As is to be expected, the text is in italic with spaces and guide letters provided for (unaccomplished) initials.

The register (leaf G2 recto) lists a gathering *4 that is not found here or in any known copy, so the reference would seem to be incorrect.

Evidence of readership: VERY Extensive marginalia in the Solinus, in a neat hand.

Binding:  19th-century straight-grain red goat with single gilt fillets defining “spine compartments” and “title-labels”; gilt circle devices in compartments. Single gilt rule border on covers; gilt double fillets on board edges. Blue marbled endpapers. All edges speckled blue.

•  Renouard, Alde, 83; Adams M1053; Schweiger, II, 607 (“seltene Ausg.”).   Volume expertly rebacked retaining old spine. Minor worming in upper outer area of all leaves to fol. 16, costing some letters but more typically parts only of same. Marginalia in Solinus as above. A good and, for its notes, important copy.  (24667)

Click the image to the left
for an enlargement.

The third volume includes two plates and one oversized, folding plate reproducing two inscriptions and a frieze, engraved by E. Malpas.

Uncommon outside of Great Britain.

•  ESTC T113913; Brunet, I, 26; Lowndes, I, 5. Contemporary treed calf, spines gilt extra, with gilt-stamped leather title and volume labels; leather worn at edges and moderately rubbed with joints cracking. Front pastedowns with private bookplates and signs that a plate was removed on front free endpaper (one vol. endpaper holed); impressions of old pencilled shelf numbers on title-pages (and one lightly inked old date). First two leaves of vol. III with upper margins stained and final leaf browned; some pages with a few spots of faint foxing, most clean and crisp.

•  ESTC T88657; Dibdin, I, 232; Schweiger, I, 2. Contemporary vellum-covered boards, covers framed and panelled in blind with central blind-stamped strapwork medallions, spines with gilt-stamped leather title and volume labels. Boards sprung with front joint of vol. I open and separating from bottom, vellum soiled. Front free endpapers with early inked owner’s name as above; shadow of shelf number once pencilled on title-page, erased. Spotting of various sorts and minor smudging in upper margins of some pages; leaves otherwise clean.

•  DeBacker-Sommervogel, II, 1092–95 (for other eds.).   Contemporary vellum, spine with inked title; lightly soiled, front cover with partially effaced early inked ownership inscription and back cover with faded early inked inscription. Front pastedown institutionally rubber-stamped, front free endpaper lacking, title-page with early inked ownership inscription partially effaced (resulting in small holes). Pages age-toned, with occasional foxing.  (24349)

Click the interior image for an enlargement.

•  Brunet, I, 453–54; Dibdin, I, 301–02; Graesse, I, 207; Schweiger, I, 46. Recent quarter calf and marbled paper–covered sides, leather edges tooled in blind, spine with gilt-dotted raised bands, gilt-stamped leather title and volume labels, and gilt-stamped decorations in compartments. All edges gilt. Vol. I title-page with inked ownership inscription dated 1884 in upper outer corner; frontispiece with ink stain to outer margin not touching image (in our picture above, this misleadingly looks like it could be a wormhole). Faint spots of foxing in some sections, pages otherwise clean.

Present here is vol. I containing the original Greek text, the Latin translation having been printed in a separate volume. Incomplete at the end, lacking the final eight leaves, this is sold as a binding only.

Binding: Contemporary alum-tawed pigskin over bevelled boards, remnants of the metal closures. Covers elaborately blind-embossed with several rolls and devices. Front cover has in its center panel the initials “A. W.,” the date 1539, and medallions of Manfred of Saxony and Luther, while the rear cover's center panel has medallions of Melanchthon and Erasmus.

•  Graesse, I, 227; Legrand, Bibliographie hellénique, III, 388; Adams A2009.   Binding toned to a pleasing dark tan. Old bookplate on front pastedown. Front free endpaper torn with loss. Vol. I only, and lacking the final eight leaves. (20418)

•  Sabin 2736. Publisher's textured cloth, front with gilt-stamped title, greatly faded with extremities rubbed and worn, spine with paper shelving label and some loss of cloth. Title-page and some others lightly stamped by a now-defunct institution. Two short edge tears, some corners slightly crumpled.

•  Shaw & Shoemaker 5809. Recently rebound in period-style tan cloth over light blue paper sides, spines with paper labels. Contemporary ownership inscription to front fly-leaf in each volume. Map with light offsetting and short tear just starting along one fold. First 20 leaves of vol. II waterstained and last 10 foxed; scattered incidences of spotting in all volumes, pages generally clean. Nice-looking set, and a relatively painless method of absorbing ancient history.

This work is the first listed in all bibliographies under Louis Elzevir’s press at Amsterdam. In fact both the Elzevir edition of 1638 and this have the same colophon: “Lugduni-Batavorum: Typis Georgii Abrahami vander Marse, MDCXXXVIII.” And both collate the same, the only difference being the printer’s device and imprint information on the title-page.

Uncommon: Searches of OCLC, RLIN, & NUC locate fewer than ten copies in U.S. libraries.

Provenance: The Rev. Edward A. Dalrymple (Baltimore collector, mid–19th century); his collection given to the Maryland Diocesan Library; that library sold in 2006.

•  Rahir 1876; Willems 961 note. Contemporary vellum over light boards; spine delicately and lightly tooled in gilt. Ex–Maryland Episcopal Diocesan Library with stamp on front pastedown. One natural paper flaw; occasional early underlining.

Click the interior image for an enlargement.

•  ESTC T53381. On Bentley's response to Collins, see: Dictionary of National Biography.   Recent marbled paper–covered boards, front cover with gilt-stamped leather title-label. Faint crease lines occasionally visible, pages otherwise clean. (20751)

The book is illustrated with woodcuts by Kurt Craemer, each one based on a motif he saw at Pompeii. The design is by Giovanni Madersteig who chose a monotype Bembo font; the printing was done on Muslianco paper (with deckle edges) at the Officina Bodoni. The binding is full light grey Italian linen printed with an overall “Pompeian” design in dark grey; the red spine label is stamped in gold.

This edition is limited to 1500 copies, and this offering includes the monthly newsletter and mailing notice. The colophon is signed by Giovanni Madersteig and Kurt Craemer.

•  Limited Editions Club, Bibliography of the Fine Books Published by The Limited Editions Club, 1929?1985, 270.  A very good copy (spine a little darkened) with the slipcase.