubbed, binding showing very little wear otherwise. First two signatures with sewing loosening; pages very slightly age-toned but otherwise clean.

Presentation copy: Front inside cover stamped “With compliments of the author.”

•  Publisher's cloth in imitation of morocco, front cover with gilt-stamped title; front cover detached, cloth almost entirely lost over spine. Ex-library: covers pressure-stamped by a now-defunct (Philadelphia) institution, title-page and a few others rubber-stamped, back free endpaper with pocket.   Sadly hurt, but a sweet effort and a presentation copy. (17770)

•  ESTC T41625?; Foxon H282. Removed from a nonce volume. Very good copy.

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•  ESTC T60812?, N6124?; Foxon H287. Removed from a nonce volume. Very good copy.

•  Wegelin 996; Shaw & Shoemaker 669; Sabin 32786; Richmond 2274. Period-style quarter tan cloth with light blue paper–covered sides, spine with printed paper label. Title-page and several others rubber-stamped by a now-defunct institution. An uncommon book, with many interesting points, including some charming little head- and tailpieces.

•  ESTC T36655; Foxon D309. Mills College, Horace Checklist, 414. Removed from a nonce volume. Stamp in one margin of a 19th-century library. Very good copy.

•  BAL 9401. Green publisher's cloth, front cover stamped in white and gilt, spine with gilt-stamped title; clean and solid, with only very slight traces of wear to extremities. Front free endpaper with inked owner's name. (16665)

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Binding:  Publisher's green cloth elaborately stamped in gilt on front cover with an overall pattern of torches with bows, surrounding a central cartouche with the title and author in gilt.

Click the images for enlargements.

•  BAL 9577 (for first edition).   Binding as above, lightly rubbed at base of spine, small area of minor discoloration on spine. Ex–social club library: call number on endpaper, rubber-stamp on title-page, no other markings.  (26805)

Click the images for enlargements.

•  Publisher's quarter cloth with illustrated paper sides, one small chip to paper of front cover and spine a tad “greyed”; otherwise, excellent. Slipcase with some chips and abrasions but solid. Signature in ink on half-title.  (6736)

•  NCBEL, III, 1217; NSTC H3100. Recent quarter calf over marbled paper–covered sides, spine with gilt-stamped title-label and gilt-stamped decorations in compartments. Half-title with affixed advertisement for another Leigh Hunt publication; slight offsetting to two leaves from laid-in article on dance, pages otherwise clean save for very minor age-toning. Attractive.