•  Publisher's printed paper wrappers and brown cloth shelfback, wrappers lightly soiled. A few light smudges to pages.  (27651)

Provenance:  Late 17th-century ownership inscription at top of title-page of “T. Engle”; 18th-century ownership inscription below that of “E. Ward”; on endpaper, “December, 1787,” with lines in French in an 18th-century hand.

•  Rius 11; Peeters-Fontainas 227; Suñé Benages 15; Palau 51988.   Contemporary limp vellum, soiled, ties perished; Don Quixote inked on spine, faded. Lacking one leaf of text, continuity supplied although not in facsimile from this edition (pp. 575–76). First and last gatherings guarded with strips of Renaissance vellum manuscript.  (23423)

•  Brunet, I, 1756; Palau 54187.   Contemporary treed sheep, spine with gilt-stamped leather title-label and gilt-ruled bands; binding lightly scuffed (most notably at spine), spine with tiny pinholes, front joint just starting from head. Front pastedown with attractive small ticket of a prominent Madrid bookseller. Pages generally lightly age-toned with scattered faint spotting; some leaves browned.  (29248)

•  Exposicion: Palau 54257. Política peculiar: this edition not in Palau. Contemporary acid-stained calf simply gilt with brown leather label on each spine; scattered wormholes and some loss of leather over corners and at base of spine. Endpapers stencilled red and green. Some interior worming, most noticeable in endpapers and first title-page, resulting in loss of parts of letters without loss of sense. Scattered light foxing and a few leaves shallowly dog-eared. Inked ownership inscription on title-pages. All edges speckled red.

•  Lippenheide 1094; Vicaire, Livres du XIXe siècle, I, 169.   Later blue buckram, author/title stamped to spine in white, moderately rubbed overall; pages age-toned and lightly foxed, some edges darkened. One plate with short tear from lower margin, just barely touching edge of image; four signatures towards the back unopened. A solid copy with eye-filling plates.  (31998)

Throughout his life Challoner “labored to save Catholicism in England from extinction; his writings and preachings served to strengthen the faith of the Catholic minority . . .” (New Catholic Encyclopedia, 438). His readable, revised edition of the Douay–Rheims Bible (1749–52) served as the English Catholic standard until quite recently.

Provenance: Released as a duplicate from the greatest collection of American Catholica in the world, the Georgetown University Library, with a few of the requisite and expected stamps.

•  Parsons 461; Shaw & Shoemaker 31112. On Challoner, see: New Catholic Encyclopedia, III, 437–438.   Contemporary treed sheep, spine with chipped, gilt-stamped red leather title-label; binding abraded, covers a bit sprung, spine with paper shelving label and some cracking of leather. Title-page and one other stamped as described above; pages age-toned. A “decent” copy.  (5306)

An early purchaser has recorded the cost of binding the set (60 pence per book) in a pencilled note on the front fly-leaf of vol. I: “Aug. 15th 1864 in 38 vol bound in fine 1/2 moroco [sic] per vol c/60 d.”

The essays and authors here were all once fashionable as well as interesting; they are no longer at all fashionable, but they are interesting in ways that their authors and original readers never imagined.  

Bindings: Contemporary half morocco over attractive marbled paper–covered sides, each spine with gilt-stamped title, volume number, and elegant arabesque decorations. Top edges gilt.

•  On Chalmers, see: The Dictionary of National Biography. Bindings lightly rubbed, a few with leather showing slight cracking over spines. Frontispiece with bookplate of private collector. Pages age-toned, with edges slightly embrittled; some occurrences of staining and pencilled underlining, with the majority of pages clean. An attractive set; many hours’ worth of reading. For anyone who savors slices'o'life, and slices'o'time, very rich fare.

Single-click the image where the hand appears on
mouse-over, for an enlargement.

•  ESTC T138271; Lowndes, II, 404; Allibone, 2036. Recent quarter morocco over marbled paper–covered sides, spine with gilt-stamped title and gilt-stamped decorations in compartments. Title-page and a few others stamped by a now-defunct institution; pages slightly age-toned, one with pencilled underlining/emphasis.

Single-click the image where the hand appears on
mouse-over, for an enlargement.

•  ESTCT61515; Allibone, 2036; Lowndes, II, 404. Recent quarter morocco over marbled paper–covered sides, spine with gilt-stamped title and gilt-stamped decorations in compartments. Title-page and a few others stamped by a now-defunct institution; pages age-toned.

•  Publisher's blue textured cloth, covers blind-stamped, spines with gilt-stamped title and compartment decorations; worn and scuffed with spines sunned and heads each with strip of dark cloth tape extending onto boards. Ex–social club library: Each volume with 19th-century bookplate on front pastedown, call number on endpaper, title-page pressure-stamped. Vol. IV lacking front free endpaper; vol. II with one leaf with inner margin reinforced, several leaves with outer edges chipped, pp. 3–30 lacking from two articles, and text block splitting at center — due to an old pin's having been thrust in at the gutter! Paper age-toned and slightly brittle, with occasional short edge tears.  (26396)

One copy with red initials and bound in leather was presented to Hollander, and 59 copies to his friends. This is one of 40 additional copies sold by Ampersand Books.

•  Red, white, black, and gold patterned paper wrappers, with printed paper label on front cover. Fine, in mylar wrappers.  (30799)

This particular copy seems to have incurred someone’s personal wrath, as the plate illustrating the allegory of Wisdom has had its central (nude) female figure excised.

•  Contemporary mottled calf framed in triple gilt fillets, spine gilt extra, all page edges marbled; binding with expectable acid-pitting and minor cracking of the leather over the spine and joints. One (and only one) signature foxed, leaves otherwise clean. A handsome book, defaced in a way that is depressing but also interesting.

Not only was the present copy inscribed by the printer to Carl Rollins of the Yale University Press (see below), but laid in are both the prospectus and aheartfelt typed letter signed addressed to Rollins, in which the writer ruefully expresses his chagrin over a controversy regarding his use of a printer's device for the Frankeleyns Tale prospectus that turned out, unbeknownst to him, to have been copied from a Rockwell Kent bookplate. Also present is abeautifully written manuscript letter from Bentley to Rollins; Bentley, who was clearly a calligrapher as well as a printer, thanks him for including his work in an exhibition called “The Work of Four Yale Men in Printing” and describes his current state of mind with regards to printing.

Provenance:  Inscribed by the printer: “To Mr. Carl P. Rollins with the compliments of the printer. Pittsburgh, September 23rd 1931.”

•  Publisher's quarter cream paper and gray-toned striated paper–covered sides, spine with printed paper label; spine slightly darkened, binding otherwise showing little to no wear. Inscription and laid-in items as above. A beautiful book, and one most gratifying in its accompaniments and fine printing associations.  (29653)

•  Martin & Walter 5290.   Removed from a nonce volume. Lacking title-page and preliminary reports as described above; this portion complete in itself. First page with annotation in old red pencil. Page edges untrimmed and slightly ragged, signatures unopened.  (30768)

Click either image for an enlargement.

Provenance: Pencilled note on endpaper, “From Ralph E. McCoy’s Library”; McCoy, emeritus Dean of Libraries at Southern Illinois University, Carbondale, published widely on the First Amendment freedoms.

•  Howes C336; Sabin 12379; Shaw & Shoemaker 17193. Later quarter plain brown paper over contemporary tan paper–covered sides; edges and corners rubbed. Front free endpaper (modern) with pencilled note of McCoy’s ownership; front fly-leaf with pencilled gift inscription dated 1849. Offsetting and foxing throughout. A very sound copy.

Uncommon: OCLC and NUC Pre-1956 locate only two U.S. holdings of this edition, one since deaccessioned.

The Count had extensive land, business, and political matters that had to be overseen while he was in Southern Hemisphere, and in this printed formspecifically printed for him he gives his power of attorney to Jose de Carvajal Agurto, “my secretary”; Juan de Olabarria, “my accountant”; and Juan de Alderete. They are empowered to administer his estates, collect rents, and to do “other diverse things.” Considerable detail is given concerning the extent of their power, including appearing in his stead before courts and councils, dealing with lawyers, agents, and the clergy, and much more.

Never before have we seen a power of attorney printed specifically for a newly appointed viceroy and specifically stating that he needs it because he is to be a viceroy in the New World.

Signed by several witnesses and with the Count's paraph.

•  Bound in half cordovan morocco with marbled paper sides. Light waterstaining at edges and along center fold.  (32324)

•  Not in Brinkman. Contemporary cartonné binding covered in decorative printed paper, shown above right; spine showing a small undarkened area where label is now lacking. Front joint tender. Lacking pp. 33/34 and 39/40; some signatures loosening. Pages with a very few small spots, otherwise clean and pleasing.

Provenance:  Front pastedown with armorial bookplate (“A ma puissance”) of the Earl of Stamford.

•  ESTC N32874; Gaskell, Baskerville, 12.   Binding as above, extremities rubbed, sides with small scuffs. Front pastedown with bookplate as above, bookplate bearing inked numeral in red. Pages gently age-toned with a few instances of light spots of foxing, otherwise clean. An attractive production in an attractive copy.  (30966)

The main title-page is printed in red and black; the separate title-page for the Psalter has a neat woodcut printer's vignette and blazons (in Greek type) Psalterion prophetou kai basileos tou Dabid. The elegant Greek type is set in double columns, with some nicely laid in typographic ornaments and decorated capitals. The signing is erratic, but the collation of this example matches most recorded descriptions: Leaf α1, apparently a cancel in a few copies but lacking in most reported examples and not present here, was a supplemental title-page giving Biblos dēmosiōn euchōn, kai leitourgēseōs mystēriōn; Griffiths calls for only one preliminary leaf, as is found here, with the other leaf in the gathering being a blank. Leaf 1C2 is a cancel.

Provenance:  Front pastedown with armorial bookplate of Twistleton Fiennes, with that family's motto: “Fortem posce animum”; front free endpaper rubber-stamped “Birch” and front fly-leaf inked “Tho.s Birch e Coll. Herts. Oxon.” (apparently neither the historian nor the marine painter); title-page with inked monogram (obscure).

•  ESTC S108726; STC (rev. ed.) 16432 & 2353; Griffiths, Bibliography of the Book of Common Prayer, (Other Languages) 45/2. Psalter: Darlow & Moule 4683. See: Oxford Guide to the Book of Common Prayer 57.   Contemporary speckled calf, covers framed in gilt double fillets, rebacked with speckled calf quite plainly (without labels but with gilt-dotted raised bands); corners rubbed, original leather showing expectable acid-pitting. One preliminary blank (only) lacking; title-pages trimmed closely at outer edge, affecting typographical border and (on main page) one letter of publication information. Ownership marks as above. Pages lightly age-toned, otherwise clean; tiny spot of worming in lower inner margin, not affecting text. A handsome and evocative little book.  (26373)

Provenance: Fore-edge painted with “Elizabeth Smith, 1680"; front fly-leaf with inscription recording the birth of William Rice in 1681 and with inscription of Charles Knowlton, dated 1738; fly-leaf verso with early inked genealogy describing the Smith-Rice-Knowlton descent.

Binding: Elaborate Restoration binding: black morocco framed in gilt semi-circle and strawberry rolls surrounding a broken panel design of red-inlaid scalloped corners decorated with floral-dotted volutes, containing a bouquet of tulips and other flowers with red and citron morocco inlays; the upper- and lowermost tulips each with a smaller gilt-stamped flower and leaf tool inside, spaces filled with small flowers and dots. Spine gilt extra using cover rolls and additional floral decorations, with two decorated compartments of red morocco; board edges and turn-ins with gilt rolls. The tools used do not appear to be an exact match to any binder represented in Bennett, Nixon, or Maggs: Bookbinding in the British Isles, although the tulip with superimposed small flower is reminiscent of the binder Nixon identifies as the Small Carnation Binder. All edges gilt. Fore-edge painted with name as above, surrounded by hand-painted floral decorations.

•  BCP: Wing (rev. ed.) B3659B. Not in ESTC; not in Griffiths (see 1680/5 for a very close example). Bible: ESTC R215858; Wing (rev. ed.) B2308A; Herbert 758. Psalms: Not in ESTC, not in Wing.   Binding as above, front joint cracked (sewing holding) with corners/edges rubbed; spine leather with small cracks and head chipped, small area darkened. BCP lacking A1, either a blank or a licence and much more likely an initial blank; title-page repaired at one corner. Elsewhere, one leaf with tear from outer margin, extending across one column without loss; page edges with occasional small smudges from fore-edge decorations; some faint spotting and foxing. Now housed in a café au lait morocco slipcase mistakenly giving 1630 as year of publication, based on misleading print impression on title-page. A good and interesting book apart from its extraordinary binding, charming fore-edge treatment, and multi-generational provenance.  (25925)

•  ESTC S902; STC (2nd ed.) 16410; Griffiths, Bibliography of the Book of Common Prayer, 1638/2.   Later period-style black morocco framed and panelled in double gilt fillets and gilt roll with gilt-stamped corner fleurons, spine with gilt-stamped title and gilt-ruled raised bands; boards slightly bowed, gilt showing small spots of rubbing. Lower (closed) page edges institutionally rubber-stamped, title-page and one other perforation-stamped, first almanac page with numerals rubber-stamped in lower portion. Final four leaves lacking (from Psalms). Title-page verso with annotations as above; two pages of almanac with early inked corrections; one text page with early inked pointer in inner margin. Title-page darkened; areas of waterstaining to some outer and inner margins. Pleasing despite minor loss at back and faults noted; a nice Buck and Daniel printing, with engaging evidence of readership.  (31321)

Provenance:  George Richard Mackarness M.A. (bookplate); Wallace Parham (bookplateand sticker).

•  Gewirtz, But One Use, 55; ESTC T141242; Griffiths, Bibliography of the Book of Common Prayer, 1717/2.   Binding as above; leather cracking slightly along joints and scuffed in a few places, chips at top of spine. Lacking volvelle, as is almost always the case; later manuscript note citing Walpole's “Anecdotes of Painting” laid in. Age-toning/soiling across page-bottoms and lower outer corners, with only a bit of soiling/spotting otherwise; reds remain very bright and impressions dark and crisp. Ink inscription “From my mother Jan. 1855" on front fly-leaf verso. A wondrously beautiful piece of devotional art in very nice condition.  (30126)

Provenance: Elegant old lozenge-shaped ink-stamp on title-pages: “John Brymer Heir-Loom.”

Binding: Contemporary straight-grain dark blue morocco now tending to olive, covers framed with a gilt single fillet; round spine with raised bands, blind roll on each band, and each band defined by gilt rules above and below it. Spine with compartments stamped in blind, gilt-stamped title, and gilt-stamped decorations at head and foot; place and date of publication in gilt at base of spine. All edges gilt; fore-edge painting as above.

•  ESTC T081415; Griffiths, Bibliography of the Book of Common Prayer, 1758/1. Binding as above, corners a bit rubbed and joints somewhat more so, with upper and outer cover edges showing some fading. Front pastedown with small shelving number slip and small bookplate of a private collector. Pages very slightly age-toned, otherwise clean save for minor bleed to some outer margins from the fore-edge painting. Beautiful.

The Constitutions and Canons Ecclesiastical was an assemblage of rulings given equal force with the canon law, although the rulings themselves were not based on canon law.

•  STC (rev. ed.) 10076; ESTC S101555.   Removed from a nonce volume. A very nice, clean copy with an array of marginal markings — Xs, asterisks, “vid.,” and the odd hand-with-pointing-finger. (21226)

Provenance: Front free endpaper with inked gift inscription reading “Compliments of Jos. W. McMurrin / July 19th 1896.” Joseph William McMurrin (1858–1932), a Mormon missionary and general authority, served as one of the seven presidents of the First Quorum of Seventy.

•  Crawley 688 (for 1852 stereotyped ed.); Flake & Draper 626; Sabin 83067.   Publisher's textured blue cloth, framed in blind, spine with gilt-stamped title; binding unobtrusively rebacked, showing virtually no wear. Hinges (inside) reinforced. Front free endpaper with inscription as above. (20999)

Taken from an original letter then in the collection of Malcolm Forbes, Jr., the text is handsomely printed on handmade paper using Baskerville type, with acaricature of Churchill on an elephant brandishing a polo mallet by M.G. Lord, and blue ornaments. Of two hundred copies printed, this isnumber one, signed by the artist below the colophon.

•  On West, see: Oxford Dictionary of National Biography online.   Stitched in publisher's light blue speckled wrappers, title stamped in navy blue on front. Protective mylar wrappers. Light fading at bottom of wrappers.  (31289)

Rare.  OCLC lists only four U.S. holdings and one deaccessioned copy (the present example).

•  Brunet 22420; Graesse, II, 154. Not in Adams.   19th-century quarter olive morocco with marbled paper–covered sides, spine with gilt-stamped author/title; edges and extremities rubbed. Top edge gilt. Front pastedown with bookplate as above; title-page and first text page each with early inked ownership inscription. Four leaves with small repaired tears from outer margins and three likewise from upper margins, not touching text in any case. Extensive early inked marginalia in first document, scattered examples elsewhere.  (23536)

Chytraeus (1530–1600) was a German Lutheran theologian and historian and one of the authors of the Formula of Concord (1577), an authoritative Lutheran statement of faith. All of the first three editions of his Regulae Vitae (1555, 1556, 1557) are rare in U.S. libraries; only three copies of the 1555 are reported, two of the second, and one of the third, with a second copy of that last having been deaccessioned in 2006.

•  VD16 C2736; Index Aurel. 136.817.   Recent ebony-brown calf old style; round spine with raised bands accented in gilt and blind-tooled devices in compartments; single blind rules extending onto covers from each band to terminate in trefoils, and covers framed in blind double fillets and with a blind-tooled dentelle roll. Title, place of publication, and date in gilt on spine. Old repair to lower corner of title-page and that leaf reinforced at gutter; internally very good.  (25096)

Both works are printed in roman type with large woodcut initials featuring cherubs and each has its title-page printed in black and red. The Examen is divided into two parts, each with its own collation and pagination, with the second part being “Sanctae romanae ecclesiae bibliothecariorum catalogus, iuxta chronologicum ordinem. . . .”

Evidence of readership.  In the first part of the Examen an early reader has underlined in sepia ink passages or phrases s/he found significant but added no marginalia.

•  Contemporary vellum. Bookplate removed from front pastedown. Very good copies of both titles.

The recto of leaf a1 is blank,the text of the prefatory matter beginning on the verso.

Provenance: Signature of “John Webb” in a 17th-century hand twice in margin of k3r.

Uncommon beyond the Continent: ISTC and Goff locate only two copies in the U.S. and ISTC locates only two copies in the U.K. (one incomplete), but there is a third copy at the British Library.

•  ISTC ic00601000; Goff C601; HC 5274*; IGI 2910; Pr 4942; BMC, V 400; GKW 6954.   Full modern walnut calf old style: Spine with raised bands, accented with gilt and blind rules, the latter extending onto covers to terminate in trefoils with blind double fillets beyond. Gilt center devices in the spine compartments. Red leather spine label lettered in gilt, and date in gilt at base of spine. Lacking two leaves (b4–5). Upper corners of leaves in gatherings & and [con] damaged with loss of paper. Lower corner of i1 torn with loss of text of both sides of leaf. Waterstaining and old dampstaining variously, this often faint and never really worse than moderate (worst at beginning/end); some age-toning and dustsoiling. Though an imperfect copy, a rarity; indeed, with its manuscript enhancements, a “uniquum.”  (25766)

•  Peterson, Kelmscott Press, A43; NSTC 0251764; Tomkinson, Modern Presses, p. 118, no. 43.   Publisher's blue-gray paper–covered boards with tan cloth shelfback, front cover with title stamped in black; paper showing (typical) mild discoloration primarily at edges, cloth and board edges lightly rubbed. Front pastedown with bookplate and front free endpaper with inscription as above. Tip of one lower outer corner lacking (possibly a paper flaw). A few instances of very faint spotting, pages otherwise clean.  (30964)

Each volume commences with a copper-engraved frontispiece and title-page vignette, the former done by Robert White after a painting by Lely, the latter signed M[ichael] Burg[hers]. Burghers also engraved a substantial number of head- and tailpieces for the work, as well as decorative capitals.

•  ESTC N9847, N9850, T147811; Brunet, I, 81; Allibone 385.   Contemporary speckled calf panelled in blind with plain calf, decorated with blind-tooled corner fleurons, spines with gilt-stamped leather title-labels; edges and extremities rubbed, joints cracked or starting, some acid-pitting to speckled portions, spines each with small paper shelving label. Each front pastedown with institutional bookplate over private collector's bookplate, and with early inked gift inscription. Title-pages with small institutional rubber-stamp in lower margin; half-titles lacking. Pages generally clean; occasional minor spotting mostly confined to margins. One instance of early inked marginalia.  (24574)

The complete Oxford editions are generally seen bound as seven volumes, but the work appears here as one very large volume, in an attractive contemporary binding.

•  NSTC 2H39552. Contemporary diced dark blue/black calf, covers framed in blind rolls and single gilt fillet, gilt spine extra; slight wear to corners and extremities, joints just starting at top and bottom. Front pastedown with private collector’s bookplate and with institutional bookplate. Pages clean. All edges marbled. Handsome!

Binding: Publisher's pale blue-green ribbed cloth richly stamped in gold on covers and spine. All edges gilt.

•  Bound as above, a bit rubbed at head and foot of spine; 1852 gift inscription on front free endpaper. Foxing to frontispiece and endpapers.  (30496)

The first volume is illustrated with12 plates each offering four rows of small portraits, some intriguingly expressive; each volume opens with an engraved frontispiece portrait of a royal George.

•  NSTC 2C23867.   Recent textured maroon cloth, spines with gilt-stamped black leather title and volume labels; title-pages institutionally pressure- (not rubber-) stamped. Scattered light spots of staining, pages generally clean; first few leaves of voI. \ II with outer margins chipped. A hefty, substantive evocation of Georgian life and times.  (30012)

Provenance: Howard Osgood.

•  Brunet, IV, 683.   Contemporary calf, spine elegantly gilt extra, board edges with gilt rolls; leather acid-pitted, edges and extremities a bit rubbed. Title-page with small inked owner's name and institutional pressure-stamp. Damp-spotting to first and last few pages; some leaves starting to separate, many with lower outer corners crumpled. Intermittent underlining and marks of emphasis in red pencil throughout. (20861)

Binding:  Publisher's lavender paper–covered light boards, covers framed in purple floral roll, spine with purple roll and all edges gilt.

•  Lightly rubbed, lightly faded, paper mostly lost from spine. Front hinge (inside) cracked, sewing loosening, free endpapers lacking. Light staining to upper outer corners of first and last few leaves, only; otherwise clean. We judge that the rarity of this little book and its “siblings” is the direct result of inherent fragility!  (27192)

The second work is Peter Martyr's commentaries on Corinthians, here in the second edition. It has a full-page woodcut portrait of him on the recto of leaf aa6. The printer's woodcut device is on the title-page and there are numerous woodcut initials. The sidenotes are printed in italic while the text proper is in roman.

Peter Martyr (8 September 1499 – 12 November 1562), was an Italian theologian who began his religious life as an Augustinian friar, converted to the Protestant cause, was closely associated on the continent with Ochino, Bucer, and some prominent Lutherans, and, while in England where he held the Regius Chair of Divinity at Oxford, was an intimate of Thomas Cranmer and Bishop Jewel.

Both works are uncommon in these editions in the U.S.: We locate four copies of the first title and two of the Vermigli, but one copy of each title has been deaccessioned, meaning current holdings are three and one only.

Binding:  Contemporary alum-tawed pig over wooden boards with bevelled edges and metal and leather clasps; one clasp perished. Leather tooled elaborately in blind using a variety of rolls and fillets, including one roll incorporating the date 1546, a medallion of David and his harp, and another medallion depicting John the Baptist with the words below the image, “Ecce Agnus Dei.”

•  Clement: VD16 C4070; Index Aurel. 104.903; Adams C2106. Vermigli: VD16 B5054; Adams M788.   Bound as above. Ex-library with bookplate on front pastedown, small blind pressure- (not perf-.) stamp on title-page and remnant of charge pocket at rear; six-digit number stamped in lower margin of one leaf. Early inked ownership indicia on title-page and old private ownership stamp on front free endpaper; a little old marginalia and underlining. A very little foxing and the odd spot only. Excellent copies of both works in a handsome contemporary binding.  (24827)

The Latin and Greek are printed in roman and italic, with side- and shouldernotes; the Wechel printer's device appears on the title-page and f. Oo8v (before the final quire).

There areno copies of this edition in the U.S., according to WorldCat and NUC Pre-1956.

Evidence of readership: Sparse annotations and marks in early ink.

•  Index Aurel. 141.560; this edition not in VD16 online, and not in Adams, but see nos. C-2140–2157 for others.   Modern half vellum over brown marbled paper-covered boards, with ink title to spine and faded blue edges nearly flush with boards. Faintly to moderately waterstained across most leaves, with occasional other spots; one lower corner torn away, the upper corner of another folded down with a number of others lightly creased, one leaf with a short marginal tear, and just one wormhole, at the outer margin of the final nine leaves (pp. 583 to end). Two stubs visible at the gutter of pp. 578–9 and 590–[91], but nothing lacking.  (29944)

Only one copy traced via OCLC — this, in Germany!

•  Not in Banks. Not in Evans.   One leaf, folded. First page with half-inch long tear and another smaller tear at upper left corner, not touching text. Near fine.  (14758)