This is in Latin, Greek, and Hebrew, with sidenotes, scattered woodcut initials, and a few woodcut tailpieces; an engraved allegorical vignette signed J.G. graces the title-page.

•  For the history of printed treatises on this subject at Franeker, see: L. Fuks and R.G. Fuks-Mansfeld, Hebrew Typography in the Northern Netherlands, 1585–1815.   Contemporary vellum over boards (rubbed and lightly scuffed); spine with morocco label (rubbed and faded) and old library sticker, boards double-ruled in blind with a blind-embossed central cartouche. Interior age-toned with occasional thumb-soiling, minor stains, and one negligible hole from an ink spot; two old institutional bookplates, pressure-stamp to title-page (and publication date changed to 1702, MDCCII, by adding another “I” in early ink), lower edges with rubber-stamp, librarian's pencilled shelf-marks to verso of title-page and neatly inked five-digit number to bottom of next leaf. A solid, handsome volume.  (29609)

•  New. Publisher's blue cloth shelfback and French swirl marbled paper over boards; white paper label on front cover.  (35760)

NUC and WorldCat locate only two copies in the U.S. Searches of CCPB and the OPAC of the Spanish national library locate three Spanish libraries reporting ownership; COPAC finds no copies in Britain.

The number of “splendid ceremonies” books produced in colonial Peru is small: There is no census but we suspect the number to be around 20.

Other interesting aspects of the work are that it is an important source on the social and artistic life of Lima in the decade following the Tupac Amaru rebellion and that it is from one of Latin America's famous presses of “orphan children.”

•  John Carter Brown Library, Catalogue, 1493-1800, III,324; Medina, Lima, 1697; Sabin 73902; Vargas Ugarte, Impresos peruanos, 2546.   Contemporary limp vellum with neatly inked title on spine; all edges inked decoratively. Old blurred stamp on front free endpaper, old single numerals very faintly on title-pages. Small tear in margin of plate, not into image. Overall a very good copy, very clean and with wide margins.  (34668)

Ridge's poems were collected posthumously and are here published by his widow, with a mounted albumen photograph of the author for the frontispiece; the preface includes a detailed account of the assassination of his father, John Ridge. The book was printed by Edward Bosqui & Co., considered San Francisco’s finest 19th-century printer.

Binding:  Chestnut-brown morocco presentation binding with bevelled edges, covers framed in black rules, with author and title in gilt in nice frames on each board (gilt stamping the same as seen on the cloth binding). Binding by Bosqui, with that firm’s ticket.

•  Cowan p. 533; Graff 3504; Kurutz, California Books Illustrated with Original Photographs 1856–1890, 43; Miles & Reese, Creating America, 122; Norris 3270.   Binding as above; rebacked, original spine somewhat unartfully reapplied, sides scuffed. Scratched markings on pastedowns; title-page and a few others with old stains. A very decent copy, with the presentation binding copies being rare.  (39603)

The engravings: The frontispiece, depicting the pope conducting the king's funeral service, was engraved by Raphael Morghen after Stefano Tofanelli, as were the headpiece to the dedication (a medallion with the profiles of Charles IV and his queen, surrounded by a cupbearer, a mother with children, and Athena with sword and scales) and the large vignette on p. 1 (another medallion — this one of the deceased — surrounded by a figure holding the pontifical hat and keys of St. Peter, a mourner holding a mirror, and Athena leaning on a pillar, accompanied by a lion). Three more vignettes, one incorporating the abbreviated Spanish royal coat of arms, were engraved by Giovanni Volpato after Tofanelli, and the text is additionally decorated with two engraved decorative capitals (unsigned). All of the engravings were extremely well accomplished, with de Lama praising their graceful execution.

Provenance:  Front pastedown with bookplate of Brian Douglas Stilwell.

Of this quarto edition, WorldCat locates only two U.S. libraries reporting ownership (Huntington, Sacramento Public).

•  Brooks 384 (for another edition); De Lama, II, 55/56.   Modern half red morocco and marbled paper–covered boards, spine with gilt-stamped title and gilt-ruled raised bands. First and last few leaves with light foxing in upper portions. A very nice copy of this very attractive production, here in an unusual state.  (40139)

Binding:  Publisher's green cloth with a young farmer's vignette stamped in white, black, and gilt on the cover, spine with gilt-stamped title and bird vignette.

•  BAL 16671.   Binding as above, dust jacket lacking, very minor rubbing to extremities and front cover vignette. Front pastedown with ownership inscription of Alice Grace Stone. Clean and fresh.  (35049)

The volume is illustrated with woodcut arms on the verso of the second title-page and bears many woodcut initials and tailpieces throughout This copy retains Ortuño's engraved frontispiece (often missing) of St. Francis.

Binding:  A very interesting contemporary Mexican sprinkled calf binding, probably by a “provincial” binder. Covers with a single gilt-roll border having a modest corner device in each corner, that tool reused to form a four-part center design on each cover; same gilt-roll used on spine to accent the slightly raised bands and form spine compartments, one of these compartments with a spine-label and one having the covers' corner device gilt-tooled at its center. Board edges also with a gilt-roll design; all edges green. Highly unusual endpapers of a pattern in blue and red resembling images of strings in string theory: This is the first time we have ever seen this pattern.

•  Garcia Icazbalceta, Lenguas, 56; Viñaza 341; H. de León-Portilla, Tepuztlahcuilolli, 2286; Palau 269110; Medina, Mexico, 4500; DeBacker-Sommervogel, VI, 210–211; Sabin 71488; Leclerc 2334; Pilling, Proof-sheets, 2891.   Binding as above, in good condition; light offsetting from it to early and late leaves. A few small areas of discoloration where candle wax spilled on a page, and a bit of other light toning; p. 135 with “Per Omnia Secula Seculorum” neatly written in bottom margin. Very good.  (34611)

14 maps of important battle locations

•  Howes R311; Sabin 71530.   Publisher's ribbed brown cloth, covers with blind-stamped foliate frames surrounding publisher's arabesque cartouche, spines with gilt-stamped title and blind-stamped decorative bands; corners rubbed, spine heads chipped and reinforced with brown cloth tape, lower board edges showing very faint water damage, lower back cover of vol. I and lower front cover of vol. II slightly warped, endpapers stained by bleed-through of binder's glue. Ex–social club library: 19th-century bookplates, call number on endpapers, rubber-stamp on title-pages and a few others, no other markings. Vol. I: Two plates with small spots of light staining; light waterstaining to lower outer corners of a few leaves, including one plate. Vol. II: mild waterstaining to lower portions, extending into text; signatures in latter portion unopened. A slightly rough copy, still solid and readable and decent on shelf.  (29427)

Provenance:  The title-page verso bears a limitation statement “De Auteur erkent geene exemplaren voor echt, dan die dus, eigenhandig, door hem zelf, getekend zyn,”signed, “C. Ris.” Title-page recto has signature of American scholar and collector Howard Osgood.

•  Springer-Klassen 5102.   Later limp speckled paper wrappers, spine reinforced with cloth tape, in buckram-covered slipcase with author and date gilt-stamped on spine, remnants of shelving label. Front and back free endpapers partially excised. Title-page institutionally pressure-stamped, with early inked ownership inscription between two lines of title. Lightly cockled, outer corners curled; occasional light foxing, more pronounced towards back of volume.  (31093)

•  NSTC 2R11677; Lowndes 2099; Hugo, The Bewick Collector, 434.   Contemporary half dark green morocco with red marbled paper sides, spine with gilt-stamped title; some rubbing and with a bit of green discoloration to paper of front cover. Minor offsetting to frontispiece and title-page; mild to moderate foxing in first third of volume and to last few pages.  (21934)

The wood engravings are printed from the original blocks from Bewick's atelier; however, many of the tailpieces differ from those of the first edition. Also, this edition adds “Sir Peny” from a Cottonian manuscript that was not included in the first edition.

Provenance:  Front free endpaper with difficult to decipher inked ownership inscription dated 1849, half-title with pencilled inscription: “Ex Armario Gulielmi Blaine Wootten.” Later in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  NSTC 2R11684; Hugo, The Bewick Collector, 488; Kelly, Checklist of Books Published by William Pickering, 1833.9; Keynes, William Pickering (rev. ed.), 87.   Publisher's plain dark blue cloth, spine with printed paper label; cloth worn and faded, spine extremities and top of label chipped. Inscriptions and ex-libris as above. Pages slightly age-toned, with edges untrimmed and dust-soiled; first and last few leaves lightly foxed. Externally an unprepossessing, internally an attractive copy.  (37871)

The contents of these two volumes appear to be based almost entirely on John Roach's Beauties of the Poets of Great Britain, although Roach is not cited as the editor, the pieces are in a different order than originally presented, and there are a few minor changes: “The Negro Boy” is not included here, while several “runic odes” by Mathias and Penrose have been added. The expected highlights of Pope, Gray, Cowper, Burns, Chatterton, Goldsmith, etc. are present, as well as lesser-known pieces such as Mrs. Carter's “Address to Meditation,” Mary Darby Robinson's “Trumpeter,” and Helen Maria Williams's “Sonnet to Twilight” and “Sonnet to Hope” (the latter memorized by Wordsworth, whose first published poem was “Sonnet, on seeing Miss Helen Maria Williams Weep at a Tale of Distress”).

The volumes are illustrated with 18 wood-engraved plates signed by Sears, Willis, and others — not the 1793 originals.

Provenance:  Ownership note of “Adams Jewett, M.D.” to top of title-page.

•  This ed. not in NSTC, Lowndes, or Allibone. Not in British Library OPAC, not in NUC Pre-1956, not in OCLC, not in COPAC.   Recent marbled paper–covered boards, spines with printed paper labels. Each title-page with early inked ownership inscription in upper margin as above. Some pages with offsetting; spots of light to moderate staining; one page with pencilled annotation.  (25339)

•  American Imprints 52683; Sabin 71961. This edition not in Palau. Publisher's pebbled brown cloth bindings: black tape at top of one spine and onto the covers. Bindings show modest wear, publisher's paper spine labels slightly chipped; text blocks slightly skewed in bindings and light waterstaining in lower inner margins of vol. I. Ex–social club library: 19th-century bookplate, call number on endpaper, pressure-stamp on title-page, no other markings.  (28891)

The author, who spent most of his life in Derby, was a sculptor as well as a Derbyshire historian, and he appears to have supplied theoriginal illustrations here himself. The two pairs of plates (one lithographed, one steel-engraved) are done in notably different styles — we suspect that two different engravers worked from Robinson's sketches. Robinson wrote one additional Twitcher piece in 1881, describing a visit to the Royal Agricultural Show, not included in this gathering.

All the Twitcher books are now scarce: WorldCat finds very few U.K. holdings of these titles and virtually no U.S.

Provenance: First text page with early pencilled ownership inscription of Mr. H. Mills in upper outer corner.

•  Crismas: NSTC 2R14138; Visit: NSTC 2R14139; Second Visit: NSTC 2R14140; Watter Cure: NSTC 0643751.   Later quarter green calf and fine combed marbled paper–covered sides, spine with gilt-stamped title; minor shelfwear. Pencilled ownership note as above. Light age-toning; first two works with mild foxing and last leaves with avery light, old waterstain across a lower corner. A highly personal production in text *and* illustration; an entertaining and very uncommon gathering.  (36501)

Provenance:  From the children's book collection of Albert A. Howard, small booklabel (“AHA”) at rear.

•  NSTC 2D7678. Not in Gumuchian; not in Osborne Collection.   Publisher's original printed paper–covered boards; paper slightly darkened, edges and extremities rubbed, joints refurbished. Now in a sturdy, dark blue cloth–covered clamshell case and matching slipcase. Pages evenly age-toned. One leaf with tear from lower margin, touching two lines of text and lower edge of one illustration (without loss); one leaf with short tear from lower margin not touching text. A worthwhile copy of this unusual parody, in its original binding and nicely box-housed. (39980)

•  Publisher's blue cloth, front cover with gilt-stamped title and fish vignette with blind-stamped decorative borders; spine slightly darkened, small spots of light discoloration, extremities rubbed. Sewing just barely starting to loosen but holding; pages clean. A more than decent copy of this interesting and, shall we say, “highly personal” work.  (35139)

It is nicely printed using a variety of type styles and sizes, and has a woodcut on title-page of St. Mark and an attractive woodcut at the end of an angel among clouds with a banner reading “finis.”

Provenance:  From the chapbook collection of Albert A. Howard, sans indicia.

•  Cropper, Nottinghamshire Chap-books, 31.   Folded as issued; untrimmed; unopened. Very good.  (38806)

The book is illustrated with 100 engraved plates and numerous in-text engravings, as well as a frontispiece map of the Holy Land in each volume. The plates are mostly figural illustrations taken from paintings in catacombs and on sarcophagi, illuminated manuscripts, mosaics, ivory figurines, murals, etc. The title-pages are printed in black and red ink, and decorated with an engraved vignette.

•  Publisher's red cloth, stamped in gilt on the spines and front covers. Spines sunned and front cover of vol. II slightly sunned along fore-edge also; cloth of spines frayed at extremities and chipped in other places. Hinges (inside) of vol. I a little weak, stitching exposed; corners bumped with cloth damage; pages very shallowly bumped. Ex-library, with shelf labels on spines, institutional bookplates on front pastedowns, pressure-stamp to title-pages and one other page in each volume. Paper very good; pages clean and bright.  (24688)

•  Allen & Allen, Feodor Rojankovsky: The Children's Books and Other Illustration Art, DP1.a.   Publisher's color-printed paper–covered boards with blue cloth shelfback; corners and spine extremities rubbed, spine gently sunned, cream paper very slightly darkened with a few faint spots. Pages fresh and clean. A very nice copy of a landmark work of children's illustration.  (38684)

•  Brunet, IV, 1375.   Contemporary vellum, later recased using green silk bands with new headbands; vellum slightly sprung, back cover with significant area of discoloration (from glue inside?), binding showing moderate wear overall but sturdy and serviceable. All edges stained blue. Bookplate as above. Four final leaves lacking, see above. Pages clean; last few leaves with waterstaining at inner portions, final leaf adhering to free endpaper. If you want a neat, compact yet compendious, early 17th-century distillation of “Ronsard” in one volume — here it is!  (39486)

This edition was designed by the great American typographer (or “typster,” as he labeled himself) Bruce Rogers, and he left his mark on its final page; it was limited to 425 copies printed at the Riverside Press in Cambridge, MA. Bound in maroon paper–covered boards with a white paper spine label printed in black, this is copy 405 and is in its original dust wrapper and with its box, beingrare thus.  The spare label is tipped in at the back.

•  Work of Bruce Rogers, 101.   Bound and in its box as above; dust jacket and box label sunned, box edges rubbed. The pristine text is, which can be read with enjoyment by peeping, is unopened and uncut.  (30539)

•  Arndt & Eck 762; ESTC W5504; Evans 22858 & 22493.   Contemporary mottled sheep with remnants of original clasp, rebacked quite some time ago with calf, spine with gilt-stamped leather title and publication labels; original leather edges rubbed, spine leather with cracks, spine extremities chipped, joints expertly strengthened and hinges (inside) reinforced. Pages age-toned; first and last few leaves waterstained, scattered staining elsewhere. One leaf with small hole, just barely touching one character without loss.  (27903)

“This edition follows exactly the text of the original Belfast issue of 1897 except that certain misprints have been corrected,” according to the edition statement; the text is ornamented with reproductions of the originalthree wood engravings by W.M.R. Quick. The present example is numbered copy 719 of 1250 printed.

Provenance:  Calligraphic bookplate of Norman J. Sondheim, American collector of fine press books.

•  McKitterick/Rendall/Dreyfus 33.   Publisher's half sheep and pink, red, and brown mottled paper–covered sides, spine with gilt-stamped title; spine gently sunned, extremities a bit rubbed. Front pastedown with bookplate as above; light foxing to endpapers, with a very few faint spots elsewhere. Lovely Nonesuch production of a “must read it to believe it” novel!  (32039)

This archive seems destined to be used not only by historians of Italian-American history but by historians of immigration generally, émigré culture at the beginning of the 20th century, fashion, self-help, education, advertising, and entrepreneurship, to mention but a few obvious areas of social research.

•  A few items quite worn, but overall generally only minor wear. Some items are on poor-quality paper of the era and thus brittle. A gathering fully ready to be worked with, and by multiple sorts of scholars.  (39404)

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Rosenbach, Children's, 603; Shoemaker 5091.   Publisher's plain salmon-colored paper over light paste boards. Some plates browned as in all copies; glue stains showing through frontispiece. A few leaves mildly foxed. A nice book, a charming book.  (38470)

Garrison and Morton say of the first edition in English: “Sir Frederick Still considered this work 'the most progressive which had yet been written;' it gave an impetus to research which influenced the future course of paediatrics.”

Translator Murray (1740–91) was a Swedish student of Linnaeus and later a professor of botany and medicine at Göttingen.

Provenance:  Bookplate of Adamus Elias Schmidt, dated 1784.  Early 19th-century signature of a Philadelphia doctor (erased) at top of title-page.

•  G&M 6323.   Contemporary half calf, well worn: leather dry and gone to red with joint leather lost, cords holding, paper of covers worn through to boards in some places. Text with age-toning. Not a pretty copy but complete, and solid for now. Housed in a red cloth clamshell case.  (22256)

Rosenbach was the leading bookseller in America during the first half of the 20th century, helping to form the collections of Huntington, Folger, Widener, Doheny, Bell, Lilly, Clements, and many others. His personal collecting included American Judaica and Early American children's books. This is the highly illustrated and very bibliographically detailed catalogue of his personal collection of the latter. The collection was donated to the Free Library of Philadelphia.

The introduction is by A.E. Newton, Rosenbach's friend and customer, and a man whose own books on the joys of collecting helped fuel the fashion for it in the 1920s and 30s.

•  Blue pigskin, embossed in black on covers with an early American design; rebacked in plain blue morocco; abraded joints nicely refurbished. In the original black cloth slipcase but without the paper label. A good+ copy.  (34040)

This early edition of Rosignoli’s work, first published in Bologna in 1696, is decorated with floriated capitals, headpieces, and tailpieces, with an engraved frontispiece lacking in this copy. The volume opens with a dedication to Don Teobaldo Maria Visconti and closes with a thorough index.

•  Sommervogel, VII 154.   Contemporary stiff vellum, spine with title inked in early hand; engraved frontispiece lacking and text block separating from spine from base upwards (with sewing visible). Light discolorations to many pages, inked jottings to front and back pastedowns. A scarce edition of a scarce text.  (36670)

Provenance: Unidentified stencilled ownership mark of an anchor flanked by a “G” on the left and an “I” on the right contained in an oval with a solid outer ring and an inner one of dots.

•  Brooks 629.   Contemporary light boards covered with tan paper speckled with red; paper of spine damaged with loss. Housed in a simple one-ply phase box.  (39613)

Provenance:  From the collection of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Hatch, Mosher, 184; Bishop, Mosher, 47.   Vellum-cased boards with green silk accents, spine modestly lettered in gilt; very lightly dust-soiled and spotted, outer green silk uniformly faded, ties appearing to have been trimmed off at edges. Interior creamy and clean. A textually interesting work and a spectacular example of an unusual printing method from an American press.  (37302)

•  ESTC T33309.   Recent marbled paper–covered boards, spine with gilt-stamped leather title-label. Half-title with “Tracts” inked in an early hand in the upper margin; first text page with neatly inked provenance annotation (dated [19]40) in inner margin and stamped numeral in lower margin. Pages lightly age-toned, with offsetting to margins of first three leaves and a very few scattered spots of light staining. Early inked marginalia (shaved in two instances) — this of a skeptical nature — and underlining. (21075)

Provenance:  Bookplate of Louis Boutemy, later owned by Tisseyre Boutemy.

WorldCat locates five U.S. libraries reporting ownership (Pierpont Morgan, NYPL, State Library of Indiana, St. Johns, St. Catherine University).

•  Brunet, V, 1491.   19th-century half red morocco and marbled boards, rubbed at extremities; top edge gilt, silk place marker. Foxing of a the lightest sort and that not “throughout.” A lovely copy. (40332)

•  Brunet, IV, 1421. Contemporary black half morocco over blue pebbled cloth, spine beautifully gilt extra, leather edges ruled in gilt; volume clean and virtually unworn. Front pastedown with private collector’s bookplate and with institutional rubber-stamp (no other markings); some soiling and offsetting to front pastedown and free endpaper. Many leaves lightly to moderately foxed, a few more heavily — the paper here was not as good as it might have been. One leaf with short tear from upper margin, touching page number but not text. An attractive production. (19301)

Uncommon: WorldCat and NUC Pre-1956 locate only five U.S. institutional holdings.

•  Martin & Walter 30351.   Remnants of original simple sewing present; spine chipped and splitting. Title-page with paper shelving label in lower inner corner and pencilled monogram in upper outer corner. Edges untrimmed and slightly ragged; title-page with lower outer corner creased. Minor spots of faint foxing mostly confined to margins, pages otherwise clean.  (30838)

Provenance:  Front free endpaper with inked ownership inscription of Richard Wattel; back free endpaper with inked note: “H.h Price ex dono Rich. Wattel 17 June 1810.”

•  Gregg, Bibliography of the English Printed Drama to the Restoration, L8d; ESTC R8556; Wing (rev. ed.) R2214; Sweet & Maxwell 241.   Contemporary sheep framed in double blind fillets; rubbed, especially at spine and extremities, with sewing starting to loosen and text block separating from spine, back joint just starting from foot. Frontispiece with small smudge in lower portion (not touching main figure); pages lightly age-toned.  (34493)

Rumker’s catalogue of stars visible in the southern hemisphere had both a purely scientific aim and a practical one. The systematic study and cataloguing of the stars visible with the aid of observatory-based telescopy in the southern hemisphere was in its infancy in the 1820s: The Royal Observatory at the Cape of Good Hope was established in 1820 and was the first permanent astronomical observatory in the southern hemisphere. Thus one can see the importance of Parramatta being up and working in 1822. On the practical side, Gov. Brisbane was a naval officer who knew the importance of the stars in navigation. Rumker’s work and his catalogue served both science and the Royal Navy, as he offered “Constants of Aberration and Nutation”; a “Comparison of my Observations with those made by La Caille”; and notes on “Double Stars,” “Magnitudes and Colour of the Stars, Nebula's, &c.,” and so forth — with the grand quotation of our caption being taken from his Preface.

Searches of NUC and WorldCat locate only nine copies in U.S. libraries.

Provenance:  Presented to Alexander Dallas Bache, a great-grandson of Benjamin Franklin and at the time of publication of this work a professor of natural philosophy and chemistry at the University of Pennsylvania: “Professor A.D. Bache / with the author's Compts.” in ink on the front wrapper.

•  Publisher's blue-green wrappers, covers stained and separating; text block stitched as issued. Overall age-toning; occasional foxing; faint waterstaining in upper third of most pages. Overall a good++ copy.  (35203)

•  NSTC 2A17980 (for all years 1855–61).   Removed from a nonce volume. Title-page with small inked numeral in upper outer corner, otherwise clean.  (17033)

•  Austin, Early American Medical Imprints, 1658; Sowerby, Catalogue of the Library of Thomas Jefferson, 922; Shaw & Shoemaker 9289.   20th-century quarter red calf with stone pattern marbled paper sides, round spine, no raised bands; gilt double-rules used to form six spine compartments, five of which have a gilt center device, the sixth containing the author/title label, with the date of publication at base of spine. Plain endpapers. Internally very good. Fascinating not only as to theory, but also for its detailed and very readable notes on symptoms, treatments, and specific epidemic “outbreaks.”  (39068)

Provenance:  Bookplate of Samuel X. Radbill (Philadelphia book collector, bookplate collector, and medical doctor).

•  VD18 11231777 for the first title; second title not in VD18; Blake, NLM 18th Century, p. 394.   Contemporary German pastepaper over boards; binding very worn. Interior very good.  (39953)

At the time of his death, Rush left an estate of more than one million dollars and his books to The Library Company of Philadelphia, which established the Ridgway Branch in his wife's name. Of historical note, James's father, the noted physician and politician Benjamin Rush, was a signer of the Declaration of Independence, as was James's maternal grandfather, Richard Stockton.

Provenance:  Ownership signature of S.J.P. Anderson, “Hanover College, In., Jan. 1836"; later 19th-century bookplate of James J. Anderson, Nashville, IL. S.J.P. was among other things afamed pulpit orator for whom a book like this would have been of special interest; he was sufficiently well known as such that the makers of “Brown's Bronchial Troches” long published his testimonial that their lozenges were “EFFECTUAL in removing Hoarseness and Irritation of the Throat, so common with SPEAKERS and SINGERS.”

•  American Imprints 21025; Sabin 74251 (note); ANB online (James Rush). On Rush's contribution to American elocution studies, see: L. Hale, Dr. James Rush, in K. Wallace, ed., History of speech education in America, pp. 219–37.   Publisher's full plain sheep, modest gilt tooling to spine and board edges. A foxed copy, with also a light semicircular waterstain across gutter in lower margins; still, complete and sound with its paper unsoiled, untattered, and strong.  (34827)

•  American Imprints 21026; Howes R522; Sabin 74264.   Period-style quarter tan cloth and light blue paper–covered sides, spine with printed paper label. Pages age-toned, with minor spotting; a good, clean copy.  (27208)

•  Sabin 74265; Howes R523; Allibone 1893.   Publisher's brown cloth, blind-stamped, spine with gilt-stamped title and blind-stamped decorations; rubbed with cloth split at joints and front cover with spot of discoloration. Ex–social club library: 19th-century bookplate on front pastedown, old inked call number on endpapers and flyleaf (which has small old adhesions of paper to verso); no other markings. Very light to moderate waterstaining to upper inner portions of central third of the volume.  (26480)

As our caption notes, this vast repository purports to have been made as “a bare narrative” of its “fact[s]”; but it now resonates with a richness far beyond mere chronicle. It repays both extended and “dip-in” reading for pleasure.

•  Wing (rev. ed.) R2316, R2318–19, & R2333; Lowndes 2152.   Recent half speckled calf, old style; marbled paper sides; round spines, raised bands, gilt center devices in spine compartments, bands accented with gilt beading. Binding signed by Starr Bookworks. General gentle age-toning, with some pages and sections browned due to nature of paper, including some plates; intermittently recurring instances of old waterstaining, sometimes with some cockling and most notable in vol. VI, there affecting the fold-out plate of the “Battail of Naseby”; minor worming in upper margins also of vol. VI (not anywhere close to text), and a short closed tear. Occasional foxing and other spotting, variously; occasional early marginalia. Old library pressure- (not perforation-) stamps in some blank margins, with light shelfmark pencilling to title-page versos and a number slenderly inked in each volume to lower margin of first text page. A strong, satisfactory, very nice antiquarian set.  (22477)

•  Publisher's teal cloth, spines with gilt-stamped title; spines with gilt slightly dimmed and minor extremity wear, front cover of vol. II with a small light smudge. A solid and pleasant set, with its pages very crisp and clean.  (33164)

•  Publisher's red cloth, spines gilt-stamped, in matching slipcase; volume spines sunned, slipcase showing minimal shelfwear. Overall very clean and crisp.  (33160)

Uncommon.  ESTC, OCLC, and NUC Pre-1956 report only nine U.S. holdings, one of which has been deaccessioned.

•  ESTC W22234; Evans 29452; Sabin 74292.   Contemporary mottled paper, recently rebacked with plain brown cloth; paper abraded around board edges. Hinges (inside) reinforced. Front pastedown with early inked numerals (calculation). Pp. 49/50 bound in out of order. Pages browned and foxed but strong and supple.  (25253)

This is the second edition, following the (scarce) first of 1852; the front cover differs from the title-page in giving the publication information as Chicago.

Provenance:  Front pastedown with several early pencilled inscriptions, including one reading “To Vestilla from W.B. Lear, July 13th 1857.” A folded section from a smaller hymnal is laid in.

•  Publisher's quarter sheep and printed paper–covered boards; binding darkened and rubbed, front joint starting from head, front cover creased. Front free endpaper partially excised and back free endpaper lacking; front pastedown with inscriptions as above, back pastedown with early inked annotations and numerals. First three leaves with central tear affecting several words. Laid-in hymnal pages with upper edges chewed. Moderate foxing and intermittent waterstaining; some corners dog-eared. Interesting for its graphically appealing cover and the array of its “juvenile” repertoire choices.  (30255)

Provenance:  From the library of Robert L. Sadoff, M.D., sans indicia.

•  NCBEL, III, 1138; NSTC 2R21229.   Contemporary tree calf, covers framed in small floral gilt roll, spine with gilt-stamped red and green leather title and author labels, spine compartments with gilt-stamped floral decorations, board edges and turn-ins with gilt rolls; minor rubbing to spine, joints, and extremities. Light foxing. An interesting piece, in distinguished dress. (39827)

While this work is certainly held in the expectable Irish libraries, it islittle held in British or American libraries. In fact, searches of NUC, ESTC, and WorldCat locate only two copies in the U.S., both in the northeast.

•  ESTC T179610.   Period-style half calf and marbled paper–covered sides, spine with gilt-stamped title. Half-title lacking; title-page with early inked inscriptions in upper portion (one inked over), lower corners torn away, and edges chipped as next few leaves' are; first dedication page with early 20th-century inscription in inner margin. Pages darkened, especially at edges, and a good many bumped; last four leaves tattered with old repairs to lower corners taking a few letters but not sense, and once-separated final leaf with repairs also to upper and inner margins. A copy with some rough aspects, but one now sound anda book that's scarce.  (34108)

•  ESTC R36940; Wing (rev.) R2356A. On Russell, see: The Dictionary of National Biography. Unbound, spine delicately reinforced. Pages age-toned and creased, with a few tiny pinpoint holes. Tissue repair to tear from inner margin extending across both leaves, touching but not obscuring a few letters. P. 2 with numerals in an early inked hand in the outer margin.  (14472)