Click the image for an enlargement.

•  Drake 707; Shaw & Shoemaker 13185.   Removed from a nonce volume and resewn.  (9489)

      For more PRE-1820 AMERICANA,  click here.
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This volume is also of interest typographically; some of the Greek, Syriac, and Arabic types subsequently used in productions by Hendrik Wetstein and others make their first appearances here. The text is predominantly in Latin, with quotations in Hebrew and the above languages. The title-page is printed in black and red.

Provenance:  Front pastedown with inked inscriptions of the Rev. A.W. Miller of Charlotte, N.C., dated 1871, and of H. Ader of Assumption Hills, dated [18]92; front free endpaper with early inked inscription of Henry Joseph Thomas Drury. Drury was a master at Harrow School (where he taught Byron), and an original member of the Roxburghe Club. His inscription notes the book's passage from the Bibliotheca Heathiana “thro' Dr. Raine's hands, and Cuthell's to mine”; Drury's mother was Louisa Heath, daughter of the great collector Benjamin Heath, but most of Heath's library had originally gone either to his two sons or to auction following the death of his wife.

•  Rosenthal, Bibliotheca magica et pneumatica, 1614. Not in Caillet, Manuel bibliographique des sciences psychiques ou occultes; not in Coumont, Demonology & Witchcraft.   Contemporary speckled calf framed and panelled in blind with blind-tooled corner fleurons, inner edges of covers ruled in gilt double fillets, neatly rebacked; spine with gilt-stamped title, gilt-stamped raised bands, and blind-tooled compartment decorations; original leather with edges abraded, corners repaired. Hinges (inside) reinforced some time ago. Lower (closed) edges institutionally blind-stamped. Front pastedown and free endpaper with inscriptions as above, title-page with small ownership inscription in upper portion. Pages age-toned with small amounts of light foxing. Nice margins, all edges (once) saffron.  (25848)

•  Wing (rev. ed.) D187; ESTC R6224.   Removed from a nonce volume; small stain in outer margin of four leaves. Very good condition.  (32248)

numerous in-text engravings

•  NSTC 0174363.   Publisher's textured green cloth, covers framed in blind, spine with gilt-stamped title; faint discoloration to outer edge of front cover and lower outer corner of back cover, tiny spots of insect damage near joints (one carrying through about 60 pp., not touching text). Hinges (inside) tender, as is often seen with this book, with pastedowns and free endpapers showing evidence of past dampness in lower portions, not affecting interior; two leaves with corners lost away from text. Title-page with early inked ownership inscription in upper portion, first text page (only) with pencilled marks of emphasis; pages clean. British bookseller's invoice from 1983 laid in. A pleasing copy.  (30671)

•  Publisher's plain paper wrappers. Clean and fresh.  (29721)

We locate fewer than ten copies, one of which is now missing. The work was written to be a potboiler and was read to death in the German as well as the English editions.

•  Evans 30324; Sabin 19130 & 98450; Seidensticker, First Century of German Printing in America, 145; Arndt & Eck, German Language Printing in the U.S., 1045. Not in Wright, American Fiction.   Modern wrappers. Title-page and p. 82 with bug-spotting; text age-toned and with staining; fore- and upper margins of pp. 77–80 with short tears and some crumpling. Minor worming in some lower margins, not taking text. Pp. 81/82, and final leaf offering advertising, in excellent facsimile. Housed in a gray cloth clamshell case with red leather spine label.  (26968)

The famous Elzevir print shop published this volume edited by Philippus van Limborch (1633–1712), Courcelles' student and successor. The eulogy following Limborch's preface was written by Arnold Poelenberg (1628–66), another professor at the Seminary whose remarks are still considered themost important source of information on Courcelles' life (1586–1659).

The Latin text is printed in roman and italic with occasional Greek and decorated with handsome woodcut initials and tailpieces. The title-page, printed in red and black, features the printer's device of Daniel Elzevir, the Minerva.

Provenance:  Swirly red stamp (not a rubber-stamp) blazoning owner's initials in a complicated monogram within a wreath, title-page verso.

•  Willems 1506 (“Belle édition”); Goldsmid, I, 123.   Contemporary full vellum with early ink title to spine, red speckled edges; leather scuffed and lightly soiled, upper joint starting. Ex-library: bookplate and old penciling on front pastedown. Waterstaining in outer margin of first eight leaves then intermittently, minor foxing on a few leaves only, occasional small ink blotches; tiniest touches of worming in bottom margin of 250 pages or so in middle of text and starting again at end, most noticeable on rear pastedown. Provenance mark as above.  (30405)

This example particularly showcases the “True Relation,” as the separate title-page for that item is the first leaf present here; the title-page and preface for the Defence are absent.

•  ESTC T189434; Lowndes 616–17; Allibone 490.   Recent quarter mottled calf and marbled paper–covered sides, leather edges blind-tooled, spine with gilt-stamped leather labels, gilt-dotted raised bands, and gilt-stamped decorations in compartments. First three pages institutionally pressure-stamped, lower (closed) edges rubber-stamped; title-page with inked and rubber-stamped numerals in lower margin. Frontispiece, main title-page, preface to Christian's Defence, and final leaf lacking (the last interrupting the text of a brief account of Drelincourt's life). Title-page stained with inner margin reinforced and tear repaired some time ago. Pages browned, foxed, and stained, first and last few with edges tattered; some corners dog-eared. Two leaves torn, without loss of text; one leaf with outer margin chipped, affecting four words without loss of sense. A book often “read to death” . . .  (25807)

A handsome edition of a great, indeed landmark English novel.

•  ESTC N47632; Lowndes, III, 613; NCBEL, II, 900 (first few eds. only). Contemporary half calf over marbled paper–covered sides, bindings overall worn and rubbed with leather lost over corners and front joint of vol. I cracked though holding; now housed in a handsome clamshell case of quarter calf with marbled paper sides, spine with gilt-stamped leather title-label and gilt-stamped decorations. Front free endpapers with pencilled ownership inscription (dated 1875 in vol. I); front pastedowns with 20th-century collector’s bookplate. Light to moderate foxing to pages in proximity to plates, with occasional small spots to other pages; plates spotted and browned although not beyond expectable degrees. Worthy. (15202)

•  Bibliography of the Fine Books Published by the Limited Editions Club, 498.   Binding as above, in original glassine wrapper and slipcase; binding and wrapper all but unworn, slipcase spine label wrinkling very slightly.A gorgeous, fresh, clean copy.  (30640)

•  Publisher's tan cloth with terra-cotta printed medieval pattern, dust wrapper lacking; spine sunned, corners with minor soiling. Title-page with minor offsetting from frontispiece. Showing some external wear, but still a clean, solid, engaging copy of an entertaining work — in fact, a joy.  (26068)

Uncommon: WorldCat and NUC Pre-1956 locate only seven U.S. institutional holdings.

•  Martin & Walter 9944.   Removed from a nonce volume. First page with paper shelving label in lower inner corner, touching lower edges of seven letters without obscuring sense, and with pencilled inscription in upper outer corner. Half-title and 22 pp. of additional supporting material lacking. Pages mildly age-toned with a handful of small spots, otherwise remarkably clean.  (30864)

The facsimile was limited to 252 copies, of which 218 were sold by subscription while the remaining 34 were destined for national libraries, collaborating scholars, and special individuals (identified in the limitation statement). This is copy 88 of the 218 subscription copies.

•  Palau 70182.   Full brown morocco, spine gilt with neat lettering, two rolls, and devices in compartments; covers with double-fillet gilt border (a small portion of this lost on front cover, corners bumped and a little rubbed). Top edge gilt, other edges uncut. Original front wrapper bound in. A very pleasing copy of a handsome homage.  (29223)

Binding:  Percaline mosaïquée binding of publisher's violet cloth, covers framed in blind, front cover with gilt-stamped Last Supper vignette surrounded by smaller vignettes and decorations stamped in gilt, white, green, red, and pink; back cover with elaborate IHS display stamped in gilt, green, blue, red, and white; spine gilt extra and stamped in red and green. All edges gilt.

•  Binding as above, spine and edges of front cover somewhat sunned, front cover with a few small spots of discoloration, extremities rubbed, “presence” very nice. Hinges (inside) tender, requiring some caution (not unexpected in a volume of this size).; one plate separated, one starting to separate. Intermittent faint foxing only; in fact a sumptuous and pleasing presentation, with an intriguing inscription, in a copy that can be called not only “clean” but “bright.”  (30993)

Binding: Contemporary treed calf. Spine with gilt-stamped red leather title label, gilt-stamped compartment lines, and floral devices within compartments.

•  Brunet, II, 576. Binding somewhat rubbed and starting to crack over joints, though very firm; some onetime water exposure visible on front cover (a not entirely unattractive effect). Pages with a bit of very minor spotting, and some offsetting from plates. An attractive copy of a pretty book.

Provenance:  Front cover gilt-stamped M.K./S.W.M./1828. Front fly-leaf with attractively inked presentation inscription in German, signed Sophie Wiedemann in Lobitz and dated 1828, above additional inscriptions dated 1879, 1886, and 1938, the latter in English; back fly-leaf with inked prayer in Wiedemann's hand, above a later inked prayer in English, dated 1984.

Binding:  Contemporary varnished red paper, covers framed in gilt roll, covers and spine with floral designs painted in shades of pink, green, and yellow., front cover with gilt-stamping as above. All edges gilt, and gauffered at corners and at the spine. Pastedowns of light blue and red paste-paper.

The binding is highly reminiscent of a “peasant” binding, but clearly is not one as these are generally understood: It is not vellum, not embossed; but yes, it is definitely handpainted and folk-art inspired. A variant.

•  Binding as above, edges and extremities rubbed, spine faded with paper chipped at joints, head, and foot, partially exposing binding structure, front joint cracked. Free endpapers lacking; fly-leaves with inscriptions as above. Sewing loosening, with some signatures slightly proud and others just starting to separate. A few instances of dried plant matter laid in, including three four-leaf clovers. Occasional spots of minor foxing; one small ink stain affecting two leaves but not obscuring text. Some corners bumped. A multi-generational heirloom devotional, still lovely, and a very appealing example of such.  (29894)

The very large party was successful both as fund-raiser and as a festive and joyful Democratic Party occasion, but examination of the program’s detail reflects the fact that Kennedy’s nomination was highly contested, showing continuing regional and other fractures that went back at least to the Dixiecrat walkout of 1948. The names of well-known, longtime, key Kennedy loyalists may be found in the lists of those attending this event a few months after the inauguration, along with the names of those who came on board only after the inauguration; comparison of this roster with the lists of those who attended the inaugural ball (and who was on each dais, for example) would be instructive. It’s also thought-provoking tosee who DIDN’T attend the birthday fiesta: We observe that notably missing from this guest list are the top three members of Congress from Virginia at that time, Senators Harry Byrd, Sr., and A. Willis Robertson, and Howard W. Smith, who became notorious as the segregationist Chair of the House Rules Committee.

The program notes that Morton Downey (senior, of course) sang the national anthem; “Gentlemen head table guests [were] escorted from their places to visit with dinner guests for 15 minutes” during a “7th-inning stretch”; Jerry Lewis provided the main entertainment; and apart from the president's own address, remarks were made by half a dozen Democratic luminaries including Harry Truman, Sam Rayburn, and Lyndon Johnson.  Door prizes included items so various as two Sarkes Tarzian radios (contributed by Indiana), an American broadtail jacket with mink collar (from a citizen of the District of Columbia), a $50 gift certificate towards purchase of American Indian jewelry (from Sen. Stewart Udall of Arizona), an aluminum and plastic lounge chair and ottoman and a walnut card table (from two gentlemen of Arkansas), a Rose Marie Reed bathing costume (from a lady of California), and six canned hams (from the State of Iowa).

Provenance: The family of one of the attendees listed.

•  Program very good, with its stiff covers a little dust-soiled and sunned; “Continuation” soiled across top inch; admission tickets pristine.  (31352)

Provenance:  Front fly-leaf is inscribed "P Doddridge to his sister Harriett" in an early hand. There is a Doddridge County in New Hampshire, but who "P" and "Harriett" were, we cannot say.

•  ESTC W20627; BAL 4633; Evans 30335; Sabin 19585. On Dennie, see: Dictionary of American Biography, V, 235–37. Contemporary mottled sheep rebacked with plain cloth, abraded (most notably over edges and corners); hinges taped (inside) some time ago. Some offsetting and a few scattered light spots; one page with portion of text insufficiently inked during printing. Chip out of one page margin, just touching but not obscuring outermost letters. (4706)

This volume is in the large ambitious quarto format of the journal's first years, not the octavo format of the later, “New Series”

Provenance:  Front free endpaper with early inked presentation inscription to New Salem Academy from the Honorable Ethan Allen Greenwood (1779–1856), the Massachusetts lawyer who established the New England Museum.

•  Sabin 64182.   Contemporary quarter sheep and light blue paper–covered sides, spine with gilt-stamped leather title-label and gilt-stamped date; rubbed and stained overall, spine leather with cracks and chips, spine head with remnants of small paper label, refurbished: spine caps readhered, front cover reattached, edges reinforced, leather consolidated. Front free endpaper with inscription as above. A later hand has laid in a number of leaves of annotations and commentary on various pieces herein, along with some account of the lacking portions; occasional pencilled annotations in text as well. One leaf with inner margin neatly reinforced; some tears repaired and loose leaves secured. Pages occasionally creased; varying degrees of browning and foxing. Outer edges trimmed closely, occasionally with loss of final letters. Upper portion of one leaf torn away, with loss of weekly header and about three paragraphs of text; one leaf chipped along fold, with loss of several letters; lower outer portion of one leaf torn away, with loss of roughly two paragraphs. Nos. 13, 14, 32, and 34 each lacking final leaf; no. 33 lacking. Pp. 395/96 bound in out of order. Several pieces of dried plant matter laid in at various points. This volume of the Port Folio is as meaty and full of just plain interesting stuff as they all were, despite its lacking bits; and, it represents the journal's beginnings.  (29227)

Provenance:  Front free endpaper with early inked presentation inscription to New Salem Academy from the Honorable Ethan Allen Greenwood (1779–1856), the Massachusetts lawyer who established the New England Museum.

•  Sabin 64182.   Contemporary quarter sheep and light blue paper–covered sides, spine with gilt-stamped leather title-label and gilt-stamped date; worn and stained, front cover with (child's?) pencilled name, spine head with remnants of paper shelving label, spine leather cracked. Volume refurbished, with leather consolidated, joints repaired, edges reinforced with repair tissue. Lacking one issue, no. 12, apparently never bound in; one stanza of one poem excised. Some leaves creased, with occasional tears into text; varying degrees of age-toning and foxing; scattered small holes. Lower outer portion of one leaf torn away, with loss of several lines. A few pencilled marks of emphasis; a later hand has laid in several sheets of annotations and commentary on various pieces herein. Dried plant matter laid in. Price reduced recognizing absent No. 12; but a volume of interest both simply as a substantial Port Folio and as the one produced in such a significant year for the proprietor.  (29238)

•  Brooks, Compendiosa Bibliografia di Edizioni Bodoniane, 279; Steinschneider, Catalogus hebraeorum in Bibliotheca Bodleiana, 2152.   Binding on vols. I–IV: Contemporary calf, covers framed and panelled in blind rolls with original leather cracked, chipping, and darkened (III–IV especially severely); rebacked, spines with gilt-stamped title, gilt-dotted raised bands, and gilt-stamped compartment decorations. Hinges (inside) reinforced. Binding on the Scholia:  Recent, full period-style calf framed and panelled in blind rolls; spine with gilt-stamped title, gilt-dotted raised bands, and gilt-stamped compartment decorations. All title-pages with very old institutional rubber-stamps; early portions of vol. I with lightly pencilled annotations and bracketing, and vol. II with small pencilled marks of emphasis. Old soft corner creases or mild cockling variously throughout to vols. I–IV and, where these things (or a natural paper flaw) are most notable, a grey soil has entered at the loose or open places to mark the margins at their edges.  Otherwise, scattered light foxing, golden, not brown; and the occasional old spill (e.g., I Samuel) or smudge only.   Not “fresh” — but substantial, impressive, and with its lovely typography still lovely.  (25513)

•  Removed from a nonce volume. Title-page with paper shelving label, touching one letter of publication line, and with pencilled monogram in upper outer corner. First piece (only) of gathering present. Pages age-toned.  (30827)

•  VD17 1:620459Z.   Contemporary stiff vellum. Ex-library with call number on spine and bookplate, but no other markings. A very good copy.  (14709)

Binding:  Contemporary green calf framed in gilt single fillet, spine with gilt-stamped leather title and author labels, gilt-ruled raised bands, and gilt-stamped compartment decorations, board edges with gilt rolls at corners. All edges marbled. Red silk bookmark present and intact.

•  Binding as above, corners bumped, spine sunned (not unattractively), joints and spine extremities slightly rubbed. Pages clean. An appealinglittle collection of highlights from a once-adored salonnière.  (29943)

This copy isinscribed by the author on the half-title.

•  Publisher's printed brown paper wrappers; edges slightly curled, back wrapper creased. A clean, solid copy.  (32234)

The translator, W. Kenneth Thompson, selected thirteen episodes from Bassi's text, and illustrations includingone double-page plate and twelve miniatures, reproduced from photographs of the manuscript in five-color facsimiles printed by offset lithography at The Meriden Gravure Company in Meriden, CT. Giovanni Mardersteig designed the text in his own Monotype Dante on Manunzia paper, and oversaw production with his son Martino at the Stamperia Valdonega in Verona, Italy. The edition was limited to 1950 copies, of which this is no. 164, as written in ink below the colophon.

•  Bound as above, spine very lightly sunned with light pencil smudge; case with one side a little soiled and a limited patch of staining. Text very fresh and clean.  (30549)

Beyond matters of authorship, there is quite a lot of general Mormon history here, including a good deal on polygamy; the perspective is not friendly.

Provenance:  From the libraries of the Rev. C. C. Bitting and Crozer Theological Seminary.

•  Flake & Draper 2832.   Publisher's green cloth, spine chipped at head and foot. Title-page separated from binding, but present; shallow chipping along edges. Short closed tears to top edge of pp. 29–32 and 103–106 and outer edge of one page chipped; several page corners chipped/creased. Ex-library with bookplate, card and pocket, pressure-stamp on title-page, inked numeral, penciled notation, two rubber-stamps. A few penciled check-marks.  (24434)

The volume opens with an oversized, folding map of the city, with a note that the map is a specimen of a new type of plate printing. An advertisement on the back free endpaper mentions that Dickinson has “sold out his extensive Printing Office . . . [and] will now apply his whole attention to his favorite business, the manufacture of Printing Type,” providing stereotyping and music printing as well as “more than 120 different kinds of Job Type.”

Binding: Signed by Damrell & Moore of Boston, with their blind-stamp on the back cover: Brown cloth embossed with foliate designs, front cover with gilt-stamped decorative title.

•  Binding as above, covers with small, fairly unobtrusive spots of discoloration, cloth a bit rubbed over corners and edges and chipping over spine extremities. Map with small holes to two corners; pages clean, with memoranda leaves unused.

Languages charted in these tables include “Tartares Mouantcheoux,” Tamoul, Telongou, Persian (ancient and modern), Armenian, Russian (ancient and modern), Coptic, Hebrew, etc., with the engraving done by master artisan Robert Bénard (fl. 1750–85).

•  Half green calf with green marbled paper–covered sides, spine with gilt-stamped title; slight wear to corners and spine extremities. Lacking one plate (#25); another with a small hole outside image and a circlet of darkening around that, from a cigarette ash (#6). Light soiling and spots, a corner or two a little chipped or bent; a handsome gathering.  (24823)

Among the American authors is Tom Paine writing on Gen. Charles Lee, whom a 19th-century reader has identified in pencil as “A traitor to [the] American cause.”

•  Wegelin 932; Shaw & Shoemaker 2148. Period-style quarter tan cloth over light blue paper–covered sides, spine with printed paper label. Title-page torn, with outer corner chipped, resulting in loss of four letters from end of title; now mounted. One contents leaf with edge tear extending into text; last leaf with short edge tears. Some light to moderate foxing, with pages age-toned; final page with shadow of pencilled “Finis” and p. 80 with pencilled comment as above.

Click the images for enlargements.

The work is illustrated with a frontispiece and three copper-engraved plates done by Louis le Grand after designs by Gravelot.

•  Sabin 20201; Palau 73986; LeClerc, Bibliotheca Americana, 3180; Barbier, Dictionnaire des ouvrages anonymes et pseudonymes, 1003–04.   Contemporary mottled calf, spine gilt extra with gilt-stamped leather title-label; corners, joints, and spine extremities rubbed, spine with two pinpoint holes and surface cracks to leather. Front free endpaper partially separated, with pencilled annotation on verso; inner margins of one plate and opposing page with small area of offsetting from now-absent laid-in item, pages otherwise clean. All edges marbled in blue. An attractive copy.  (25799)

While one copy of Diodorus bound with Petit's Justinus was found at Harvard, no record of the apparently extremely scarce de Marnef variant could be located.

Provenance: Charles Spencer, Third Earl of Sunderland, lot 3934 in the Sunderland Library sale (1882).

•  Diodorus: Moreau 1508:64; not in Schweiger. Justinus: not in Moreau, not in Schweiger. On Diodorus, see: Oxford Companion to Classical Literature, 146. 17th-century English calf, panelled, with gilt fleurons and elaborate front and back gilt floral center motifs, each worked with a minuteWE.  (You need a magnifying glass, but this is THERE.) Overall, showing wear with some leather chipped from spine, covers abraded, and joints starting. Pages mostly clean, with slight staining to inner margins from binding supports. Gilt cover lozenges still bright and the whole safe to be worked with.

Click the interior image for an enlargement.

•  Publisher's cloth, front cover and spine decoratively gilt-stamped; spine, lower edges, and corners a touch rubbed. Top edge gilt. A few leaves and plates with waterstaining to lower outer corners, scattered spots of light foxing. (18409)

Designed by Michael and Winifred Bixler of Boston, the text is set in Monotype Dante and Wilhelm Klingsporschrift, printed by Daniel Keleher at Wild Carrot Letterpress in Hadley, MA, on white Monadnock high-finish paper. Fritz Eichenberg contributed the illustrations, allwood engravings numbering one full-page engraving opposite the title-page, one double-page and seven full-page engravings in the text, with another small engraving above the colophon. Of 2,000 copies this is number 1496, signed by Eichenberg and Bixler in the colophon, and bound by Robert Burlen and Son in full dark-gray Toile Athena cotton imported from France by Clarence House of New York, stamped in copper with cover typography designed by Antonie Eichenberg.

The appropriate LEC newsletter is laid in.

•  Bibliography of the Fine Books Published by the Limited Editions Club, 526.   Binding as above, in publisher's brown slipcase with title stamped in copper on spine. One page number smudged in printing. Fine.  (31264)

Binding: Publisher’s red morocco, covers framed in gilt rolls, front cover with gilt-stamped angel vignette and title, back cover with gilt-stamped urn, spine gilt extra. All edges gilt.

•  Binding as above, edges and extremities rubbed with leather chipped at spine head, spine somewhat darkened and with gilt dimmed (not lost); appearance of three small pin-type wormholes through leather at front joint, but this is associated with the sewing stations. Pages gently age-toned, with a few lightly foxed or stained; first few leaves loosening.Delightful lying on a table in 1856, delightful doing the same thing now. (15208)

•  Goldsmiths'-Kress 24397; NSTC 2D18483.   Period-style quarter tan cloth and light blue paper–covered sides, spine with printed paper label. Last page institutionally rubber-stamped, no other markings. Occasional faint shadows of early pencilled bracketing and marks of emphasis; pages otherwise clean. All edges speckled red, with additional treatment producing an unusual polka-dot effect!  (27731)

The text is in Dutch with some Latin and occasional Greek, printed in alternating roman, italic, and black-letter type, and sparsely decorated with nice woodcut initials and head- and tailpieces.

Provenance:  Bookplate on front pastedown of “JM,” the Dutch sugar merchant and bibliophile Isaac Meulman (1807–68), whose renowned collection was dispersed at auction following his death.

Scarce: WorldCat and NUC Pre-1956 locateno copies in the U.S. of this or the first edition.

•  Springer & Klassen, Mennonite Bibliography, 1631–1961, 4067; Knijff & Visser, Bibliographia sociniana, 4082; STCN (online) 164808.   Contemporary vellum with yapp fore-edges, lightly dust-soiled; early ink inscription on spine; edges speckled red. Remnants of glue on front pastedown where former bookplate removed and Muelman bookplate exposed; mild waterstaining on a few leaves but entire textcrisp. (32033)

Provenance:  Elegant calligraphic bookplate of Norman J. Sondheim, American collector of fine press books.

•  Grabhorn Bibliography 481; Howes D521; not in Flake & Draper.   Publisher's quarter red morocco and printed paper–covered sides in red, black, and cream, spine with gilt-stamped leather title-label; edges and extremities lightly rubbed. Front pastedown with handsome bookplate as above. Pages and plates crisp and clean. A nice copy of a handsome and significant book.  (30530)

Binding:  Publisher's blind-embossed black leather, covers each with gilt-stamped wreath and gilt single fillet frame, spine with gilt-stamped title and compartment decorations.

•  Binding as above, edges and extremities rubbed; front pastedown with Bordeaux bookseller's small 19th-century ticket. First text page with early inked ownership inscription in upper portion. Pages faintly age-toned, some early corners creased. Worn, but sturdy and still attractive.  (32309)

•  Brunet, II, 856; Graesse 440. Period-style calf framed in blind, spine with raised bands and otherwise very plain– no label. Title-page with faint early inked inscriptions. Colophon with margins repaired, one repair at inner margin just touching a letter of text. Waterstaining to inner portions and lower outer corners of much of volume (not affecting title-page or preface, and generally faint); some pages browned. Numerous instances of early inked marginalia and underlining. (20816)

Cholera became a serious problem in Mexico City and in several other places in the country in the wake of the Mexican–American War. Dr. Duck says of his reasons for writing this opusculum of medical advice, “solo me ha impulsado el deseo que tengo de auxiliar á una Nacion que me es querida.” Very rare.

•  Sutro 858; not in Palau. Author not in: Archivo biográfico de España, Portugal, e Iberoamérica; or Diccionario Porrúa de historia, biografía y geografía de México (5a ed.).   Fine condition; sewn in original cream-colored printed wrappers with elaborate, ornamental borders on both covers. Wrappers very lightly soiled; a clean, untattered copy.  (26603)

•  Wing (rev. ed.) D2475; ESTC R504.   Removed from a nonce volume. Very good condition.  (32249)

•  Wing (rev. ed.) D2474; ESTC R505.   Removed from a nonce volume. Very good condition, veryclean.  (32250)

A work of considerable significance for English canon law. There was another edition in 1641, without any place of printing specified, in 8vo format, and having 122 pages.

•  Removed from a nonce volume, semicircular area torn from lower portion of the title-page costing two letters of the imprint. Old ownership inscriptions on title-page. Library stamps in lower margin of last page.  (21014)

signed at the colophon by the author

•  Binding as above, in original terra-cotta paper–covered slipcase; leather very gently sunned, slipcase with lower open edge rubbed and one side with small unobtrusive mark, otherwise clean. An attractive copy.  (30560)

Freemasonry in America

•  Sabin 100650; Shaw & Shoemaker 2166. Recent quarter calf with marbled paper sides, spine with gilt-stamped leather title-label and blind-stamped Masonic devices in compartments. Lacking the plate and pp. 17–20, 51–58, and 71/72 of the first part. Title-page and several others stamped by a now-defunct institution. Pages sometime exposed to moisture or mildew, thus variously browned, age-toned, and brittle, with some tears; our second double-page photo was taken to show the worst such damage. P. 84 of the second part with two names carefully excised.

•  On Dunlap, see: Oxford Companion to the Theatre, 211. American Imprints 24237; BAL 5026; Howes D571; Sabin 21303.   Publisher's quarter green diced cloth and tan paper–covered sides, spines with gilt-stamped title; edges and extremities rubbed, corners bumped, spines sunned, sides with spots of staining and discoloration. Front hinges (inside) tender. Ex–social club library: spines with paper shelving labels, front pastedowns with 19th-century bookplates and inked shelving numbers, title-pages and one other in each volume rubber-stamped, no other markings. Some outer corners of vol. II lightly waterstained; a very few instances of small spots of staining.  (27558)

•  In good clean condition, tipped onto a leaf of 19th-century paper; now in a Mylar folder.

Duranti (Durantus, 1534–89) was appointed first president of the Toulouse parliament by Henri III in 1581. A royalist supporter, he was shot and savagely stabbed by a mob of Catholic partisans in 1589. His De ritibus, sometimes erroneously attributed to Peter Danés, bishop of Lavaur, was posthumously printed by order of Pope Sixtus V at Rome in 1591.

The text is printed in Latin with a few citations in Greek and Hebrew, enhanced with one historiated initial at the beginning, many smaller initials in the text, and at least two decorative ornaments, the headpiece on the dedication page featuring an “L.” Moreau's device on the title-page shows a crowned dragon engulfed in flames, with the printer's initials and the motto “Deum ni deest timentibus.”

Evidence of use: Extensive early ink notes in French on front pastedown and both sides of the front fly-leaf repeat biographical notes and call this a “bon ouvrage.”

Provenance:  Ambrose Swasey Library (stamp).

Scarce, NUC Pre-1956 (supplement) finding only this copy, deaccessioned from Colgate Rochester in 2005; WorldCat locates just one other U.S. copy.

•  Contemporary vellum, red-stained gilt spine label; spine's top layer of vellum chipped exposing the layer beneath (repaired so as not to flake). Ex–seminary library with shelf mark to spine, a bit of pencilling, rubber-stamp as above to bottom edge of closed book and inside front cover, pressure-stamp to title-page; title-page with narrow strip excised apparently to remove an old inscription, this crudely “repaired” with missing text line supplied via computer print-out, affecting text on verso. Generally, moderate foxing and age-toning or browning due to nature of paper, a few insignificant tears, some truly teeny wormholes.  (30149)

Woodcut headpieces and initials decorate the text, which is entirely in English, printed in roman and italic with sidenotes. The book closes with “The life and death of Mahomet, the prophet of the Turks, and author of the Alcoran” (pp. 395–407), but does not include the final, discrete article called for by ESTC, “A needfull caveat of admonition for them who desire to know what use may be made of, or if there be danger in reading the Alcoran,” by Alexander Ross.

•  Wing (rev. ed.), K747; ESTC R200453; Thomason, E.553[3]. On Du Ryer's translation, see: Hamilton, André Du Ryer and oriental studies in seventeenth-century France (2004), ch. 4.   Contemporary full calf paneled in gilt with gilt corner fleurons; rebacked to style. Extremities rubbed revealing boards below at corners; spine chipped at head. Lacking final 7 ff. (apparently never bound in). Mild age-toning throughout., closed tear in outer margin of two leaves, and a few stains; occasional marginalia and underlining in red.  (31238)

This edition was limited to 750 copies privately printed atthe Stinehour Press in December 1965 for the friends of Philip and Fanny Duschnes, using Rogers' Centaur types in black with a few red accents. An inserted facsimile of a Stowaways club “invitation” of the 1920's lists B.R. as “Typster,” his self-styled moniker; the text concludes with a facsimile of B.R.'s personal envelope, “with his own bust and profile the same purple color and size and style as the George Washington oval stamp on the self-stamped envelope.”

Provenance:  “Bequeathed to the Library of Purdue University by the late Bruce Rogers” (bookplate, inside front cover,designed by Rogers himself for his alma mater).

•  Work of Bruce Rogers, 467 (bookplate).   Brown paper wrappers, title printed in black within a russet and brown ornamental border (designed by Rogers?). Pristine, in a mylar wrapper, and good reading.  (30534)

•  Portfolio worn, in two pieces, with old repairs. Text and illustrations in very good condition.  (31085)

Uncommon: WorldCat and NUC Pre-1956 locate only five U.S. institutional holdings.

•  Martin & Walter 12594.   Removed from a nonce volume. First page with paper shelving label, obscuring three letters of header, and with pencilled monogram in upper outer corner. A very few small spots, pages almost entirely clean and crisp.  (30830)