A disciple of William Perkins (1558–1602), Ames ran into trouble preaching extreme Puritanism at Cambridge. When his nonconformity prevented his obtaining a preaching license in England, Ames moved to the Netherlands, where he was chaplain to the commander of English forces 1611–19 and wrote many treatises in support of strict Calvinism. Although he hoped to obtain a professorship at Leiden after the Synod of Dort, Ames was prevented by King James himself, who opposed the appointment to such a prestigious post. Ames moved again, to Franeker, where he had been invited by the curators to teach. It was there he composed the present text, a theological treatise against Bellarmine from the Calvinist point of view (first published at Amsterdam in 1625–26). Ames wasinvited to America by John Winthrop in 1628 but accepted a post at Rotterdam instead. His family traveled to New England in 1637, a few years after his death.

Four parts compose this single volume, which is paginated continuously in the third and fourth part; a separate title-page introduces each section, with the imprint date 1632 on parts II–IV. The text is printed in Latin — Bellarmine's points in italic and Ames's counter-points in roman, supported by citations in italic — with decorative ornaments on the section titles and at the end of the first part. ESTC notes the ornament on general title-page exists in two forms: a bunch of fruit, or the Jesuit mark of a burning heart with “IHS”; ours is the latter.

•  ESTC S116616; STC 551. On Ames, see: Oxford Dictionary of National Biography online.   Contemporary vellum with yapp edges, title and date inked early to spine; lightly soiled, ore to spine, dark top edge, . Library bookplate on front pastedown, pressure-stamp on title-page and last printed leaf, old inked control number. A few spots, a few small tears, one lower corner torn away without loss; the springy binding and good overall condition suggest this book was little-used, which is confirmed by a number of uncut pages.  (30206)

This is a reimpression of the edition by Sigismund Galenius (Basel, Froben, 1533), with the original prefatory letter of 1533 by Hieronymous Froben, son of the famous printer. In Latin with some Greek, the text ishandsomely printed in italic by Robert I of the great Estienne printing house, with his device on the title-page and capital spaces with guide letters.

Evidence of Readership: This volume shows an interesting style of annotation, an early reader having highlighted lines and whole passages of lines by inking minute, very neat double quotation marks in the margins next to themat apparently significant distances from the print. A few other lines are marked with asterisks and there are a handful of actual notes and corrections.

Provenance:  Bookplate of Kenneth Rapoport, a modern American collector of early and scientific books.

•  Adams A972; Renouard, Estienne (2nd ed.), p. 61, no. 17; Dibdin, I, p. 255n; Index Aurel. *104.839; Graesse, I, 104. Not in Schreiber, Estiennes.   18th-century vellum; editor, title, and timespan of the work in gilt on painted spine compartment; edges speckled red. Vellum lightly chipped at top, with scattered dark spots and a bit of mild worming; traces of former label at base of spine. Pastedowns and first and last few leaves with light worming; a few inkspots, light and/or marginal; annotations as above. A clean, attractive copy.  (31358)

•  Publisher's quarter cloth with paper-covered sides, corners the slightest bit rubbed; original slipcase, this sunned and abraded with “spine” broken. Danish copyright information lined through, volume otherwise clean and quite nice internally.  (24517)

These examples are numbered copy 238 of either 2000 or 2500 printed depending on the set (except for one trio out of the five, which is numbered 236); the appropriate LEC newsletter is present.

•  Bibliography of the Fine Books Published by the Limited Editions Club, 193^1-3, 202^4-6, 203^7-9, 222^10-13, 228^12-15.   Publisher's cloth of various colors, eight volumes in the original glassine dust wrappers, all in publisher's red paper–covered slipcases with printed paper spine labels; some wrappers with tears or chips, slipcase spines gently sunned, slipcases showing light shelfwear overall with Aladdin set case dust-soiled, Emperor's New Clothes spine lettering rubbed. Ali Baba and a few other volumes with scattered spots of light foxing, overall most pages clean. Newsletter moderately worn. Complete sets are uncommon; this one shows no signs of having been in the hands of any actual child.  (30766)

Histoire de l'oeil was translated from the French as A tale of satisfied desire by “Audiart,” a pseudonym for Austryn Wainhouse (a.k.a. Pieralessandro Casavini), an American Harvard graduate employed by the Olympia Press in Paris who received the National Book Award in 1972 for his translation of Jacques Monod's Chance and Necessity. Adapted from Bataille's revised text, first printed in 1944 — the second version, and standard French edition — this translation appeared about the same time as the third French edition. Bataille worked on other projects with both Wainhouse and Maurice Girodias, founder of the Olympia Press, and probably knew of this translation.

The Olympia Press specialized in providing the types of books that would be automatically banned in Britain and the United States. The first to publish Nabokov's Lolita and Donleavy's Ginger Man, Olympia also printed numerous exuberantly pornographic works penned pseudonymously by members of the Paris expatriate community, as well as avant-garde and controversial works by prominent Beat writers including William S. Burroughs and Gregory Corso.

Scarce: WorldCat locates just two copies in the U.S.

•  D. Cullen, ed., “Bataille's Eye & ICI Field Notes 4,” The Institute of Cultural Inquiry (1997), p. 25. On this work as censored, see: L. Sigel, International exposure: perspectives on modern European pornography, 1800–2000, pp. 129–30.   Publisher's mustard-colored wrappers printed in black, with white stars and bars; extremities rubbed, wrappers a little scuffed, inside like new.  (30200)

Provenance:  Front free endpaper with inked signature of Henry D. Gilpin, the U.S. Attorney General who argued the Amistad case; title-page with inscription of T.L. Gilpin.

•  American Imprints 12098; Westwood, Bibliotheca Piscatoria, 77.   Publisher's mushroom-colored cloth, lightly rubbed overall, spine sunned with original printed paper label now present only in remnants. Title-page with early inked ownership inscriptions of Henry D. Gilpin. Pages darkened and spotted. A solid, sturdy copy with nice provenance.  (27329)

After her husband's death in battle (1885), Sra. Barrios moved toNew York City where she presided over a notable salon. According to author Francisco Goldman, though we cannot confirm the anecdote, “The stallion her husband was riding when he was killed in battle, she had brought up to New York, and she used to ride it in Central Park. It was like the world of One Hundred Years of Solitude coming to the world of Edith Wharton!”

No copy is located via WorldCat, NUC, COPAC, CCILA, or Metabase, but we know of one at Tulane.

•  Not in Valenzuela. For Goldman's note (and much more equally unconfirmed), see: <http://bombsite.com/issues/88/articles/2665>.   Very good, clean and whole. “1881" in ballpoint pen in right margin, recto.  (31041)

Text handsomely printed within a typographic border in double-column format.

RARE:  No copy traced via WorldCat, NUC, or the OPAC of the Mexican National Library.

•  Not in Sutro.   Dog-earing and minor fold tears; a very little light soiling/spotting. A very good copy of a rarity.  (30439)

No copy located via NUC Pre-1956 or WorldCat.  PROBASE locates only one copy in the more than 170 Portuguese libraries that participate; no copy found in the OPAC of the Portuguese National Library.

•  Removed from a nonce volume. Slim short wormtrack in lower margin of last leaves; light soiling to edges. A nice copy indeed of a rarity.  (28603)

WorldCat and Lindsay & Neu combine to locate eight copies in the U.S.

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•  Lindsay & Neu 3238 (note collation variation).   Recent paper–covered boards, front cover with printed paper label. A few pages institutionally pressure-stamped; inked numeral in upper outer corner of p. 2. Light foxing; pinhole worming in lower margins, not touching text. Two leaves with inner margins reinforced. A nice copy of an uncommon item.  (27773)

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There exist at least four different editions of this work. In this edition, line 9 of the title begins “VVhere” and line 19 has “Parliament, Council of State, and Army.”

•  Wing (rev. ed.) I289aA; ESTC R234704.   Removed from a nonce volume and now in later wrappers. (21001)

The set is illustrated with a total oftwelve steel-engraved portraits and three oversized, folding facsimiles of prominent physicians' letters and signatures. The binder has disregarded the printer's directions for the arrangement of the plates, and grouped them all at the fronts of the volumes.

•  NSTC 2A12623.   Contemporary speckled calf, spines with gilt-stamped leather title-labels; bindings mildly rubbed overall and moreso in spines' top compartments where old labels were removed(?), spines darkened and showing small cracks in leather with some joints just starting, small square of old tape at corner of back cover on vol. I. Ex–social club library: each volume with 19th-century bookplate, call number on endpaper, pressure-stamp on title-page, no other markings. Vol. I with hinges (inside) starting. Occasional mild spotting or smudging, short edge tears (not extending into text) and occasional corners or lower margins partially torn away throughout. Vol. III: lower inner margins of frontispiece and engraved title-page reinforced with strip of cloth tape. An uncommon and fascinating set.  (29411)

Honored to serve as the volume's sole U.S. distributor, we are ready to take your orders for both the regular issue and the deluxe one (priced at $1050.00).

•  New.  (32223)

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The anonymously published work is signed “An Antiepiscopalian”; the title-page here bears a hand-inked attribution to Matthew Wilson.

An important entry in the literature of the “American Bishops” controversy in the lead-up to the American Revolution.

•  ESTC W13420; Evans 10947; Felcone 126; Hildeburn 2370; Sabin 11876.   Recent binding: boards appealingly covered in paper printed with 18th-century music, front cover with printed paper label. Two pages (not including title) institutionally rubber-stamped. Title-page with early inked ownership inscription and annotations, later lined through, with authorial attribution in the later hand. Lacking pp. 17/18, with final leaf tattered and text on p. 19 lined-through-by-show-through of X'es “deleting” manuscript notes on the verso (still, readable). Pages age-toned and lightly spotted, with edges untrimmed. One leaf with early inked annotation along outer margin.  (28100)

Scarce: WorldCat, NUC Pre-1956 and Goff locatejust three copies of this part, this edition, in the U.S. (two of those being part of full five-part sets). Wenssler was a prolific printer, but his works are not necessarily common. Elizabeth Evenden & Thomas S. Freeman, in Religion and the Book in Early Modern England, note that “Like many technologies in their early stages, printing provided entrepreneurs with the opportunity to make considerable fortunes, but at considerable risk. . . . The business fortunes of Michael Wenssler, a printer in fifteenth-century Basle, areinstructive” (p. 6).

•  Goff A-874; HC 1245*; BMC, III, 728; GW 2188; ISTC ia00874000. On Antoninus, see: NCE, I, 646–47, and online.   Recent full calf ruled in blind and tooled old style using one roll in the same design on each cover; new endpapers. Second part only of five; title-page lacking but title words excerpted and seamlessly integrated into front fly-leaf. Waterstaining throughout, with all edges and many whole leaves age-toned; leaves at the beginning repaired across the inner column of text affecting legibility of print, in some cases with whole words or parts of lines taken; some other leaves repaired similarly and yet others unrepaired leaving holes or tears very occasionally affecting text; paper now stable and nowhere weakened. Otherwise, one pin-type wormhole to outer margin of early leaves, three corners torn away, a short closed marginal tear in three leaves; a few signatures corrected in early ink manuscript. An incunable that has seen multiple instances both of suffering and of “rescue,” across its many generations.  (31142)

•  Publisher's light boards with printed dust wrapper, in Mylar protective jacket. Nearly new.  (23241)

Uncommon: WorldCat and NUC Pre-1956 locate only six U.S. institutional holdings.

•  Martin & Walter 396.   Never bound, sewn as issued, with edges untrimmed. Title-page with affixed paper shelving label in lower inner corner and pencilled monogram in upper outer portion. One leaf with closed split running through several lines, without loss of text.  (30813)

•  Tan cloth over boards, red and black stamped, with vignettes of a biplane, a roadster, a motorbike, and a speedboat in the corners and the author/title in a large oval center medallion. A little rubbed, a little “used,” one page dog-eared; gift inscription dated 1931 on front free endpaper.  (32710)

The text is divided into sections by author, each of whom the editor introduces with a brief biography. A short abstract printed in roman precedes each poem, printed in italic. Fine woodcut head- and tailpieces, and a variety of initials in historiated, patterned, and factotum designs, decorate the text; and the title-page features the woodcut printers' device of Truth personified, flanked by an eagle, a lion, a bull, and an angel, representing the Four Evangelists.

Provenance:  Ownership inscription on front fly-leaf of Luigi Pagani Cesa, possibly the Italian jurist born at Belluno in 1855, who served as a member of Parliament for 1904–13; and the words “penso che” (“I think that . . .”) written above, in an earlier hand?

•  Adams A1691; CNCE 2806.   Later glazed cream-colored boards, title and date inked on upper spine, small paper label on lower spine, marbled red edges; boards soiled and front joint opening. One spot of worming on front pastedown and on colophon leaf; traces of former mounting on colophon leaf verso. Title-page with one letter added in manuscript (o, in Bentivoglio). Trimmed close at margins almost grazing headline on a few leaves. Very minor stains on a few leaves, generally bright and crisp.  (30836)

Present here is vol. I containing the original Greek text, the Latin translation having been printed in a separate volume.  Incomplete at the end, it lacks the final eight leaves or the last part of the Indica (37.3–43.14), only, with Arrian's Anabasis Alexandrou (Campaigns of Alexander) appearingcomplete as Books 1–7.

Binding: Contemporary alum-tawed pigskin over bevelled boards, remnants of the metal closures. Covers elaborately blind-embossed with several rolls and devices. Front cover has in its center panel the initials “A. W.,” the date 1539, and medallions of Manfred of Saxony and Luther, while the rear cover's center panel has medallions of Melanchthon and Erasmus.

•  Graesse, I, 227; Legrand, Bibliographie hellénique, III, 388; Adams A2009.   Binding toned to a pleasing dark tan. Old bookplate on front pastedown. Front free endpaper torn with loss. Vol. I only, and lacking those final eight leaves; the Anabasis complete. (20418)

This example is apparently a variant state of the first edition of 1712 (ESTC does not distinguish between variants, grouping all entries under one listing), with p. 61, line 8 ending “of the Romish Persuasion.’

•  ESTC T41498. On Asgill, see: The Dictionary of National Biography, II, 159–61. Removed from a nonce volume, now in a Mylar folder. Title-page with small numeric stamp, spots of discoloration. A few pages more notably browned than their neighbors; otherwise generally clean.

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As is the case with the 70 p. issue, the first 16 p. are the same sheets as appear in the original [Richmond, April 1792] edition (Evans 26580), and were probably printed in 1791. Evans, however, postulates that the first 16 p. were printed by Dobson in September 1792. He accounts for their presence in copies of the [Richmond] edition of 60 p. by suggesting that Asplund substituted the corrected Philadelphia sheets for the unsatisfactory sheets of the earlier edition. Cf. the prefaces to the 1794 and 1796 editions, with title: The universal register of the Baptist denomination.”

In addition to its exhaustive account of who's who and what's where, this lists both principles of belief and “Rules of Decorum”; the latter, e.g., forbid laughing and whispering when another member of the association is speaking in assembly. Between the “Rules of Decorum” and the Index, Asplund remarks on the un-Christian “inconsistency” of “Keeping our fellow-creatures in bondage, who have as good a right was we, both to civil and religions liberty — Not only so; but misusing them, concerning common blessings, which certainly is a violation of the rights of nature and inconsistent with a republican government.”

•  Evans 26582; ESTC W37302.   Uncut copy. In 20th-century black buckram binding. Ex-library with bookplate but no other markings.  (24467)

•  ESTC W35823; Evans 35119. Contemporary sheep, spine with red leather title label; abraded with a few wormholes (including one track across spine) and front joint opening. Some pages quite stained, not impairing reading; a couple instances of chipping in margins with loss of letters. Front free endpaper excised. Pp. 433–44 pinned together in the inside margin. Pencil doodlings on half-title and p. [5].

The volume was published at the request of Cardinal Ascanius Columnas in an edition ofonly 750 copies, and was printed at Antwerp at the press of Moretus’ widow and sons with the famous Plantin device appearing in two versions (engraved, to the title, and woodcut, to the final recto).

A full-page engraved funeral portrait of Rubens engraved by Cornelius Galleafter Peter Paul Rubens signals the beginning of the third section, in which Jan Brant records the life of his son-in-law’s brother and transcribes his epitaph. Even Balthasar Moretus contributes an epigram in honor of the deceased.

In the fourth section, Rubens’ own orations and selected letters appear, i.a. his funeral oration to Philip II of Spain. Josse DeRycke contributed the final funerary tribute.

Done up in fully elegant Plantin–Moretus style, the volume has in addition to its careful typography and full-page plate and devices been lavished throughout with two-line block initials and four-line historiated woodcut initials; also, it offers several intricate woodcut tailpieces.

Searches of NUC Pre-1956 and WorldCat locate only eight copies in U.S. institutions, one of which has been deaccessioned; most arenot in obvious places.

•  Graesse, I, 241; Corpus Rubenianum, XXI (1977), 152.   Period-style full brown calf, covers framed in blind double fillets, spine with gilt-stamped red leather title-label, raised bands with blind tooling extending onto covers. With a few odd spots to the text only, this is aremarkably fine, crisp copy. All edges green.  (28878)

•  Wright, III, 168.   Publisher's cloth, spine gilt-stamped, front cover stamped in “silver” and gilt; cloth a touch rubbed over corners and spine extremities, otherwise clean and neat. Sewing breaking, not because this is a “bad” copy but because it's the nature of the thing.  (12987)

•  Publisher's brown cloth, spines with brown paper label; several labels with ssmall brown spots, cracks, and edge chips, not too conspicuous and not affecting printing. Two leaves (pp. 343–346 of vol. X) detached from binding; long tear down center of pp. 283/284 (vol. IV), without loss of text; except for two leaves with some offsetting from laid-in scrap of paper, interiors clean. Outer and lower edges deckle, with a few signatures opened unevenly and some unopened. A very good set.  (24537)