This edition of the Quaver chapbook is uncommon: WorldCat does not find any institutional holdings of this Walker printing, and NSTC lists only a slightly different title.

•  This ed. not in NSTC.   Removed from a nonce volume. Page edges untrimmed, several with short tear from outer margin; pages slightly age-toned, otherwise clean.  (37201)

There is at least one other variant of the first piece, also printed in 1700, “For A.H.” according to its colophon. It seems likely that the two speeches were in the present case issued together — the paper and type match, and the second speech is paginated “(2)” — although these examples were later separated and existing cataloguing records are inconsistent regarding the number of leaves that should be present. Sets of the two pieces together are scarce.

•  ESTC R182313 / R33479; Goldsmiths’-Kress 03732; Wing Q160. Removed from a nonce volume, now in a Mylar folder. Leaves darkened and creased, both lower margins irregularly torn with loss of approximately 20 words. First speech with nick affecting two letters of the title.  (18234)

•  Not in Shaw & Shoemaker. Removed from a nonce volume; stapled and respined with archival tissue. Six-digit number stamped on title-page.  (198)

Binding:  20th-century boards covered with stone-pattern marbled paper; binder's label of C.A. Carpenter, Jr., Shrewbury, MA, on rear pastedown.

Provenance:  Bookplate of Jeffrey Norton on front pastedown; most recently in the children's book collection of Albert A. Howard, small booklabel (“AHA”) at rear.

Of the first edition, WorldCat locates only three libraries reporting ownership (Columbia, UC-San Diego, Bowdoin) and of this second only two (AAS, Free Library of Philadelphia).

•  Clean, with light foxing occasionally rising to moderate throughout; in fact a very good copy.  (38733)

•  ESTC T147963; despite the internal absence of publication information, the collation of this volume matches that given by ESTC. Contemporary sprinkled calf, spine with gilt-stamped leather title label and gilt-stamped floral devices in compartments, overall somewhat worn. Small inked ownership inscription to top of title-page. Some foxing, not severe; last leaves dog-eared. One text leaf torn out (being the middle part of one of the epithalamia), as also one preliminary leaf; and so a “busted bibliophile’s copy” — despite its real interest and attractions!  (2257)

Provenance:  Presentation copy from Rand: “To the Library of [the] Theological Institution Newton Center from the Compiler S.T.R.” With the blind pressure-stamps of the Newton Theological Institution (properly deaccessioned; i.e., rare book collection sold).

•  Reading: Pilling, Proof-sheets, 318; Sabin 67755. Matthew: Darlow & Moule 6788; Pilling, Proof-sheets, 2931; Sabin 67760.   Publisher's plain quarter black leather with stone pattern paper sides. Front board expertly reattached. Some age-toning, but very good.  (40058)

•  Publisher's printed yellow paper wrappers over printed paper–covered stiff boards; wrappers with spine sunned, minor edge wear. Contents clean and crisp. Very good.  (34969)

Binding:  Textured blue cloth, front board with corner maple leaves in blind and elaborate gilt center medallion with lettering. On the spine, the Baron appears to be cutting the rope he's hanging onto that dangles from the Moon, with a lion and alligator waiting underneath him. Undoubtedly he'll come out alive!

•  Bound as above; mild rubbing to extremities and rear board, spine cocked very slightly. Some occasional light foxing and general age-toning to interior. Fantastic fun for lovers of adventure and art. (39527)

Binding:  Contemporary full calf, spine gilt extra with five raised bands and two red leather labels with gilt lettering. Sides are mottled in shades of green, brown, and tan with triple-rule gilt borders, turn-ins decorated with gilt dentelles, and endpapers marbled in a stone pattern. All edges gilt. Bindingsigned by Riviere & Son.

•  Ray, Illustrator and the Book in England, 272 (for Lawrence & Bullen's 1895 ed.).   Binding as above; some rubbing to joints and corners, minor scrapes to rear board, portion of spine-head lacking. Very tiny closed tear to last leaf, interior otherwise in wonderful condition. Engaging inside and out.  (39428)

•  Bibliography of the Fine Books Published by the Limited Editions Club, 221.   Quarter black calf with gilt lettering to spine, and French marbled paper sides, this copy without the glassine dust jacket and the slipcase; rubbing to corners and spine-ends. Interior lightly age-toned with the very occasional finger-smudge. A compelling copy from the artist's bookshelf; and the illustrations are amusing and bright!  (39561)

•  Publisher's cream paper wrappers; darkened, back wrapper with light spots, spine creased with chip at head. Pages clean.  (35687)

So Much of the Diary, here in its 1845 second edition, was originally printed in 1844, while Some Further Portions is here in its first printing.

Binding:  Contemporarymatched bindings done by Zaehnsdorf, signed on each front turn-in: brown morocco, framed and panelled in gilt and black fillets with gilt-stamped fleur-de-lis corner fleurons, turn-ins similarly designed, and board edges with gilt roll; spines with gilt-stamped titles and volume labels, blind-stamped compartment decorations, and gilt-stamped fleurs-de-lis in compartments. Top edges gilt. Back pastedown of each volume with gilt-stamped example of Zaehnsdorf's oval medieval bookbinding apprentice device, from a design by Jost Amman.

Provenance:  Front fly-leaf of second volume with a woman's tantalizingly not-quite-decipherable ownership inscription: “E[something] Anne Fan[something!]s [/] Farnley 1848.”  Most recently in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  NSTC 2R2740 & 2R2743; Ing, Charles Whittingham: Printer, 1795-1876, 32.   Bindings as above, variously rubbed to extremities; offsetting to endpapers from turn-ins. Vol. II with ownership inscription as above. Pages lightly age-toned with occasional minor smudges or spots; front fly-leaf of vol. II (only) more notably spotted. A handsome set of an intriguing Victorian — and feminine — perspective on the domestic side of this dramatic period in the 17th century.  (37855)

This Italian translation is of Books 17 and 18 of the original seven-volume work (first published Amsterdam, 1770, and an anonymous continuation); dealing strictly with North America, it has much to say about the political turmoil of the English colonies, the Continental Congress, etc., but also about Canada, native Americans, the border regions of Florida and Louisiana, and French interests.

A third volume that appeared in 1780, but is not present here, carried the story “fino alla primavera del 1779 nella quale, oltre alla guerra civile trà la Gran Bretagna, e le Colonie Unite, si descrive anche quella trà la prima, e la Francia.”

•  Echeverria & Wilkie, French Image, 778/67.   Contemporary vellum over paste boards, gilt caramel-colored spine label, all edges blue. Some gatherings of leaves browned from impurities in the water during the paper manufacture, and occasional foxing or other light staining. Without vol. 3, later published, and, that aside, arather nice copy.  (33614)

• DeBacker-Sommervogel, VI, 1574; VD18 80341896 & VD18 8034190X.   Contemporary mottled calf, spines with cream leather title-labels and gilt-stamped decorations between raised bands; edges and extremities rubbed, spine gilt all but lost (motifs now appearing blind-tooled on casual inspection), vol. II with early hand-inked numeral on title-label. All edges speckled red. Vol. I front free endpaper with scorched area, some offsetting to title-page. Pages gently age-toned with small spots of light foxing, overall very readable.This is a complete set of both volumes with all plates present, in contemporary bindings, and as such not often seen on the market.  (40102)

The edition was limited to a total of 240 copies; this is one of the 75 unsigned copies printed for the two American publishers, bound in hand-marbled Fabriano paper done by Susan Johanknecht and Claire Van Vliet. The text was hand set in Walbaum, also by Johanknecht and Van Vliet.

•  Fine, Janus Press 1975–80, 40.   Publisher's lilac marbled paper–covered boards with tan shelfback, front cover with printed paper label. A clean and crisp copy.  (32334)

In addition to the folded plates there are nine full-page wood engraved illustrations that are included in the pagination count.

•  McDade, Annals of Murder, 316.   Original mauve colored pictorial wrappers, lightly worn. Light foxing.  (39262)

Searches of NUC and WorldCat find only three U.S. libraries reporting ownership (Cleveland Public, Notre Dame U., U. of Minnesota).

•  Modern half calf with pastepaper-covered sides, flat spine with longitudinal title-label of caramel-colored morocco lettered in gilt; gilt ornaments at top and bottom of spine. Binding signed “GM” in the rear turn-in. Title-page foxed/soiled; text clean.  (39609)

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Freeman & Freeman, Bibliotheca Fictiva.   Bound in a much-faded quarter once-peach(?) brocade silk with brown textured cloth–covered sides; binding showing wear with silk fraying. Floral-pattern endpapers; all edges gilt. A few pages lightly crumpled, with occasional mild soiling. Quite the little tour de force!  (38720)