•  Cloth with a few light spots, spine extremities faintly worn, dust jacket with slightly ragged edges and some spine fading.  (2113)

The “lady” was Eliza L. Cabot Follen (1787–1860), the Boston-born author, translator, and abolitionist.  She used her own translation — “a free one; but sedulous care has been taken never to depart from the spirit of the author” (v) — and one of her concerns in selection is to de-Catholicize the archbishop, allowing his more universal appreciation — for, as she says, his “writings necessarily contain many things that could not be acceptable to Christians of all denominations [and have therefore] been uniformly omitted” (v).

Fénelon's appearance in Follen's selective epitome would surely have amused him, and it pleased the book-buying public: This is the work’s third edition.

Provenance:  A note states that “this book belonged to Grandmother Dyer[:] Ann Eliza Morse”; Charles Dyer Norton has also signed an endpaper in ink.

•  American Imprints 7028. On Fénelon, see: Encyclopaedia Britannica, 11th ed., X, 252–54.   Mid-19th-century plain black calf with gilt spine compartments tooled in an interesting pattern, single gilt rule around covers, a little gilt on board edges, marbled endpapers and edges; some wear and abrasions but spine gilt still bright. Provenance markings as above, some leaves creased across and a little interior staining and spotting especially at rear. A nice old book.  (36673)

•  Publisher's black and red printed paper wrappers, in original similar dust wrapper; dust wrapper with chips and short tears to margins (longer closed tear from upper front edge), spine slightly sunned. Front free endpaper with contemporary inked ownership inscription. Two leaves with short tear from lower margin, touching text without loss. Pages age-toned, embrittled as expectable; in fact, a nice copy, and with a “Three Seal Book Mark” laid in.  (28422)

Signed binding: Publisher's dark blue cloth, front cover with gilt-stamped stylized double fish design, signed with the double D monogram of Decorative Designers; spine with gilt-stamped title and scallop shell. Top edge gilt.

•  Binding as above, corners and spine a bit rubbed. Front pastedown with private owner's bookplate. A clean, attractive copy.  (28862)

The work opens with an introduction from the publishers, who dedicated the Life to the members of the First Christian Church and Society of Kittery, ME. The frontispiece portrait of Fernald was engraved by John Sartain, after a daguerrotype.

Binding:  Publisher's textured black cloth, covers framed in blind rules and with foliate designs surrounding central gilt-stamped floral motifs on both boards. Spine gilt extra, all edges gilt.

•  Bound as above; spine extremities and corners rubbed, cloth showing small split starting at foot of front joint (hinge holding). Mild foxing to margins of frontispiece, with offsetting to title-page from guard leaf; two pages with small section of offsetting from now-absent laid-in item; pages otherwise clean. A solid, worthwhile copy with its gilt shining bright and crisp. (38618)

Following the opinion is an appendix providing “history of the legislation of the Supervisors of the city and county of San Francisco against the Chinese . . . compiled by one of the counsel in the above case [i.e., B.S. Brooks] from the records of the Supervisors and the newspapers of the city.” The text was printed from a revised copy, according to the title-page.

•  Publisher's printed paper wrappers; corners and edges chipped, paper lost over spine, front wrapper with short tear from outer edge (not touching text), back wrapper with outer edge shortened. The whole now housed in a quarter navy morocco clamshell case with deep blue cloth–covered sides, spine with gilt-stamped title, gilt-ruled raised bands, and gilt-stamped compartment decorations. Pages slightly age-toned. A landmark document of American Constitutional law.  (34196)

Stepping into the presidency amidst scandal, war, and a poor economy, Gerald Ford was presented with some very difficult leadership challenges. On the one hand, he was the right man at the right time: His honesty and reassurance restored the confidence in the presidency that been lost during the Watergate scandal, and his negotiation of the Helsinki Agreement contributed to the end of the Cold War. However, Ford's pardon of Richard Nixon eroded much of the trust he had built early in his term. This fateful decision, together with the fall of Saigon and his inability to “whip inflation,” were the main factors that cost him reelection. This memoir speaks to his role in navigating the challenges of his time with the same honesty and straightforwardness that characterized his tenure as president.

•  Full red leather, covers lavishly gilt-stamped with a pattern of elephants, spine with raised bands, gilt title, author's name, and gilt elephants within “compartments.” Endpapers bear a version of the image of the obverse side of the Great Seal of the United States. Silk ribbon placemarker. All edges gilt. Fine condition.  (23605)

Binding:  Publisher's green cloth, front cover and spine stamped in black, gilt, and yellow, with a frame of apples and greenery surrounding a decorative title and small gilt motifs.

•  Binding as above, corners and spine extremities very slightly rubbed, dust jacket lacking. Endpapers and a few pages sprinkled with spots of faint staining, pages generally clean A popular and entertaining author, in an attractive and well-preserved binding.  (35257)

In sum, thiscomplete array of the blocks used for printing a substantial and well-regarded Titanic-era book looks like something that was put on a printing house shelf one afternoon in 1912 at the end of an ordinary project for the pressmen and simply stayed there. Seeing it on its present PRB&M shelf, coherent and unmessed-with more than 100 years later, is like walking up to that shelf through one of time's “wrinkles.”

•  On the Beginnings, see: Cowan & Cowan, Bibliography of the History of California, 193. For a list of all its images and notes on their origins, see: http://www.sfgenealogy.com/sf/history/hbbegidx.htm.   The paper wrappers present are variously just fine or age-toned or browned, chipped, torn along folds. ALL the blocks are in good condition; this is not a sort of thing easily damaged!  (29741)

The College's founding trustees are a Who's Who of Pennsylvanians, both English and German; future trustees are to be chosen half from Lutherans and the other half from the Reformed or “Calvinist Church”; youth are to be instructed in the “German, English, Latin, Greek, and other learned languages” (note order); one-sixth of the endowment is to be used to support an adjunct children's charity school; etc. An interesting 19th-century ethnic-educational ephemerum, apparently not in NUC Pre-1956.

•  Sewn; in original yellow wrappers. Very good.  (9724)

Here Frémont presents to the U.S. Senate his formal report on his third expedition to the West. The map referred to in the title wasissued separately under title “Map of Oregon and Upper California. . . 1848" and is not present; hence the affordable price here.

The original edition, not a reprint. A government publication: [U.S.] 30th Cong., 2d sess. House. Misc. [doc.] 5.

•  Sabin 25837; Howes F366; Wagner-Camp-Becker, Plains and Rockies, 150:2.   Recent marbled paper–covered boards with leather label on front cover. Occasional light foxing.  (24883)

While suffering from financial difficulties throughout his life, Frewen continually worked with influential people, many of whom are here discussed in detail, including his wife Clara Jerome, aunt of Winston Churchill. One way and another there is plenty of huntin', shootin', and fishin'; and there are plenty of politics.

Provenance:  A tantalizing “Wealdside 1924” in ink on the front pastedown. The Weald is of course of huge extent, and there are therefore potentially a number of possible “Wealdsides”; but it is notable that the Frewen family dates back to Elizabethan times in East Sussex — and, perhaps, that Moreton Frewen died in 1924.

•  Howes F380; Graff 1442.   Light green publisher's cloth, cover ruled and lettered in black, spine and back also stamped in black; gently rubbed and text slightly cocked, with a thumbnail-sized pink stain along the edge of the back cover and speckling the bottom edge. Light age-toning with offsetting to fly-leaves; inscription as noted. A good read in a good solid copy.  (37037)

This is anuncommonly nice copy, still housed in its original publisher's box, which features the front cover image reproduced in color.

•  Not in Brown, Culinary Americana.   Publisher's spiral-bound wrappers, front wrapper color-printed with image of Dutch girls baking, in publisher's box (as above); one edge of box rubbed and corners of box bottom reinforced. Front fly-leaf with inked gift inscription and pencilled date (March 24, 1956). A clean, fresh, virtually unworn copy — and very uncommon as such.  (29584)

“It is at the request of many friends I consent to publish the story of my life. They have heard enough of what I have suffered by the Indians, to make them anxious to hear or rest the rest. To repeat the whole story to every individual that wants to hear it is an impossibility — hence I write that they may read for themselves” (preface). Yes, her autobiography does continue her life and travels after the massacre, but only to 1879. She died in either 1923 or 1924.

There are two pages of portraits of Fuller's family as they looked in 1860: her mother, father, a baby, a brother and sister, and herself at 14 years. There is an additional full-page portrait of Fuller as she looked in 1892.

Life-time published accounts by pioneer women in the Pacific Northwest are uncommon. Those detailing massacres and cannibalism even fewer.

•  Graff Collection 1460; Howes, U.S.iana (2nd ed.), F407; Smith 3386; Streeter Sale 3197.   Publisher's green wrapper, wire stitched, as issued; lightly soiled. Small brown stain in foremargin of three final leaves. A rather nice copy of a delicate publication.  (35588)

The London-born Furniss (1864–1938) was the author of a number of Broadway hits — several of which served as the basis for Hollywood films — as well as the original script for the short film “On with the Dance”; Theatre Magazine published an admiring and very detailed account of Furniss's rise, with much commentary direct from Furniss herself, entitled “The Story of a Successful Woman Playwright” (Vol. VII, pt. 2, pp. 300–04/xii).

•  Publisher's original light blue cloth, front cover framed in roll of gilt leaves surrounding the title stamped in dark blue and a gilt-stamped comedy mask vignette, spine similarly stamped in gilt and blue; spine and corners rubbed, spine slightly faded, back cover with small patch of discoloration. Sewing loosening slightly towards front of volume, first few leaves starting to separate. A very few scattered spots of staining, with pages overall clean. This is not a reproduction or print-on-demand copy — it is a pleasing late 19th–century copy, from an author deserving of greater modern attention.  (38623)

•  Publisher's cloth, front cover and spine stamped in white, black, orange, and gilt; lacking the dust jacket, with binding slightly cocked, spine stamping a bit dimmed. Front free endpaper with inked ownership inscription.  (13027)

The plates are signed “F. Kearny,” an artist born in Perth Amboy, NJ, who studied drawing with Archibald and Alexander Robertson and engraving with Peter Maverick. From 1810 to his death in 1833 he practiced engraving in Philadelphia.

There are two states of gathering “U”: this copy has the typographical error “tibbon” with the stop-press correction to “ribbon” on p. 235.

The volume ends with advertisements for several sporting and fishing goods suppliers.

•  Shoemaker 27838; Howes K108; Henderson, American Sporting Books, 6; Phillips, Sporting Books, 21; Streeter Sale 4084; Bennett, Practical Guide, 60–61. On Stauffer, American Engravers, I, 148–49.   Publisher's sprinkled sheep with simple rope roll in blind on board edges, some abrasion to leather; round spine with gilt double rules forming “spine compartments,” black leather title label. The usual light and scattered foxing noted in all copies, nothing more. A very nice copy.  (28553)

Illustrated by five halftone plates, including a tissue-guarded frontispiece.

Binding:  Pictorial brown cloth stamped in black and orange. A miner stamped in black with orange face and hands stands beside a black-stamped mine entrance on the cover; a miner's gas lamp accents the spine; titles on spine and cover are in orange.

•  Smith, American Fiction, 1901-1925: G-133; Hanna 1388. Quotations are from the novel's preface.   Bound as above, minor rubbing to edges and joints, spine bumped at head. Light foxing to first and last couple of pages; offsetting from tissue guard to title-page. A neat copy.  (37484)

In 1852 González Vigil responded to the pope with his Carta al Papa y análisis del Breve de 10 de junio de 1851, which is here in English translation from a Boston publisher.

A scarce American Catholicum.

•  Removed from a nonce volume; a little dusty and some dog-earing.  (37963)

The work isillustrated with a total of 12 engravings, including portraits of the first five presidents and an engraved half-title page.

Provenance:  Ownership signature on two front fly-leaves of Giles Satterthwaite, dated 1824; his note also, “Prise [sic] $1-75.”

•  Sabin 27871; Shoemaker 12704.   Contemporary sheep, spine with gilt-stamped title and compartment decorations; binding worn and abraded, spine leather much chipped and cracked with some fragments carefully reattached in first panel; joints, corners, and headcaps restored. Pagesfoxed and age-toned throughout, loosening in some signatures, torn and chipped in margins and corners of a few pages; inner margin of one front fly-leaf reinforced. Ownership inscriptions as noted.  (5503)

16 steel-engraved maps

While the title-page gives the Boston publication line described above, the printed front cover gives Philadelphia: Thomas, Cowperthwait, & Co., 1838; this is a later edition, following the first of 1832.

A first impression is that “child” readers had, in 1832, much greater powers of attention to print than is now common, but indeed the history here is — the stories are — absorbing and evocative.

•  American Imprints 50587.   Publisher's quarter sheep and printed green paper–covered boards, rubbed and worn; pages cockled and foxed, yet paper good and untattered. One page with stray ink marks, not obstructing legibility. A good, solid, pleasing copy.  (33716)

Binding:  Publisher's red cloth, covers and spine gilt-stamped with avian and foliate designs; all edges gilt.

•  Faxon 786.   Spine and edges moderately rubbed with front hinge cracked; spots of staining to bottom part of front cover. Front free endpaper with good portion torn away, back free endpaper lacking; waterstaining in varying degrees to lower outer corners after p. 120 and some soiling. One signature extruded and others heading for that; one plate shaved very very close to image at top but image itself not quite touched! Not a fresh copy, still, an interesting one.  (12944)

•  Cary 216.   Printed grey wrappers; a few small tears, covers and top edge soot-stained with a majority of top and side margins and a few whole pages affected, some worse than others. A “survivor” copy priced accordingly.  (36763)

Binding:  Contemporary dark green cloth, covers with blind-stamped foliate border, spine with similar design and gilt-stamped title; front free endpaper with pressure-stamp of Benjamin Bradley's Boston bindery — at which company Gough worked for a few months in late 1837 before being fired for presenting a shabby appearance.

•  American Imprints 45-2792.   Binding as above, very slightly cocked, spine darkened, extremities lightly rubbed; front and back fly-leaves excised. Scattered mild to moderate foxing and a few mild to moderate instances of stain; a few corners dog-eared. A very readable copy, with the added attraction of the Bradley connection.  (34808)

Provenance:  Early 19th-century ownership signatures on front free endpaper of Anthony Coe Ogilvie and E.H.(?) Ogilvie.

•  American Imprints 31923. Not in Palau.   Publisher’s quarter cloth with paper-covered sides; binding waterspotted. Scattered light foxing. A good copy.  (26144)

•  Publisher's cloth, issued without dust jacket. Dust soiling and one spot of discoloration on the binding. Very good condition.  (6721)

The volume is illustrated with a total of three wood-engraved depictions of New England buildings.

•  Publisher's pebbled terra cotta cloth, front cover and spine with gilt-stamped title; spine darkened and worn with gilt rubbed, sides with small spots of discoloration, cover gilt nice and bright. Some light smudging to margins, pages otherwise clean. All edges gilt.  (27649)

George Gregory seeks here to champion his brother's cause of educating women to minister medically to women, especially but not exclusively as midwives in the broadest terms. “Does the fact that a man practises medicine give him any right to invade his neighbor's wife . . . ?”

Searches of NUC and WorldCat locate only five U.S. institutions reporting ownership.

•  Removed from a nonce volume, with the two plates (which would have been near-pornographic in their time) torn out and present in laid-in facsimile, thus lowering the price considerably. Lightly age-toned, with a little foxing and spotting only.  (32183)

The first American appearance in 1821 came from the same publisher as this second American edition, but was printed by W. Grattan. That printing had a colored frontispiece not found here and not called for by Shoemaker, nor by the cataloguing for the copy recorded in NUC Pre-1956.

This edition is not listed in WorldCat and the copy noted in Shoemaker & NUC (at Harvard) is not found via its OPAC. Of the 1821 edition we locate only five copies (Yale, Free Library of Philadelphia, U.S. Patent Office, Essex Institute, and the American Antiquarian Society).

Provenance:  From the children's book collection of Albert A. Howard, small booklabel (“AHA”) at rear.

•  Shoemaker 8903; Rink, Technical Americana, 3185 (erroneously calling for a plate and erroneously locating a copy at the Free Library of Philadelphia).   Late 20th-century quarter red morocco with green stone-pattern paper sides. Small area of lower outside corner of title-leaf torn away and nicely repaired. Pages gently age-toned, with spots of mild to moderate soil, staining, and foxing.  (38527)