NUC and WorldCat locate only two copies in the U.S. Searches of CCPB and the OPAC of the Spanish national library locate three Spanish libraries reporting ownership; COPAC finds no copies in Britain.

The number of “splendid ceremonies” books produced in colonial Peru is small: There is no census but we suspect the number to be around 20.

Other interesting aspects of the work are that it is an important source on the social and artistic life of Lima in the decade following the Tupac Amaru rebellion and that it is from one of Latin America's famous presses of “orphan children.”

•  John Carter Brown Library, Catalogue, 1493-1800, III,324; Medina, Lima, 1697; Sabin 73902; Vargas Ugarte, Impresos peruanos, 2546.   Contemporary limp vellum with neatly inked title on spine; all edges inked decoratively. Old blurred stamp on front free endpaper, old single numerals very faintly on title-pages. Small tear in margin of plate, not into image. Overall a very good copy, very clean and with wide margins.  (34668)

Rare: WorldCat locates only two copies in the U.S.

An important source on the social and artistic life of Lima in the decade following the Tupac Amaru rebellion.

•  John Carter Brown Library, Catalogue, 1493-1800, III,324; Medina, Lima, 1697; Sabin 73902; Vargas Ugarte, Impresos peruanos, 2546.   Contemporary limp vellum with late, neatly inked title on spine. Some foxing. Plate lacking lower half and small portion of upper one; a handsome skeleton (memento mori) archer is the focus of what remains. Bookplate sometime removed; rubber-stamps on several pages, including title, reading (yes, in English), “Bought of F. Perez Velasco October 1912.”  (25771)

The volume is illustrated with woodcut arms on the verso of the second title-page and bears many woodcut initials and tailpieces throughout This copy retains Ortuño's engraved frontispiece (often missing) of St. Francis.

Binding:  A very interesting contemporary Mexican sprinkled calf binding, probably by a “provincial” binder. Covers with a single gilt-roll border having a modest corner device in each corner, that tool reused to form a four-part center design on each cover; same gilt-roll used on spine to accent the slightly raised bands and form spine compartments, one of these compartments with a spine-label and one having the covers' corner device gilt-tooled at its center. Board edges also with a gilt-roll design; all edges green. Highly unusual endpapers of a pattern in blue and red resembling images of strings in string theory: This is the first time we have ever seen this pattern.

•  Garcia Icazbalceta, Lenguas, 56; Viñaza 341; H. de León-Portilla, Tepuztlahcuilolli, 2286; Palau 269110; Medina, Mexico, 4500; DeBacker-Sommervogel, VI, 210–211; Sabin 71488; Leclerc 2334; Pilling, Proof-sheets, 2891.   Binding as above, in good condition; light offsetting from it to early and late leaves. A few small areas of discoloration where candle wax spilled on a page, and a bit of other light toning; p. 135 with “Per Omnia Secula Seculorum” neatly written in bottom margin. Very good.  (34611)

The origins of printing in Venezuela are still, at this late date, shrouded in shadows. There remain questions of whether itinerant printers established themselves now and then for short periods of time, printing a form or booklet — and definitely some playing cards — and then moving on. The accepted date for “the beginning” of printing in Venezuela is October, 1808, with the arrival of the press of Gallagher and Lamb and this issuance of the first issue of Andrés Bello’s Gazeta de Caracas.

Very Rare. This broadside was unknown to Medina and is only the 16th item in Pedro Grases chronological list of things printed in Venezuela. In his entry he located only the copies in the Public Record Office (London) and the Archivo de Indias (Seville). Searches of NUC, OCLC, and RLIN fail to find any copy at all. Further, no copies were found when searching the OPACs of the national libraries of Spain, Venezuela, Colombia, France, and England.

•  Not in Medina, Caracas. Graces, Historia de la imprenta en Venezuela, Reportorio #16; Villasana, VI, 108. As issued; minor worming in foremargin; repaired. A very good copy.  (19203)

Searches of WorldCat, COPAC, CCILA, and METABASE locate no copies. Tthere is no OPAC at the Biblioteca Nacional de Guatemala to be searched.

•  Valenzuela, III, 579.   Light to tea-colored waterstains in margins. A good copy.  (30889)

WorldCat locates only the copy in the Chilean National Library; no copy traced via COPAC, CCILA, or METABASE; there is no OPAC at the Biblioteca Nacional de Guatemala to be searched.

•  Irregular inner margin. Light to quite noticeable waterstain running longitudinally top to bottom in one half of the leaf. Lower outer corner damaged with loss of paper due to exposure to moisture away from text.  (30886)

•  American Imprints 52683; Sabin 71961. This edition not in Palau. Publisher's pebbled brown cloth bindings: black tape at top of one spine and onto the covers. Bindings show modest wear, publisher's paper spine labels slightly chipped; text blocks slightly skewed in bindings and light waterstaining in lower inner margins of vol. I. Ex–social club library: 19th-century bookplate, call number on endpaper, pressure-stamp on title-page, no other markings. (28891)

Binding:  Publisher's dark red ribbon-embossed cloth of an abstract pattern on a textured (pebbled) background not found in Krupp's Bookcloth in England and America, 1823–50.

•  American Imprints 58260; Sabin 71962. This edition not in Palau.   Bindings as above: black tape at top of spines and onto the covers. Bindings show modest wear; publisher's paper spine labels slightly chipped and text blocks slightly skewed in bindings. Ex–social club library: 19th-century bookplate, call number on endpaper, pressure-stamp on title-page, no other markings.  (28890)

•  Very good condition.Written in sepia ink in an interesting script with idiosyncratic spelling.  (31211)

Provenance:  Alberto Pareño's copy with his initials on the spine of the book.

•  Uncut copy. Bound in 20th-century blue buckram. A very good copy.  (29298)

This has an elegant emblematic frontispiece and an engraved coat of arms on the title-page.

Binding: Contemporary mottled sheep, spine gilt-extra with gilt-stamped leather title-label and gilt-stamped pomegranate decorations. Marbled endpaprs; all edges speckled red.

•  Palau 273666.   Bound as above; covers and edges with abrasions, joints and extremities rubbed, spine leather with fine cracks. A copy lacking the map and priced accordingly. Paper browned in some quires by nature of the paper; otherwise, scattered light to moderate foxing only. A nice copy.  (29257)

The bishop gives his interpretation of what the king means and then expands on the abilities or, rather, the inabilities of nuns. For example, “Ninguna de . . . [Uds.] ha sido criada por Dios para el govierno de algun Reyno, Provincia, o Ciudad, y assi todas deben creerse incapaces, de hacer cosa acertada en la direccion, y el govierno, si las pusiessen en el” (p. 28).

•  Medina, Puebla, 839.   Contemporary multi-colored wrappers of a sponged pattern, in shades of rose, blue, and green, with some purple and white. An unusual decorative paper wrapper.  A clean, very good copy.  (34775)

These volumes offer his “Composiciones líricas originales” in vol. I and “Composiciones dramáticas originales” in vol. II. The frontispiece is a fine lithographic portrait of Don Ignacio, in Romantic style of course; there is a liberal use of handsome tailpieces. The whole was compiled and edited by the author's brother Antonio.

This first edition is uncommon in our experience as dealers in Mexicana.

Provenance:  Masonic stamp, “Porfirio del Rio” on title-page; inscription to fly-leaf of A. Quijano, 1916.

•  Palau 273981; Sabin 72510.   Handsome contemporary quarter red morocco with red mottled paper sides, boards rubbed; spine exuberantly tooled in gilt, bright. Foxing and spotting variously; provenance indications as above.  (31961)

There are two editions of this work: The other has only 131 leaves and contains a typographical error on the title-page (“lirro” for “libro”). In this edition the “Apendiz al Memorial. Aduertencias a quien lo huuiere leido,” pp. 242–78, is by Juan Antonio Jarque. The place of printing has long been a matter of conjecture because of the paucity of studies of typography and typographic norms in Mexico and Puebla in the 17th century. We admit to no scholarship on the topic of typefaces but do have extensive experience with the paper used in Mexico and Puebla in the 1650s and the watermark in this edition is that of paper widely used there.

Provenance:  Bookseller's label of the Libreria de San Martin in Madrid.

•  Sabin 58279, 73620; Palau 209627, 275715; Medina, BHA, 6837; DeBacker-Sommervogel, VII, col. 252; Streit, Bibliotheca. missionum, VII, 1780. Not in Alden & Landis.   Contemporary limp vellum, evidence of lost ties. Early owner's signature in lower margin of title-page, but lined through making it most difficult to decipher.  (35317)

The Liberals installed Gen. Carlos Salazar in January, 1839, as provisional president of Guatemala replacing Conservative Mariano Rivera Paz. This was during a brief period of peace between the two factions. Here in a decree dated 20 March 1839 Salazar offers to act as mediator for any effort at a lasting peace.

No copy traced via WorldCat, COPAC, CCILA, or METABASE; there is no OPAC at the Biblioteca Nacional de Guatemala to be searched.

•  Irregular margins, tea-colored waterstain running longitudinally top to bottom in one half of the leaf, date in faded old ink in top margin. A good+ copy.  (30885)

This work discusses his humility, obedience to the Agustinian rule and vows, and in part his work among the native population.

This second edition additionally contains Lucas Centeno's compilation of the documents relating to the reinterment of Fr. Basalenque's remains in the Convento de Santa María de Gracia in Valladolid (now Morelia), Mexico.

•  Sabin 75779; Palau 287455; Medina, BHA, 3996.   Contemporary limp vellum with remnants of ties. Rodent damage to binding (bits devoured especially at back cover fore-edge) and some nibbling to lower edge of closed book (not anywhere near the text). Clean, solid, unwormed copy.  (28616)

The struggle lasted more than a decade, but on 12 July 1821, he took Lima from the Royalists, saw Peru officially declared independent on the 28th, and was himself named “Protector of Peru” on 3 August. Just about a year later, on 22 September 1822, via this document, he resigned his position and retired permanently from public life and service.

“The presence of a lucky soldier . . . is feared by newly constituted states; [and] for my part, I am tired of hearing it said that I want to be the sovereign.”

“Peruvians: I leave you with an established national government; if you repose in it all of your confidence, count on triumph; if you don't, anarchy will devour you.”

And with that he left Peru, returned to Argentina briefly, then sailed to Europe where he lived in several cities, only once attempting to return to America, but always maintaining a keen interest in the fate of his native Argentina.

Searches of WorldCat, NUC, CCILA, COPAC, and the Catálogo Colectivo del Patrimonio Bibliográfico locate two copies worldwide: one in the U.S., and one in Chile. There is a very old unverified report of a copy in the Biblioteca Nacional in Lima.

•  Medina, Lima, 3704.   Browning, age-toning, some crumpling and tattering. Small loss of paper along the wide bottom margin. No worming. Housed in a quarter red morocco clamshell box.  (34159)

Neither Medina, nor Palau, nor Garritz, nor the cataloguer for the NUC Pre-1956 entry notes a plate as present. The engraved plate in our copy, which is signed “Araoz M.o,” shows St. Teresa kneeling in prayer in her garden. In the background are a lake or a river and a mountain. Christ is seen off to the right, emerging from a stand of trees near the water. In front of the saint are some flowers and other cultivated plants which are being watered by an irrigation system fed by a well; two symbolic doves and a yearning (or dedicated) heart also appear. Below the engraving is a quotation from Ecclesiastes that the saint used in her writings.

The engraver was Manuel de Aráoz, one of the first students of the Mexican Academy of Painting, a noted engraver, and later subdirector of the Academy's department of engraving.

•  Medina, Mexico, 10812; Palau 293431; Garritz 1569. On the engraver, see: Diccionario Porrúa de historia, biografía y geografía de México (5a ed.), I, 165.   Without the plain wrappers one expects. Three pin-type wormholes affecting some pages, including the plate, not offensively. Discoloration along inner margin of title-page; soiling affecting edges/margins variably; upper outer portions of title-leaf, last two text leaves, and final blank most affected. Ample-margined copy.  (27616)

•  Medina, Mexico, 10812; Palau 293431; Garritz 1569.   Removed from a nonce volume. Without the sometimes-seen plate, which is not mentioned by Medina or Garritz or Palau; it may be not all copies were issued with it or that it could be added at an additional cost. Fore-edges closely trimmed, touching or costing up to a few letters of some sidenotes. Very good copy.  (34495)

Provenance:  Ownership stamp of John Carter Brown on title-page; later in the John Carter Brown Library (bookplate); note at end “Collated with G.G. Church copy. July 31, 1912. dup.” Deaccessioned 2008.

Evidence of readership: Scattered marginalia in French through p. 50, almost invariably giving the French for obscure words and phrases in Spanish in the text. Perhaps owned by someone living in the Haitian area of the island?

•  Palau 296409; Medina, BHA, 5154; Sabin 76309.   Contemporary vellum over paste boards, vellum split at fore-edge of front one exposing the substrate; vellum cockled and old, faint inked writing on it. Front hinge (inside) open; without the map; stamp as noted above. A good copy.  (28324)

The work is printed on “rice paper” (i.e., Asian paper probably from the mulberry tree) as was common in Manila during the period to ca. 1820. The typography is definitely provincial and plain, using only one decorative woodcut initial and no ornamentation on the title-page. The type is roman in a variety of sizes with a practice of using all capitals for emphasis.

The press on which this work was printed had been that of the Jesuits until Archbishop Sancho de Santa Justa carried out the king's order and expelled them; he then appropriated the press for his private use, as here. What had been only the fourth press to operate in the Islands, now with a new name, became the fifth.

Searches of NUC, WorldCat, and COPAC locate only five copies worldwide (three in the U.S., one in the U.K., one in Spain).

•  Medina, Manila, 317; Retana, Aparato bibliográfico, 379.   Recent marbled paper–covered boards (green and mauve stone pattern); red leather label on front cover. A few minor paper repairs to edges of a few leaves; a very few small pinhole type wormholes, not costing any letters; the brown spotting and staining peculiar to rice paper. Old, brief note lightly red-inked to title-page. Over all a very good copy.  (33130)

The patient and the doctors were all resident in Mexico City.

The online cataloguing of this book is an amazing example of copy-cataloguing from an initial poor record. The cataloguer of that initial record misunderstood the Medina entry and thought that Medina's “port.” meant “portrait,” when in fact it means “title-page”; that cataloguer then recorded that library's copy as “lacking the portrait.” And the error was perpetuated again, and again, and again by five of the ten Anglo-American libraries reporting ownership.

One of the few medical works printed by this famous woman printer.

•  Medina, Mexico, 10967; Guerra, Iconografia medica mexicana, 619; Garritz, Impresos novohispanos, 2091.   Original plain wrappers. Very nice.  (36515)

In addition to the wealth of information here about the origins of the cave as a site of miracles, its history throughout the colonial period, and accounts of miracles occurring there, this work also has important biographies of Augustinians of the 17th century who played important roles in the care and perpetuation of the site.

The engraving shows the cave, the Christ figure, pilgrims, and Augustinian friars.

•  Palau 302085; Medina, Mexico, 10516. 19th-century mottled sheep, abraded, missing spine label; spine is cracking down center, and volume may sometime split into two halves. Some brown stains, most notable in inner and upper or lower margins; lower outside corner of title–page neatly excised. Old ink notes and scribblings.  (15035)

•  Palau 325517 and 325518. Both removed from a volume of pamphlets. Some age-toning.  (7755)

An uncommon and fun example of 19th-century Spanish popular culture. WorldCat and CCBPE locate only the copies in the national library of Spain and the library of the University of Tours (France).

•  In later wrappers. Very good condition.  (37117)

Dolce was a Venetian humanist and prolific author, translator, and editor. He worked for Gabriele Giolito de' Ferrari's press and had his hand in upwards of 96 works from that considerable printing enterprise. Why this work came from the Sessa press we do not know.

The volume is printed in italic with a spare use of woodcut headpieces and initials in the preliminaries, first leaf of text, and at the beginning of each play; the Sessa non-cat printer's device adorns the title-page. There is an error state on the last leaf (“Gli errori delle stampe si rimettono al giudicio di chi legge”).

•  Schweiger, II, 946; Graesse, VI, 361; Edit16 CNCE 29883. Not in Adams.   Early vellum over light paste boards, endpapers foxed; evidence of ties, later inked title on spine. Lower blank margin of title-leaf torn away and repaired with a lighter paper; one short tear on another page repaired. Light waterstaining in lower outer corners and sometimes slenderly across top margins; two small, pin-type wormholes in upper inner margins of leaves at back of volume. Final blank leaf present; all edges carmine with a little bleed-in to some margins. Overall a clean, solid, decent copy.  (33383)

In the aftermath of the war with the U.S., scapegoats were sought and Sierra was one.

•  Sutro 874. Removed from a nonce volume.  (3639)

As is increasingly the case with Mexican imprints of the 17th century, it islittle found in the marketplace.

Provenance:  18th-century ownership signature on title-page and first leaf of preliminaries of the Conde del Fresno de la Fuente.

•  Medina, Mexico, 1328; Palau 312973; Asuncion Lavrin, “Cotidianidad y espiritualidad en la vida conventual novohispana: Siglo XVII,” in Memoria del Coloquio Internacional Sor Juana Ines de la Cruz y pensamiento novohispano (1995).   Late 19th-century Mexican quarter dark green morocco with mottled green paper sides; binding rubbed and abraded. Pencilling on front fly-leaf and title-page verso; top margins closely cropped occasionally costing top of letters of running heads and foliation. Worming, chiefly in margins but occasionally into the text, not costing words, sometimes repaired; first and last few leaves with old repairs to corners and margins and a bit of text restored in pen and ink. Withal, a good++ copy of important work that is not often on the market.  (34203)

Not found in WorldCat or CCPBE.

•  Never stitched. As issued. Very good.  (37121)

It is also rare: This item isnot in NUC or WorldCat, and has only one holding in the CCPB.

•  Not in Palau.   Removed from a volume of pamphlets and now in later marbled paper wrappers; light age-toning.  (36686)

[drop-title] Comedia famosa. El doctor Carlino. [colophon: Barcelona: En la oficina de Pablo Nadal, 1798]. 4to (21.1 cm, 8.3"). 32 pp. “Num. 60" in the upper left corner of the first page.

[drop-title] Comedia famosa. Un bobo hace ciento. [colophon: Valencia: en la Imprenta de la Viuda de Joseph de Orga, 1763]. 32 pp. “N.60" in upper left corner of the first page and “Pag. I” in upper right.

[drop-title] Comedia famosa. Las Amazonas de escitia. [colophon: Valencia, en la Imprenta de la Viuda de Joseph de Orga, 1764]. 32 pp. “N.68" in upper left corner of the first page and “Pag. I” in upper right.

[drop-title] Comedia famosa. Amparar al enemigo. [colophon: Valencia, en la Imprenta de la Viuda de Joseph de Orga, 1765]. 32 pp. “N.85" in upper left corner of the first page and “Pag. I” in upper right.

[drop-title] Comedia famosa. El alcazar del secreto. [colophon: Valencia, en la Imprenta de la Viuda de Joseph de Orga, 1765]. 32 pp. “N.86" in upper left corner of first page, and “Pag. I” in upper right.

[drop-title] Comedia famosa. Erudice y Orfeo. [colophon: Valencia, en la Imprenta de la Viuda de Joseph de Orga, 1765]. 32 pp. “N. 89" in upper left corner of first page, and “Pag. I” in upper right.

[drop-title] Comedia. El amor al uso. [colophon: Madrid: en la Libreria de Quiroga, 1799]. 32 pp. “I” in upper right corner of first page.

[drop-title] Comedia famosa. El mayor triunfo de Julio César, y batalla de Farsalia. [colophon: Valencia, en la Imprenta de la Viuda de Joseph de Orga, 1770]. 36 pp. “N.162" in uppper left corner of first page and “Pag. I” in upper right.

The Spanish National Library attributes this title to Francisco de Alsedo Herrera, not Solis.

[drop-title] Comedia famosa. La gitanilla de Madrid. [colophon: Valencia, en la Imprenta de Joseph, y Thomàs de Orga, 1780]. 32 pp. “N.232" in upper left corner of first page and “Pag. I” in upper right.

Binding: Full dark caramel calf single-ruled in gilt around blind-ruled border, gilt board edges and blind-patterned turn-ins, spine gilt extra with two black spine labels lettered in gilt. Marbled endpapers and brown speckled edges, green ribbon place holder.

Provenance:  19th-century bookplate of Robert Henry Clive on rear pastedown.

•  On the comedias sueltas, see: Bergman & Szmuk, Comedias Sueltas; McKnight & Jones, Catalogue of Comedias Sueltas; Sullivan & Bershas, Comedias Sueltas.   Bound as above; extremities rubbed with loss to gilt on board edges, joints starting but volume strong, boards with a few stains and scratches. Sticker on front free endpaper. Gentle age-toning and occasional cases of foxing, most noticeable in El amor al uso, otherwiseclean and crisp.  (30950)