
INCUNABLES 
" Incunabula" is the
special name given to European books printed from movable type before
1 January 1501 — that is, before the end of Gutenberg's own century. The
name comes from the ancient Latin word for "baby clothes" or the medieval
Latin one for "things of the cradle" and is often Englished as "incunables."
The printing centers of the New World had their own similarly revered
infancy periods, of course, starting for example in 1539 for Mexico, 1639
for what is now the U.S., 1660 for Guatemala, and 1766 for Argentina.
By
extension, American imprints of these periods are sometimes called " New
World Incunables" and they occasionally appear below among their elder,
European brothers and sisters. |

Practical Christian Ethics — Incunable Edition — Two Large Painted Initials
Antoninus Florentinus. Summa theologica. [Basel: Michael Wenssler], 4 January 1485. Folio (35 cm, 13.8"). Part two only of five. [321] ff. (of 322, lacking title-page).
$4975.00
Click the images for enlargement.
“The Summa Theologica (1477), more properly called the Summa Moralis, is the work upon which [St. Antoninus's] theological fame chiefly rests . . . [it] is probably the first — certainly the most comprehensive — treatment from a practical point of view of Christian ethics, asceticism, and sociology in the Middle Ages” (NCE, I, 647).
After his ordination in 1413 (at Cortona, where he was sent for the Dominican novitiate along with artists Fra Angelico and Fra Bartolommeo!), Antoninus (1389–1459) swiftly attained prominence in the Church; returning to his native Florence, he consecrated the Convent of San Marco in 1443 and was appointed Archbishop of that city just a few years later. A great yet humble reformer whose writings were widely published even in the incunable period, Antoninus was
hailed as a Doctor of the Church in the bull for his canonization.
The Summa, completed shortly before his death, is divided into four parts: the first is concerned with the soul and its faculties, passions, sin, and law; the second (this volume)
addresses different types of sin and redress; the third considers various states and professions in life, with treatises on ecclesiastical offices and censures; and the fourth contemplates the cardinal virtues, religious morals, and gifts of the Holy Spirit. Although the text draws heavily on earlier theological works by St. Thomas Aquinas, among others, it is regarded as
“a new and very considerable development in moral theology” (NCE online), and contains
a wealth of matter for the student of 15th-century history.
Various Italian and German printers published individual parts of the Summa separately; however it was printed in complete folio sets at least 20 times. This is the
second part only, the first to be published, of a five-volume set from Michael Wenssler (including the Molitoris tabula, i.e., part five) dated 23 March; 4 January (this); 21 May; 19 February; and 12 April of 1485, respectively. The Latin text, rubricated throughout, is printed double-column in handsome gothic type with 56 lines to a full page and nice wide margins. There are
two very large painted initials in red and blue with long flourishes into margin at the beginning of the introduction and the first chapter, and five-line painted red initials introducing some other chapters, a few with flourishes.Scarce: WorldCat, NUC Pre-1956 and Goff locate
just three copies of this part, this edition, in the U.S. (two of those being part of full five-part sets). Wenssler was a prolific printer, but his works are not necessarily common. Elizabeth Evenden & Thomas S. Freeman, in Religion and the Book in Early Modern England, note that “Like many technologies in their early stages, printing provided entrepreneurs with the opportunity to make considerable fortunes, but at considerable risk. . . . The business fortunes of Michael Wenssler, a printer in fifteenth-century Basle, are
instructive” (p. 6).
Goff A-874; HC 1245*; BMC, III, 728; GW 2188; ISTC ia00874000. On Antoninus, see: NCE, I, 646–47, and online. Recent full calf ruled in blind and tooled old style using one roll in the same design on each cover; new endpapers. Second part only of five; title-page lacking but title words excerpted and seamlessly integrated into front fly-leaf. Waterstaining throughout, with all edges and many whole leaves age-toned; leaves at the beginning repaired across the inner column of text affecting legibility of print, in some cases with whole words or parts of lines taken; some other leaves repaired similarly and yet others unrepaired leaving holes or tears very occasionally affecting text; paper now stable and nowhere weakened. Otherwise, one pin-type wormhole to outer margin of early leaves, three corners torn away, a short closed marginal tear in three leaves; a few signatures corrected in early ink manuscript. An incunable that has seen multiple instances both of suffering and of “rescue,” across its many generations. (31142)
Incunable
Cicero with!
Extensive
Evidence of Readership
Cicero,
Marcus Tullius. De officiis [and other
works]. Venetiis [Venice]: Bernardinus Rizus, Novariensis & Bernardinus
Celerius, 12 Oct. 1484. Folio. [180 of 182] ff., lacking b4–5.
$9000.00
Click the interior images for enlargements.
Reprinted from the de Tortis edition of March 1484, this edition
includes the author’s De officiis, De amicitia (Laelius),
De senectute (Cato maior), and Paradoxa, and the the commentaries
of Petrus Marsus, Omnibonus Leonicenus, and Martinus Phileticus.
The volume is printed in roman throughout, with guide letters in the spaces
for capitals (unaccomplished); Cicero's text is printed in a large point size
and is surrounded on three sides by commentary in a smaller one. The register
and printer's device are found on the recto of the last leaf.
The recto of leaf a1 is blank, the text of the prefatory matter beginning on the verso.
Evidence of readership: This
copy bears marginalia and inter-linear writing in an early hand on many, many
pages to approximately the middle of the volume and then lessening. Extensive
notes appear on the blank pages a1r (in Latin, 16th-century hand) and [con]8v
(in English, 17th-century hand). The word “comparatia” appears
in the same early hand at the top of many of the pages with inter-linear writing
and/or marginalia.
Provenance: Signature
of “John Webb” in a 17th-century hand twice in margin of k3r.
Uncommon beyond the Continent:
ISTC and Goff locate only two copies in the U.S. and ISTC
locates only two copies in the U.K. (one incomplete), but there is a third
copy at the British Library.
ISTC ic00601000; Goff C601; HC 5274*; IGI 2910; Pr 4942; BMC,
V 400; GKW 6954. Full modern walnut calf old style: Spine with
raised bands, accented with gilt and blind rules, the latter extending onto
covers to terminate in trefoils with blind double fillets beyond. Gilt center
devices in the spine compartments. Red leather spine label lettered in gilt,
and date in gilt at base of spine. Lacking two leaves (b4–5). Upper
corners of leaves in gatherings & and [con] damaged with loss of paper.
Lower corner of i1 torn with loss of text of both sides of leaf. Waterstaining
and old dampstaining variously, this often faint and never really worse than
moderate (worst at beginning/end); some age-toning and dustsoiling.
Though
an imperfect copy, a rarity; indeed, with its manuscript enhancements, a “uniquum.”
(25766)
For “EVIDENCE of READERSHIP,”
click here.

Leaf from a RARE
Golden Legend
Jacobus de Voragine. Legenda aurea sanctorum, sive Lombardica historia [German] Leben der Heiligen: Winterteil und Sommerteil. Augsburg: [Johann Schönsperger], 1485. Folio (27.5 cm; 11"). [1] f.
$175.00
Click the image for enlargement.
Schönsperger's printing of the Golden Legend is rare: ISTC locates only eleven copies worldwide of which seven are reported as incomplete in one way or another. Only one copy is located in the U.S. and it too is incomplete.Offered here is folio ccxii: Printed in a single column in Germanic roman type.
Provenance: From the collection of leaves assembled by the Grabhorns.
Goff J162; Hain 9978*; Schreiber 4309; IGI 5049; GW M11369; ISTC ij00162000. Light dust-soiling in margins. Tipped into a plain, single-ply mat. With a typed identification label on the front of the mat. (31083)
Jacobus, de Voragine. Lombardica historia que a plerisq[ue] Aurea legenda sa[n]ctorum appellatur. [Arge[n]tine: {Printer of the 1483 Jordanus de Quedlinburg (Georg Husner)}, 1489]. Small folio (27 cm). [260 of 264] ff.
[SOLD]
Click the images for enlargements.
Georg Husner, popularly known as “the Printer of the 1483
Jordanus de Quedlinburg,” produced several editions of the Legenda
aurea, the most famous late medieval/early Renaissance compilation of biographies
of Christian saints. The first appeared in 1486, and this is apparently the
first of a number of
page
for page reprints. The imprint information is from the colophon
on H5r.
This is an uncommon edition in the U.S. though heavily held in Europe; Goff
and ESTC locate only two U.S. copies this being one of them, deaccessioned.
The text is printed in double-column format in gothic type.
In
this copy, virtually all of the initials are nicely accomplished in red or blue.
Copinger, II, 6452; ISTC ij00122000; Proctor 618; BMC, I, 138;
Goff J122. Deep walnut full calf old style: Round spine with raised bands,
accented with gilt rules, fillets extending onto covers from each band to
terminate in trefoils and covers framed in blind double fillets; very plain
with date and place of publication only gilt on spine. Various waterstaining
throughout, with other stray stains; copy missing first two and final two
leaves of text, and the leaves at front and back remargined (with some others
repaired). Priced according to faults, not pleasures! (12378)

PETRARCH's Letters to Friends — An AMERBACH Incunable
Leaf
Petrarca, Francesco. Opera latina. Basel: Johann
Amerbach, 1496. Folio (28.5 x 20 cm; 11.5" x 8"). 1 leaf.
$200.00
Click the image for enlargement.
Leaf E6 from this “fifteener” — from the “Familiar Letters” section of Amerbach's
incunable, 1496 printing of Petrarch's works — this is printed in roman type with marginal guide
letters for the reader as well as spaces left for three- and four-line capitals (unaccomplished). It
contains the
complete texts of letters 52, 53, and 54, along with the final portion of 51 and the
beginning of 55.
ISTC ip00365000; Goff P365; HC 12749; Walsh 1191, 1192;
Oates 2791, 2792; Pr 7608; BMC III 757. Inner margin slightly irregular.
Very nice. (30852)

SAVONAROLA
A Florentine Incunable — Savonarola Put Forth
in the
Vernacular Italian
Savonarola, Girolamo. [drop-title] Proemio di frate Hieromymo da Ferrara dellordine de p[re]dicatori nella expositio[n]e del psalmo lxxviiii. Tradocto in lingua fiorentina da uno suo familiare. [colophon: Firenze: apresso a sancta Maria maggiore {i.e. Lorenzo Morgiani and Johannes Petri}, 8 June 1496]. Small 4to (21.5 cm; 8.5"). [8] ff.
$10,000.00
Click the images for enlargements.
First Italian translation of Savonarola's Expositio in Psalmum LXXIX “Qui regis Israel” (Florence: Francesco Bonaccorsi, for Piero Pacini, 28 Apr. 1496). The study is of St. Ambrose's rendering of that psalm into a hymn on the Virgin Birth, and this translation appeared only six weeks after that Latin-language edition. Written and published during Savonarola's reign over Florence, it is not one of his writings banned by the Index Librorum Prohibitorum; it represents Savonarola at a peak of his worldly and rhetorical powers, and it was several times reprinted.
This book is “around” in libraries; ISTC locates 12 U.S. copies.
But on the market, it is a different story!
Goff S222; H 14436; HC(+ Add) 14439; Audin 126; CIBN S-107; IGI 8739; Sallander 2430; Pr 6361; BMC, VI, 684; GKW M40472; ISTC is00222000. 20th-century grey boards, lightly discolored, with caramel-color leather label on front one. Text very clean. (27042)

Dove
andro? A
chi mi volgero? — “Where
Shall I Go?
To Whom Can I
Turn?”
Savonarola,
Girolamo. [drop-title] Expositione
di frate Hieronymo da Ferrara sopra el Psalmo L, Miserere mei Deus. [Florence:
Printer of the 'Caccia di Belfiore', after 23 May 1498]. Small 4to (18.7cm;
7.5"). [14] ff., with final blank.
$10,000.00
Click the images for enlargements.
Vernacular, Italian translation of Savonarola’s highly personal
commentary and meditation on “Miserere mei Deus,” the Penitential
Psalm (50 according to Septuagint numbering, 51 in Masoretic numbering), in
which he implores God to “do what He will” to him (our translation,
f. [13]r), accompanied on the final page by a
speech
Savonarola delivered on the day of his execution, 23 May 1498,
wrestling with his conscience and asking God, and everyone, to pardon the temporal
and spiritual errors he had unwittingly committed — the priest's final
sad statement following his having confessed, after standing three trials and
under extreme torture, to crimes he originally believed and swore he did not
commit, i.e., heresy and promoting schism within the government. Following the
speech on the same page is Psalm 1 in Latin (first line) and Italian.
Savonarola wrote this painful document in prison, completing it on or before
8 May 1498. Significantly
one
of the most widely read and reprinted of Savonarola's works,
it was in its original Latin version immediately distributed in Florence and
quickly translated into Italian, this particularly early version at the instance
of “certain devoted women” (our translation, f. [1]r). Indeed
Giovannozzi lists a total of 32 printings in four languages from 1498 to 1581,
ISTC noting of this one that it is “printed in a later state of the
type associated with the Printer of the Caccia di Belfiore, who is identified
as Lorenzo Morgiani and Johannes Petri by A. Tura, in La Bibliofilia 101 (1999)
pp.1–16.”
A
neat, handsome incunable production.
Provenance: Probably from
Lathrop C. Harper (its binding style, see below).
ISTC locates 8 copies in libraries in the U.S., 5 in Britain, 15 on the Continent,
and 1 in Australia.
Goff S216; BMC, VI 695; IGI 8737; ISTC is00216000;
HR 14428; HC 14429?; Audin 145; CIBN S-104; GKW M40538; Pr 6305;
Giovannozzi 104 (“S.n.t [sec. XV]”); Ridolfi, I, 389, & II,
220. 20th-century grey boards, lightly discolored, with caramel-color
leather label on front board. Text very clean. (27045)

Florence & Rome
WILL Be Punished
Savonarola, Girolamo, pseudo. [drop-title] Expositione sopra el psalmo Verba mea. [Florence: Printer of Pseudo-Savonarola, 'Esposizione sopra il salmo Verba mea', 1500?]. Small 4to (19.6 cm; 7.75"). [8] ff.
$8895.00
Click the image for an enlargement.
Commentary on Psalm 5, in Italian with citations in Latin. The author describes his generation as worse than Noah's, more lecherous still than the population of Sodom & Gomorrah. The commentary
explicitly rages at Florence and Rome for killing Savonarola. The priest's death polluted their hands, and proved Savonarola's prediction that the cities would be punished by God: “La morte del frate sia causa di verificare le cose predecte . . . El signore torra via & punira te Firenze che hai pollute le mani tue del sangue iusto . . . Anchora el signore punira te Roma” (ff. 4v–5r).
The Vatican Incunabula catalogue notes that this commentary was, “In fact written after Savonarola's death, probably by the Dominican Simone (or Placido) Cinozzi”; ISTC adds, “The Dominicans ordered an enquiry into its authorship and publication on 24 May 1499.” Placido (Lorenzo) Cinozzi (1464–1503) is famous for his Epistola of 1501–03, considered the earliest extant biography of Savonarola; he first heard Savonarola preach at San Lorenzo in 1484 and later knew him at San Marco, where Cinozzi joined the Dominican order in 1496.
Evidence of readership: Early ink manicule in the margin of f. 3v, pointing to a passage beseeching God to free His people, who are in great danger; and some letters finished with the same ink (ff. 3v–4r).
Provenance: Probably from Lathrop C. Harper (its binding style, see below).
ISTC locates five copies in libraries in the U.S., two in Britain, and ten on the Continent.
Adams S485 (“c. 1501”); Goff S203; HCR 14410; H14409?; CIBN S-151 (“about 1500”); IGI, VI, 131 (“after 1500”); Audin 128; Pr 6453; BMC, VII, 1209; GKW M40467; ISTC is00203000; Proctor 6453; Isaac 13494; Bibliothecae Apostolicae Vaticanae, Incunabula, III, S-120 (see above); C. Olschki, “Un codice savonaroliano sconosciuto,” in La Bibliofilia 23 (1921), pp. 154–65, at p. 163; R. Ridolfi, Vita, II, p. 669, n. 22 (“about 15 May 1499”); Walsh 3035e. On Cinozzi, see: Dizionario Biografico degli Italiani online. 20th-century grey boards, lightly discolored, with caramel-color leather label on front board, and blue edges; rectangle of offsetting to paper of back cover, probably from a similar label on a similar book once this one's neighbor! Text very clean. (27040)



From an Early Printing of a
LEGENDARY BOOK
Voragine, Jacobus de. The Golden Legend [single leaf]. [Westminster: Wynkyn de Worde, [20 May 1493]. 4to (25 cm, 9.875"). Single leaf.
[SOLD]
Click the image for enlargement.
The collection of saints' lives called the Legenda sanctorum, or Golden Legend (Legenda aurea) — “worth its weight in gold”! — was composed in the 13th century by the Dominican hagiologist Jacobus de Voragine (ca. 1230–98, elected Archbishop of Genoa in 1292), and first printed in Latin at Basle in 1470 with William Caxton printing the first English version in 1483. This is folio cxvi (116) from the English incunable edition of ten years later, distinguished as “the only ed. to omit the stories from the Bible” (STC), and it concerns the life of St. Ambrose — containing also as a bonus, just above, the end of the story of St. Mary the Egyptian, whom we see buried in a sepulchre “delved” by a lion that then “depart[s] debonayrly.” Ambrose's own tale includes a recounting of the famous incident of the bees' coming to his cradle, and breaks off at the time of his bearing the “assaultes and presecucions” [sic] of the Empress Justina.
The text is in English printed in Bâtarde type (i.e., a modified English gothic), double column, with 44 lines and a headline to a page, and decorated on the recto with two large
woodcut initials against a foliated ground and a
column-wide woodcut of St. Ambrose with
the bishop's mitre and scepter (10 x 7 cm; 4" x 2. 875"), the woodcut frame being only partially printed and completed by hand in early ink.
The printer, Wynkyn de Worde (a.k.a., Jan van Wynkyn), was
England's first typographer and worked with William Caxton, England's first printer. In 1495, he took over Caxton's print shop conclusively, but this was only after a difficult three-year litigation following Caxton's death in 1491.
Goff J150; Copinger 6474; Ricci, A census of Caxtons, 107; Pellechet, Jacques de Voragine, 113; Duff, Fifteenth century English books, 410; STC 24875; Walsh 3993; Rhodes, Oxford Colleges, 992; Bod-inc J-069; Sheppard 7426; Proctor 9691; BMC,
XI, 184; GW M11436; NCE online (Voragine). On The Golden Legend, see: S. Reames, The
Legenda Aurea: A Reexamination of Its Paradoxical History (1985). Leaf
(with red fore-edge) mounted within a light grey mat, both sides visible. Evidence of former
binding along gutter and two small wormholes in inner margin, with very light toning where not
covered by mat; one light stain in upper left quadrant and minor smudges from early ink around
woodcut.
An elegant, beautiful leaf, fine and bright. (30905)
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