NUC and WorldCat locate only five U.S. libraries reporting ownership (Yale, Boston Public, Duke, Notre Dame, John Carter Brown). Searches of CCPB and the OPAC of the Spanish national library locate three Spanish libraries reporting ownership; COPAC finds no copies in Britain.

The number of “splendid ceremonies” books produced in colonial Peru is small: There is no census but we suspect the number to be around 20.

Other interesting aspects of the work are that it is an important source on the social and artistic life of Lima in the decade following the Tupac Amaru rebellion and that it is from one of Latin America's famous presses of “orphan children.”

•  John Carter Brown Library, Catalogue, 1493-1800, III,324; Medina, Lima, 1697; Sabin 73902; Vargas Ugarte, Impresos peruanos, 2546.   Contemporary limp vellum with neatly inked title on spine; all edges inked decoratively. Old blurred stamp on front free endpaper, old single numerals very faintly on title-pages. Small tear in margin of plate, not into image. Overall a very good copy, very clean and with wide margins.  (34668)

Rare: WorldCat locates only two copies in the U.S.

An important source on the social and artistic life of Lima in the decade following the Tupac Amaru rebellion.

•  John Carter Brown Library, Catalogue, 1493-1800, III,324; Medina, Lima, 1697; Sabin 73902; Vargas Ugarte, Impresos peruanos, 2546.   Contemporary limp vellum with late, neatly inked title on spine. Some foxing. Plate lacking lower half and small portion of upper one; a handsome skeleton (memento mori) archer is the focus of what remains. Bookplate sometime removed; rubber-stamps on several pages, including title, reading (yes, in English), “Bought of F. Perez Velasco October 1912.”  (25771)

The engravings: The frontispiece, depicting the pope conducting the king's funeral service, was engraved by Raphael Morghen after Stefano Tofanelli, as were the headpiece to the dedication (a medallion with the profiles of Charles IV and his queen, surrounded by a cupbearer, a mother with children, and Athena with sword and scales) and the large vignette on p. 1 (another medallion — this one of the deceased — surrounded by a figure holding the pontifical hat and keys of St. Peter, a mourner holding a mirror, and Athena leaning on a pillar, accompanied by a lion). Three more vignettes, one incorporating the abbreviated Spanish royal coat of arms, were engraved by Giovanni Volpato after Tofanelli, and the text is additionally decorated with two engraved decorative capitals (unsigned). All of the engravings were extremely well accomplished, with de Lama praising their graceful execution.

Provenance:  Front pastedown with bookplate of Brian Douglas Stilwell.

Of this quarto edition, WorldCat locates only two U.S. libraries reporting ownership (Huntington, Sacramento Public).

•  Brooks 384 (for another edition); De Lama, II, 55/56.   Modern half red morocco and marbled paper–covered boards, spine with gilt-stamped title and gilt-ruled raised bands. First and last few leaves with light foxing in upper portions. A very nice copy of this very attractive production, here in an unusual state.  (40139)

The volume is illustrated with woodcut arms on the verso of the second title-page and bears many woodcut initials and tailpieces throughout This copy retains Ortuño's engraved frontispiece (often missing) of St. Francis.

Binding:  A very interesting contemporary Mexican sprinkled calf binding, probably by a “provincial” binder. Covers with a single gilt-roll border having a modest corner device in each corner, that tool reused to form a four-part center design on each cover; same gilt-roll used on spine to accent the slightly raised bands and form spine compartments, one of these compartments with a spine-label and one having the covers' corner device gilt-tooled at its center. Board edges also with a gilt-roll design; all edges green. Highly unusual endpapers of a pattern in blue and red resembling images of strings in string theory: This is the first time we have ever seen this pattern.

•  Garcia Icazbalceta, Lenguas, 56; Viñaza 341; H. de León-Portilla, Tepuztlahcuilolli, 2286; Palau 269110; Medina, Mexico, 4500; DeBacker-Sommervogel, VI, 210–211; Sabin 71488; Leclerc 2334; Pilling, Proof-sheets, 2891.   Binding as above, in good condition; light offsetting from it to early and late leaves. A few small areas of discoloration where candle wax spilled on a page, and a bit of other light toning; p. 135 with “Per Omnia Secula Seculorum” neatly written in bottom margin. Very good.  (34611)

Searches of WorldCat, COPAC, CCILA, and METABASE locate no copies. Tthere is no OPAC at the Biblioteca Nacional de Guatemala to be searched.

•  Valenzuela, III, 579.   Light to tea-colored waterstains in margins. A good copy.  (30889)

WorldCat locates only the copy in the Chilean National Library; no copy traced via COPAC, CCILA, or METABASE; there is no OPAC at the Biblioteca Nacional de Guatemala to be searched.

•  Irregular inner margin. Light to quite noticeable waterstain running longitudinally top to bottom in one half of the leaf. Lower outer corner damaged with loss of paper due to exposure to moisture away from text.  (30886)

•  American Imprints 52683; Sabin 71961. This edition not in Palau. Publisher's pebbled brown cloth bindings: black tape at top of one spine and onto the covers. Bindings show modest wear, publisher's paper spine labels slightly chipped; text blocks slightly skewed in bindings and light waterstaining in lower inner margins of vol. I. Ex-–social club library: 19th-century bookplate, call number on endpaper, pressure-stamp on title-page, no other markings.  (28891)

This has an elegant emblematic frontispiece and an engraved coat of arms on the title-page.

Binding: Contemporary mottled sheep, spine gilt-extra with gilt-stamped leather title-label and gilt-stamped pomegranate decorations. Marbled endpaprs; all edges speckled red.

•  Palau 273666.   Bound as above; covers and edges with abrasions, joints and extremities rubbed, spine leather with fine cracks. A copy lacking the map and priced accordingly. Paper browned in some quires by nature of the paper; otherwise, scattered light to moderate foxing only. A nice copy.  (29257)

The bishop gives his interpretation of what the king means and then expands on the abilities or, rather, the inabilities of nuns. For example, “Ninguna de . . . [Uds.] ha sido criada por Dios para el govierno de algun Reyno, Provincia, o Ciudad, y assi todas deben creerse incapaces, de hacer cosa acertada en la direccion, y el govierno, si las pusiessen en el” (p. 28).

•  Medina, Puebla, 839.   Contemporary multi-colored wrappers of a sponged pattern, in shades of rose, blue, and green, with some purple and white. An unusual decorative paper wrapper.  A clean, very good copy.  (34775)

These volumes offer his “Composiciones líricas originales” in vol. I and “Composiciones dramáticas originales” in vol. II. The frontispiece is a fine lithographic portrait of Don Ignacio, in Romantic style of course; there is a liberal use of handsome tailpieces. The whole was compiled and edited by the author's brother Antonio.

This first edition is uncommon in our experience as dealers in Mexicana.

Provenance:  Masonic stamp, “Porfirio del Rio” on title-page; inscription to fly-leaf of A. Quijano, 1916.

•  Palau 273981; Sabin 72510.   Handsome contemporary quarter red morocco with red mottled paper sides, boards rubbed; spine exuberantly tooled in gilt, bright. Foxing and spotting variously; provenance indications as above.  (31961)

There are two editions of this work: The other has only 131 leaves and contains a typographical error on the title-page (“lirro” for “libro”). In this edition the “Apendiz al Memorial. Aduertencias a quien lo huuiere leido,” pp. 242–78, is by Juan Antonio Jarque. The place of printing has long been a matter of conjecture because of the paucity of studies of typography and typographic norms in Mexico and Puebla in the 17th century. We admit to no scholarship on the topic of typefaces but do have extensive experience with the paper used in Mexico and Puebla in the 1650s and the watermark in this edition is that of paper widely used there.

Provenance:  Bookseller's label of the Libreria de San Martin in Madrid.

•  Sabin 58279, 73620; Palau 209627, 275715; Medina, BHA, 6837; DeBacker-Sommervogel, VII, col. 252; Streit, Bibliotheca. missionum, VII, 1780. Not in Alden & Landis.   Contemporary limp vellum, evidence of lost ties. Early owner's signature in lower margin of title-page, but lined through making it most difficult to decipher.  (35317)

Provenance:  From the library of Robert L. Sadoff, M.D., sans indicia.

•  NCBEL, III, 1138; NSTC 2R21229.   Contemporary tree calf, covers framed in small floral gilt roll, spine with gilt-stamped red and green leather title and author labels, spine compartments with gilt-stamped floral decorations, board edges and turn-ins with gilt rolls; minor rubbing to spine, joints, and extremities. Light foxing. An interesting piece, in distinguished dress. (39827)

The Liberals installed Gen. Carlos Salazar in January, 1839, as provisional president of Guatemala replacing Conservative Mariano Rivera Paz. This was during a brief period of peace between the two factions. Here in a decree dated 20 March 1839 Salazar offers to act as mediator for any effort at a lasting peace.

No copy traced via WorldCat, COPAC, CCILA, or METABASE; there is no OPAC at the Biblioteca Nacional de Guatemala to be searched.

•  Irregular margins, tea-colored waterstain running longitudinally top to bottom in one half of the leaf, date in faded old ink in top margin. A good+ copy.  (30885)

Among the authors excerpted are Cadalso, Antonio Solis, Lope de Vega, Cervantes, Luis de Granada, López de Gómara, Gracián, and Feijóo.

Provenance:  Early 19th-century bookplate of James Bruce.

•  Shoemaker 22193.   Publisher's sprinkled sheep, flat spine with red leather title-label; binding scuffed and abraded, joints (outside) open but sewing seemingly strongly holding. Age-toning, and one leaf with an ink-drop not preventing reading; now in a basic phase case. By nature, expectably scarce, and in fact especially so out of the eastern U.S.  (38424)

This work discusses his humility, obedience to the Agustinian rule and vows, and in part his work among the native population.

This second edition additionally contains Lucas Centeno's compilation of the documents relating to the reinterment of Fr. Basalenque's remains in the Convento de Santa María de Gracia in Valladolid (now Morelia), Mexico.

•  Sabin 75779; Palau 287455; Medina, BHA, 3996.   Contemporary limp vellum with remnants of ties. Rodent damage to binding (bits devoured especially at back cover fore-edge) and some nibbling to lower edge of closed book (not anywhere near the text). Clean, solid, unwormed copy.  (28616)

•  Exemplares: Medina, Manila, 286; Palau 296834; Pardo de Tavera, Biblioteca filipina, 2516; Retana, Aparato bibliográfico, 342. Representacion: Medina, Manila, 278; Palau 296831; Retana, Aparato bibliográfico, 331; Pardo de Tavera, Biblioteca filipina, 2513. Memorial: Retana, Aparato bibliográfico, 332; Pardo de Tavera, Biblioteca filipina, 2514; Medina, Manila, 279; Palau 296832. Señor: Palau 296833; not in Medina, Manila; not in Retana, Aparato bibliográfico; not in Pardo de Tavera, Biblioteca filipina, 2514.   Contemporary limp vellum with spine title in ink and thong ties, book block loose in binding; first item lacking the engraving. Contents relatively clean, with two small wormholes throughout causing generally minor text loss (a letter or two, not whole words). A fascinating compilation of scarce Philippine imprints. (40763)

•  Leclerc, Bibliotheca Americana, 2423; Palau 292360; Blake, Philippine Languages, 327; Walsh, Philippine Linguistics, 951; Retana, Aparato bibliográfico, 619.   Contemporary limp vellum, yellowed, ties lacking; front free endpaper and title-page with old taped repairs; text block (itself strongly intact) loose in binding. Insect tunneling to approximately 50 leaves at front with some loss to print and about 100 leaves at the rear with small losses mostly marginal, not destroying sense of text; else good++ .  (38102)

The struggle lasted more than a decade, but on 12 July 1821, he took Lima from the Royalists, saw Peru officially declared independent on the 28th, and was himself named “Protector of Peru” on 3 August. Just about a year later, on 22 September 1822, via this document, he resigned his position and retired permanently from public life and service.

“The presence of a lucky soldier . . . is feared by newly constituted states; [and] for my part, I am tired of hearing it said that I want to be the sovereign.”

“Peruvians: I leave you with an established national government; if you repose in it all of your confidence, count on triumph; if you don't, anarchy will devour you.”

And with that he left Peru, returned to Argentina briefly, then sailed to Europe where he lived in several cities, only once attempting to return to America, but always maintaining a keen interest in the fate of his native Argentina.

Searches of WorldCat, NUC, CCILA, COPAC, and the Catálogo Colectivo del Patrimonio Bibliográfico locate two copies worldwide: one in the U.S., and one in Chile. There is a very old unverified report of a copy in the Biblioteca Nacional in Lima.

•  Medina, Lima, 3704.   Browning, age-toning, some crumpling and tattering. Small loss of paper along the wide bottom margin. No worming. Housed in a quarter red morocco clamshell box.  (34159)

Neither Medina, nor Palau, nor Garritz, nor the cataloguer for the NUC Pre-1956 entry notes a plate as present. The engraved plate in our copy, which is signed “Araoz M.o,” shows St. Teresa kneeling in prayer in her garden. In the background are a lake or a river and a mountain. Christ is seen off to the right, emerging from a stand of trees near the water. In front of the saint are some flowers and other cultivated plants which are being watered by an irrigation system fed by a well; two symbolic doves and a yearning (or dedicated) heart also appear. Below the engraving is a quotation from Ecclesiastes that the saint used in her writings.

The engraver was Manuel de Aráoz, one of the first students of the Mexican Academy of Painting, a noted engraver, and later subdirector of the Academy's department of engraving.

•  Medina, Mexico, 10812; Palau 293431; Garritz 1569. On the engraver, see: Diccionario Porrúa de historia, biografía y geografía de México (5a ed.), I, 165.   Without the plain wrappers one expects. Three pin-type wormholes affecting some pages, including the plate, not offensively. Discoloration along inner margin of title-page; soiling affecting edges/margins variably; upper outer portions of title-leaf, last two text leaves, and final blank most affected. Ample-margined copy.  (27616)

•  Medina, Mexico, 10812; Palau 293431; Garritz 1569.   Removed from a nonce volume. Without the sometimes-seen plate, which is not mentioned by Medina or Garritz or Palau; it may be not all copies were issued with it or that it could be added at an additional cost. Fore-edges closely trimmed, touching or costing up to a few letters of some sidenotes. Very good copy.  (34495)

Provenance:  Ownership stamp of John Carter Brown on title-page; later in the John Carter Brown Library (bookplate); note at end “Collated with G.G. Church copy. July 31, 1912. dup.” Deaccessioned 2008.

Evidence of readership: Scattered marginalia in French through p. 50, almost invariably giving the French for obscure words and phrases in Spanish in the text. Perhaps owned by someone living in the Haitian area of the island?

•  Palau 296409; Medina, BHA, 5154; Sabin 76309.   Contemporary vellum over paste boards, vellum split at fore-edge of front one exposing the substrate; vellum cockled and old, faint inked writing on it. Front hinge (inside) open; without the map; stamp as noted above. A good copy.  (28324)

The work is printed on “rice paper” (i.e., Asian paper probably from the mulberry tree) as was common in Manila during the period to ca. 1820. The typography is definitely provincial and plain, using only one decorative woodcut initial and no ornamentation on the title-page. The type is roman in a variety of sizes with a practice of using all capitals for emphasis.

The press on which this work was printed had been that of the Jesuits until Archbishop Sancho de Santa Justa carried out the king's order and expelled them; he then appropriated the press for his private use, as here. What had been only the fourth press to operate in the Islands, now with a new name, became the fifth.

Searches of NUC, WorldCat, and COPAC locate only six libraries worldwide reporting ownership: three in the U.S. {John Carter Brown, Indiana University, Newberry) one in the U.K. (Briish Library), one in Spain (national library), one in the Philippines (national library).

•  Medina, Manila, 317; Retana, Aparato bibliográfico, 379.   Recent marbled paper–covered boards (green and mauve stone pattern); red leather label on front cover. A few minor paper repairs to edges of a few leaves; a very few small pinhole type wormholes, not costing any letters; the brown spotting and staining peculiar to rice paper. Old, brief note lightly red-inked to title-page. Over all a very good copy.  (33130)

On its first page is the Patent establishing the organization's “contract,” which is the usual one in such cases: Members contribute money and, upon their deaths, the congregación will take care of their funeral expenses and the corresponding masses. Much less “as usual,”this sodality accepts women, while also noting that it doesn't admit elderly people, pregnant women, or sick people.

The second and third pages establish the indulgences that are to be given to the members of the sodality. On the blank back of the third page, a manuscript note records it that the owner of this patent has died and that a payment of 25 pesos was made to her family.

The elegant and elaborate first, “Patente” page is bordered on three sides by printer's ornaments and above the main text, within these, isan exquisite large engraving by Jose Morales of Mary flanked by two male saints, St. Sebastian with his arrows (on her left) and St. Joseph with his blooming staff (on her right). Above her in a cloud is Christ with a chalice and holding the Host.

•  Minor worm meander in all leaves in one small area affecting the engraving and a small portion of the interior text. Very good condition, with all manuscript additions legible (including signatures) and with the paper seal intact. (41002)

Provenance:  Bookseller's label of Deutsche Kunst und Antiquitäten Messe, München.

•  Palau 300543; Retana, Aparato bibliográfico, 637; Leclerc, Bibliotheca Americana, 2424; Blake, Philippine Languages, 330; Walsh, Philippine Linguistics, 1095.   Recased in old limp vellum, recycled manuscript used for rear endpapers, spine lettered in an early hand; vellum yellowed and cockled. Booklabel as above. Title-page laid down and with old tape repair, closed tears to several other leaves, and some minimal foxing or staining; in fact, very good.  (38101)

In addition to the wealth of information here about the origins of the cave as a site of miracles, its history throughout the colonial period, and accounts of miracles occurring there, this work also has important biographies of Augustinians of the 17th century who played important roles in the care and perpetuation of the site.

The engraving shows the cave, the Christ figure, pilgrims, and Augustinian friars.

•  Palau 302085; Medina, Mexico, 10516. 19th-century mottled sheep, abraded, missing spine label; spine is cracking down center, and volume may sometime split into two halves. Some brown stains, most notable in inner and upper or lower margins; lower outside corner of title–page neatly excised. Old ink notes and scribblings.  (15035)

•  Palau 325517 and 325518. Both removed from a volume of pamphlets. Some age-toning.  (7755)

In the aftermath of the war with the U.S., scapegoats were sought and Sierra was one.

•  Sutro 874. Removed from a nonce volume.  (3639)

As is increasingly the case with Mexican imprints of the 17th century, it islittle found in the marketplace.

Provenance:  18th-century ownership signature on title-page and first leaf of preliminaries of the Conde del Fresno de la Fuente.

•  Medina, Mexico, 1328; Palau 312973; Asuncion Lavrin, “Cotidianidad y espiritualidad en la vida conventual novohispana: Siglo XVII,” in Memoria del Coloquio Internacional Sor Juana Ines de la Cruz y pensamiento novohispano (1995).   Late 19th-century Mexican quarter dark green morocco with mottled green paper sides; binding rubbed and abraded, front endpapers with an old paper label and remnants of one removed. Pencilling on front fly-leaf and title-page verso; top margins closely cropped occasionally costing top of letters of running heads and foliation. Worming, chiefly in margins but occasionally into the text, not costing words, sometimes repaired; first and last few leaves with old repairs to corners and margins and a bit of text restored in pen and ink. Withal, a good++ copy of important work that is not often on the market.  (34203)

Provenance:  The author's signature appears below the Latin epigraph on leaf pi1r and his Latin commentary on it above it. Undated (but late 17th- or early 18th-century) ownership signature of Francisco ***** de la Parra above the epigraph and partially into the author's Latin commentary. On the same page, in the lower area, the ownership inscription of Don Roque de Figueroa, dated Naples, 29 January 1688. Later in a convent library as evidenced by unidentified partial marcas de fuego in uppper and lower edges of the book. Virgin of Guadalupe bookplate and ownership stamp on front pastedown of the great 20th-century collector and book scholar Francisco Gonzalez de Cossio.

Searches of NUC and WorldCat locate only three U.S. libraries reporting ownership (University of Texas at Austin, the DeGolyer Library at SMU, and the University of Texas Rio Grande Valley), with the copy at the DeGolyer lacking the epigraph leaf prior to the title-leaf. Those sources also find one Chilean and two Mexican libraries reporting ownership. The copy in the Mexican National Library lacks all of the preliminaries, including the title-leaf; the Tecnologico in Monterrey has both the Ugarte and Conway copies and both are complete. COPAC finds no copies, and CCPBE finds two Spanish libraries reporting ownership, those copies apparently lacking a preliminary leaf (the epigraph?). CCILA locates a copy at the National Library of Peru but we could not trace it via the library's OPAC.

•  Medina, Mexico, 1216; Andrade 734; Tovar de Teresa, Bibliografia novohispana de arte, 72.   20th-century plain caramel-color sheep; leather abraded, top area of spine damaged and darkened, else very good. A clean, untrimmed, complete copy with extraordinary provenance.  (38602)

The page opposite the coat of arms leaf, opening the text, is richly illuminated and decorated in more than half of its area with red flowers on stems with green leaves, and with two birds; the whole is contained within a gilt-ruled frame. Toward the end of the petition proper there are two lines of text written all in majuscules accomplished in gold, with red highlighting; and the first three lines of the granting of the petition that follows are also indited in majuscules in gold with red highlighting, and with green foliage and a bird.

The binding: Contemporary reddish-brown morocco over pasteboards, with evidence of silk ties now missing; gilt double-fillet border with gilt corner devices and gilt center device on each board. Contemporary red silk guards protect all illuminated pages.

•  Bound as above. Small losses of paint to leaf of arms, else an artifact in excellent condition.  (40314)

[drop-title] Comedia famosa. El doctor Carlino. [colophon: Barcelona: En la oficina de Pablo Nadal, 1798]. 4to (21.1 cm, 8.3"). 32 pp. “Num. 60" in the upper left corner of the first page.

[drop-title] Comedia famosa. Un bobo hace ciento. [colophon: Valencia: en la Imprenta de la Viuda de Joseph de Orga, 1763]. 32 pp. “N.60" in upper left corner of the first page and “Pag. I” in upper right.

[drop-title] Comedia famosa. Las Amazonas de escitia. [colophon: Valencia, en la Imprenta de la Viuda de Joseph de Orga, 1764]. 32 pp. “N.68" in upper left corner of the first page and “Pag. I” in upper right.

[drop-title] Comedia famosa. Amparar al enemigo. [colophon: Valencia, en la Imprenta de la Viuda de Joseph de Orga, 1765]. 32 pp. “N.85" in upper left corner of the first page and “Pag. I” in upper right.

[drop-title] Comedia famosa. El alcazar del secreto. [colophon: Valencia, en la Imprenta de la Viuda de Joseph de Orga, 1765]. 32 pp. “N.86" in upper left corner of first page, and “Pag. I” in upper right.

[drop-title] Comedia famosa. Erudice y Orfeo. [colophon: Valencia, en la Imprenta de la Viuda de Joseph de Orga, 1765]. 32 pp. “N. 89" in upper left corner of first page, and “Pag. I” in upper right.

[drop-title] Comedia. El amor al uso. [colophon: Madrid: en la Libreria de Quiroga, 1799]. 32 pp. “I” in upper right corner of first page.

[drop-title] Comedia famosa. El mayor triunfo de Julio César, y batalla de Farsalia. [colophon: Valencia, en la Imprenta de la Viuda de Joseph de Orga, 1770]. 36 pp. “N.162" in uppper left corner of first page and “Pag. I” in upper right.

The Spanish National Library attributes this title to Francisco de Alsedo Herrera, not Solis.

[drop-title] Comedia famosa. La gitanilla de Madrid. [colophon: Valencia, en la Imprenta de Joseph, y Thomàs de Orga, 1780]. 32 pp. “N.232" in upper left corner of first page and “Pag. I” in upper right.

Binding: Full dark caramel calf single-ruled in gilt around blind-ruled border, gilt board edges and blind-patterned turn-ins, spine gilt extra with two black spine labels lettered in gilt. Marbled endpapers and brown speckled edges, green ribbon place holder.

Provenance:  19th-century bookplate of Robert Henry Clive on rear pastedown.

•  On the comedias sueltas, see: Bergman & Szmuk, Comedias Sueltas; McKnight & Jones, Catalogue of Comedias Sueltas; Sullivan & Bershas, Comedias Sueltas.   Bound as above; extremities rubbed with loss to gilt on board edges, joints starting but volume strong, boards with a few stains and scratches. Sticker on front free endpaper. Gentle age-toning and occasional cases of foxing, most noticeable in El amor al uso, otherwiseclean and crisp.  (30950)