|"Incunabula" is the special name given to European books printed from movable type before 1 January 1501 that is, before the end of Gutenberg's own century. The name comes from the ancient Latin word for "baby clothes" or the medieval Latin one for "things of the cradle" and is often Englished as "incunables." The printing centers of the New World had their own similarly revered infancy periods, of course, starting for example in 1539 for Mexico, 1639 for what is now the U.S., 1660 for Guatemala, and 1766 for Argentina. By extension, American imprints of these periods are sometimes called " New World Incunables" and they occasionally appear below among their elder, European brothers and sisters.|
The Summa, completed shortly before his death, is divided into four parts: the first is concerned with the soul and its faculties, passions, sin, and law; the second addresses different types of sin and redress; the third considers various states and professions in life, with treatises on ecclesiastical offices and censures; and the fourth contemplates the cardinal virtues, religious morals, and gifts of the Holy Spirit. Although the text draws heavily on earlier theological works by St. Thomas Aquinas, among others, it is regarded as“a new and very considerable development in moral theology” (NCE online), and it containsa wealth of matter for the student of 15th-century history.
Printed in Gothic type, double-column format, with most capitals supplied in red or blue manuscript in plain style, the text here has red markings to aid in reading and navigation. Topics addressed in these volumes include sin, penance, canon law, will, original sin, privilege, lying, pride, avarice, anger, and infidelity, among several others.
Goff and ISTC find only one complete set of all volumes in American libraries — at the Countway in Boston. All other U.S. libraries, save the Newberry, report owning one or two of the volumes. The Newberry has volumes I–IV.
Provenance: Old illegible European library stamp in lower margin of first leaf of vol. I; in 20th and early 21st century in the library of the Pacific School of Religion (properly deaccessioned).
ISTC ia00878000; Goff A878; BMC, I, 109; GKW 2192. Contemporary calf over bevelled wood boards, recently rebacked and new endpapers supplied; lacks a blank and a title leaf. Leather of boards elaborately and richly tooled in blind using rolls, rules, and individual stamps of a rose, a fleur de lis, and a saint; small area of leather on front board missing and substitute leather inserted. Evidence of bass and leather clasps, remnants of vellum guide tabs. Text and boards of binding wormed, mostly with many pinhole wormholes, and text with some meandering; no great losses. Some small tears in a few margins and one lower margin with an old repair; stamp as above; browning to many margins. A good, solid volume, one with some condition issues but at the same time a good example of these productions and the era's printing. (33734)
The specifications of the verso are: Imprint area: 42 x 153 mm. Number of lines of text: 9. First line: que e[n] vuestro lugar y e[n] mi nombre podays hazer et sostituyr este poder en vna per Last line: la clausula judicium sisti iudicatum con sus clausulas acostumbradas Blanks: at the end of lines 4 and 9 and the beginning of 5.
The document was sworn in Puebla on 16 January 1562, before the notary Juan de Bedoya, and in it Martinez de Iturriaga, a ship's master temporarily in Puebla, gives his power of attorney to Antonio Lopez de Erquinigo.
The date of printing of this form is based on the exemplar in the Beinecke Library at Yale, where the earliest manuscript date on the carta is 9 October 1565.
Valton (see below) attributed this formulary to Juan Pablos. It bears no relation to the examples of his job printing that we have seen; it does, however, bearthe hallmarks of Ocharte's craftsmanship. Our assignment of printer is based on approximate date of printing and on types and ornaments; we will observe, however, that the type used here is the type Ocharte inherited from Juan Pablos via Ocharte's wife, Juan Pablos' daughter.
This exemplar of a Mexican incunable predates the exemplar at Yale by three and a half years and is the earliest Mexican printed power of attorney we have ever seen.
Szewczyk & Buffington, 39 Books and Broadsides Printed in America before the Bay Psalm Book, 6 (for the exemplar now at Yale), fully illustrated. Appears to be Carpenter's type 4, attributed by Valton to Juan Pablos. Removed from a bound volume of notarial documents and irregular along one margin. One wormhole in the lower margin. Light waterstain in upper margin. Overall very good. (34554)
The verso blank.
Use of capitals in text for words: Generalmente, Magestad, Senores, Presidente, Oydores, Reales, Alcaldes, Juezes, and Justicias.
The manuscript completions were sworn in Puebla de los Angeles on 14 September 1590, before the notary Marcos Reyes. Francisco Hernandez de Tinoco, a citizen of Puebla, gives power of attorney to Hernan Perez, a “procurador de causas,” who is not present.
Our attribution to printer is based on the type used and stylistics of composition.
Edwin A. Carpenter, A Sixteenth-Century Mexican Broadside (i.e., The Valtón Collection), possibly type 14, 15, or 16. Not in Szewczyk & Buffington, 39 Books and Broadsides Printed in America before the Bay Psalm Book. Removed from a bound volume with worming in margins and into text, touching but not costing letters; age-toning. Light waterstain in upper margin. A good example of a Mexican incunable broadside. (34744)
Provenance: From the library of American collector Albert A. Howard (sans indicia).
Hain, Repertorium, 12749; Proctor 7608; British Museum, III, 757 (IB. 37387); Goff P-365. Recent limp vellum, housed in a linen-covered clamshell case with a paper spine label; undeciphered ownership inscription dated 1618 on first leaf. Some old damp damage to all margins (including the gutter) on all leaves, repaired but with variable light brown waterstaining visible in those areas “framing” the pages. A few small pin-type wormholes, occasionally in text but not costing letters. An attractive Humanist “noble” fragment that is, at the same time, a thing complete. (37457)
ISTC ip00365000; Goff P365; HC 12749; Walsh 1191, 1192; Oates 2791, 2792; Pr 7608; BMC III 757. Inner margin slightly irregular. Very nice. (30852)
This book is “around” in libraries; ISTC locates 12 U.S. copies.But on the market, it is a different story!
Goff S222; H 14436; HC(+ Add) 14439; Audin 126; CIBN S-107; IGI 8739; Sallander 2430; Pr 6361; BMC, VI, 684; GKW M40472; ISTC is00222000. 20th-century grey boards, lightly discolored, with caramel-color leather label on front one. Text very clean. (27042)
Savonarola wrote this painful document in prison, completing it on or before 8 May 1498. Significantlyone of the most widely read and reprinted of Savonarola's works, it was in its original Latin version immediately distributed in Florence and quickly translated into Italian, this particularly early version at the instance of “certain devoted women” (our translation, f. r). Indeed Giovannozzi lists a total of 32 printings in four languages from 1498 to 1581, ISTC noting of this one that it is “printed in a later state of the type associated with the Printer of the Caccia di Belfiore, who is identified as Lorenzo Morgiani and Johannes Petri by A. Tura, in La Bibliofilia 101 (1999) pp.1–16.” A neat, handsome incunable production.
Provenance: Probably from Lathrop C. Harper (its binding style, see below).
ISTC locates 8 copies in libraries in the U.S., 5 in Britain, 15 on the Continent, and 1 in Australia.
Goff S216; BMC, VI 695; IGI 8737; ISTC is00216000; HR 14428; HC 14429?; Audin 145; CIBN S-104; GKW M40538; Pr 6305; Giovannozzi 104 (“S.n.t [sec. XV]”); Ridolfi, I, 389, & II, 220. 20th-century grey boards, lightly discolored, with caramel-color leather label on front board. Text very clean. (27045)
The Vatican Incunabula catalogue notes that this commentary was, “In fact written after Savonarola's death, probably by the Dominican Simone (or Placido) Cinozzi”; ISTC adds, “The Dominicans ordered an enquiry into its authorship and publication on 24 May 1499.” Placido (Lorenzo) Cinozzi (1464–1503) is famous for his Epistola of 1501–03, considered the earliest extant biography of Savonarola; he first heard Savonarola preach at San Lorenzo in 1484 and later knew him at San Marco, where Cinozzi joined the Dominican order in 1496.
Evidence of readership: Early ink manicule in the margin of f. 3v, pointing to a passage beseeching God to free His people, who are in great danger; and some letters finished with the same ink (ff. 3v–4r).
Provenance: Probably from Lathrop C. Harper (its binding style, see below).
ISTC locates five copies in libraries in the U.S., two in Britain, and ten on the Continent.
Adams S485 (“c. 1501”); Goff S203; HCR 14410; H14409?; CIBN S-151 (“about 1500”); IGI, VI, 131 (“after 1500”); Audin 128; Pr 6453; BMC, VII, 1209; GKW M40467; ISTC is00203000; Proctor 6453; Isaac 13494; Bibliothecae Apostolicae Vaticanae, Incunabula, III, S-120 (see above); C. Olschki, “Un codice savonaroliano sconosciuto,” in La Bibliofilia 23 (1921), pp. 154–65, at p. 163; R. Ridolfi, Vita, II, p. 669, n. 22 (“about 15 May 1499”); Walsh 3035e. On Cinozzi, see: Dizionario Biografico degli Italiani online. 20th-century grey boards, lightly discolored, with caramel-color leather label on front board, and blue edges; rectangle of offsetting to paper of back cover, probably from a similar label on a similar book once this one's neighbor! Text very clean. (27040)
For additional SAVONAROLA,
SEE “CATHOLICA” ~
The introduction is by Bernhard Bischoff (the distinguished paleographer, historian, and philologist) and the work's editor was Rudolf Hirsch (the dynamic librarian of the University of Pennsylvania, identified in the “Editorial Note” merely by his initials); both men knew Schulz.
“Five hundred copies of this essay have been printed at the Bird & Bull Press, North Hills, Pennsylvania. Copies 1-200 for distribution to members of the Philobiblon Club of Philadelphia.” The work is printed in Baskerville type on Strathmore Artlaid paper.
Taylor & Morris, Twenty-one Years of Bird & Bull, B8. New. As issued in brown textured paper wrappers with a paper spine label on the front cover. (35762)