Provenance:  Each front pastedown with armorial bookplate of William Arthur, sixth Duke of Portland.

•  NSTC 2B46491; Allibone 240; Brunet, II, 1215.   Binding as above, minor shelf wear to lower edges and corners, vol. I with front board expertly reattached and with small dent to outer edge of front cover. Joints delicate, due to size and weight of volumes, but holding. A few pages and plates with faint foxing, otherwise clean.  (24100)

The Spanish-language account of the burial includesa detailed description of the funeral monument (i.e., cenotaph) that the city erected for the archbishop, including the inscriptions and epigrams that were by F.J. Alegre. Following the last page of the text, there isa large folding engraved plate by Manuel Villavicencio after the design of the monument by Miguel Cabrera, “pintor americano.” The engraving is detailed, exquisite, and includes a measure of scale.

A good source for the study of Mexican colonial architecture, commemorative ceremonies, and treatment of and thinking about death.

•  Palau 6584; Medina, Mexico, 5067; DeBacker-Sommervogel, I, 153.   Contemporary vellum with remnants of ties; spine damaged with loss to hungry rodents not affecting paper. Two short tears in margin of folding plate, well away from image. A very clean, very good copy.  (36410)

Provenance:  From the library of American collector Albert A. Howard, small booklabel (“AHA”) at rear.

•  Brunet, I, 768 (for 1598 ed.); Cicognara, I, 1402 (for 1598 ed.); EDIT16 CNCE 5106; Mortimer, Italian 16th Century Books, 50.   18th-century mottled calf, framed and panelled in blind with blind-tooled corner fleurons, spine with gilt-stamped title and board edges with blind roll; leather almost entirely sueded. Later endpapers (watermarked “Chantry”). Lacking one signature and four plates, including one folding. Last few leaves annotated as above, some notes shaved. Imperfect and so priced; still, both attractive and worthy of study.  (37836)

Binding:  Contemporary embossed rich cordovan-colored morocco cathedral binding featuring inter alii the Holy Ghost (in Pentacostal dove–form), the Agnus Dei, and stained/leaded glass “windows” both pointed and rosette. Spine additionally with gilt-stamped title; turn-ins with blind-roll design. All edges brightly gilt.

•  Not in Herbert.   Binding as above, in beautiful condition. First front fly-leaf with early inked familial gift inscription (including an explanation of one brother's having opted out of the group present!); second front fly-leaf with inked dedicatory poem.  (22266)

The details (and the math) are fascinating: Government document, 19th Congress, 1st Session. Rep. No. 66. Ho. of Reps.

•  Removed from a nonce volume; inner margin a little irregular. Spot at top margin. Ink numeral in upper margin of recto.  (12476)

The first volume is illustrated with12 plates each offering four rows of small portraits, some intriguingly expressive; each volume opens with an engraved frontispiece portrait of a royal George.

•  NSTC 2C23867.   Recent textured maroon cloth, spines with gilt-stamped black leather title and volume labels; title-pages institutionally pressure- (not rubber-) stamped. Scattered light spots of staining, pages generally clean; first few leaves of voI. \ II with outer margins chipped. A hefty, substantive evocation of Georgian life and times.  (30012)

Binding: Original brown cloth with beveled edges, stamped in gilt and black with gilt lettering to front board and spine; gilt vignette of the Academy to front board.

Provenance: Cunningham, an affectionate and appreciative graduate of the Academy, has inscribed the front free endpaper“With the compliments of the author, 6/22, '83.” Later in the library of American collector Albert A. Howard, booklabel (“AHA”) at rear.

•  Extremities lightly rubbed, minor bumping; gilt bright on spine and brighter on cover. Very nice, clean copy “personalized” by the author.  (37760)

Binding: Publisher's brown cloth with gilt lettering and foliate decoration to spine; deep blind-stamped triple-ruled and foliate border on front board framing stylized gilt title and cottage centerpiece; rear board identical to front board but with centerpiece in blind. Saffron endpapers.

Provenance:  On front free endpaper, 20th-century signature of “Wm. B. Goodwin, M.I.T.” A rubber-stamp from the Lowell Historical Society appears on the front pastedown and on the top and bottom edge.

•  Hitchcock, American architectural books . . . portfolios, and pamphlets . . . published in America before 1895, 389.   Bound as above; rubbing to extremities, small tears at spine head, minor coppery discoloration to gilt on front board. Provenance stamp and signature as above; age-toned edges and minor to moderate foxing throughout interior. Sound and unassuming and more than respectable, much like its target audience.  (38084)

•  Uncut, partially unopened set. Publisher's light brown cloth, partly sunned, covers stamped in blind, spines lettered in gilt; corners and spine extremities rubbed with black tape at top of each spine extending onto covers and one volume rubbed in places to the boards. Ex–social club library: each volume with a 19th-century bookplate, call number on endpapers, pressure-stamp on title-page, no other markings.  (28760)

On stationery imprinted “17, Dean’s Yard, Westminster, S.W.”

Provenance:  Ex–Allyn K. Ford Collection, Minnesota Historical Society, recently deaccessioned.

•  Written in a clear hand, with some abbreviations. Evidence of old mounting.  (33766)

This is numbered copy 31 of only 65 copies printed (50 numbered, 15 lettered),signed by the artist at the colophon.

The publisher's prospectus is laid in.

•  Publisher's cream-grey paper wrappers, front wrapper with title printed in dark brown. Very clean and crisp.  (32691)

Neat gift inscription on front free endpaper: “Mollie, with Ada's love. 898.”

•  Publisher's light blue cloth, front cover stamped in silver with images of the Washington Monument and the Capitol; author's name and title of work stamped in in gold within silver cartouches. Light wear to edges of boards and a little spotting; a Very Good copy.  (37010)

•  ESTC T75210. Marbled paper–covered boards, front cover with printed paper label. Half-title lacking. Upper margin of title-page showing small abrasions and traces of affixed paper; title-page and several others stamped by a now-defunct institution.

•  Paperback. Fine.  (5324)

Binding:  Publisher's brown cloth, gilt-and black-stamped.

•  A little spotting, a little shaken; a good++ copy.  (34001)

And yes, Claude was related to (brother, in fact, of) Charles Perrault, the fabulist and reteller of the Cinderella story and other tales.

•  Brunet, IV, 507; Graesse, V, 207; Cicognara, I, 607.   Contemporary speckled calf, spine with gilt-stamped title and compartment decorations, board edges with gilt roll; joints and extremities carefully and unobtrusively repaired and refurbished, edge gilt rubbed. Pages slightly age-toned, with scattered spots; last few leaves with margins a bit darkened. Small area of pinhole worming to outer margins, not touching text (three plates each with tiny portion of one line touched); some instances nicely refurbished with long-fiber tissue. A clean, wide-margined, attractive copy of an attractive book.  (33221)

NUC and WorldCat locate only two copies in the U.S. Searches of CCPB and the OPAC of the Spanish national library locate three Spanish libraries reporting ownership; COPAC finds no copies in Britain.

The number of “splendid ceremonies” books produced in colonial Peru is small: There is no census but we suspect the number to be around 20.

Other interesting aspects of the work are that it is an important source on the social and artistic life of Lima in the decade following the Tupac Amaru rebellion and that it is from one of Latin America's famous presses of “orphan children.”

•  John Carter Brown Library, Catalogue, 1493-1800, III,324; Medina, Lima, 1697; Sabin 73902; Vargas Ugarte, Impresos peruanos, 2546.   Contemporary limp vellum with neatly inked title on spine; all edges inked decoratively. Old blurred stamp on front free endpaper, old single numerals very faintly on title-pages. Small tear in margin of plate, not into image. Overall a very good copy, very clean and with wide margins.  (34668)

•  NSTC 2A17980 (for all years 1855–61).   Removed from a nonce volume. Title-page with small inked numeral in upper outer corner, otherwise clean.  (17033)

As is increasingly the case with Mexican imprints of the 17th century, it islittle found in the marketplace.

Provenance:  18th-century ownership signature on title-page and first leaf of preliminaries of the Conde del Fresno de la Fuente.

•  Medina, Mexico, 1328; Palau 312973; Asuncion Lavrin, “Cotidianidad y espiritualidad en la vida conventual novohispana: Siglo XVII,” in Memoria del Coloquio Internacional Sor Juana Ines de la Cruz y pensamiento novohispano (1995).   Late 19th-century Mexican quarter dark green morocco with mottled green paper sides; binding rubbed and abraded, front endpapers with an old paper label and remnants of one removed. Pencilling on front fly-leaf and title-page verso; top margins closely cropped occasionally costing top of letters of running heads and foliation. Worming, chiefly in margins but occasionally into the text, not costing words, sometimes repaired; first and last few leaves with old repairs to corners and margins and a bit of text restored in pen and ink. Withal, a good++ copy of important work that is not often on the market.  (34203)

•  Original printed, illustrated wrapper; borders and “NEW PVBLIC LIBRARY” printed in green. Small tear to bottom left hand corner of front wrapper without loss. Private owner's stamp on front wrapper. Offprint from The Book Buyer laid in.  (34374)

Provenance:  No bookplates or inscriptions, but spine with initials “G.O.B.” tooled at base.

•  20th-century cordovan-color sheep, covers framed in single gilt fillet with gilt-stamped corner fleurons; spine with gilt-stamped leather title-label, gilt-ruled raised bands, and gilt-stamped fleurons in compartments; spine sunned/lightened with darker streaks and patches evident, one spine compartment with small scuff, joints with excellent repairs and corners likewise well refurbished. Text with only an occasional age-stain or instance of foxing; plates remarkably unblemished. Blue silk placemarker. Overall indeed aVERY NICE COPY.   (33233)

•  Publisher's grey marbled paper–covered sides, front cover with gilt-stamped coat of arms, spine with black-stamped title; spine a touch sunned with unobtrusive small scuff towards foot, sides very slightly sprung, slipcase lacking. Front pastedown with bookplate as above. Volume clean and unworn, beautiful and uncommon.  (30597)

This would have beena definite must for hydrotherapy and other tourists. Nicely illustrated, it bears a great map.

Provenance:  Ownership signature of Mrs. Edward Brown, Belmont House, 1884. (This may well be the Mr. & Mrs. E. Brown whose “Belmont House” dates from ca. 1880 and is located in Browns Cove, Albemarle County, VA).

•  Publisher's green cloth, stamped in blind on covers and lettered in gilt on spine; text clean. A nice copy.  (33529)

It may interest the reader to know that half of the writings in this volume are by women.

Sole edition. The volume was a fund-raising effort: “The principal reason that these stories have been gathered together and given to the public, is to start a fund wherewith to erect a fountain on the Campus of the University of California to be in harmony with the great Hearst architectural plan.”

Binding:  Publisher's blue cloth stamped in gilt with title and a scene of a rolling hill with trees on it. Binding signed “Kales.”

•  BAL 15035.   Binding as above: gilt a little rubbed or dulled. Overall, very good.  (34834)

The spine foot bears the stamp of Alden, Beardsley, & Co. of Auburn, NY, who published the work in 1853; it was originally printed by Scribner in 1851, and the copyright page here reflects that.

Evidence of Readership: Light pencilled bracketing and marks of emphasis in portions of the “Practical Directions to Amateurs” chapter.

•  Publisher's textured brown cloth, covers framed in blind with central blind-stamped vignettes, spine with gilt-stamped title and cottage vignette, back joint starting from foot and back hinge (inside) tender; cloth rubbed at corners and spine extremities, and split along portion of back lower inner corner outside. Front free endpaper with pencilled inscription of Helen W. McNamara, back pastedown with pencilled “baby” inscription. Frontispiece browned, not unattractively, with offsetting to title-page; pages with a few instances of tiny spots and light smudges, generally clean. A good reasonable copy of a good and interesting work, copiously illustrated.  (36596)