This is the second edition of this commentary on the rubrics of the Mass by Paulo Maria Quarti (fl. ca. 1663), a clerk regular; it was first published in 1674, but here carries added commentaries on processions, including the Litany of the Saints, and on blessings. The title-page is handsomely printed in red and black with a woodcut vignette, and the text is simply ornamented with a few remarkable woodcut initials and headpieces. Scarce.

•  Quarter treed paper over vellum; quaint paper title label in red and black. Some abrasion to spine and edges; endpapers wormed; hinges (inside) open, with sewing holding to visible flat “cords.” Foxing, variously. Vellum page tab at the beginning of De Processionibus.  (4555)

There is at least one other variant of the first piece, also printed in 1700, “For A.H.” according to its colophon. It seems likely that the two speeches were in the present case issued together — the paper and type match, and the second speech is paginated “(2)” — although these examples were later separated and existing cataloguing records are inconsistent regarding the number of leaves that should be present. Sets of the two pieces together are scarce.

•  ESTC R182313 / R33479; Goldsmiths’-Kress 03732; Wing Q160. Removed from a nonce volume, now in a Mylar folder. Leaves darkened and creased, both lower margins irregularly torn with loss of approximately 20 words. First speech with nick affecting two letters of the title.  (18234)

In the series Collection des auteurs classiques, françois et latins, this was issued in the same year in 4to and 18mo formats. The present, octavo format is not only handsomely conceived butvery “handy in the hands.”

Binding:  Full crushed red morocco, gilt spine and boards, signed Petit Succs. de Simier; gilt rule on board edges, gilt rolls on turn-ins, marbled endpapers, green silk placemarkers. All edges gilt. Each volume in a light board open-back slipcase covered with marbled paper.

Provenance:  Bookplates of Casimir L. Stralem, Clarence E. Clark, and Brian Douglas Stilwell, the trio presenting an appealing set of styles.

WorldCat locates copies of this edition in this format at only four U.S. libraries (UCLA, Georgetown, Library of Congress, Harvard).

•  Bulletin de la Librairie Morgand et Fatout 10951; Brunet, V, 1078–79; Jammes, Les Didot, 25.   Bound as above, joints of all volumes slightly cracking with volumes otherwise only lightly worn; some tape repairs to the delicate slipcases. Age-toning and foxing of faintest varieties only. Very Good. (40317)

•  ESTC T147963; despite the internal absence of publication information, the collation of this volume matches that given by ESTC. Contemporary sprinkled calf, spine with gilt-stamped leather title label and gilt-stamped floral devices in compartments, overall somewhat worn. Small inked ownership inscription to top of title-page. Some foxing, not severe; last leaves dog-eared. One text leaf torn out (being the middle part of one of the epithalamia), as also one preliminary leaf; and so a “busted bibliophile’s copy” — despite its real interest and attractions!  (2257)

This Italian translation is of Books 17 and 18 of the original seven-volume work (first published Amsterdam, 1770, and an anonymous continuation); dealing strictly with North America, it has much to say about the political turmoil of the English colonies, the Continental Congress, etc., but also about Canada, native Americans, the border regions of Florida and Louisiana, and French interests.

A third volume that appeared in 1780, but is not present here, carried the story “fino alla primavera del 1779 nella quale, oltre alla guerra civile trà la Gran Bretagna, e le Colonie Unite, si descrive anche quella trà la prima, e la Francia.”

•  Echeverria & Wilkie, French Image, 778/67.   Contemporary vellum over paste boards, gilt caramel-colored spine label, all edges blue. Some gatherings of leaves browned from impurities in the water during the paper manufacture, and occasional foxing or other light staining. Without vol. 3, later published, and, that aside, arather nice copy.  (33614)

• DeBacker-Sommervogel, VI, 1574; VD18 80341896 & VD18 8034190X.   Contemporary mottled calf, spines with cream leather title-labels and gilt-stamped decorations between raised bands; edges and extremities rubbed, spine gilt all but lost (motifs now appearing blind-tooled on casual inspection), vol. II with early hand-inked numeral on title-label. All edges speckled red. Vol. I front free endpaper with scorched area, some offsetting to title-page. Pages gently age-toned with small spots of light foxing, overall very readable.This is a complete set of both volumes with all plates present, in contemporary bindings, and as such not often seen on the market.  (40102)

•  Brooks 334; De Backer-Sommervogel VI, 1670.2; Cicognara 193.   Contemporary mottled calf, spines with raised bands and two gilt-stamped leather title-labels each, compartments gilt extra; all edges stained red and a green silk bookmark present in each volume. Front joint of vol. I cracked, scrape to rear board of vol. II; spines with reading cracks and minor loss to spine-ends, edges rubbed and some minor loss at bottom of each front joint. Provenance as above. Interiorsexceptionally bright and nice.  (40135)

This is in Latin, Greek, and Hebrew, with sidenotes, scattered woodcut initials, and a few woodcut tailpieces; an engraved allegorical vignette signed J.G. graces the title-page.

•  For the history of printed treatises on this subject at Franeker, see: L. Fuks and R.G. Fuks-Mansfeld, Hebrew Typography in the Northern Netherlands, 1585–1815.   Contemporary vellum over boards (rubbed and lightly scuffed); spine with morocco label (rubbed and faded) and old library sticker, boards double-ruled in blind with a blind-embossed central cartouche. Interior age-toned with occasional thumb-soiling, minor stains, and one negligible hole from an ink spot; two old institutional bookplates, pressure-stamp to title-page (and publication date changed to 1702, MDCCII, by adding another “I” in early ink), lower edges with rubber-stamp, librarian's pencilled shelf-marks to verso of title-page and neatly inked five-digit number to bottom of next leaf. A solid, handsome volume.  (29609)

NUC and WorldCat locate only five U.S. libraries reporting ownership (Yale, Boston Public, Duke, Notre Dame, John Carter Brown). Searches of CCPB and the OPAC of the Spanish national library locate three Spanish libraries reporting ownership; COPAC finds no copies in Britain.

The number of “splendid ceremonies” books produced in colonial Peru is small: There is no census but we suspect the number to be around 20.

Other interesting aspects of the work are that it is an important source on the social and artistic life of Lima in the decade following the Tupac Amaru rebellion and that it is from one of Latin America's famous presses of “orphan children.”

•  John Carter Brown Library, Catalogue, 1493-1800, III,324; Medina, Lima, 1697; Sabin 73902; Vargas Ugarte, Impresos peruanos, 2546.   Contemporary limp vellum with neatly inked title on spine; all edges inked decoratively. Old blurred stamp on front free endpaper, old single numerals very faintly on title-pages. Small tear in margin of plate, not into image. Overall a very good copy, very clean and with wide margins.  (34668)

Rare: WorldCat locates only two copies in the U.S.

An important source on the social and artistic life of Lima in the decade following the Tupac Amaru rebellion.

•  John Carter Brown Library, Catalogue, 1493-1800, III,324; Medina, Lima, 1697; Sabin 73902; Vargas Ugarte, Impresos peruanos, 2546.   Contemporary limp vellum with late, neatly inked title on spine. Some foxing. Plate lacking lower half and small portion of upper one; a handsome skeleton (memento mori) archer is the focus of what remains. Bookplate sometime removed; rubber-stamps on several pages, including title, reading (yes, in English), “Bought of F. Perez Velasco October 1912.”  (25771)

The engravings: The frontispiece, depicting the pope conducting the king's funeral service, was engraved by Raphael Morghen after Stefano Tofanelli, as were the headpiece to the dedication (a medallion with the profiles of Charles IV and his queen, surrounded by a cupbearer, a mother with children, and Athena with sword and scales) and the large vignette on p. 1 (another medallion — this one of the deceased — surrounded by a figure holding the pontifical hat and keys of St. Peter, a mourner holding a mirror, and Athena leaning on a pillar, accompanied by a lion). Three more vignettes, one incorporating the abbreviated Spanish royal coat of arms, were engraved by Giovanni Volpato after Tofanelli, and the text is additionally decorated with two engraved decorative capitals (unsigned). All of the engravings were extremely well accomplished, with de Lama praising their graceful execution.

Provenance:  Front pastedown with bookplate of Brian Douglas Stilwell.

Of this quarto edition, WorldCat locates only two U.S. libraries reporting ownership (Huntington, Sacramento Public).

•  Brooks 384 (for another edition); De Lama, II, 55/56.   Modern half red morocco and marbled paper–covered boards, spine with gilt-stamped title and gilt-ruled raised bands. First and last few leaves with light foxing in upper portions. A very nice copy of this very attractive production, here in an unusual state.  (40139)

The volume is illustrated with woodcut arms on the verso of the second title-page and bears many woodcut initials and tailpieces throughout This copy retains Ortuño's engraved frontispiece (often missing) of St. Francis.

Binding:  A very interesting contemporary Mexican sprinkled calf binding, probably by a “provincial” binder. Covers with a single gilt-roll border having a modest corner device in each corner, that tool reused to form a four-part center design on each cover; same gilt-roll used on spine to accent the slightly raised bands and form spine compartments, one of these compartments with a spine-label and one having the covers' corner device gilt-tooled at its center. Board edges also with a gilt-roll design; all edges green. Highly unusual endpapers of a pattern in blue and red resembling images of strings in string theory: This is the first time we have ever seen this pattern.

•  Garcia Icazbalceta, Lenguas, 56; Viñaza 341; H. de León-Portilla, Tepuztlahcuilolli, 2286; Palau 269110; Medina, Mexico, 4500; DeBacker-Sommervogel, VI, 210–211; Sabin 71488; Leclerc 2334; Pilling, Proof-sheets, 2891.   Binding as above, in good condition; light offsetting from it to early and late leaves. A few small areas of discoloration where candle wax spilled on a page, and a bit of other light toning; p. 135 with “Per Omnia Secula Seculorum” neatly written in bottom margin. Very good.  (34611)

Provenance:  The title-page verso bears a limitation statement “De Auteur erkent geene exemplaren voor echt, dan die dus, eigenhandig, door hem zelf, getekend zyn,”signed, “C. Ris.” Title-page recto has signature of American scholar and collector Howard Osgood.

•  Springer-Klassen 5102.   Later limp speckled paper wrappers, spine reinforced with cloth tape, in buckram-covered slipcase with author and date gilt-stamped on spine, remnants of shelving label. Front and back free endpapers partially excised. Title-page institutionally pressure-stamped, with early inked ownership inscription between two lines of title. Lightly cockled, outer corners curled; occasional light foxing, more pronounced towards back of volume.  (31093)

This has an elegant emblematic frontispiece and an engraved coat of arms on the title-page.

Binding: Contemporary mottled sheep, spine gilt-extra with gilt-stamped leather title-label and gilt-stamped pomegranate decorations. Marbled endpaprs; all edges speckled red.

•  Palau 273666.   Bound as above; covers and edges with abrasions, joints and extremities rubbed, spine leather with fine cracks. A copy lacking the map and priced accordingly. Paper browned in some quires by nature of the paper; otherwise, scattered light to moderate foxing only. A nice copy.  (29257)

•  Arndt & Eck 762; ESTC W5504; Evans 22858 & 22493.   Contemporary mottled sheep with remnants of original clasp, rebacked quite some time ago with calf, spine with gilt-stamped leather title and publication labels; original leather edges rubbed, spine leather with cracks, spine extremities chipped, joints expertly strengthened and hinges (inside) reinforced. Pages age-toned; first and last few leaves waterstained, scattered staining elsewhere. One leaf with small hole, just barely touching one character without loss.  (27903)

Garrison and Morton say of the first edition in English: “Sir Frederick Still considered this work 'the most progressive which had yet been written;' it gave an impetus to research which influenced the future course of paediatrics.”

Translator Murray (1740–91) was a Swedish student of Linnaeus and later a professor of botany and medicine at Göttingen.

Provenance:  Bookplate of Adamus Elias Schmidt, dated 1784.  Early 19th-century signature of a Philadelphia doctor (erased) at top of title-page.

•  G&M 6323.   Contemporary half calf, well worn: leather dry and gone to red with joint leather lost, cords holding, paper of covers worn through to boards in some places. Text with age-toning. Not a pretty copy but complete, and solid for now. Housed in a red cloth clamshell case.  (22256)

Provenance: Unidentified stencilled ownership mark of an anchor flanked by a “G” on the left and an “I” on the right contained in an oval with a solid outer ring and an inner one of dots.

•  Brooks 629.   Contemporary light boards covered with tan paper speckled with red; paper of spine damaged with loss. Housed in a simple one-ply phase box.  (39613)

•  ESTC T33309.   Recent marbled paper–covered boards, spine with gilt-stamped leather title-label. Half-title with “Tracts” inked in an early hand in the upper margin; first text page with neatly inked provenance annotation (dated [19]40) in inner margin and stamped numeral in lower margin. Pages lightly age-toned, with offsetting to margins of first three leaves and a very few scattered spots of light staining. Early inked marginalia (shaved in two instances) — this of a skeptical nature — and underlining. (21075)

Provenance:  Bookplate of Louis Boutemy, later owned by Tisseyre Boutemy.

WorldCat locates five U.S. libraries reporting ownership (Pierpont Morgan, NYPL, State Library of Indiana, St. Johns, St. Catherine University).

•  Brunet, V, 1491.   19th-century half red morocco and marbled boards, rubbed at extremities; top edge gilt, silk place marker. Foxing of a the lightest sort and that not “throughout.” A lovely copy. (40332)

Uncommon: WorldCat and NUC Pre-1956 locate only five U.S. institutional holdings.

•  Martin & Walter 30351.   Remnants of original simple sewing present; spine chipped and splitting. Title-page with paper shelving label in lower inner corner and pencilled monogram in upper outer corner. Edges untrimmed and slightly ragged; title-page with lower outer corner creased. Minor spots of faint foxing mostly confined to margins, pages otherwise clean.  (30838)

Provenance:  Bookplate of Samuel X. Radbill (Philadelphia book collector, bookplate collector, and medical doctor).

•  VD18 11231777 for the first title; second title not in VD18; Blake, NLM 18th Century, p. 394.   Contemporary German pastepaper over boards; binding very worn. Interior very good.  (39953)

Uncommon.  ESTC, OCLC, and NUC Pre-1956 report only nine U.S. holdings, one of which has been deaccessioned.

•  ESTC W22234; Evans 29452; Sabin 74292.   Contemporary mottled paper, recently rebacked with plain brown cloth; paper abraded around board edges. Hinges (inside) reinforced. Front pastedown with early inked numerals (calculation). Pp. 49/50 bound in out of order. Pages browned and foxed but strong and supple.  (25253)

While this work is certainly held in the expectable Irish libraries, it islittle held in British or American librariess. In fact, searches of NUC, ESTC, and WorldCat locate only two libraries in the U.S., both in the northeast (Cornell, Boston Public) reporting ownership.

•  ESTC T179610.   Period-style half calf and marbled paper–covered sides, spine with gilt-stamped title. Half-title lacking; title-page with early inked inscriptions in upper portion (one inked over), lower corners torn away, and edges chipped as next few leaves' are; first dedication page with early 20th-century inscription in inner margin. Pages darkened, especially at edges, and a good many bumped; last four leaves tattered with old repairs to lower corners taking a few letters but not sense, and once-separated final leaf with repairs also to upper and inner margins. A copy with some rough aspects, but one now sound anda book that's scarce.  (34108)

This work discusses his humility, obedience to the Agustinian rule and vows, and in part his work among the native population.

This second edition additionally contains Lucas Centeno's compilation of the documents relating to the reinterment of Fr. Basalenque's remains in the Convento de Santa María de Gracia in Valladolid (now Morelia), Mexico.

•  Sabin 75779; Palau 287455; Medina, BHA, 3996.   Contemporary limp vellum with remnants of ties. Rodent damage to binding (bits devoured especially at back cover fore-edge) and some nibbling to lower edge of closed book (not anywhere near the text). Clean, solid, unwormed copy.  (28616)

Provenance:  Ownership stamp of John Carter Brown on title-page; later in the John Carter Brown Library (bookplate); note at end “Collated with G.G. Church copy. July 31, 1912. dup.” Deaccessioned 2008.

Evidence of readership: Scattered marginalia in French through p. 50, almost invariably giving the French for obscure words and phrases in Spanish in the text. Perhaps owned by someone living in the Haitian area of the island?

•  Palau 296409; Medina, BHA, 5154; Sabin 76309.   Contemporary vellum over paste boards, vellum split at fore-edge of front one exposing the substrate; vellum cockled and old, faint inked writing on it. Front hinge (inside) open; without the map; stamp as noted above. A good copy.  (28324)

The work is printed on “rice paper” (i.e., Asian paper probably from the mulberry tree) as was common in Manila during the period to ca. 1820. The typography is definitely provincial and plain, using only one decorative woodcut initial and no ornamentation on the title-page. The type is roman in a variety of sizes with a practice of using all capitals for emphasis.

The press on which this work was printed had been that of the Jesuits until Archbishop Sancho de Santa Justa carried out the king's order and expelled them; he then appropriated the press for his private use, as here. What had been only the fourth press to operate in the Islands, now with a new name, became the fifth.

Searches of NUC, WorldCat, and COPAC locate only six libraries worldwide reporting ownership: three in the U.S. {John Carter Brown, Indiana University, Newberry) one in the U.K. (Briish Library), one in Spain (national library), one in the Philippines (national library).

•  Medina, Manila, 317; Retana, Aparato bibliográfico, 379.   Recent marbled paper–covered boards (green and mauve stone pattern); red leather label on front cover. A few minor paper repairs to edges of a few leaves; a very few small pinhole type wormholes, not costing any letters; the brown spotting and staining peculiar to rice paper. Old, brief note lightly red-inked to title-page. Over all a very good copy.  (33130)

Binding/Provenance:  Contemporary full vellum withgilt-stamped supralibros “Fridericus Rex Prussiae. A. 1764.” on front covers of both volumes, suggesting they were presented to the King of Prussia that year, just after the final part was printed.  Bright red edges.

•  Bindings as above, both a little soiled, with noticeable but small spots on back cover of first vol. and front cover of second, spines rubbed erasing old ink titles and library markings. Four volumes only of six, bound in two; old-fashioned institutional rubber-stamps on title-pages and ink markings on front pastedowns. Light foxing, a few small holes from natural paper flaws, and one naturally occurring tear in part two. A single small hole resulting from chemicals in the paper in parts two and four; a few stray ink marks from the press. In good shape, printed on nice, fibrous paper and remarkably clean.  (30343)

Provenance:  Front pastedown with bookplate of the Rhode Island Medical Society (with deaccession note); title-page with early inked inscription of N. Cooke. Later in the residue of the stock of the F. Thomas Heller bookselling firm (est. ca. 1928).

•  Austin, Early American Medical Imprints, 1704; ESTC W28189; Evans 32805.   Contemporary mottled sheep, spine with gilt-stamped leather title-label and gilt-ruled compartments; binding worn and rubbed overall, spine with dark spots and extremities chipped, front joint starting. Bookplate as above. Pages age-toned and lightly waterstained, still very legible. A much-consulted work in its day, here in its initial American appearance. (40383)

Thisoversized quarto printing was described by Giani as “molto ben stampata” with “un frontespizio di rara eleganza”: a stipple-engraved, title-pagevignette portrait of the author.

Binding: Contemporary red straight-grained morocco, spine with gilt-stamped title, wide bands composed of multiple decorative rolls, and star motifs in the compartments; covers framed in gilt rolls incorporating entwined dots and laurel branches, board edges with gilt chain roll.

Provenance: Front pastedown with bookplates of Robert Wayne Stilwell and Brian Douglas Stilwell; front fly-leaf with inked inscription of W. Hutchinson.

•  Brooks 597; Giani 72 (p. 54); De Lama, II, 107; Brunet, V, 156; Graesse, VI, 279.   Bound as above; sides with a few small scrapes, extremities slightly rubbed. A very handsome copy, notably clean, unfoxed, and bright. (40169)

The title-page here is in red and black, sporting an engraved title vignette. Ornamented with woodcut head- and tailpieces (the latter repeated once) and a few woodcut initials, the primarily Latin text incorporates numerous quotations printed in Hebrew, several in Greek, three in Arabic, and one in Syriac; the sole German quotation is printed in black-letter.

Provenance:  Bookplate of Johann Christian Wilhelm Diederichs (1750–81), a philosopher and professor of Oriental languages at Göttingen and Königsberg, laid in along with those of two seminaries (plates formerly affixed to front pastedown). Front fly-leaf and one page each with an inked annotation in the same 18th-century hand, possibly Diederichs'.

•  Recent speckled paper–covered boards, spine with printed paper label; title-page with faded 19th-century institutional rubber-stamp and bottom edges with another stamp, lower outer portion of Diederichs bookplate partially torn away. Two leaves each with small paper flaw, one marginal, one affecting a few letters without loss of sense; a few corners dog-eared. Pages gently age-toned with minor to moderate offsetting and occasional slight spotting; first and last few leaves with margins browned by offsetting from old binding. Two early inked annotations as above, and a scattered handful of small inked text corrections. A thick, sturdy, fistful of a book.  (31721)

•  19th-century cream paper–covered boards with handwritten spine labels of paper, all edges speckled red; well rubbed with some loss of paper, dust-soiled especially to spines and top edges. Ex–seminary library with remnants of spine labels, bookplates on front pastedowns and a fly-leaf, small inking on endpapers, and light pencilling to title-page versos and one leaf of text. Light age-toning, with pinprick wormhole affecting margins or parts of letters (but not sense) in several gatherings, wormtracking on inner margins of a few others; a few paper flaws, small spots or stains, two repairs, one marginal tear with paper loss, another small marginal hole, two leaves with inked notes. In fact a nice old trio.  (37076)

•  ESTC T95509; NCBEL, II, 682. Old-style marbled paper–covered boards, spine with gilt-stamped leather title and date labels. Light waterstaining to upper and lower margins of first and last few leaves; title-page and a few others stamped by a now-defunct institution. Author’s name inscribed in an early hand at the end of the poem.  (8562)