This offers evidence of early readership in form of underlining in ink and occasional marginal notations, confined to early portion of the tome.

•  Gibson, Bacon, 243a. On Bacon, see: Oxford Companion to English Literature, 56–57. Contemporary vellum, spine with gilt-stamped title; vellum showing minor scuffing and spots of discoloration. Front pastedown with a 19th-century bookplate; front free endpaper with edge nicks and short edge tears. Lacking half-title. Early inked marginalia and underlining, as above; leaves age-toned with intermittent light offsetting and foxing. One leaf with short tear from upper margin, not extending into text. (19001)

Provenance:  Front pastedown with armorial bookplate of Alexander Oswald Brodie (not, please note, the American officer and governor of Arizona Territory); title-page with Brodie's inked inscription, dated 1839, Dresden.

•  Brunet, I, 604; Gibson, Bacon, 185b; Willems 1058. On Bacon, see: Dictionary of National Biography.   Contemporary vellum with yapp edges, spine with early inked title; spine lettering rubbed, back cover darkened. Both pastedowns lifted, front pastedown with bookplate beneath; free endpapers lacking. Title-page with inscription as above; pages with a very few small scattered spots, almost entirely clean. A handsome copy.  (30360)

•  Adams B47; Renouard, Estienne, 106:19; Schreiber, Estiennes, 132 (see also 50).   19th-century deep blue calf framed in single gilt fillet, spine gilt-stamped title (etc.), gilt beading to raised bands, and gilt-stamped compartment fleurons; blue marbled endpapers. All edges red. In a blue buckram-covered, open-back slipcase; slipcase showing shelf wear with closed crack to portion of spine, volume with spine evenly sunned to olive green, corners very slightly rubbed. Ticket and bookplate as above; endpapers with modern pencilled annotations. Minor instances of worming, often minute pinhole-type, in upper outer portion of approximately two thirds of volume, sometimes touching letters without obscuring sense. Four leaves with lower outer corners lightly liquid-stained, not affecting text. A handsome copy of this significant publication.  (37503)

Provenance:  With ownership stamp of early 20th-century American archaeologist Harry Evelyn Dorr Pollock on front free endpaper.

Binding: Navy blue publisher's cloth with gilt lettering and blind ruling on spine, decorative foliate frames on covers in blind. Binder's label of Edmonds & Remnants, London, on rear pastedown.

•  Palau 21943; Sabin 2771; Nicaraguan National Bibliography 1476.   Binding as above: gently rubbed with tiny tissue patches applied to weak areas of bookcloth, text slightly cocked, front hinge repaired and a few preliminary leaves reattached with long–fiber tissue and wheat starch paste. Light age-toning with some foxing, most notably around plates; one leaf with small marginal hole, a few corners creased, some leaves with evidence in margins of hasty opening.  (36298)

•  American Imprints 5858.   Uncut copy. Publisher's quarter red cloth and plain paper–covered sides, spine with printed paper label; binding rubbed/soiled, spine sunned/discolored, spine extremities chipped. Ex–social club library: traces of now-absent label at head of spine, bookplate on front pastedown, call number in a 19th-century hand on pastedown and front free endpaper. No other markings. Pages generally clean, with text block firm.  (26284)

•  American Imprints 5859.   Publisher's quarter red cloth shelfback with drab paper on boards and paper label to spine; spine cloth chipped at top (3/4" missing). Ex–social club library; with 19th-century bookplate, call number on endpapers, no other markings. Small piece of front free endpaper torn away. Uncut copy. Clean.  (28077)

The volume is illustrated with in-text wood engravings; the errata slip is present. The ads include a two-page spread for “Knowles' Open Shed Broad Fancy Loom” with a full-page illustration of the machine. Other pages are devoted to Baldwin's publications and supplies.

Provenance:  Pencil signature on front fly-leaf of “Samuel Butterworth, Gloucester City, New Jersey, 1884.”

Searches of WorldCat and NUC locate only two copies.

•  Publisher's very dark green cloth, front cover stamped in gilt with title; front hinge (inside) cracked but board holding strongly. A very good, clean copy.  (35464)

Provenance:  Georgetown University Library (sold as a duplicate).

•  Parsons 1015; Shoemaker 38090.   Red cloth with gilt lettering on spine, gently rubbed, extra blank leaves bound in to bulk out the size of the book on shelf. Ex-library as above, with rubber-stamp on title-page and a “withdrawn” stamp superimposed (no other stamps). Bottom of text closely trimmed with no loss of letters; light foxing and age-toning.  (36739)

•  Publisher's yellow bookcloth wrappers, front wrapper with affixed photographic label. Very clean and crisp.  (30630)

Who made the translation is not known, but it is highly likely that it was made for Thomas Larkin (1802–58), an early-arrived American settler in Alta California (April 1832), a signer of the original California constitution, and the first and only U.S consul to the California Republic.

The information in Bandini's report would have been powerful ammunition in Larkin's reports to Washington encouraging American interest in California and its settlement by Anglo-Americans.

Despite the importance of the information contained in Bandini's account of California in the period to ca. 1830, it remained unpublished until 1951, when the Friends of the Bancroft Library published a transcription of the Spanish and a translation into English. This present translation remains unpublished still.

Curiously, while Hubert Howe Bancroft was able to track down and acquired the manuscript history of California written by José Bandini's son Juan (“Apuntes para la historia de la Alta California desde el ano de su fundacion en 1769 hasta el ano de 1845"), he betrays no knowledge in his own history of California of José's work.

Provenance:  The Pacific School of Religion (properly released).

•  See: Bandini, José. Description of California in 1828. Tr. by Doris Marion Wright. Berkeley, CA: Friends of the Bancroft Library, 1951.   Written in a clear secretarial hand on wove paper watermarked “Casa de Vall,” using sepia ink, now faded but evenly so and still readable. Outer wrappers tattered and bug-stained. Document folded three times as to fit in a a pigeonhole storage box; paper somewhat relaxed and flattening, but still notably wavy. Now in a quarter blue morocco clamshell case.  (34728)

•  Shaw & Shoemaker 7007. Original light boards covered with marbled paper. Back cover and two leaves gnawed by a rodent, with loss of paper. (3512)

•  Cock-a-hoop 196.   Publisher's light taupe paper–covered boards with red cloth shelfback, front cover with rooster vignette stamped in red, spine with gilt-stamped title; minor rubbing to spine foot and lower outer corners. A few page edges slightly darkened and one very limited, very faint stain affecting endpapers' lower outer corner at rear, pages otherwise clean.A nice copy of this interesting production.  (37173)

Uncommon: OCLC and NUC Pre-1956 locate only five U.S. holdings.

Provenance:  Ownership “label” of George Williams (1814–78), who served as Vice-Provost of King's College (Cambridge) from 1854 to 1857.

•  Recent marbled paper–covered boards, front cover with gilt-stamped red leather title-label. Title-page with small affixed slip bearing ownership inscription as above. Occasional edge nicks and short tears, and a number of leaves with old creases or the odd smudge; last leaf with old, small repairs to margins, and one other leaf with very good repair from blank reverse to an interior tear (no text lost or even affected). (25368)

Sadleir's analysis suggested to him the following probable sequence: a) the private edition, b) copies of the public edition with p. 236 in the same form as it appears in the private edition, c) copies of the public edition with p. 236 blank; and d) copies of the public edition with the complete new version of the text on p. 236.

However, the remnants of the binding preserved at the back of the present first volume — see note below andtop-right image above — are red moiré silk (as opposed to the brown cloth of the public edition), with the side panels and spine ornately blocked with a gilt design and the title within the gilt frame (the spine is rather worn, but legible). This suggests that only some of the twelve private copies were bound in leather, and others, or at least one, bound in this special silk cloth, gilt extra.

Barham began writing the short pieces making up this series as contributions to his friend and classmate's Bentley's Miscellany. The subject matter was “at first derived from the legendary lore of the author's ancestral locality in Kent, but soon [was] enriched by satires on the topics of the day and subjects of pure invention, or borrowed from history or the ‘Acta Sanctorum’. . . . The success of the ‘Legends’ was pronounced from the first, and when published collectively in 1840 they at once took the high place in humorous literature which they have ever since retained” (DNB).

Provenance: With R.H.D. Barham’s signature as noted above, and with the armorial bookplate of Sir David Lionel Salomons (1851–1925) in each volume.

•  NCBEL, III, 365; Sadleir 156a; Tinker 216 (public edition); Carter, Binding Variants, p.92. Bindings a bit darkened and slightly discolored at extremities, light rubbing to joints, some foxing to the prelims of the first volume, with an old tide-mark in the lower gutter areas of the plates; a tipped-in bookseller's description in the first volume. A very good, very interesting example of a very rare thing.  (18236)

Bindings: Contemporary signed bindings by E.P. Dutton & Co., of red morocco with covers framed in gilt triple fillets; spines with raised bands, gilt-stamped titles, and compartments framed in gilt double fillets. Board edges gilt-ruled, gilt inner dentelles. Upper page edges gilt. Original cloth covers and spines bound in at the back.

•  Sadleir 156b, e, & f; NCBEL, III, 365. Bindings as above, spines and upper board edges darkened with a bit of rubbing; free endpapers with offsetting from turn-ins. One volume with lower part of cover stained and the lower inner margin of the title-page and plates (not the text leaves!) waterstained. One plate evenly age-toned.  (12844)

Printed in an edition of 500 copies, with “design and calligraphy by Stephen Harvard, printed and bound by Meriden-Stinehour Press,” this bearsa title-page in red with white calligraphic lettering.

Both the Euripides and the Septuagint leaves have interesting contemporary marginalia.

Provenance:  From the library of American collector Albert A. Howard (sans indicia).

•  Disbound and Dispersed 184. Snipes, “Aldus Manutius and the Development of Greek Script and Type in the Fifteenth Century,” a book review of Barker's book, in Renaissance Quarterly, XVI, 1, pp. 120–22.   Publisher's red cloth stamped in gold, in a matching red cloth open-back slipcase. Near fine. Handsome and instructive.   (37608)

The author was a dedicated observer of meteors and comets and published several well-received works on those subjects in addition to his religious and philosophical treatises.

Rare: OCLC and ESTC locate only one U.S. holding, since deaccessioned; there are only two holdings found in the U.K.

•  ESTC T68482.   Recent marbled paper–covered boards, spine with gilt-stamped leather title-label; yellow wrapper with early hand-inked title bound in. Title-page institutionally pressure-stamped and a five-digit number inked twice to the first page of the preface; no other markings. First and last few leaves with minor foxing; other scattered spots mostly confined to margins. Occasional pencillled annotations.  (25768)

•  Sabin 3471; ESTC T65667; not in Alden & Landis.   Contemporary sheep, modestly tooled in blind; leather dry and abraded. Ex-library with call number on spine, shelf marks in pencil, bookplate on front pastedown, and rubber-stamp on title-page. (20159)

•  Publisher's cloth in original dust jacket; jacket with spine sunned, spine and extremities chipped. Ex–social club library: Front pastedown with bookplate and evidence that jacket was once taped down, dedication page with inked numeral in lower margin, spine with inked shelving number. Title-page with inked private ownership inscription dated 1942. Laid in, an amusing newspaper snippet. Outer edges (closed) with small area of staining; otherwise, internally clean and nice.  (33133)

•  NSTC B758. Contemporary half calf with marbled paper–covered sides, spines with later gilt-stamped leather labels; spines slightly darkened, corners and spine extremities rubbed. Pencilled bracketing and marks of emphasis; some light to moderate foxing. (20026)

As Prof. Emerita Frances W. Pritchett of Columbia University writes on her great website (http://www.columbia.edu/itc/mealac/pritchett/00islamlinks/ikram/part2_12.html): “Of all the aspects of Akbar's life and reign, few have excited more interest than his attitude toward religion. . . . [H]e built the Ibadat Khana, the House of Worship, which he set apart for religious discussions. Every Friday after the congregational prayers, scholars, dervishes, theologians, and courtiers interested in religious affairs would assemble in the Ibadat Khana and discuss religious subjects in the royal presence.”

It was to these discussions/conversations/debates that Acquaviva was invited. The religions represented were many, the major participants including Muslims, Jews, Catholics, Hindus, Jains, and Zoroastrians.  After several months Acquaviva felt his contributions to the debates insufficient to justify continuing as part of the mission and left the task to fellow Jesuits. On return to Goa his missionary work led him to the Hindu Kshatriyas of Salcette, south of Goa, which proved a fatal decision. Prior to his arrival, the Jesuits with the aid of Portuguese troops had destroyed some temples there; the Cuncolim Revolt of July, 1583, was partially a result of those actions and it was in the revolt that Acquaviva and the four companions alluded to in the title of this work were murdered.

The author of this biography was a major Jesuit historian of the Society's activity in Asia. He was the author of the monumental Istoria della Compagnia di Gesu (1650–1673) in 6 folio volumes, Della vita e dell'istituto di S. Ignatio, fondatore della Compagnia di Gesu (1650), L'Asia (1653), Il Giappone, parte seconda dell'Asia (1660), La Cina, terza parte dell'Asia (1663), L'Inghilterra, parte dell'Europa (1667), L'Italia, prima parte dell'Europa (1673), and biographies of Jesuits Vincenzo Caraffa (1651), Robert Bellarmine (1678), Stanislas Kostka (1678), Francis Borgia (1681), and Niccolo Zucchi (1682). Also of interest are his works on science: Della tensione e della pressione (1677), Del suono, dei tremori armonici, dell'udito (1679), and Del ghiaccio e della coagulatione (1682).

This is the second edition of Bartoli's account of Acquaviva and his mission, following the first of the previous year. Searches of NUC, WorldCat, and COPAC locate just two copies of the 1663 edition, both in the U.S., and similarly only two copies of this 1664 (one in Germany, one at Oxford).

•  DeBacker-Sommervogel, I, 975; Graesse, I, 303 (for first edition and other later editions but not knowing of this second).   Late 18th-century quarter vellum over light boards covered with green paper. Undeciphered 17th-century ownership inscription on title-page. Waterstaining, at times significant, at others barely visible. A sound copy with no worming or tears.  (35200)

Binding:  Cream-colored textured cloth boards, horizontally striped in magenta, with blind-stamped panel containing corner arabesques and (on the front only) a central gilt-stamped floral design. Spine gilt-stamped with title and arabesques. All edges gilt.

The use of striping on Victorian cloth bindings was uncommon and short-lived, lasting roughly from 1845 to 1852. On this type of binding, see: Andrea Krupp, Making a Case for Cloth, fol. 6.

Provenance:  Mid-19th-century pencil signature on front pastedown of May Harris of Deposit, Delaware County, NY; full inscription repeated on a blank at the rear.

•  Faxon 631a (for an 1843 edition by the same publishers). Not in Tepper, American Gift Books & Literary Annuals. (Second edition); not in Thompson, American Literary Annuals & Gift Books.   Bound as above; covers lightly soiled and with a scattering of small spots. Foxing general but light, to interior; a clean, nice copy.  (32064)

Provenance:  Early 19th-century armorial bookplate of Robert Chambers; manuscript ownership “Ex libris G.R.W.”— William R. Wittingham, fourth Anglican bishop of Baltimore (a Latinophile who used “Guillelmus” for “William”), dated Sept. 22, 1856; later in the diocesan library of Maryland; deaccessioned 2006.

•  VD16 B 727.   Contemporary limp vellum with evidence of ties; slightly yapp edges. Occasional light foxing. 19th-century library stamps on the front free endpaper and title-page. A clean solid copy.  (24432)

Provenance:  Ex–Allyn K. Ford Collection, Minnesota Historical Society, recently deaccessioned.

•  Very good condition; slight smearing of two words, not impairing legibility.  (33356)

The flap with “Come, read and learn” on the outside and the title and publication data on the inside is present and integral. It is not uncommon for this fragile flap to have been lost.

•  Rosenbach, Children, 428; Welch 1363; Shaw & Shoemaker 14251 and 21546; Hamilton, Early American Book Illustrators, 248; Pomeroy, Alexander Anderson, 330.   Publisher's olive printed paper–covered wrappers. Minor chipping to one top margin of rear cover; adhesion of olive paper from a different copy to the underside of the flap! A very few light stains. A very nice copy of this fragile item.  (33551)

Provenance: There is a gift inscription on the front pastedown: “To the Rev. Hugh G.E. Crosby from the Warwick family with gratitude.”

Binding:  Publisher's vellum over bevelled boards, front cover and spine ornately gilt-stamped and with heavy brass clasps. Gilt-stamped endpapers. The binding and endpapers are in a neo-gothic design by Bertram Goodhue and incorporate the first verse of the Benedicite, as well as employing rose and thistle badges and a rose pattern to denote the English and Scottish origins of the American Episcopal Church. Upper edge gilt, tail and fore-edge deckled.

Affixed to one of the rear fly-leaves is: Updike, Daniel Berkeley. On the decorations of the limited edition of the standard prayer book of MDCCCXCII. New York: Pr. at the De Vinne Press, 1893. 4to (25.5 cm, 10"). [2] ff.

•  Griffiths, Bibliography of the Book of Common Prayer, 1893.7; Gewirtz, But one Use, 96.   Bound as above, corners bumped and vellum variably soil-darkened, rear cover with several long scrapes and front one with a few short and unobtrusive ones; front free endpaper chipped and discolored at points where it “took” pressure from the latches. Paper across hinges (inside) cracked, but binding strongly holding; to text, the odd spot of foxing or light soil only. The leaflet by Updike describing his work here is present, “tabbed” in at top left corner, with some discoloration to backing paper. A very handsome book in a decent, pleasing, “good used” condition that makes it relatively affordable, with the pamphlet on the decorations.  (36758)

The Spanish-language account of the burial includesa detailed description of the funeral monument (i.e., cenotaph) that the city erected for the archbishop, including the inscriptions and epigrams that were by F.J. Alegre. Following the last page of the text, there isa large folding engraved plate by Manuel Villavicencio after the design of the monument by Miguel Cabrera, “pintor americano.” The engraving is detailed, exquisite, and includes a measure of scale.

A good source for the study of Mexican colonial architecture, commemorative ceremonies, and treatment of and thinking about death.

•  Palau 6584; Medina, Mexico, 5067; DeBacker-Sommervogel, I, 153.   Contemporary vellum with remnants of ties; spine damaged with loss to hungry rodents not affecting paper. One short tear in margin of folding plate, well away from image. A very clean, very good copy.  (36410)

the premiere of this one, as unknown as that one is famous, is stirring to visualize.

That Bello wrote this patriotic song is known, and even the first few lines were recorded for history, but beyond that the text is not recorded and is not found in his Obras completas or, apparently anywhere else.

In addition to the historic collaboration of Bello and Carreño, this fabulous document has the distinction of having been printed by Venezuela’s first press, that of Gallagher and Lamb, which only arrived in Caracas in October of 1808, and was almost certainly printed on 24 April, the day after the hymn was first sung!

This broadside seems to be completely unrecorded.  It was unknown to both Medina and Pedro Grases. Searches of NUC, WorldCat, and COPAC fail to find any copy at all, as is the case when searching the OPACs of the national libraries of Venezuela, Colombia, Spain, France, and England.

•  Not in Medina, Caracas; not in Grases, Historia de la imprenta en Venezuela; not in Villasana. As issued. Worming in foremargin, repaired. A very good copy. (19202)

•  Publisher's stiff wrappers in the publisher's open-back slipcase. New.  (35392)

•  ESTC T53381. On Bentley's response to Collins, see: Dictionary of National Biography.   Recent marbled paper–covered boards, front cover with gilt-stamped leather title-label. Faint crease lines occasionally visible, pages otherwise clean. (20751)

•  Publisher's marbled paper–covered boards with roan shelfback; binding rubbed overall. Three additional leaves of notes laid in; pages gently age-toned with occasional small spots. A very readable, evocative, wide-ranging compendium.  (37203)

•  Publisher's blue cloth, spine with gilt- and blue-stamped title; without dust jacket, spine slightly sunned, a clean, solid copy.  (24835)

“Gaudentio,” under persecution by the Inquisition, reveals his fantastic voyages and travels through Egypt and an imaginary African land. While constantly assuring the stern inquisitors of his staunch adherence to Catholicism, he gives elaborate, admiring descriptions of the government, religion, and customs of his African utopia, particularly its training and education of women.

Provenance:  Pastedown with contemporary bookplate of James Butler.

•  Evans 35183; ESTC W10142. Not in Parsons; not in Finotti; not in Bowe, List of Additions and Corrections . . . to Parsons.   Contemporary sheep, missing pieces of leather from front cover and top and bottom of spine; spine with nice old red leather gilt label and front cover reattached using Japanese long-fiber method. Silverfish or roach damages to front free endpaper, fly-leaf, and title-page (costing small, small portion of two letters); damage also to lower outer corners of early leaves and upper inner area of leaves to p. 10 of preface with none of this impairing the reader. Age-toned, some foxing, occasional brown spots; an “old book” of the classic sort.  (37157)

•  Evans 36946; ESTC W10143; Minick, Maryland, 560. Not in Parsons; not in Finotti; not in Bowe, List of Additions and Corrections . . . to Parsons.   Publisher's sheep with modest gilt ruling on spine; spine label gone, front free endpaper loose. A few leaves starting to extrude; occasional spotting, but overall strong and good+ to very good.  (37183)

The printer Elizabeth Allde was the widow of printer Edward Allde, who was active from 1584 to his death in 1628; he was successor to his printer father John Allde (variously Allde, Aldaye, Alde or Aldye), fl. 1555–92, a Scottish stationer and printer. Elizabeth was active from 1628 to 1633, at which latter date she passed the business to Richard Oulton (or Olton), her son-in-law. He continued the firm for another ten years only.

Provenance:  On the front free endpaper: “From the Hon. Rev. Lowther Barrington, Buckinghamshire, Eng., 1835.”

•  STC (rev. ed.) 1920; ESTC S112939.   Recent full brown calf, late 17th-century style; raised bands accented with gilt rules above and below each band, modest blind fillet on boards, red spine label. Text cockled, waterstained, and with some browning; one leaf with small hole in text with loss to words in two lines on each side. Far from a perfect copy but complete, sound, solid, anddifficult to find.  (34388)

The volume is printed with the original language and spelling preserved, and is illustrated with a woodcut frontispiece of a fisherman taken from de Worde's 1518 edition that is cited as the earliest known depiction of an angler fishing with a rod, as well as with six woodcuts (provided at the back of the volume in the form of four plates) showing types of poles, hooks, etc. As the title-page proclaims, the work was printed with the types of John Baskerville, making it one of the last such printings done in England. A later hand has helpfully added pencilled marginalia clarifying archaic or obscure terms and suggesting subject headers.

•  NSTC 2B20037; Keynes, Pickering, 42.   Later half calf and marbled paper–covered sides, spine with gilt-stamped leather title-label, gilt-decorated raised bands, and gilt-stamped fishing creel devices in compartments; spine label with small edge chips and mild rubbing to paper. Pencilled annotations as above, pages and plates otherwise pleasingly clean.  (28566)

This copy uncut and in original boards: RARE THUS.

•  NSTC 2B20037; Keynes, Pickering, 42. Beyond the scope of Gaskell, Baskerville.   Publisher's dun-colored light boards. Uncut copy. Light overall rubbing; spine with minor loss of paper. Old bookseller's description affixed to front free endpaper; small oval stain to corner of half-title and frontispiece, a bit of light offsetting from plates. A very nice copy in a later open-back cardboard slipcase.  (30461)

The two-part text was not reprinted until 1883, by J. Lemonnyer in an edition of 525 copies.

Binding:  Fine olive brown morocco gilt, ca. 1910 and very much expressing that era's style. Each board double-ruled in gilt and finely framed with a canopy of elegant gilt garlands, title gilt at center of front cover. Spine gilt extra from top to bottom in a leafy vine pattern. Board edges single-ruled in gilt, turn-ins double-ruled in gilt with a rule of delicate gilt beads between, french combed marbled endpapers in an exceptionally pretty and precise pattern.

•  Cioranescu 11517.   Bound as above, second part only of two; binding a little rubbed (only) at joints, edges, and one corner of front cover. Paper chosen for blank endpapers unevenly bleached, in production, to now-spotty but not unpleasant effect; text with a little age-toning at upper edges and some light dust-soiling at deckle edges.  (32768)

Posthumous second edition in English, “translated from the French, with notes and engravings, illustrative and supplementary, by Andrew Ure.”

Uncut, partially unopened copy.

•  Uncut, partially unopened copy. Publisher's quarter cloth with paper covered boards; some discoloration to cloth, light chipping to board edges. Ex–social club library: paper label at top of spine, 19th-century bookplate, call number on endpaper, pressure-stamp on title-page, no other markings. A clean copy with the plates good and crisp; as noted above, an uncut, partially unopened copy.  (27388)

The work at hand was a widely read and respected history of the founding and history of Valencia, and Spain, through the 11th century, with the last chapters having much to say aboutEl Cid. The translation is the work of Alfonso de Ulloa, who translated a number of important Spanish texts into Italian.

Gabriel Giolito, the most prolific printer in Italy during the 16th century, printed about 850 books from the date of founding his press in 1539 to his death in 1578; he exercised great influence on his contemporaries and successors in the form and decoration of books. This work is printed in his italic type, has a woodcut printer's device on title-page and a different one on the verso of final leaf, woodcut head- and tail-pieces, and decorative and historiated woodcut initials. The preliminary matter containsa double-page woodcut map of Spain.

A curious aspect of the text is the claim that Spaniards fleeing the Moorish invasion settled in America in the Yucatan! What a fable!

Provenance:  17th-century private ownership stamp on title of a heart surrounding the letters COP; late 20th- and early 21st-century bookplate of Kenneth Rapoport.

•  EDIT 16 CNCE 5679; Index Aureliensis 118418; Palau 28828; Alden & Landis 556/6.   Contemporary limp vellum, evidence of lost ties. Tear in rear joint (outside), unidentified monogram stamp on title-page, light dampstaining in lower inner corner of early leaves. A complete copy with the sometimes missing map.  (31270)

The title-page of vol. II reads: Cornelii van Bynkershoek, icti et senatoris, Observationum iuris romani quatuor, quatuor prioribus additi, nempre V. VI. VII. et VIII in quibus plurima iuris civilis aliorumque auctorum loca explicantur et emendantur.

•  McCrank 0390.   Publisher's vellum over paste boards; one board broken across one corner under the vellum and held by it, another board with vellum of cover patched; cover attachments strengthened at top long ago by use of a strip of old vellum manuscript. Text browned, margins surrounding it not so much!  (30876)

Uncommon: OCLC and NUC Pre-1956 find only eight U.S. holdings.

•  Goldsmiths'-Kress 19346.100.   Publisher's rose paper wrappers, rebacked in paper wrapper edges chipped and hinges (inside) reinforced. Half-title and title-page institutionally rubber-stamped, front pastedown with institutional bookplate and early inked numeral, half-title with small inked ownership inscriptions. Signatures unopened, edges untrimmed; pages age-toned throughout, some with a little foxing; a nice copy. Now housed in a neat rose-maroon cloth clamshell case with gilt-stamped leather title-label.  (25268)

•  Publisher's printed salmon-colored paper wrappers, front and back wrappers with engraved vignettes; spine and edges mildly rubbed, back wrapper with small scuffs. All edges gilt. First and last few leaves lightly foxed.  (29059)

•  Very good image.  (33880)

•  ESTC R12103; Wing (rev. ed.) B3148.   Removed from a nonce volume, edges speckled red; spine reinforced with archival tape. Ex-library with some pencillings and perforation- and rubber-stamps. Worming to last leaves, entirely within gutter margins; light waterstaining.  (25705)

TheGriffin Press, which did the printing, also did the binding: full beige homespun linen with a gilt-stamped brown leather spine label, with the front and back covers stamped in brown with two different ship vignettes done by Ingleton.

This is copy 733 of 2000 printed, signed at the colophon by the artist and designer.

•  Bibliography of the Fine Books Published by the Limited Editions Club, 494.   Binding as above, in original slipcase and lacking the glassine wrapper; slipcase with one side sunned along top and a few small nicks to other side, spine label a little chipped at edges. Book clean and fresh. A very nice copy, with the prospectus.  (35530)

This is one of 150 copies printed and bound by Vance Gerry.

Bliss was the son of one of Henry Huntington's original crew of librarians, was himself a librarian at the Huntington, and was the father of Tony Bliss who was, until his retirement, the rare books curator at the Bancroft Library.

•  Publisher's tan and maroon printed paper–covered boards, front cover with printed paper label, in original cream and red dust jacket. Crisp and clean.  (35694)

•  ESTC N5425; Garrison-Morton 2199 (for first ed.). Contemporary speckled calf, spine with gilt-stamped title and compartment decorations; leather cracked and chipped on spine and joints, with minor rubbing to sides and edges. Front free endpaper with private collector’s rubber-stamp and inked name, front pastedown with small inked numeral. One front and one back fly-leaf excised. One leaf with short tear from outer margin just touching one letter; one leaf with paper flaw affecting a few letters without loss of legibility. Pages clean save for some age-toning and scattered iinstances of light staining to outer margins. (19245)