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Boccaccio, Giovanni.  Il Decamerone ... nvovamente corretto. et con diligentia stampato. [colophon: Firenze {i.e., Venice}: Li heredi di Philippo di Giunta {i.e,, Angiolo Pasinello for Stefano Orlandelli}, 1527 {i.e, 1729}]. 4to (24 cm, 9.5"). [16] pp, 284 ff.

In 1527 the heirs of Filippo di Giunta printed the definitive Renaissance edition of The Decameron; it immediately became the basis for all subsequent interpretations. By the 18th century the Giunta edition of 1527 had achieved the state of being a rarity to be sought after, and demand led to supply — of this forgery. It is well done and passes the "first blush" test, i.e., it does not immediately look wrong. Pasinello, who printed it for Stefano Orlandelli "at the request of the English consul [Joseph] Smith" (Petras), did a good job of matching types and even reproducing the printer's device, which appears on the title-page and on the verso of the last leaf. Closer examination, however, shows that the paper is wrong, the typesetting is different, and the measurements of the text block are incorrect.
        Adams, in his catalogue of 16th-century books in the Cambridge University libraries, gives a handy litmus test for determining fakes of the Giunta 1527 edition: Folios 42, 102, and 108 are correctly numbered in the forgeries, but in the true 16th-century copies the numbers are 24, 101, and 168. => Brunet says the forgery consisted of 300 copies.
        Provenance: Hevdholm Bibliothek stamp on title-page; acquired by PRB&M at an auction at Freeman's in Philadelphia in 1992; sold to a private collector the same year; reacquired by PRB&M at a Swann auction over 25 years later. (Jokes about "bad pennies returning" occur to one; but this is too nice a "counterfeit" to permit fair indulgence in them!)

Pettas, The Giunti of Florence (2013 ed.), 217; Adams B2147; Gamba 172; Zambrini, Bibliotheca Boccaccesca, p. 36; Edit16 CNCE 24078; I Giunti tipografi editori di Firenze, I, p. 133; Renouard, Annali delle editione aldine; pp. 1–11; Brunet, I, p. 999. 18th-century mottled calf with round spine, raised bands, and gilt spine extra, with later endpapers; all edges carmine. Front joint (outside) abraded and opening from top, rear one just starting at bottom; front cover with two wormholes and old worm action contributing to the startings. Text is unwormed, clean, and white save for a display of foxing on the title-page and occasionally a very limited spot of soil, staining, or foxing elsewhere. => Sound, handsome, and a most interesting production.  (40738)   Please RESHELVE This.

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