•  Scott, A Bibliography of the Works of Sir Henry Haggard 1856–1925, 10. Publisher's red pictorial cloth, issued without frontispiece. Spine a bit darkened, a few leaves with faint spots of foxing, endpapers lightly discolored. Spine slightly cocked.  (8614)

The work is signed by Hamady in pencil towards the back.

•  Publisher's tan paper wrappers, front wrapper with blind-stamped and embossed decoration. A nice copy.  (30933)

hand-inked note reading “here is copy number ten of ninety-five.”

Binding: Appropriately to contents, the endpapers here are crafted of portions of a Wisconsin map, and the hand-sewn binding is enclosed in heavy paper wrappers with a postal cancellation–inspired design on the front one.

•  Binding as above, clean and crisp. A very nice copy of an amusing, affectionate, aesthetically pleasing production.  (31241)

The sheets are printed on Plover Fineweave paper with the text set in Sabon Antiqua. At the head of each is a print of a nicely rendered pen-and-ink drawing of the Hamady farm (where “Mother Father & Daughter are well and thriving”), done by Jack Beal (“Laura's Uncle Jack”).

•  Not in Two Decades of Hamady & the Perishable Press.   Sheets laid into a manila envelope labelled in Hamady's handwriting. Clean and crisp; some pages with markings as above.  (31364)

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Bibliotheca Osleriana 4907; Brunet, III, 43; Garrison & Morton 1594; NSTC H564; NCBEL, I, 1113. Not in Ing, Charles Whittingham: Printer, 1795-1876.   19th-century half brown calf and marbled paper–covered sides, spine with gilt-stamped title and gilt-ruled bands and compartments, leather edges ruled in blind; binding lightly rubbed overall, somewhat more so along joints. Front fly-leaf with pencilled annotations and affixed slip of old cataloguing. Fore-edges untrimmed.A clean, attractive copy.  (38229)

Vol. I opens with a steel-engraved portrait of the author, done by Henry Cook after Hervé; vol. III is illustrated with an oversized, folding plate of a water-engine intended for millwork, devised by the author, and a plate of another of his inventions: the automated “chamber fire escape”, which enables anyone to lower him- or herself from a high window. This is the third edition, following the first of 1807.

•  NSTC H625; Sabin 30461.   Contemporary speckled sheep, spines with gilt-stamped leather title-labels; vol. I with joints and extremities refurbished, vols. II and III with spines and edges rubbed, old strips of library tape reinforcing spine heads. Ex–social club library: 19th-century bookplates, call number on endpapers, pressure-stamp on title-pages, vols. II and III with paper shelving labels at top of spines (vol. I showing signs of now-absent label). Vol. I title-page with offsetting from frontispiece; vol. III with pp. 69–72 excised (two leaves of a rather long religious-themed letter from Harriott to his son) and with upper portion of one leaf crumpled, reinforced some time ago. Some light age-toning, intermittent small spots of foxing and ink-staining, pages generally clean. Utterly absorbing.  (30651)

During the heyday of the fine press movement in America, theGrabhorns printed this handsome edition in 240 copies with illustration and title-page vignette drawn and then hand-colored by the indefatigableValenti Angelo.

•  Heller & Magee, Grabhorn, 93; BAL 7720; Clark A18.31.   Publisher's quarter vellum with gold and blue patterned paper sides. In its slipcase, a bit darkened at edges. Unopened copy save one fold to show illustration; a fine copy.  (33532)

•  BAL 7841.   Publisher's tan cloth, front cover with affixed color-printed paper illustration; binding somewhat darkened (especially spine), corners and spine extremities rubbed, a few small spots of discoloration to front and back covers. Front pastedown with pencilled gift inscription, front free endpaper with bookseller's small ticket. Pages clean. A very nice book. (20839)

Thomas's monograph describes earwigs, cockroaches, devils-horses, walking-sticks, grasshoppers (this category including locusts), and crickets, and is illustrated with a few in-text wood engravings in addition to the lithographed plate (done by W.H. Holmes) showing 17 different U.S. insects. This copy is uncut and unopened.

•  Schmeckebier, Catalogue & Index of the Publications of the Hayden, King, Powell, & Wheeler Surveys, 21.   Period-style quarter tan cloth with light blue paper–covered boards, spine with printed paper label. Title-page institutionally rubber-stamped; title-page and half-title with outer margins repaired. Page edges untrimmed, signatures unopened. Spots of staining to outer margins of a few leaves. In fact a nice copy.  (25282)

•  Publisher’s cloth, covers framed in blind, spine with gilt-stamped title; front cover with discoloration to upper edge and small bump to outer edge, cloth rubbed along edges and joints, spine scuffed. Front pastedown institutionally rubber-stamped. Pages and plates clean, and the large volume quite solid.  (19652)

Binding:  Publisher's very bright blue cloth, front cover with overall oak-and-acorn and geometric pattern stamped in gilt and black, with decorative title and sun vignette, spine similar. All edges gilt.

•  Binding as above, slightly cocked, extremities lightly rubbed; sewing of first signature loosening. Four leaves with short tear in upper margin, not touching text; several more creased across one corner; one page with light smudges, pages otherwise clean. A simultaneously disturbing and amusing look at quack medicine of the 19th century.  (35120)

Provenance:  Inked signature of John Anderson on endpaper and title-page, flourished, with additional pencilled signature on title-page; later in the library of American collector Albert Howard (sans indicia).

•  ESTC W29588; Evans 27104. On Seymour, see: Stauffer & Fielding, American Engravers, I, p. 244.   Bound as above, gently rubbed with joints repaired; one small spot of glue on back cover, light pencilling on endpapers. Light to moderate age-toning/foxing/spotting throughout; one short marginal tear, one small interlinear hole, one creased corner. A uniquely American take on this popular English work; a very American production.  (37845)

Binding:  Handsome diced tan calf, covers framed in gilt roll composed of pyramid and trefoil elements, spine with wide raised bands, gilt-stamped leather title and author labels, and gilt-stamped foliate designs in compartments and on bands. Turn-ins with blind roll; marbled paper endpapers. All edges marbled (different marbling than the endpapers).

Provenance:  Front pastedown with bookplate of British collector and author Eric Stanley Quayle, dated 1965; most recently in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  NCBEL, II, 658; NSTC 2H14088.   Bound as above, joints (outside) and corners mildly rubbed, leather a little mottled; light offsetting to title-page from frontispiece. Occasional tiny spots of faint foxing, pages otherwise clean. A lovely, appealing copy of this interesting cross between Spenser and Pope.  (37630)

In addition to the printed Poems and Crisis, Gerson Leiber'sfour original ink drawings for Crisis — including one not printed in the piece — are here, with a cover letter (dated 1993 and apologizing for the 24-year delay!), signed by editor and publisher Don Olsen. Also present is Hays's typescript of “Crisis,” addressed to Olsen and stapled to two typed, signed letters from Olsen to Leiber regarding the artwork commission and subsequent printing details.

A card designed and printed by Fredric Aldwyn Brewer at the Raintree Press on behalf of the Indiana University LIbraries, with a warm handwritten message from Brewer thanking the recipient (presumably Leiber) for an engraving, is laid in to Crisis.

Provenance:  From the collection of Gerson Leiber, the artist, engraver, sculptor, and book collector.

•  Poems: Publisher's printed light blue paper wrappers; spine and edges sunned. Crisis: Publisher's brown paper wrappers, front wrapper with black-stamped title and author information. A marvelous look at one example of the collaborative process among writers, artists, and printers.  (33615)

This isnumbered copy 1063 of 2000 printed, signed at the colophon by Heaney, Pearson, and Flanagan. The appropriate LEC newsletter and an informational leaf regarding the binding leather are laid in.

•  Bibliography of the Fine Books Published by the Limited Editions Club, 530.   Binding as above, in original coordinating brown paper–covered slipcase with gilt-stamped spine title; slipcase showing light shelfwear, volume with spine gently sunned, back cover and spine lightly scuffed. Top edge gilt. A pleasing Heaney collection.  (36078)

•  NSTC 2H15366; Cagle 736 (for first and third eds. only.); Goldsmiths'-Kress no. 25858.17 (first ed.).   Publisher's olive green textured cloth, covers and spine blind-stamped, front cover with gilt-stamped armorial vignette, back cover with gilt-stamped device and motto, spine with gilt-stamped title; spine slightly sunned, extremities mildly rubbed. Hinges (inside) of this hefty volume now cracked, with joints tender but holding. One plate (the map dated 1560) with pencilled annotations. Some plates faintly age-toned; pages with a few instances of light foxing. A workfull of valuable and interesting detail in a nice, clean, and (as handled with care) sound copy.  (37084)

Binding:  Intricately embossed burgundy calf with gilt lettering to spine; the spine design is derived from a Remnant & Edmonds spine plaque, according to Wolf. Each board has a medallion in the center featuring a woman in a chariot pulled by two galloping horses with several delicate stars in the sky; the medallion is framed by elaborate acanthus and foliate motifs. Blue marbled endpapers; all edges gilt. Signed byBenjamin Gaskill (“Gaskill, Phila”) on spine.

WorldCat locates only eight copies of this 1838 edition.

•  Wolf, From Gothic Windows to Peacocks, 190.   Bound as above, mildest rubbing; marbled endpapers rubbed and slightly discolored just along edges from action by turn-ins. First set of contents with pages bound out of order. Interior age-toned as expectable, with instances of foxing especially along top edges throughout and with light evidence of old waterstaining along bottom ones; title-page with short inked line from outer edge, added engraving with small closed tear A nice example of Gaskill's embossing work and a delightful volume overall, “personalized.” (38710)

•  Gabler, Wine into Words, G23690; Bitting 223.   Contemporary half red morocco with marbled paper–covered sides, spine with gilt-stamped title and wide decorative compartment bands; binding rubbed overall, spine slightly sunned, paper chipping along board edges, and leather starting from foot of front joint (sewing holding). Bookplate as above; front free endpaper with later pencilled annotations on Harvey. Pages lightly age-toned, with a few scattered spots of foxing. A landmark work on wine, artistic merit to boot.  (38824)

Illustrated witheight pastels in color by the author, printed by Adrian Lack at the Senecio Press, this is copy 46 in a limited edition of 280 set in Monotype Gill Sans 262 cast by Harry McIntosh on heavy Rivoli paper. It was bound by Rachel and Richard James in quarter bright yellow fine-grain cloth with the title gilt-stamped not on the spine but along the line of the its cloth on the handmade light green Larroque paper covering the boards; black Canson was used for the endpapers. Copies 241–80 were reserved for binders in sheets.

•  Binding as above. Pristine in a mylar wrapper.  (30558)

The listings are augmented in the first three volumes by numerous in-text reproductions of illustrations and title-pages from the books. This copy includesauction prices neatly inked alongside every book.

•  Contemporary treed sheep, spines with gilt-stamped leather title and volume labels and gilt-ruled bands; sides showing minor rubbing, edges, joints, and extremities moreso. All hinges (inside) cracked or tender, some endpapers with pencilled notations. Vol. I: Two pages with light offsetting from now-absent item, one leaf with lower outer corner torn away. Vol. IV with bookplate of Alvaro de Fontagud y Aguilera. Pages gently age-toned, most noticeably in vol. IV, with occasional light smudges; each volume with last page browned.  (29161)

Many of the 52 lithographed plates are in duotone; some were done by Ackerman Lithography and some by P.S. Duval & Co., after views of scenery, buildings, and natives drawn by Lieut. Gibbon.

Two volumes of maps, not present here, were issued separately.

•  Sabin 31524; Palau 113897. Publisher’s textured cloth, covers blind-stamped, spine with gilt-stamped title; vol. I with spine sunned and cloth chipped at spine extremities; vol. II with corners bumped, cloth peeling away from spine and chipped at spine extremities, spine with gilt dimmed and small area of unobtrusive discoloration from now-absent label. Front pastedowns each with pencilled owner’s name and institutional rubber stamp (no other markings); front free endpaper of vol. II starting to tear along inner margin. Mild to moderate foxing and spotting; a few text gatherings unopened. One plate in vol. I with short tear from outer margin, turning into a narrow scrape extending about halfway into the upper portion of the image; one leaf in vol. II with tiny portion (less than one word) affixed to opposing plate. Not a perfect set, but a perfectly fascinating one.

Provenance:  Rolle family armorial bookplate.

•  ESTC R10688; Wing (rev.) H1578; Allibone 813.   Contemporary sheep, covers framed in blind double fillets; leather rubbed and scuffed, partially cracked along front joint. All edges marbled. Pastedowns peeled up, front pastedown with early inked inscription; inside front cover with armorial bookplate. Title-page with inked numeral in upper outer corner. (21012)

Provenance:  Ex–Franklin Institute Library (its on-site sale 1986) with its bookplate, lending rules, and stamps.

•  Publisher's pebbled brown cloth, stamped in blind and gilt on front cover and gilt on spine; top of spine pulled with a chip. Fore-, top, and bottom edges of book and all odd-numbered pages with the library's stamp, and even-numbered pages with offset from the stamps; titIe-page and one other leaf with a perforation-stamp.A testament to why 19th-century librarians were so often called enemies of books.  (35448)

•  Bibliography of the Fine Books Published by the Limited Editions Club, 504.   Binding as above, in original gray slipcase with gilt-stamped spine title; slipcase sunned with slight wear to corners, volume very crisp and fresh.  (35669)

•  Bitting, 228. Not in Brown, Culinary Americana.   Bound as above, edges and extremities lightly rubbed; covers with small scuffs, front cover with thin scratch. One plate and attached leaf separated. Nyal stamps as above. A very few recipes with pencilled marks of emphasis, one page in dessert section with small stains and a dog-earned corner, pages otherwise clean. This is not a facsimile or reprint — it is a cleaner copy of the first edition than often seen on the market, with interesting commercial provenance.  (38622)

This is numbered copy 31 of only 65 copies printed (50 numbered, 15 lettered),signed by the artist at the colophon.

The publisher's prospectus is laid in.

•  Publisher's cream-grey paper wrappers, front wrapper with title printed in dark brown. Very clean and crisp.  (32691)

•  Rohde, Old English Herbals, 222; Nissen 881 (for Bungay 1803 ed.); Henrey, British Botanical and Horticultural Literature, III, 829.   Contemporary half calf and marbled paper–covered sides, spine with gilt-stamped leather title-label and rules and blind-stamped devices in compartments; binding worn and scuffed, front joint cracked (sewing holding), spine leather with a number of small cracks. One plate with very short tear from upper margin, just barely extending into plate edge and not approaching image; small spots of foxing to some pages and plates, with two early plates showing somewhat more noticeable spotting. A very browsable and readable copy, with lovely plates.  (34849)

Neat gift inscription on front free endpaper: “Mollie, with Ada's love. 898.”

•  Publisher's light blue cloth, front cover stamped in silver with images of the Washington Monument and the Capitol; author's name and title of work stamped in in gold within silver cartouches. Light wear to edges of boards and a little spotting; a Very Good copy.  (37010)

Includes10 hand-colored wood engravings with blue, green, red, and brown accents, including some nontraditional coloring such as a blue apple pie and blue horses.

Provenance:  Undated ink signature of Susan Browning on title-page; signature of Miss Janette C. Browning dated 1852 on frontispiece.

•  Shaw & Shoemaker 34913; Welch 563.15.   Sewn blue printed publisher's wrappers, first and last leaves pasted down; light rubbing at corners. Marked as above, light pencilling and inking on title-page, light waterstaining on inner bottom margin of many leaves, moderate age-toning throughout. A charming little Hartford chapbook.  (36295)

“[No.] 151" is printed at the foot of the title.

•  Original self wrappers; removed from a nonce volume. Very good.  (17556)

One signature at the back is unopened.

•  NSTC 2H10236.   Publisher's light yellow printed paper wrappers, removed from a nonce volume. Clean, crisp, unread copy.  (31946)

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Brunet, III, 259 (for French ed. only).   19th-century quarter printed cloth with marbled paper–covered boards, spine with gilt-stamped decorative bands and gilt-stamped black leather title-label; minor rubbing to extremities. Mild age-toning and foxing throughout, more noticeable on bound-in wrapper; wrapper with inner portion repaired some time ago. Attractive and interesting.  (37927)

•  Bound as above and in lovely condition; extremely minor spots of rubbing and scraping to boards, one raised band with a short cut(?) and a sliver of leather lost. An overall wonderful copy of this beautiful reprint.  (37923)

This work includes afrontispiece and five in-text wood engravings signed by Edward Whymper (1840–1911), an Arctic explorer and mountaineer best known for being the first to successfully ascend the Matterhorn.

•  Publisher's green printed wrappers, soiling and splitting along spine; one leaf separated, a light pencil mark or two, a handful of bent corners.  (36537)

Provenance:  Signature of journalist and author William Agnew Paton dated 1896 on upper margin of title-page in ink and on front endpaper dated 1898 in blue crayon; Paton also added a presentation inscription in 1911 to Lewis Buckley Stillwell, a president of the American Institute of Electrical Engineers and long a trustee of Princeton University. Stillwell wrote an inscription to his son Richard in 1831, a year before Richard became the director of the Princeton-associated American School of Classical Studies in Athens. Later in the collection of Classicist Pierre A. MacKay (1933–2015), a Classicist also with Princeton associations.

•  ESTC S119225; STC 13624.5.   19th-century mottled calf with gilt-lettered leather label and gilt-stamped compartments on spine, covers delicately framed in gilt double-rules around simple gilt triple-ruled rectangle with crown stamps at corners, all edges gilt; endpapers chipping, binding worn and abraded, text resewn and reattached to binding, rebacked with 19th-century spine laid on. Marked and lacking title-page and five blanks as above, light pencilling on endpapers, a few very short tears at margins, one leaf with ink spotting; light to moderate age-toning with the occasional spot.  (36544)

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Alden, European Americana, 584/44; Index Aurel. 160.003; Richter, Egenolffs Erben, 516; VD16 L 3100 (& Köbel, Bauernkompaß: VD16 K 160). Not in Adams.   Recent plain, unmarked cream paper–covered boards; evidence of sometime (long ago?) removal of an oval stamp from title-page. Pages age-toned with minor offsetting and scattered light spots, generally clean. A remarkable work, in a desirable copy.  (37642)

•  Publisher's green and cream marbled paper–covered sides with green cloth shelfback, spine with gilt-stamped title; minimal wear to spine extremities, otherwise a lovely, clean copy.  (36843)

Signed binding: Contemporary brown morocco, front pastdown stamped “J. Wright Binder.” Boards with triple fillet gilt border at edges; center panel on each board composed of a triple fillet outer border with a floral/vine gilt roll within; gilt corner devices with elements extending along the outer edges of the center panel. Board edges with double fillet rules, turn-ins with same gilt roll as in the center panels of the boards, cream calendared endpapers. All edges gilt.

Evidence of readership: 20th-century notes relating to the text on rear free endpaper.

Provenance:  Large engraved armorial “Kimmel Park” bookplate of Hugh Robert Hughes of Kimmel (1827–1911), Co. Denbigh, and his small library shelf label to top of front pastedown. His signature in full, dated “June 11th 1855,” on front fly-leaf. “G.L.D. 1937" on front free endpaper.

•  NSTC 2H30539; McLean, Victorian Book Design, pp. 94, 174.   Binding as above; joints (outside) abraded, so too lower edges of boards and corners. 20th-century notes as mentioned above; shelf label largely obscured by a later blank one; a very few dog-ears or short edge tears; age-toning with some foxing and other spotting, especially towards beginning and end. A remarkable, wonderful book.  (37188)

All cuts are apt and charming.

Provenance:  From the children's book collection of Albert A. Howard, sans indicia.

•  In hunter green printed wrappers, slightly darkened, removed from a nonce volume; frontispiece and last leaf mounted to inside of covers as issued. Clean and crisp.  (38469)

•  NSTC 0356417.   Early 20th-century half blue morocco and blue cloth, leather edges with gilt rule, spines with particularly graceful gilt-stamped title and compartment decorations; spines slightly sunned, extremities rubbed. Front fly-leaves each with decorative ownership rubber-stamp. A scattered few light smudges to margins, pages otherwise clean.  (33151)

•  Original green cloth with blind-stamping to boards and gilt-decorated spine; fading to spine, front hinge opening with board attached by cloth and endpapers; spots of discoloration to boards and corners bumped. Ownership signature on front free endpaper. A “good used” copy.  (37742)

•  Limited Editions Club, Bibliography of the Fine Books Published by the Limited Editions Club, 1929–1985, 152.   Light creasing of joints (outside) of the upper portion, and hide with hairy bits abraded away in spots. Paper age-toned, as common; two plates with moderate spotting/foxing notably to versos, less (and mostly marginal) to rectos. As so often, without the slipcase. Very good condition.  (35447)

•  Cagle & Stafford 389 (for first ed.). Not in Brown, Culinary Americana.   Publisher's printed blue paper wrappers, spine and edges rubbed, front cover with spots of discoloration; offsetting inside wrappers from staples. Pages very slightly age-toned. Delightful for those who like to bake, those who like to eat, or those who just like to appreciate implausible confectionery accomplishments.  (35008)

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear; evidence of removed bookplate on front pastedown and very faded word in an early hand on title-page margin.

•  DeBacker-Sommervogel, IV, 513; Landwehr, Emblem & Fable Books Printed in the Low Countries (3rd ed.), 346; Corpus librorum emblematum, Jesuit series, J.631; Emblem Books at the University of Illinois, H56.   Bound as above, binding gently rubbed with a few small spots, one small wormhole and a leather repair, pencilling on endpapers. Light age-toning and limited, light to moderate all-marginal waterstaining throughout, a smattering of spots. Provenance marks as above. Plates as fresh and engaging as the day they were produced.  (38273)

In the translation of Isabel F. Hapgood, this edition was edited and augmented by David M. Glixon and is thefirst complete text of Toilers in English. Two chapters omitted from the original edition have been restored: “The Channel Islands,” a prologue dealing with the geography, culture, and history of the archipelago, and a chapter called “The Sea and the Wind.” The introduction is by Matthew Josephson, who wrote the 1942 biography Victor Hugo: A Realistic Biography of the Great Romantic.

The illustrations consist of101 wood engravings in text by Tranquillo Marangoni. Dr. Giovanni Mardersteig designed the book using a monotype Baskerville font, and supervised the printing of both text and illustrations atthe Officina Bodoni in Verona, Italy. Both the engraver and printer signed the colophon.

The binding is quarter black cotton fabric over light gray paper sides printed with an overall sea-green pattern of hand-drawn rectangles, with the gilt title on a sea-green spine label; edges were left deckle. This is numbered copy 88 of 1500 printed, and issigned at the colophon by both the artist and the printer.

•  Bibliography of the Fine Books Published by the Limited Editions Club, 314.   Binding as above, in publisher's blue-gray slipcase; the often-absent dust jacket is not present here and the volume's spine is a bit sunned, with the slipcase showing only minimal shelfwear and the book itself being otherwise excellent — very clean and nice.  (35635)