•  Old calf, rebacked and recornered; abraded with some loss on edges. Some waterstaining and browning; soiling and shallow chipping. Lacking final [62] ff., the index (only).  (7532)

•  Publisher's blue cloth, front cover with gilt-stamped title and fish vignette with blind-stamped decorative borders; spine slightly darkened, small spots of light discoloration, extremities rubbed. Sewing just barely starting to loosen but holding; pages clean. A more than decent copy of this interesting and, shall we say, “highly personal” work.  (35139)

The book is illustrated with 100 engraved plates and numerous in-text engravings, as well as a frontispiece map of the Holy Land in each volume. The plates are mostly figural illustrations taken from paintings in catacombs and on sarcophagi, illuminated manuscripts, mosaics, ivory figurines, murals, etc. The title-pages are printed in black and red ink, and decorated with an engraved vignette.

•  Publisher's red cloth, stamped in gilt on the spines and front covers. Spines sunned and front cover of vol. II slightly sunned along fore-edge also; cloth of spines frayed at extremities and chipped in other places. Hinges (inside) of vol. I a little weak, stitching exposed; corners bumped with cloth damage; pages very shallowly bumped. Ex-library, with shelf labels on spines, institutional bookplates on front pastedowns, pressure-stamp to title-pages and one other page in each volume. Paper very good; pages clean and bright.  (24688)

This is this history’s first edition and was followed by 1579, 1593, and 1628 editions. It is printed with a woodcut printer’s device on the title-page showing the goddess Liberty with two books labelled “Bononia docet” (“Bologna teaches”) at her feet. The text is enclosed in double-ruled borders and simply ornamented with a few woodcut initials, one of which shows Juno being pulled in her chariot by peacocks.

•  Adams S1117; Soltész, Catalogus librorum sedecimo saeculo . . . in Bibliotheca Nationali Hungariae . . . S524. On Sigonius, see: Encyclopædia Britannica, 11th ed., XXV, 82; and Sandys, History of Classical Scholarship, II, 143–45. Full calf old style: Round spine with raised bands, accented in gilt beading; tan leather title label; fillets in blind extending onto covers from each band to terminate in trefoils with blind double fillets beyond. Pages lightly washed, clean, and crisp: a few instances of staining, not obscuring text; a few short notations in ink and occasional worming in the margins, neither affecting text; ink stain on p. 95 obscuring letters without loss of sense. Inked title on lower edge, old style. Three ink ownership stamps on title-page. EEe3–4, the last two leaves of the index, are lacking. (4561)

•  I: VD16 S6278; Graesse, VI, 398. II:: Pettegree & Walsby, French Books, 79713; not in Brunet.   Binding as above. Joints and spine cracked but firm, with edges a bit rubbed and spine with leather lost at head, foot, and band ends; front free endpaper torn at lower outer corner. Text ruled in red, with an appended, unrelated gathering B entitled Phocylidis poema admonitorium (from an unidentified 16th-century probably French edition) and two leaves of gathering F misbound; upper blank margin of title trimmed, edges a trifle dusty, the odd marginal spot. Engaging content, an engaging physical copy, and a very engaging provenance.  (40793)

Provenance:  Front pastedowns each with inked inscription: “George Sinclair, April 11th, 1805"; first two books of vol. I with early inked annotations in both Latin and English, no subsequent annotations. Later in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear of each volume.

•  Brunet, V, 383; Dibdin, II, 407–08; ESTC T147242; Schweiger, II, 956.   Bound as above; minimal wear overall, vol. II with small scuff to back cover. Inscriptions and marginalia as above. Back pastedown and final 40 (approximately) leaves of vol. I with small area of pinhole worming to upper outer margins, not approaching text. A handsome set of this uncommon Heberianum.  (40254)

Provenance:  No bookplates or inscriptions, but spine with initials “G.O.B.” tooled at base.

•  20th-century cordovan-color sheep, covers framed in single gilt fillet with gilt-stamped corner fleurons; spine with gilt-stamped leather title-label, gilt-ruled raised bands, and gilt-stamped fleurons in compartments; spine sunned/lightened with darker streaks and patches evident, one spine compartment with small scuff, joints with excellent repairs and corners likewise well refurbished. Text with only an occasional age-stain or instance of foxing; plates remarkably unblemished. Blue silk placemarker. Overall indeed aVERY NICE COPY.   (33233)

An epitome of the “antiquarian” both in form and content, this is a marvelous compendium of royal history and lore.

In addition to the royal printer’s woodcut device on titles, the works all also have interesting decorated initials and ornaments.

Binding:  Late 18th-century green sheep, board edges gilt with a decorated fillet with stars in a chaine; spine gilt with Greek fillet and urns. Gilt inner dentelles, marbled endpapers, all edges gilt.

Provenance:  From the library of the Hardens of Crea, King’s Co., in Ireland, and probably bound in Dublin in the second half of the 18th century. Armorial bookplate printed in red of Henry Hurden, L.L.B.; most recently in the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  I: Not in Brunet or USTC. II: USTC 171954; Pettegree & Walsby 87229; Renouard 1584 06:14:1; Brunet, V, 614. III: Adams, C1546. Bittrich, “Outline of a General History of Speculation about Dreams,” in On Prophecy, Dreams and Human Imagination (2014), 71–96.   Bound as above, second work lacking parts II and III, rubbed and with spine a little sunned; text remarkably clean, with generous lower margins. Light age-toning small light water stain at foot of a few leaves; two pages in last section with old pencilled underlining. Handsome Greek printing with pleasing provenance.  (37798)

•  Brooks 692; Brunet, V, 638. This ed. not in De Lama, not in Schweiger.   Modern quarter green morocco and green pebbled cloth–covered boards, spines with gilt-stamped title and gilt rule–framed compartments; spines sunned (not unattractively), volumes lightly rubbed overall. Some pages creased in the press, with variable spotting/soiling/foxing, the last generally speckle-type; still asolid, dignified set. (40179)

•  Brooks 594; De Lama, II, 106; Giani 71 (p. 54); Schweiger, II, 1006.   Bound as above, rebacked with the original spines laid down; sides and edges with moderate scuffing. Faint spotting, occasionally more pronounced, to many page edges; pages overall clean. Bodoni's unadorned typesetting embodies classical elegance.  (40168)

•  Brooks 315. Giani 29 (p. 91).   19th-century half brown morocco with textured brown cloth sides and stone pattern endpapers; leather abraded at board edges. Paper a little age-toned and with several paper flaws observable; in fact very good.  (40133)

•  American Imprints 9398.   Contemporary tan paper–covered boards with brown cloth shelfback; cloth worn, paper lost over rear board and wrinkled/chipped on front board. Front pastedown and free endpaper with early inked and pencilled inscriptions; tracing and annotation as above. Pages age-toned; one plate with upper portion excised, just shaving top of image.A quirky copy of a quirky work.  (36683)

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  EDIT16 CNCE 60555; Mortimer, Italian 16th-Century Books, 523 (note); USTC 862550. This edition not in Adams.   Contemporary limp vellum, title inked on spine with red painted shelfmark, title inked on fore- and bottom edges in an early hand; vellum stained and cockled, heavily chipped at spine head and very loosely attached, endpapers torn and soiled with evidence of worming and a few bibliographical notes in ink and pencil. Booklabel as above; light age-toning throughout, with waterstaining to lower and outer portions of the very faint to moderate level that reduces price but not pleasure. This was printed on inexpensive paper, as evidenced by one leaf with a small hole and a few examples of uneven edges; it has also been well read, with a few loosely attached quires, worn edges, occasionally a spot or a tear. A scarce edition that in this copy has had plenty of adventures and is ready for more; the illustrations arewonderful.  (39635)

The work is here illustrated witha copper-engraved frontispiece and four plates, generally bucolic, done by Joseph de Longueil after Francesco Giuseppe Casanova and Charles Eisen. The text is additionally decorated with pictorial headpieces and fruit and floral tailpieces.

•  Brunet, V, 1303; Cohen & de Ricci 1022; Graesse, VII, 359; Schweiger, II, 1221/22.   Contemporary mottled calf framed in gilt triple fillets with gilt-stamped corner fleurons, spine with gilt-stamped leather title-label and gilt-stamped floral compartment decorations; joints and extremities rubbed, spine leather with small cracks, sides with expectable moderate acid-pitting. All edges gilt. Front hinge (inside) tender; a few scattered light spots, pages overall clean. An early, attractive edition of an excellent translation, withcrisp, lovely, well-impressed plates.  (30949)

Provenance:  Front pastedown with bookplate of Jan-Olof Grady.

•  Brooks 400; Brunet, V, 1309; De Lama, II, 57; DeBacker-Sommervogel, I, 1706; Schweiger, II, 1231.   Modern half brown calf and Stormont marbled paper–covered boards, original 19th-century mottled calf spine with gilt-stamped leather title-label and gilt-stamped compartment devices laid down; original spine leather edges chipped, binding otherwise clean and unworn. All edges stained red. Some light foxing or other spotting, pages overall crisp and fresh.  (40142)

WorldCat, Copac, STCN, and NUC Pre-1956 do not find any locations of this Jansson-Waesberg edition; Palau does not list it.

Provenance:  Front free endpapers each with early inked inscription mostly inked over, title-page verso with inked inscription “de los libros . . . D. Emanuel Lopez Forrecilla y dela Fuente.”

•  Not in STCN. See Palau 377674–377683 for other eds.   Contemporary vellum over paste boards, spines with early hand-inked title; minor staining and back outer (yapp) edge of vol. I chipped, ties on both volumes still partially present. Pages age-toned with intermittent spotting; vol. I with light waterstaining to margins of some leaves and a few early inked corrections and marks of emphasis. Vol. II: Text block pulling away from spine, first few leaves separating, some leaves with worming in inner margins touching text without obscuring sense, one leaf with tear from outer margin extending into text without loss. All edges stained red, and both volumes with inscriptions as above.  (29082)

•  BAL 20798; Grolier, American 100, 82; Russo & Sullivan, Bibliographical Studies of Seven Authors of Crawfordsville,Indiana, 315–17; Wright, III, 5720.   Publisher's textured brown cloth with bevelled edges, spine with gilt-stamped title; binding slightly shaken, edges and extremities rubbed, sides with spots of discoloration. Hinges (inside) tender. Ex–social club library: 19th-century bookplate on front pastedown, title-page pressure-stamped, dedication page with inked numeral, back free endpaper with slip. Front free endpaper with faint early inscription, front fly-leaf with inked ownership inscription. Pages age-toned; a few leaves with light staining, most clean.  (26381)