•  Martin & Walter, II, 17050.   Removed from a nonce volume. Half-title with paper shelving label in lower inner corner and pencilled monogram in upper outer corner. Pages faintly age-toned, otherwise clean.  (30873)

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This is the first printing of the first treaty of commerce and navigation between the United States and Russia; the only prior convention between the two nations was the convention of 1824 concerning the Pacific Northwest. This treaty establishes and confirms reciprocal trade, and commercial and navigation rights to vessels of both countries, and also applies the same rights to thekingdom of Poland.

Government document: 23d Congress, 1st Session. Doc. No. 415. Ho. of Reps. Executive.

•  Recent paper wrappers. Title-page with inked numeral in upper margin. Light spotting.

This was long most commonly attributed to Benjamin Franklin, but recently, on the basis of new scholarship, authorship has been ascribed to Richard Jackson, a London barrister and colonial agent with whom Franklin collaborated in other publications. Franklin and his son, William, certainly supplied many of the materials that formed the basis of the book, which was published during Franklin's first mission to England.

Provenance:  Large signature of “Jo. Kirkbride” dated “Septr 30th 1759" on front free endpaper.

Manuscript additions: Under this ownership signature, in a later, much smaller hand, are five lines of speculation as to the work's authorship; a date is corrected on p. 263. Between leaves B3 and B4, a leaf is bound in containing, on its two sides, a handwritten “List of Governors of Pennsylvania — continued”; this, with one addition to the printed list on p. 262, takes the chronology through John W. Geary, inaugurated in 1867.

•  Sabin 25512 (noting that the editor of the second edition (Philadelphia, 1812) “had no doubt as to [Franklin's] authorship” and supplied his name); Sparks, Franklin, III, 109 (affirming that the volume “was prepared under [Franklin's] direction, and doubtless from copious materials furnished by him”); ESTC T117618.   Recent quarter calf, old style, with raised bands accented with gilt beading on each band, a gilt center device in each spine compartment, and a green leather title label. Boards covered with a stone pattern marbled paper. Title-page with two old ink blots; text lightly and uniformly age-toned. Inscriptions/additions as noted.  (25085)

Jacob (1686–1744) was a legal writer known for his Every Man His Own Lawyer. He also dabbled in poetry, drama, and literary criticism; in the same year as the present work's appearance, he published a parody called The Rape of the Smock, and was subsequently immortalized by Pope's unkind remarks regarding both his grammar and his status as “the Blunderbuss of Law.”

•  ESTC T90927; Goldsmiths’ 5344. On Jacob, see: Oxford Dictionary of National Biography online.   Contemporary mottled sheep, framed and panelled in blind, rebacked with very complementary mottled sheep, spine with gilt-stamped title, author, and date; minor scuffing now nicely refurbished and front hinge (inside) unobtrusively reinforced. Pages mildly age-toned and cockled, with a few instances of light staining towards back of volume; one early pencilled correction. Last few leaves with upper outer corners torn away, touching a few page numbers and in one case one letter. Overall a solid and pleasing copy.  (30232)

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•  American Imprints 13113; Allibone 948; Goldsmiths'-Kress 27325.5; NSTC 2J1391; Sabin 35492.   Publisher's quarter brown cloth and plain tan paper–covered sides, spine with printed paper label; edges and extremities rubbed, corners bumped, sides and spine with spots of discoloration, spine label darkened and chipped. Ex–social club library: paper shelving label on spine head, 19th-century bookplate, call number on endpaper, pressure-stamp on title-page, no other markings. Scattered light spots, pages otherwise generally clean, with edges untrimmed.  (27685)

Offered here is folio ccxii: Printed in a single column in Germanic roman type.

Provenance:  From the collection of leaves assembled by the Grabhorns.

•  Goff J162; Hain 9978*; Schreiber 4309; IGI 5049; GW M11369; ISTC ij00162000.   Light dust-soiling in margins. Tipped into a plain, single-ply mat. With a typed identification label on the front of the mat.  (31083)

The monograph's originalcolor-painted beaux-arts wrappers are bound in at the front and back here, including the spine in front (rubbed and faded, hinting at original splendor). The title-page is printed in red and black. An extensive index appears at the end.

Binding: Three-quarter evergreen morocco bordered with gilt fillets over bubble gum and mint marbled paper boards; spine with raised bands, gilt-framed compartments containing author, title, date, and appropriate devices in gilt; endpapers matching marbled boards and top edge gilt.

•  For J. Jacquemart, see: The Nineteenth Century, Vol. IX, pp. 681–90.   Leather lightly scuffed at extremities and sunned to a woody green on spine and upper front cover; offsetting from turn-ins onto endpapers. Mild to (occasionally) moderate foxing throughout and old water damage on a few leaves only.  (30132)

We have, at the moment, an interesting number of such “first American editions.” Please, enquire!

•  BAL 10549; Edel & Laurence, Bibliography of Henry James (3rd. ed.), A11b; Wright, III, 2913.   Publisher's terra-cotta cloth, spine with gilt-stamped title; extremities rubbed and cloth with areas of discoloration. Ex–social club library: call number on endpaper, rubber-stamp on title-page, no other markings. Pages with scattered light stains, still a very nice copy.  (26637)

Binding: Publisher's textured green cloth, covers framed in a wide foliate blind roll; front cover with gilt-stamped floral and foliate ring vignette, the same in blind on rear cover. Spine gilt extra, all edges gilt, lovely green patterned endpapers.

•  Faxon 537e (for 1842 ed.).   Bound as above; light wear to corners and extremities, cloth faintly mottled. Front fly-leaf with early pencilled ownership and gift inscriptions, also one not quite readable on free endpaper. Light to moderate foxing throughout; clean.  (30500)

Even before it was published, the Augustinus generated controversy. Grace was a forbidden subject, and Jansen, who died in 1638 days after completing his magnum opus and never saw it published, was accused of reiterating Calvin and Baius. Despite heated objections, Henri Calenus and Liber Froidmont, whom Jansen entrusted with his manuscript, published the Augustinus at Louvain in 1640, omitting only the author's dedication to Urban VIII. French editions quickly followed in 1641 (Paris), 1642 and 1643 (Rouen), all with an added treatise by the Franciscan F. Conrius. The Augustinus was condemned by the Jesuits, the Inquisition, and the pope to whom Jansen originally dedicated it.

Each of the three parts has a separate title-page, each featuring a large woodcut ornament; of the third part, this copy has the index only. The text is in Latin, printed in roman and italic, with sidenotes, woodcut initials, and large elaborately woodcut head- and tailpieces — at least two initialed “L.M.” or “D.N.,” and at least two more “R.M.” Strangely, two Jesuit ornaments are used as tailpieces, “I.H.S.” surrounded by intricate borders.

•  Willaert, Bibliotheca Janseniana Belgica, 2227; NCE, I, p. 1076. On Jansenius & Jansenism, see: NCE, VII, pp. 818–26.   Period-style black quarter calf over gray marbled paper boards, spine with gilt rolled bands and tool in each compartment, red morocco gilt spine label. Old institutional pressure-stamp on first title-page. Waterstaining, dampstaining, and splotches, foxing and browning all very variously, none of it having weakened the paper; instances of slim, even “hair-line” worming to lower margin of many leaves, with occasionally another wormhole, natural paper flaw, or other piercing. Lacking text of the third part, its title-page and index pages retained. Affordable for its faults, still substantial and interesting.  (30224)

numbered copy 98 of 125 printed, signed at the colophon by Nicholas and Mary Parry

•  Binding as above. A clean, handsome copy.  (31281)

Binding: Contemporary calf over heavy boards, panelled and framed in blind with floral, geometric, and armorial blind-tooling within panels; a pencilled note on the front free endpaper says, “Richardson binding.” There once were clasps, now lost.

Provenance:  Title-page with small inked inscription, dated 1836, of Charles Nice Davies (1794–1842), a Welsh linguist, librarian at the Congregational Library, and divinity tutor at Brecon College.

•  STC (2nd ed.) 14600.5; ESTC S112182.   Bound as above, rebacked preserving original spine; leather cracked, edges and extremities rubbed, clasps now lost, hinges (inside) reinforced some time ago. Institutionally rubber-stamped on lower closed page edges, front pastedown, and first contents page. Title-page provided in early pen and ink facsimile, with inscription as above; last text page with commentary on the book's age, dated 1724 and 1913. Early inked underlining and marks of emphasis throughout; occasional marginalia, two pages dealing with women and the Church having extensive annotations. Pp. 675/76 lacking. One leaf with tear from upper margin extending into three lines of text, without loss; one leaf with large chip from lower margin, not affecting text. Scattered spots of staining only — a clean, strong volume.  (24511)

Single-click any image of this book, for an enlargement.

Works of Jewish controversy written by Jews and published in England in the period to 1720 were few in number and are now very uncommon. Those controversial treatises actually in Hebrew were and are particularly rare. Searches via ESTC, RLIN, OCLC, and NUC Pre-1956 locate fewer than a dozen copies of this text in U.S. libraries.

•  Roth, Magna Bibliotheca Anglo-Judaica, 336; Palau 191134; ESTC T210368. 18th-century diced russia. Joints and board edges rubbed with joints tender and starting at tops and bottoms. Some margin pencil marks but a clean, complete copy of a scarce and very important book.

Provenance:  Library of the House of Representatives with spine label to that effect and one rubber-stamp.

•  Sabin 36179.   Publisher's full sheep, lightly rubbed; front joint (outside) just starting. Some browning of the edges of the early and late leaves by chemical transfer from the binding turn-ins.  (30018)

lectures Napoleon

Signed binding: Publisher's finely ribbed brown cloth, covers blind-stamped with arabesque designs, spine gilt extra in foliate patterns; binding stamped by Colton & Jenkins of New York. All edges gilt.

Provenance: Front free endpaper with early inked ownership inscription of Louise D. Brown.

•  Binding as above, gently cocked, extremities mildly rubbed, front joint with tiny pinhole spots of insect damage, lower back joint with slightly larger spots. Ownership note as above. Foxing to some portions of the volume, never very dark; frontispiece image bright and clean.  (30203)

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•  NSTC 2J9375.   Publisher's textured sage cloth, covers framed in blind, spine with gilt-stamped title; binding cocked, corners bumped, extremities lightly rubbed, spine sunned, cloth with spots of discoloration. Hinges (inside) cracked. Ex–social club library: paper shelving label on spine, call number on endpapers, old circular rubber-stamp on title-page and several others, no other markings. Paper slightly embrittled, some pages with short edge tears, some age-toned; a few corners dog-eared. Three small pencilled annotations. Not a pristine copy, but very readable and enjoyable.  (27403)

The date of printing is based on the fact that the printing firm of Tennery & Stockwell was active at Cambridge, N.Y., in 1804 only.

Provenance:  Ownership signature dated 1806 of M.H. Smith and another undated (i.e., Manassah H. Smith, a lawyer in Warren and Portland, Maine); 20th-century bookplate of Francis Massey O'Brien (Portland, Maine), bibliophile and bookseller.

•  Shaw & Shoemaker 6570.   Publisher's acid-stained sheep, abraded; black leather spine label; front joint (outside) starting. Early and late leaves with discoloration in outer margins from migration of leather oils, otherwise typical age-toning and the occasional stain or spot. Generally a very nice copy.  (29949)

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Provenance:  Inked inscriptions of James Mack of Windham, VT (1784–1860) on front free endpaper and rear fly-leaf. Although both inscriptions are dated 1840, one gives “Col. James Mack” and the other “Major James Mack.”

•  American Imprints 25154.   Contemporary treed sheep, spine with gilt-stamped leather title-label; joints, edges, and extremities rubbed, spine leather darkened and cracked, boards very slightly sprung. Inscriptions as above. Light to moderate age-toning and foxing, more pronounced to frontispiece and title-page. Now housed in a cloth clamshell case with gilt-stamped leather spine label.  (25116)

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This is an uncut copy; uncut, however, though it may have been, this was carefully opened. It was read cover to cover!

•  American Imprints 2078; Howes S91; Sabin 36551.   Publisher's quarter brown cloth and light blue paper–covered sides, spine with printed paper label; binding rubbed and moderately stained, with front hinge (inside) reinforced some time ago. Ex–social club library: 19th-century bookplate, call number on endpaper, frontispiece, title-page, and last page rubber-stamped. Inside the occasional spot or blot; page edges uncut.  (27106)

Heavily illustrated; hammer prices pencilled in.

•  Original printed boards, scuffed and stained yet volume sound and pleasant enough with interior clean. As noted, most hammer prices pencilled in.  (26156)

•  NSTC J1084 (describing 6th and 7th editions only). On Jones, see: The Dictionary of National Biography, XXX, 174–77. 20th-century half morocco with marbled paper–covered sides, spine with gilt-stamped decorative motifs; binding is clean and all but unworn. Pages foxed, though not nastily so,with occasional pencil and ink marks of emphasis; one leaf with small repair to outer margin.

•  ESTC S111817; STC (2nd ed.) 14751; NCBEL, I, 1657.   Green cloth over limp boards, front cover with title and publication information stamped in gilt; spine and extremities lightly rubbed. One page with pencilled annotation in lower margin, partially shaved; two smaller notes elsewhere. Pages lightly age-toned, with occasional small spots of mild staining; title-page and final page gutters reinforced with cloth tape. A very accessible piece of Jonsoniana; a veritable cornucopia of misogynies.  (32709)

•  ESTC S111817; STC (2nd ed.) 14751l.   Green cloth over limp boards, front cover with title and publication information stamped in gilt; spine and corners very slightly rubbed; gutters of title-page and last leaf affixed to endpapers with cloth tape. Pages age-toned especially at edges, with scattered spots; one leaf with paper flaw in outer margin, not touching text; one leaf with small inked lines in outer margin. A nice copy of one of Jonson's most important plays.  (32720)

•  ESTC S111817; STC (2nd ed.) 14751; NCBEL, I, 1657.   Green cloth over limp boards, front cover with title and publication information stamped in gilt; spine and corners lightly worn. Pages gently age-toned with a few scattered spots; some inner margins waterstained. Some signatures starting to pull away, title-page and final page with gutters reinforced with cloth tape; one leaf with short tear from lower margin, not touching text, one lower outer corner torn away. A desirable First Folio printing of a popular play.  (32716)

In the five-part appendix are the Aristeas de LXX Interpretibus in Greek and Latin, translated into the latter by Matthias Garbatius; Ad Epitomen Aristeæ; a variorum of Book VII of the Jewish War and the Maccabean Rebellion based on the MSS. in the Leipzig collection; a Latin version of the Libelli de Maccabæis by Francisco Combesis; and fragments from the p e r i p a n t a V , ascribed to Josephus, edited by David Hoeschel based upon the work of Stephan le Moyne. Sidenotes refer the reader to important historical details and parallel biblical passages. This edition was compiled from MSS. in the Palatine library and is a revised and improved version of the Geneva edition of 1591.

According to Dibdin, Thomas Ittigus, the editor, was “a man sufficiently conversant in Jewish antiquities, and an able reviewer of the MSS. and previous editions of his author.” As far as Dibdin was concerned, this more than made up for imperfections in type and in paper quality (the paper is strong but inclined to browning). The title-page is handsomely printed in red and black, with engraved printer's device; there is a scattering of ornamental initials and head- and tailpieces.

•  Dibdin, Introduction to the Greek and Latin Classics, II, 131; Schweiger, I, 177.   Full vellum over boards. Round spine with author's name and “Opera” in sepia ink at top. Inked personal ownership inscription on front fly-leaf; rather pleasing old library ownership stamp on verso of title-page. Lower corner of one leaf (H6) torn away without loss of text. Paper inclines to brown, as above, and there is the odd spot or underlining. A substantial, significant volume.  (2135)

Uncommon: ESTC, OCLC, and NUC Pre-1956 find only 9 U.S. holdings.

•  ESTC S107911; STC (2nd ed.) 14831.   Period-style calf framed and panelled in gilt fillets with gilt-stamped corner fleurons; spine gilt extra with gilt-stamped leather title and author labels. Lacks initial blank leaf, as is the case with virtually all copies. Two leaves with tattered outer edges, one leaf with small hole affecting a few letters; pages with some moderate offsetting, a few browned.  (25084)

    Some of both the voyages and the maps make their first published appearances here—among them the New England map depicting the Maryland and Virginia coastlines, engraved by R. Michault after one contained in Richard Blome’s Description of the Island of Jamaica, part of which work appears here translated into French. Altogether, a volume notable both for its strong African and North American content and for the aesthetic appeal of its plates and pleasingly ornamented typography.

Sabin 36944; Alden & Landis 674/159; Beinecke Lesser Antilles Collection 68; Baer, 17th-Century Maryland, 78. Recent 17th-century style mottled calf with covers framed in a gilt roll and double-panelled in gilt fillets with gilt-stamped corner fleurons,; spine with gilt-stamped leather title and author labels and gilt-stamped decorative devices. Several pages (not including title) and the versos of a few plates stamped by a now-defunct institution. Paper slightly embrittled. Light waterstaining to a number of leaves and plates, mostly in margins; the first map with two repairs. One leaf (blank?) prior to Colonies Angloises excised; lacking the folding map of the Nile. A good copy, in a handsome binding of recent vintage and contemporaneous style. (8746)

The text, in Latin and Greek, is divided into two sections: a preface in 15 short chapters, and the main text. The former is printed in roman and italic with nice woodcut head- and tailpieces, and one historiated woodcut initial. Sidenotes, footnotes, and woodcut ornaments like those in the former section enhance the main text, which is printed double column in parallel Latin and Greek, with two handsome engraved initials on the first page below a finely engraved vignette by J. B. Guélard (fl. ca. 1730) after a drawing by A. Humblot (fl. ca. 1740). The title-page, printed in red and black, has an engraved device by [Nicolas-Jean-Baptiste] de Poilly (1707–80). This copy also has a half-title page.

•  Brunet, III, 623 (“Bonne édition”); Graesse, III, 515; NCE 8: 94–95 and online (St. Justin Martyr).   Contemporary treed calf triple-ruled in blind on covers, spine gilt extra with author and title gilt to red morocco spine label, board edges with gilt double-rule, marbled endpapers in a stone pattern and matching marbled edges, emerald green ribbon place holder. Upper joint starting with volume strong despite this and its large size; boards scuffed, corners bumped and rubbed revealing boards; stains on pastedowns and endpapers from underlying turn-ins of the binding. Light foxing in a few places, thumbsoiling, and occasional small stains; one leaf with a corner torn away, another with a natural paper flaw, a few leaves creased. A good copy of avery imposing book.  (30647)

•  Willems 1565.   Contemporary vellum, spine with early hand-inked author, title,and publisher; lightly dust-soiled, three corners bumped. A few light smudges towards back of volume, pages otherwise very clean; one leaf torn from upper margin and repaired, affecting a handful of letters, sense unobstructed. Some lower corners nicked.A nice, one might say “classic” little Elzevir.  (27495)

This copy has interesting, early, but now somewhat faded marginalia in a red or sepia ink. The marginalia is scattered and is at times heavy, other times light; in some sections, it is non-existent.

A rare edition: No copy traced via OCLC; VD16 locates only three copies in Europe.

•  VD16 T2056.   Full rich brown calf old style: Round spine with raised bands, accented in gilt rule; author and title lettered on cream-colored spine label; fillets in blind extending onto covers from each band to terminate in trefoils with blind double fillets beyond. Small rent in upper inner area of title-page with a very old and good repair on verso. Library name stamped on lower edge of closed book.  (24808)

apparently the first printing at The Hague of any Latin Classic(s) in their original Latin.

Juvenal was a Roman poet of the early second century A.D. His Satires are a standard of the genre, eloquent, humorous, and rhetorically polished, but revealing a very bitter man. Persius (a.d. 34–62), was a gentler soul than Juvenal, and his poems are more Stoic sermons than satires, preaching a moral life during one of Rome's more corrupt periods and doing so, most remarkably, without a hint of self-righteousness. The two Satyrae are often published together, in contrast and comparison.

This is the first printing at the Hague of this edition with Farnaby's notes, originally printed at London in 1612 and then reprinted in Amsterdam in 1630. The emblematic engraved title-page here was done by A. de Blois; the separate title-page for Persius bears the printer's device.

Provenance:  Front fly-leaf with three generations of early, dated, inked ownership inscriptions: Thomas Mansell, first Baron Mansel (1684); Robert Mansel (sic, 1712); and Thomas Mansell (1730–31).

•  Brunet, III, 631; Graesse, III, 520; Morgan, Bibliography of Persius, 298; Schweiger, I, 511.   Recent marbled paper–covered boards, spine with gilt-stamped leather title-label. Front fly-leaf darkened and engraved title a littlevery little tattered at edges, the first with inscriptions “stacked” as above and the second with old repair. Pages gently age-toned and generally clean, with all edges red.  (25952)

•  Schweiger, II, 513; this ed. not in Brunet. Contemporary half vellum over paste paper covers, spine with early inked title; sides and edges lightly scuffed, spine with vellum darkened and chipped. Front pastedown with inked ownership inscription dated 1775, lined through; front free endpaper with 19th-century (?) inked inscription; title-page with early inked inscription reading “Carolus Comes a Wartensleben.” Back free endpaper excised. Title-page torn along inner margin and with short tear from outer edge, just touching one letter. One leaf with small ink blots and several leaves with small nicks to outer edges; scattered light foxing. A few small early inked annotations.